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You've Selected:
Orchestra
Barenreiter
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Orchestra (1609)
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Organ (974)
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4 Parties Mixtes (147)
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Cello, Piano (120)
Chant (114)
Guitar (113)
Opera (113)
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2 Pianos, 4 hands (104)
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Harpsichord (71)
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Flute (65)
Woodwind Quintet: flute, oboe,… (65)
High voice, Piano (65)
Viola, Piano (64)
Medium voice, Piano (62)
String Trio: violin, viola, ce… (55)
Choral 3-part (50)
Clavecin Et Instruments A Cord… (49)
Soli and Orchestra (48)
Piano Quartet: piano, violin, … (47)
Chamber Orchestra (46)
Horn and Orchestra (45)
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5 Parties Mixtes (42)
2 Choeurs Mixtes (SATB Et SATB… (41)
Clarinet and Piano (41)
Soli (ATB), Choeur Mixte (SATB… (40)
Soprano, Choeur Mixte (SATB), … (39)
Soprano voice, Piano (39)
Flute, Basso continuo (36)
Orgue Et Orchestre (35)
Harpsichord and Strings (34)
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6 Parties Mixtes (33)
Conducteur (32)
2 Violins (duet) (31)
Violin, Cello (duet) (30)
Voice, Organ (30)
Voice and Orchestra (30)
2 Flutes (duet) (29)
Violin, Basso continuo (28)
Low voice, Piano (28)
2 Cellos (duet) (27)
2 Recorders (duet) (27)
Clarinet, Orchestra (27)
Choral, Orchestra (27)
Choral SSATB (26)
2 Guitars (duet) (26)
String Trio: 2 violins, cello (26)
Recorder Quartet (25)
3 Parties Similaires (25)
Trio (25)
Flute and Guitar (25)
Oboe (24)
Soli (T (Evangelist), B (Jesus… (24)
String Quintet: 2 violins, vio… (24)
Baritone voice, Piano (24)
Tenor voice, Piano (24)
Soli (STB), Choeur Mixte (SSAT… (23)
Soli (SSATB), Choeur Mixte (SS… (23)
Voice solo (23)
Double Bass (23)
Conducteur et Poche (23)
2 Violins and Basso (22)
Guitare (22)
Violon, Instruments A Cordes E… (22)
4 Parties Mixtes, Instruments … (20)
Easy Piano (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Soli (AT), Choeur Mixte (SATB)… (20)
French Horn and Piano (20)
Orchestre Et Orgue (19)
Solo instrument and Organ (19)
Choeur Mixte (SATB), Instrumen… (19)
Flute Quartet: Flute, Violin, … (19)
Gemischter Chor (SATB) und Orc… (18)
Soli (SAB), Choeur Mixte (SATB… (18)
4 Parties Mixtes Et Orchestre (18)
Choral SSAATTBB (18)
Accordion (18)
String quintet (18)
Brass Quintet: 2 trumpets, hor… (17)
Choeur Mixte (SATB), Orchestre… (17)
Cordes Et Basse Continue (17)
Soli (SATB, Soprano Aussi Chor… (17)
Harp, Orchestra (16)
Soli (SATB), Choeur Mixte (SAT… (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Clarinet (16)
4 Voix D'Hommes (16)
Piano ou Clavecin et Instrumen… (16)
2 Petits Choeurs Mixtes A 4 Vo… (16)
Piano et Orchestre (16)
Choral SSAA (16)
Ensemble Instrumental et Petit… (16)
Soli (ATB), Choeur Mixte (SATB… (15)
Quatuor (15)
Flute, Violin, Violoncello and… (15)
Choeur Mixte (SATB) Et Instrum… (15)
Quatuor De Fltes A Bec (Quatu… (15)
Gemischter Chor (SSATB/SSATB/S… (15)
Soli (T (Evangelist), B (Jesus… (15)
Violoncello, Basso continuo (14)
3 Violons, Instruments Corde… (14)
Oboe and Orchestra (14)
SB, 4 Parties Mixtes et Orches… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flte Traversire, Violon, Ins… (14)
Descant (Soprano) Recorder (14)
Violin, Viola and Orchestra (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Flute, Violin, Keyboard (basso… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Violin, Viola (duet) (14)
Soli (AB), Choeur Mixte (SATB)… (14)
Harp (14)
SATB, 4 Parties Mixtes, 2 Viol… (14)
Basse, Choeur Mixte (SATB) Et … (13)
