Bien avant le boom actuel de l'intérêt pour la musique celtique favorisé une génération de guitaristes en herbe celtiques, Duck Baker enregistré Kid On The Mountain, qui est resté le disque solo de guitare que de la musique irlandaise et écossaise depuis plus d'une décennie.Une silhouette familière aux sessions irlandaises autour de Londres, où il a vécu dans les années 1970, le Canard a appliqué ses talents considérables à organiser la musique qu'il entend autour de lui, l'extension du vocabulaire fingerpicking américaine comme il puisé dans les racines de la musique celtique.Arrangements Duck Baker s'efforcent de maintenir non seulement l'élégance mélodique de la musique irlandaise mais aussi son dynamisme et sa passion. Considéré comme un classique par les amateurs de guitare depuis son édition originale en 1980, Kid on the Mountain reste un moment fort dans la carrière de l'un des fingerstylists contemporains les plus importants. / Guitare

Make advanced Guitar harmonies more intuitive and effective. This inventive approach to imagining and organizing notes will expand your concept of Guitar harmony.You will be able to organize and use tensions more easilyand with greater expression whether you are soloing playing in a rhythm section or in a solo Guitar context. Practical etudes over popular chord changes will help you to understand and apply these new theoreticalconcepts.The accompanying recording includes examples and play-along tracks featuring innovative guitarists Mick Goodrick and Tim Miller along with an all-star rhythm section featuring Terri Lyne Carrington on Drums andJohn Lockwood on Bass.You will learn to: develop and apply new chord voicings using a rich palette of notes; isolate and organize the most essential notes of any chord-scale (Generic Modality Compression); view chordscales as five families of 3-note chords: triads sus4 clusters 7th no 3 and 7th no 5) to be used systematically and simultaneously; leverage this chord-scale organization to lead you to inventive harmonies; incorporatetensions more intuitively into your comping and lead lines; and use new arpeggio patterns in linear improvisation.

Media Type : Book Level : Multiple Levels Musical Genre : Classic Series : Anthony Glise Urtext Number of pages : 282 This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the why rather than the how the classical guitarist does things a certain way. In the author's words, Classical Guitar Pedagogy is the study of how to teach guitarists to teach. This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.

Well-respected educator and best-selling author Jerry Snyder has put together the most versatile guitar method available. This comprehensive method for classroom or individual study comes in two sections: the first section teaches chords and accompaniment, while the second teaches note reading. This flexible method allows you to start with either section or use both sections simultaneously. The Teacher's Guide helps the instructor develop and organize a guitar class curriculum and provides background on the guitar class, teaching tips, elements of music and how to address the National Standards for Arts Education. The Teacher's Guide also includes 48 pages of reproducible worksheets. The ensemble book offers graded duets, trios and quartets as well as optional parts for bass.

Par FERGUSON JIM. In Comping Standards For Jazz Guitar renowned Guitar guru and author Jim Ferguson helps you to take your playing to the next level. Using common jazz chord progressions, this book takes you through three primary comping approaches: straight-four, moving bass lines and combo variants. In the process, you'll learn numerous chord voicings, ways to organize them and a wide variety of dynamic rhythmic figures used in jazz. Other highlights include the use of guides and pivots, chord substitution, mastering rootless chords, playing with a pianist, inverting partial harmonic structures, Latin comping, chord scales, handling modal tunes and mixing voicings. The highly detailed music examples cover most of the common jazz keys and the material comes to life on the accompanying 17-track CD. The pieces featured in Comping Standards For Jazz Guitar are in both standard notation and tablature./ Recueil / Guitare

Jimmy Bruno is one of the finest jazz guitarists of our time. From the first note of every performance he captures audiences with his electricity and presence.This Volume 2 DVD of the most recent performance filmed live at Chris' Café in Philadelphia PA presents the unique opportunity to witness Jimmy in an intimate jazz setting while playing to a home town crowd.Volume 2 features seven jazz standards performed live byJimmy Bruno with a Tenor Sax/Drums/Organ quartet and includes an up-close and personal interview with the master himself.Featuring: Jimmy Bruno Guitar; Chris Farr Tenor sax; Daniel Monaghan Drums; Lucas Brown Organ and Keyboard Bass.

Here is the great quintet by famed Classical-era Italian master Mauro Giuliani. It is in the form of a set of variations and a polonaise and was published to great acclaim in late 1814. Demanding but worth the effort to learn. Spectacular music! Includes authorittative solo part printed on high-quality paper and a digital stereo CD with full performance and second performance minus you the soloist! Performed by Andrew Keeping guitar Accompaniment: The DaVinci Quartet: Catherine Morgan 1st violin Joshua Fisher 2nd violin Juliette Jopling viola Andrew Skrimshire violoncello

With Online Audio-Wedding Favourites For Classical Guitar provides a fresh repertoire for wedding ceremonies offering a wonderful alternative to the church Organ. Selections include Canon in D (Pachelbel); Jesu Joy of Man'sDesiring (Bach); Wedding March (Mendelssohn); and other popular and enjoyable pieces suitable for the occasion. Written in standard notation only with suggested fingerings. Includes access to online audiorecording.