Soprano, 4 Parties Mixtes 2 Tr… (13)
Cello, String Bass (duet) (13)
Choeur Mixte (SATB), Soli Et O… (13)
Orgue (Clavecin) (13)
Soli (STB), Choeur Mixte (SATB… (13)
Voix Haute(s) Et Piano (13)
Soli (SATB), Choeur Mixte (SAT… (13)
4 Parties Mixtes, 2 Trompettes… (13)
Bassoon, Orchestra (13)
Violin, Organ (13)
3 Guitars (trio) (13)
Violon II (13)
Viola, Organ (13)
Violon I (13)
Soli (SSTB) Et Orchestre Choeu… (12)
Pocket, Study conductor (12)
Quintette (12)
Soli (SATB), Choeur Mixte (SAT… (12)
Choeur De Chapelle, 4 Parties … (12)
Orchester (12)
String Quintet : 2 Violins, Vi… (12)
Choeur Mixte (SATB, Partie(s) … (12)
Trumpet (12)
2 Sopranos, Choeur Mixte (SATB… (12)
Treble (Alto) Recorder, Basso … (12)
Soli (SSAATB), Choeur Mixte (S… (12)
Soprano, Trompette, 2 Violons,… (12)
2 Petits Choeurs A 4 Voix Et B… (12)
Violon 2 (12)
Recorder, Piano (12)
Trombone (11)
Clarinette (Clarinette De Bass… (11)
Medium Voice (11)
Clavecin ou Piano et Instrumen… (11)
Clarinette, 2 Violons, Viole e… (11)
Gemischter Chor (SSAATBB) und … (11)
SATBasse (2 Grands Choeurs Mix… (11)
Solistes (SATB), Choeur Mixte … (10)
S, A, A, T, B, Choeur Mixte A … (10)
Orchestre de Jeunes (10)
2 Choeurs Mixtes 4 Voix (10)
Organ, Piano (duet) (10)
Solistes (STB), Choeur Mixte (… (10)
All Instruments (10)
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String Trio: 2 violins, viola (10)
Solistes, Choeur Mixte (SATB),… (10)
Violon, Viole et Violoncelle (10)
Flute, Clarinet (duet) (10)
Basse, Choeur Mixte (SATB), Ha… (10)
Violon, Viole Et Orchestre (10)
Concert band, Choral (10)
2 Fltes Traversires, Instrum… (10)
Soli (STB), Choeur Mixte (SSAT… (10)
Clavecin, 2 Fltes A Bec Et In… (10)
Choeur Mixteor (SATB), Orchest… (10)
Organ, Voice (10)
2 Parties Similaires (10)
Choeur De Femmes A 1 A 5 Voix,… (10)
2 Recorders, Basso continuo (t… (10)
Clavecin (10)
Solo Instrument (Violon I, Vio… (9)
ATB S, S, T, T, Choeur Mixte (… (9)
Viole et Orchestre (9)
Choral 2-part (9)
Oboe, Piano (duet) (9)
Orgue, 2 Trompettes et 3 Tromb… (9)
2 Choeurs Mixtes 4 Voix et B… (9)
2 Violons, Instruments A Corde… (9)
SATB, 4 Parties Mixtes et Inst… (9)
Bassoon, Piano (duet) (9)
Voice, Clarinet, Piano (9)
2 Violons et Viole (9)
Choeur Mixte A 5 Voix (9)
2 Violons Et Orchestre (9)
Flute, Violin and Violoncello (9)
Choeur De Chapelle, Choeur Mix… (9)
Bassoon (9)
Cordes, Basse Continue, Partie… (9)
Vocal duet (9)
Clarinette, Viola and Piano (t… (9)
5 Parties Mixtes, Instruments … (9)
4 Guitars (Quartet) (9)
Choeur Mixte (SSATB) et Basse … (9)
Trumpet, Piano (9)
Octuor (8)
French horn (8)
Quintette Cordes (8)
Violon 1 (8)
Clarinette Basse, Trombone, Pi… (8)
Choeur Mixte (SAB/STB) (8)
Hautbois, Instruments Cordes… (8)
Choeur Mixte (Voix SAM), Flte… (8)
Soli (SSATB), Choeur Mixte (SA… (8)
S, A, (T, B Du Choeur), Choeur… (8)
Ensemble A Vent (8)
Hautbois, Violon, Instruments … (8)
Flte Traversire, Hautbois, C… (8)
S, S, A, T, B, 5 Parties Mixte… (8)
Voix Hautes (8)
Treble (Alto) Recorder (8)
Musique de chambre (8)
Choeur Mixte 5 Voix (8)
2 Clarinets (duet) (8)
3 Violons, Alto et Violoncelle… (8)
Horn, Violin, 2 Violas and Cel… (8)
S, A, T, B Du Choeur Ad Libitu… (8)
Recorder (8)
4 Parties Mixtes (Ou 3 Parties… (8)
6 8 Parties Mixtes et Basse … (8)
Choeur Mixte (SATB, Partie(s) … (8)
Soli (STB) Et Orchestre (8)
Soli (SATB), Gemischter Chor (… (8)
4 Guitares ou Ensemble de Guit… (8)
Trio avec Piano (8)
Descent (Soprano) Recorder, Pi… (8)
4 Parties Mixtes, 2 Violons, 2… (8)
Soprano ou Tnor, Soprano ou T… (8)
Hohe Stimme, Melodie-Instrume… (8)
S, T, 4 Parties Mixtes Instrum… (8)
Choeur Mixte (SSATB) Et Instru… (8)
Voix, Instruments (8)
Soli (SSATTBB), Choeur Mixte (… (8)
Double bass, Piano (duet) (8)
Flte Traversire, Clarinette,… (7)
S, A, T, B, Choeur Mixte A 4 V… (7)
Harpsychord (7)
Cordes Et Orgue (7)
5 Parties Mixtes, 2 Trompettes… (7)
Piano, Violon Et Violoncelle (7)
2 Pianos et Orchestre (7)
Cordes et Basse Continue (2 Fl… (7)
Soprano, Choeur Mixte 4 Voix… (7)
Choeur Mixte (SATB), 2 Cors, 2… (7)
3 Parties Mixtes, Flte A Bec … (7)
Choeur Mixte (SATB), Choeur De… (7)
Tnor, Basse (A, B), Solistes … (7)
Clarinette, Basson, Cor, 2 Vio… (7)
SATB, 4 Parties Mixtes, 3 Clar… (7)
Piano (Ou Clavecin) Et Orchest… (7)
Choeur Mixte (SATB), Instrumen… (7)
2 Hautbois, Basson, 2 Cors, In… (7)
Soli (SATB), Choeur Mixte (SAT… (7)
Clarinet, Cello, Piano (trio) (7)
Baryton, Choeur De Garons A 2… (7)
Choeur Mixte (SATB, Partie(s) … (7)
SB, 5 Parties Mixtes, Instrume… (7)
1 Voix, Quatuor Pour Fltes A … (7)
Mezzo-Soprano voice, Piano (7)
S, S, Basse (Chorale Ou En Sol… (7)
Flte Traversire, Violon et B… (7)
Flexible Instrumentation (7)
4 Parties Similaires Et Orches… (7)
Soli, Choeur Mixte (SATB), Ins… (7)
3 Hautbois, Basson, Instrument… (7)
Organ, Trumpet (duet) (7)
2 Trompettes, Batterie Et Orch… (7)
6 Instruments Cordes et Bass… (7)
Trompette Et Orchestre (7)
Soli (SATB), Chor (SATB/SATB) … (7)
T, B, Hautbois, Instruments A … (7)
Soli (SB) Et Orchestre (7)
3 Parties Similaires, Flte A … (7)
2 Choeurs Mixtes A 4 Voix, Ens… (7)
Drums (7)
Choeur Mixte (SATB), Flte A B… (7)
4 Parties Mixtes, 2 Trompettes… (7)
Choeur Mixte (SAB), Flte A Be… (7)
Violon 1, Violon 2, Alto, Viol… (7)
Oboe, Basso continuo (7)
Streichorchester (7)
Violin, Clarinet, Piano (trio)… (6)
2 Violas (duet) (6)
Violon, Clavecin Obligatoire E… (6)
Clavecin, Hautbois Obligatoire… (6)
Hautbois, Basson, Violon, Viol… (6)
Clavier et Piano (6)
Flute Trio: 3 flutes (6)
Soli (SATB), Chor (SATB) und K… (6)
Klavier und Orchester (6)
Choeur Mixte (ATB) Ou Choeur D… (6)
2 Petits Choeurs 4 Voix, 2 G… (6)
Soli (du Choeur), 1 Voix D'Enf… (6)
Soli, Gemischter Chor 1 & 2, … (6)
String Quintet: 2 violins, 2 v… (6)
Percussion (6)
Saxophone and Orchestra (6)
4 Fltes Bec (Instruments … (6)
4 Parties Mixtes, Choeur De Pa… (6)
3 A 5 Parties Mixtes (6)
Solistes (SATB) . Choeur Mixte… (6)
2 Fltes Traversires, 2 Hautb… (6)
Flute Quartet: 4 flutes (6)
2 Flutes, Violoncello (6)
4 Parties Mixtes, 2 Violons et… (6)
Orgue (Piano) (6)
Alto, Cordes Et Basse Continue… (6)
Viole, Instruments A Cordes Et… (6)
Kammerorchester (6)
Hautbois D'Amour (Hautbois), I… (6)
Soli (SATB), Gemischter Chor (… (6)
Violin, Cello, Organ (6)
Choral, Organ (6)
2 Matres De Chapelle Du Choeu… (6)
Choeur Mixte A 3 Voix, 2 Violo… (6)
Soprano, Orchestre et Orgue (6)
2 Fltes A Bec, Hautbois, Viol… (6)
Cordes (Aussi Chorale) (6)
4 A 6 Parties Mixtes (2 Guitar… (6)
Hautbois, Trompette, Instrumen… (6)
Tuba (6)
Flute, Cello, Piano (trio) (6)
Choeur Mixte A 4 Voix, 2 Violo… (6)
Soli (SATB), Choeur Mixte (SAT… (6)
Hautbois, Clarinette, 4 Violon… (6)
2 Choeurs Mixtes (SATB Et SATB… (6)
Flte Bec Alto, Instruments … (6)
3 Parties Mixtes (SSB, Aussi E… (6)
Gemischter Chor (SATB/CantoATB… (6)
Instruments A Vent (6)
Soli (SAT), Choeur Mixte (SATB… (6)
Alto, 4 Parties Mixtes Orchest… (6)
S, S, A, T, Basse (Aussi Chora… (6)
3 Parties Mixtes, 2 Violons Et… (6)
Choeur Mixte (SATB), Flte A B… (6)
Clavecin et Instruments Cord… (6)
Soli (SATB), 2 Choeurs Mixtes … (6)
4 Voix (Tnor, Flte Bec Alt… (6)
Choeur De Femmes A 3 Voix (Cho… (6)
6 Pianos Et Orchestre (6)
Piano (Ou Clavecin) Et Orchest… (6)
Flte Traversire et Instrumen… (6)
3 Recorders (trio) (6)
3 Instruments Cordes/4 Instr… (6)
SingSt, Klavier (6)
4 Parties Mixtes, Flte Traver… (6)
Gesang (6)
Violin, Horn and Piano (6)
Soprano voice, Orchestra (6)
Petit Orchestre (6)
Stationery (6)
Choeur Mixte (SATB), 2 Trompet… (5)
Blechblser (5)
Voix Hautes (Original) et Pian… (5)
2 A 4 Parties (5)
Voix Haute(s) Ou Moyenne(s), 1… (5)