for Modern Jazz Guitar. Par MILLER KEVIN. Since the arrival on the jazz scene of John Coltrane, more and more guitarists are looking to incorporate colors into their language which are more dissonant than those generally heard within the realm of jazz guitar. As improvisers, saxophonists and all woodwind players have a certain advantage in that the keys on their instruments are arranged linearly with one or two chromatic pitches associated with each finger. Compared to the sax, the note locations on the guitar fretboard are much less intuitive. It seems a natural process then, for guitarists to gain fluency in improvisation by studying saxophone lines and articulation techniques.Kevin Miller has studied with several stellar teachers including Vic Juris and Rodney Jones. His knowledge of jazz history and the linear and harmonic techniques of non-guitarist giants of jazz like McCoy Tyner and John Coltrane is truly impressive. He is also very adept at transcribing and analyzing the harmonic concepts and articulation techniques used in saxophone solos and making them palatable to guitarists in notation and tablature.Miller brings it all to bear in this book, focusing on giving you new options originating from jazz masters such as John Coltrane and McCoy Tyner, for dealing with common harmonic situations within the world of jazz such as a stagnant minor chord or II-V-I. These options venture ?outside? of the basic harmonic framework, but usually settle back into the core harmonic territory. Not only is the information made accessible through numerous transcriptions of saxophone lines and techniques, Miller provides ways to internalize this material so it can be used ?in an organic way while improvising'. / Date parution : 2023-06-01/ Etude / Guitare

John Stowell is known internationally as a musician with a unique approach to Guitar supported by a sophisticated harmonic concept. John has been performing solo Guitar concerts for over thirty years and has captivatedaudiences all over the world. This DVD captures an intimate performance of his original compositions in the same format as his solo concerts and demonstrates John's daringly original approach to improvised music.Thiscollection of original compositions allows the listener to follow the development of John's ideas and organizational principles both creating progressions of chords and creating progressions of colors and rhythms. In hiscompositions John often succeeds in reaching a point where the goal as composer Paul Dukas put it is not to create dissonances but 'make multiple resonances vibrate'.The combination of John's interesting compositions andenjoyable and inspiring performances make this a unique opportunity to experience both composed and improvised ideas from a master musician.

Quiconque ayant une connaissance de base et les doigtés des accords guitare échelle peut creuser et commencer à apprendre à jouer du jazz tout de suite avec ce livre best-seller et CD par le guitariste de jazz renommé et professeur Jody Fisher, maintenant dans une édition standard notation seule.Couvrant des sujets tels que la gamme majeure et la théorie triade de base aux accords étendus et les modes, ce livre propose une etude sur toute la longueur ou de la chanson pour aller avec chaque nouveau concept introduit. Début Jazz Guitar brise la tradition séculaire de livres jazz secs, intimidant et déroutant de prévoir une étape-par-étape, une méthode agréable pour apprendre à jouer du jazz. Clairement organisé en facile-à-maîtres segments, chaque chapitre est divisé en leçons distinctes sur l'harmonie et l'improvisation. C'est la méthode idéale pour tout guitariste qui est prêt à aller au-delà des notions de base et d'explorer le jazz. / Guitare

Par FISHER JODY. Un des premiers éducateurs de l\'Amérique guitare jazz et des auteurs, et un jazz respecté la corde mélodie interprète, Jody Fisher clarifie et simplifie l\'art de créer un arrangement et l\'improvisation en tant que guitariste solo. Dans son style facile à comprendre et agréable, ce maître de la guitare solo enseigne tout de la théorie, la technique et les compétences dont vous avez besoin pour organiser commencer un voyage continu en tant que guitariste solo. Comme le dit l\'auteur, Devenir un guitariste solo est une expérience d\'apprentissage continu qui vous récompensera avec une forme très personnelle d\'expression tant que guitariste solo, vous serez complètement autonome - . Vos compétences vous libérer de la dépendance à quelqu\'un d\'autre , En outre, ces compétences seront transférées directement au jeu de groupe, de sorte que vous ne pouvez pas vraiment perdre. Jody Fisher Jazz Guitar Chord / Melody cours est un must-have pour tout guitariste de jazz sérieux. / Date parution : 2013-01-25/ Méthodes d\'apprentissage / Guitare

Bien qu'initialement considéré comme un instrument de rythme, la guitare a développé une voix solo tous ses propres au monde de Bluegrass - une voix qui est révélé par Scott Nygaard dans ce didacticiel de DVD. Tunes et solos traditionnellement exécutées sur le violon ont été adaptés par une génération de guitaristes comme base pour leurs propres solos dans le son de la musique Bluegrass. Le style est un mélange organique des airs de violon, banjo techniques tels que crosspicking et le Blues. Dans ce DVD, célèbre guitariste Scott Nygaard guides vous par le biais du violon Old-Time tune Little Billy Wilson, un arrangement de cueillette à la Croix de Home Sweet Home, un solo mélodique sur la chanson de blues Trouble dans l'esprit et vous montre comment combiner ces influences lors de la création d'un solo sur une musique bluegrass tune comme East Virginia Blues. Techniques Crosspick, violon et blues sont rigoureusement examinées et expliqués, vous donner la meilleure base possible pour développer votre propre Bluegrass solo sonore. / Guitare

Filmed at the New York jazz club Smoke Rodney Jones enlightens us with his flavorful originals like 'Groove Bone' and 'One Turnip Green ' while he indulges us with the classics such as 'Stella by Starlight ' and'Morning of the Carnival.'For Live At Smoke his first DVD as a leader Rodney Jones selected material from every stage of his career including tunes he had not previously recorded. The result isan exquisite juxtaposition of traditional and progressive works including sultry ballads floor-pounding grooves and everything in between.A gifted solo artist and an A-list sideman for Dizzy Gillespie James Brown LenaHorne and other top performers Rodney is also a dedicated educator serving on the faculty of the Manhattan School of Music since 1988.Featuring: Brian Charette on Organ Lonnie Plaxico on Bass and Ray Marchica onDrums.