2 Violons ou Flte Traversire… (5)
Organ and Brass Quartet (5)
Solistes (SAAATTTTBBB), Choeur… (5)
2 Fltes Traversires, Instrum… (5)
Soprano, Violon I, Violon II e… (5)
Soprano, Choeur Mixte (SSATB, … (5)
Choeur Mixte (SATB), 2 Hautboi… (5)
Matre De Chapelle (Tenor Et R… (5)
2 Hautbois (Ou 2 Fltes A Bec … (5)
Choeur Mixte (SATB) Et Basse C… (5)
2 Fltes Traversires, 2 Hautb… (5)
Quintette (2 Violons, Viole et… (5)
Choeur Mixte et Orchestre (5)
Flte Traversire, 2 Hautbois,… (5)
3 Parties Mixtes (5)
Instrument (5)
Trompette et Orchestre de Cham… (5)
5 Parties Mixtes, Instruments … (5)
Flte Traversire, 2 Hautbois,… (5)
Soli (SATB), Chor (SATB) und O… (5)
Soli (SSATTB), Choeur Mixte (S… (5)
3 Clarinets (trio) (5)
4 Parties Mixtes et Orgue (5)
S, S Basse (Aussi Chorale), 2 … (5)
4 A 6 Parties Mixtes (5)
Choral SSAATBB, Organ (5)
Choeur Mixte (SAB) (2 Violons … (5)
3 Guitares ou plus (5)
Descant (Soprano) Recorder, Ba… (5)
Solistes, Choeur Mixte, et Orc… (5)
3 Instruments Mlodiques et Ba… (5)
2 Choeurs Mixtes (SATB et SATB… (5)
Viole (5)
Singstimme (5)
Concert band (5)
Saxophone (5)
Triangle et Orchestre Cordes… (4)
Baryton, Choeur Mixte (SATB), … (4)
Voix Haute(s), 5 Parties Mixte… (4)
2 Violons, Instruments Corde… (4)
3 Choeurs d'Hommes (TTBB) (4)
S, T, 2 Violons Et Violoncelle… (4)
Guitar, String Quartet (4)
Violoncelle (Partie Spare) (4)
Viol et Basse Continue (4)
S, SATB, B, (2 Grands Choeurs … (4)
Clarinette et Instruments Co… (4)
2 Violons ou Clarinette et Vio… (4)
Flte Traversire, Accesoires … (4)
Organ, Percussion (4)
2 Violons, Violoncelle (ou Alt… (4)
S, A, T, T, B, 5 Parties Mixte… (4)
Flte Traversire Alto (Grande… (4)
Organ and Orchestra (4)
Flte Traversire, Hautbois et… (4)
Low voice, Organ (4)
Soprano, Flte Traversire, Vi… (4)
Klavierauszug - Sopran solo, … (4)
Choeur Mixte (SATB), Hautbois … (4)
Lute (4)
Flte Traversire, Orchestre D… (4)
4 Parties Mixtes, Instruments … (4)
Flte Traversire ou Violon), … (4)
4 A 10 Parties Mixtes (4)
Violon, Viole ou Violon et Bas… (4)
Solistes (SSATTB), Choeur Mixt… (4)
Flte Traversire Alto, 2 Flt… (4)
Violoncelle, Contrebasse, Bass… (4)
1 ou 2 Fltes Bec Soprano (4)
Hautbois, 2 Cors et Instrument… (4)
2 Violons ou Flte Traversire… (4)
Contrebasse (Partie spare) (4)
Wind ensemble (4)
2 Violins, Piano (4)
Flte Bec Soprano, Flte B… (4)
Musique de Chambre et Piano (4)
2 Choeurs Mixtes 4 Voix (SSA… (4)
Flte Traversire ou Violon), … (4)
Choeur Mixte A 2 A 8 Voix Et O… (4)
Flte Bec Alto, Flte Bec … (4)
Soli (ATB), Chor (SSATB) und O… (4)
Piano et Quatuor Cordes (4)
2 Flutes, Piano (4)
Solistes, SATB et Orchestre (4)
Vocal (4)
Alto, 2 Violons et Basse Conti… (4)
Hautbois D'Amour et Orchestre … (4)
Flte Bec Soprano, Flte B… (4)
Baryton, Choeur Mixte (SATB), … (4)
Piccolo, Piano (4)
Low voice (4)
Violon Solo, Violoncelle Solo,… (4)
Horn und Orchester (4)
4 5 Parties Mixtes (4)
Violon, Violoncelle et Contreb… (4)
2 Gemischter Choren, Orcheste… (4)
Alto Saxophone and Piano (4)
Soli (SAATTBB), Choeur Mixte (… (4)
Flte Traversire (Ou Flte Tr… (4)
Flte Bec Soprano, Flte B… (4)
S, B, 2 Violons Et Basse Conti… (4)
2 Violons, Violoncelle et Bass… (4)
Flte Traversire Hautbois, Ba… (4)
Violoncelle et Orchestre de Ch… (4)
Soprano, Choeur Mixte (SATB) E… (4)
S, S, B, 3 Parties Mixtes, 2 V… (4)
Hautbois, Clarinette et Basson… (4)
Soli , Choeur Mixte (SATB) Et … (4)
Soli Et Sonates En Trio pour I… (4)
Solostimmen (SSB) auch Chor (… (4)
Flte Traversire, Violon, Vio… (4)
Violon, Viole, Flte Traversi… (4)
2 Fltes Traversires et 2 Fl… (4)
Violon, Cor Anglais ou Cor et … (4)
Viole de Gambe, Clavecin et Ba… (4)
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Castor et Pollux RCT 32A-B (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor...
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Tragédie in one Prologue and Five Acts. Par RAMEAU JEAN-PHILIPPE. Rameau Castor et Pollux RCT 32A-B (Versions from 1737 and 1754) Symphonies (Full Score) Symphonies / Versions from 1737 and 1754 This collection of all instrumental numbers from 'Castor et Pollux' (tragédie in a prologue and five acts) brings together the movements and dances of all versions based on the volumes of the ?Opera Omnia Rameau? IV.3 (version 1737, BA08874-01) and IV.23 (version 1754, BA08864-01). Orchestras can use this to compile a suite to meet their needs aided by a register which offers a separate overview sorted by key. The performance material of the 'Symphonies' is available on hire in the accustomed high quality of the ?Opera Omnia Rameau?. - Compilation of the instrumental numbers from all opera versions - Overview of the keys to enable a tailor-made compilation of orchestral suites - Based on the scholarly-critical new edition of all original versions - Performance material available for hire / Date parution : 2023-06-01/ Répertoire / Orchestre
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BEETHOVEN L.V. - LEONORE OUVERTURE N°3 - SCORE
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Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of t...
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Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of the ?Leonore? overtures- Based on the G. Henle Complete Edition of the ?Works of Ludwig van Beethoven?- Orchestral parts in an enlarged format (25.5 cm x 32.5 cm)Of the four overtures that Beethoven composed for his only opera, the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for its ?incessant dissonances and overblown fluttering of the violins? (Wiener Theater-Zeitung, 1806), but it soon became famous as ?one of the most imposing, difficult, yet richest and strangest of compositions? (Allgemeine Musikalische Zeitung, 1810). This version of the ?Leonore Overture? quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.The editor has devoted herself to the complex genesis of the various ?Leonore Overture? versions, in particular the question whether the trumpet call in measures 272?277 and 294?299 should be played by one or two instruments. The edition is based on the Complete Edition of the ?Works of Ludwig van Beethoven? issued by the G. Henle publishing company. / Grand format / Barenreiter
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Nocturne for String Orchestra in B major Op. 40 (DVORAK ANTONIN)
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Par DVORAK ANTONIN. / Date parution : 2022-11-08/ Répertoire / Orchestre
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Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
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Par RAMEAU JEAN-PHILIPPE. Richer than ever Rameaus Zoroastre in the ver...
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Par RAMEAU JEAN-PHILIPPE. Richer than ever Rameaus Zoroastre in the version of 1756. Opera in five acts. Rameaus revised version of his opera Zoroastre, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from todays point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameaus most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime Hymne à la Lumière, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with Zoroastre the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Glucks opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of Opera Omnia Rameau - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
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Symphony No.52 in C minor Hob.I:52 (HAYDN JOSEPH)
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Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn...
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Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob.I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob.I:44 (?Mourning?, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller?s journal ?Musikalische Nachrichten und Anmerkungen? of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag. - Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag - Orchestral parts in a large format (25.5 cm x 32.5 cm) / Date parution : 2022-11-08/ Répertoire / Orchestre
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Sinfonie In C (HAYDN JOSEPH)
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Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Scor...
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Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydns symphonies, amongst them the Laudon Symphony Hob. I:69. In one of these letters, Haydn agrees to the publishers suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition Joseph Haydn Works published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition Joseph Haydn Works published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre
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BUNK GERARD - BUNK - SONATE EN FA MINEUR OP.32
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/ Partitions classique / Ensemble et orchestre / Ensemble mixte / BARENREITER
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DVORAK A. - SYMPHONIE N°9 OP.95 SYMPHONIE DU NOUVEAU MONDE - CONDUCTEUR
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Dvorák, Antonín
Symphony no. 9 in E minor op. 95 New World
- Groun...
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Dvorák, Antonín
Symphony no. 9 in E minor op. 95 New World
- Groundbreaking Urtext edition taking new sources into consideration
- Offers solutions for controversial musical questions
- With an informative Foreword (Eng/Cz/Ger) and a detailed Critical Commentary (Eng)
The ?New World? Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition.
Yet again Jonathan Del Mar has managed to untangle a complex network of surviving sources, some of which have never been taken into account before. Among them are several musical examples in Dvorák?s hand known to have been used in a lecture he held at Columbia University shortly after the première given by the New York Philharmonic under the baton of Anton Seidl.
Del Mar thus sheds light, for example, on the frequently debated rhythm of the horn entrance in measure 4 of the opening movement and illuminates Dvorák?s vague instructions on the use of mutes in movement 2. / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
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Die Geschöpfe des Prometheus - Ouverture (BEETHOVEN LUDWIG VAN)
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Op. 43. Par BEETHOVEN LUDWIG VAN. / Date parution : 2022-05-03/ Répertoire / O...
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Op. 43. Par BEETHOVEN LUDWIG VAN. / Date parution : 2022-05-03/ Répertoire / Orchestre
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Symphony no. 9 in E minor op. 95 New World
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Par DVORAK ANTONIN. Since 2019 the ?New World? Symphony, a jewel of the symphoni...
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Par DVORAK ANTONIN. Since 2019 the ?New World? Symphony, a jewel of the symphonic repertoire, has been available from Bärenreiter in a reliable scholarly edition in which the editor, Jonathan Del Mar, clarified the complexities of the work?s source transmission. He did this by consulting previously overlooked sources, including music examples in Dvorák?s hand that the composer is known to have used in a lecture he delivered at Columbia University, New York, shortly after the symphony was premièred by the New York Philharmonic under Anton Seidl. With this volume the Del Mar edition is now available in a practical study score with a new introduction by Dvorák authority Jan Smaczny. / Date parution : 2022-04-05/ Répertoire / Orchestre
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Ouverture Egmont (BEETHOVEN LUDWIG VAN)
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Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was writte...
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Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was written in 1809 for a performance of Goethe?s drama ?Egmont? at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe?s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music, and over the last two hundred years it has become one of the most popular works by Beethoven conceived for the stage. For this new edition, Beethoven specialist Jonathan Del Mar draws on various manuscript sources including a handwritten set of parts which has never been taken into account before. Thus, numerous discrepancies such as missing notes in the flute part or unclear bowing could be clarified for the first time. / Date parution : 2022-04-05/ Répertoire / Orchestre
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Ouverture Coriolan (BEETHOVEN LUDWIG VAN)
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Op. 62. Par BEETHOVEN LUDWIG VAN. Beethoven?s ?Coriolan? overture was composed i...
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Op. 62. Par BEETHOVEN LUDWIG VAN. Beethoven?s ?Coriolan? overture was composed in 1807. Whether the work was originally intended as a concert overture or for the stage has not been clarified to this day. The work was first performed at the Palais Lobkowitz and it was the Lobkowitz family who played a decisive role in the transmission of the sources. For this new edition, Beethoven specialist Jonathan Del Mar incorporates various manuscript sources, including a handwritten set of parts that has never been considered before. As a result, numerous discrepancies could be clarified. / Date parution : 2022-04-05/ Répertoire / Orchestre
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Symphonie Nr. 1 op. 5 (GADE NIELS WILHELM)
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Par GADE NIELS WILHELM. 'I can?t remember when another work made a more lively, ...
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Par GADE NIELS WILHELM. 'I can?t remember when another work made a more lively, beautiful impression on me? ? this is what a very enthusiastic Felix Mendelssohn wrote to Niels Gade in January 1843. On March 2nd he premiered Gade?s C minor Symphony at the Leipzig Gewandhaus. On 26 October of the same year the 26 year old Danish composer conducted the second performance himself and in the following year he was engaged as co-conducter of the Gewandhaus concerts. His first symphony, however, was to remain Gade?s greatest success: unique are its colourful instrumentation, atmospheric melodies and the characteristic sound world which we know as Nordic. This volume presents Gade?s opus 5 as volume I.1 of the Complete Edition ?Niels W. Gade / Works?, edited by Finn Egeland Hansen. The volume also contains a preface by Inger Sørensen as well as a separate discussion of the musicological reception of this central work. / Date parution : 2022-03-05/ Répertoire / Orchestre
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Joseph Haydn: Symphony in E-flat major Hob. I:76: Orchestra: Score
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Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 an...
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Haydn composed his Symphony no. 76 at the same time as his Symphonies nos. 77 and 78 for a planned trip to England that never took place. Nonetheless, H. C. Robbins Landon calls these works the ?English symphonies? as they arestylistically closely linked to the ?London Bach?, Johann Christian Bach. Haydn himself, in a letter of 1783 to his Parisian publisher Charles-Georges Boyer, described the symphonies as ?Leicht und nicht vil Concertirend?, meaningthat they were light in spirit and did not contain extensive solo passages but rather a clear sense of classical form. Continuing the cooperation between Bärenreiter and the G. Henle publisher regarding Haydn?s large-scalechoral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the ?Works of Joseph Haydn?. The Bärenreiter catalogue now includes the complete performance material for several ?Sturm und Drang?symphonies as well as all the London and Paris symphonies.
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Jean-Philippe Rameau: Dardanus RCT 35A-35B: Orchestra: Score
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Dardanus RCT 35A-35B
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Jean-Philippe Rameau: Le Temple de la Gloire RCT 59: Orchestra: Score
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Le Temple de la Gloire RCT 59. Rameau?s only extant opera based on a libretto by...
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Le Temple de la Gloire RCT 59. Rameau?s only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the ?Opera omnia Rameau? now provides a complete edition for the first time and thus the means to perform both versions. Voltaire refers to Metastasio in his libretto, in that he wanted to liberate the opera from the gallant milieu in order to make it a moralising and at the same time both edifying and political work of art for the stage. Following a prologue dedicated to the personified Envy, the tyrants Bélus and Bacchus are chased out of the Temple of Glory and Trajan is finally crowned with a laurel wreath for defeating the rebels, forgiving them and then transforming the Temple of Glory into a public temple. The music contains many remarkable passages, examples being a richly orchestrated overture, the famous monologue ?Profonds abîmes du Ténare? with obbligato bassoons and Trajan?s artful final scene ?Ramage d?oiseaux?. The opera?s individual instrumental movements are also available in the customary manner now as a practical separate edition. The performance material is available on hire.
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Antonin Dvorak: Symphony No. 8 In G Major Op. 88: Orchestra: Study Score
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Symphony No. 8 In G Major Op. 88. With its Bohemian echoes and thematic diversit...
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Symphony No. 8 In G Major Op. 88. With its Bohemian echoes and thematic diversity, Symphony No. 8 enjoys a special status among lovers of Antonín Dvorák's music. For a long time, the performance material for this work has been notorious for its myriad mistakes. For his edition of Dvorák's 8th Symphony, editor Jonathan Del Mar was therefore faced with the task of making comprehensive corrections. He has taken into account the engraver?s copy, which was actually discovered in a trash bin at Novello?s in 1964. Its title page bears the words ?Copied from my original manuscript? in Dvorák?s hand. This source proves that many of the readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist?s pen. This study score edition is complemented by the full score and orchestral parts (BA10418).
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Bedrich Smetana: Vysehrad: Orchestra: Full Score
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Symphonic Poem-In late September 1874 shortly after losing his hearing Smetana...
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Symphonic Poem-In late September 1874 shortly after losing his hearing Smetana started work on â??VyÅ¡ehradâ? the first symphonic poem in what would become a six-part cycle with the title â??Má vlastâ? (My Country). It tells the eventful history of this fort in Prague.â??VyÅ¡ehradâ? was published by Urbánek together with â??Vltavaâ? (The Moldau) the next part in the cycle in a version for piano duet in December 1879. The full score and parts proofread by the composer followed in February 1880. Hugh Macdonald has corrected many errors in this first edition. He draws on the autograph and first print of the orchestral version and also refers to the autograph and printed piano duet version.In late September 1874 shortly after losing his hearing Smetana started work on â??VyÅ¡ehradâ? the first symphonic poem in what would become a six-part cycle with the title â??Má vlastâ? (My Country). It tells the eventful history of this fort in Prague.â??VyÅ¡ehradâ? was published by Urbánek together with â??Vltavaâ? (The Moldau) the next part in the cycle in a version for piano duet in December 1879. The full score and parts proofread by the composer followed in February 1880. Hugh Macdonald has corrected many errors in this first edition. He draws on the autograph and first print of the orchestral version and also refers to the autograph and printed piano duet version.
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The Nine Symphonies
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Entre 1996 et 2000 Barenreiter publié des éditions savantes critiques de Beeth...
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Entre 1996 et 2000 Barenreiter publié des éditions savantes critiques de Beethoven neuf symphonies édité par la première classe musicologue Jonathan Del Mar. Le processus de rédaction a été une entreprise colossale en raison de la situation source complexe en ce qui concerne les symphonies de Beethoven qui a culminé avec la Symphonie avec choeurs, qui est venu jusqu'à nous dans près de 20 sources différentes. Ce n'était donc pas surprenant que Barenreiter de la nouvelle édition Urtext eut un grand retentissement dans le monde de la musique.Depuis la publication, édition Del Mar bénéficie l'éloge sans bornes de conducteurs, les artistes et la critique et est devenu la publication la plus largement utilisée des Symphonies de Beethoven qui peut être entendu non seulement tous les jours dans les salles de concert, mais aussi sur les enregistrements de CD par John Eliot Gardiner , David Zinman, Jos van Immerseel et Claudio Abbado. / Conducteur / Partition
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. Incarnati...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. Incarnation (1956), Bohuslav Martinus fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinus friend Rudolf Firkuný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, Concerto in B flat major for Piano and Orchestra, known under the name Fantasia Concertante, was to be Martinus very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composers own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
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Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Arc...
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Violoncello/Bass. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
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Viola. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach ...
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Viola. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232
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Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présente...
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Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.:Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris.Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets.' / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
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Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives B...
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Violin Ii. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Mass In B Minor Bwv 232 (BACH JOHANN SEBASTIAN)
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Set Of Winds. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archive...
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Set Of Winds. Par BACH JOHANN SEBASTIAN. Barenreiter en liaison avec les Archives Bach de Leipzig est fière de présenter la nouvelle édition de la Messe en si mineur Cette nouvelle édition présente de nouvelles conclusions et de nouvelles idées.: Des renseignements précieux pour les lectures de la partition autographe de la messe ont été tirées de la section 'Pièces de Dresde''' de 1733, en grande partie écrit par Bach lui-même. Les différentes lectures des parties sont clairement différenciées à partir des lectures de la partition autographe de l'utilisation des passages imprimés en gris. Pour la première fois annotations de JS Bach et CPE Bach peuvent être différenciés en utilisant une analyse d'encre (spectrographie des rayons X de plus de 500 places dans la partition). Toutes les corrections, ajouts et modifications par le fils de Bach et des lieux qui restent douteuses (en raison de l'érosion d'encre ferro-gallique) figurent dans l'édition entre crochets. '/ Répertoire / Orchestre
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Kalanus Op. 48 (GADE NIELS WILHELM)
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Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus, a 'dramatic poem for soloists...
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Dramatic Poem. Par GADE NIELS WILHELM. 'Kalanus, a 'dramatic poem for soloists, choir and orchestra op. 48 was composed between June 1867 and March 1869 and is based on a text by Carl Andersen. A historical event during Alexander the Great's Indian campaign (326 AD) serves as the origin of the material: Alexander met Indian philosopher Kaljana, referred to as Kalanos in ancient sources. Gade had originally intended to unite the composition with 'Korsfarerne (The Crusaders) (1866), and another work with Jewish-historical content in 'a type of trilogy, however, he later abandoned his plan and 'Kalanus remained in its singular form. The reception of the work was predominantly positive in regard to the music, while form and subject received a somewhat reserved response./ Répertoire / Orchestre
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Symphonic Extracts From The Conducting Score: Les Fêtes De L'Hymen Et De L'Amour
Orchestra
Barenreiter
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate b...
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Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre
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Le Nozze Di Figaro Kv 492 (Les Noces de Figaro)
Orchestra
[Study Score / Miniature]
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Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheate...
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Studienpartitur. Par MOZART WOLFGANG AMADEUS. Premièred at the Vienna Hoftheater on 1 May 1786, Wolfang Amadeus Mozart?s and Lorenzo Da Ponte?s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozart?s music: on the contrary, because of the extraordinary demands it placed on the orchestra (especially the woodwinds), the music even posed an obstacle to the work?s spread outside the German-speaking countries. At least equally responsible for the opera?s success was the librettist Lorenzo Da Ponte, who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing. Many of the sources for Mozart?s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the ?New Mozart Edition? volume was published. These include the autograph scores of acts 3 and 4, now held at the Biblioteka Jagiello ka in Kraków, significant portions of the original sets of parts and acts 2 to 4 of the conductor?s copy from the first performance of 1786. These original sources, now available again, offer compelling solutions to several previously unresolved questions. Edition based on the Urtext of the ?New Mozart Edition? reflecting the latest musicological research With findings from original sources now available again Detailed foreword (Ger/Eng) Full score (BA4565-01), Vocal score (BA4565-92), study score format 22. 5 x 16. 5cm
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Variations On An Original Theme For Orchestra 'Enigma'
Orchestra
Barenreiter
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