Waves Under Water - Version For Orchestra by Henrik Hellstenius (2015). Commissioned by Statoil and Stavanger Symphony Orchestra. Premiered by Stavanger Symphony Orchestra June 3 2015.

Symphony No. 13 for Orchestra was composed in 2013 by Danish composer and organist Ib Nørholm. Premiered by the Danish Radio Symphony Orchestra and Baldur Brönnimann (cond.) on March 09 2017. Parts are available on hire: hire@ewh.dk  

I Én Sats For Violin og Orkester-Koncert (i én sats) for violin og orkester / Concerto (in one movement) for Violin and Orchestra (1943-44) BVN 289. Violin solo part: WH32410D Parts are available on hire: hire@ewh.dk Manuskopi / Manuscript copy

The Full Score for Benjamin Britten's Young Apollo Op.16. For Piano and string Orchestra this is a radiant expressive characterful and dramatic work that signified Britten's return to tonality and a fresh approach to his composition.

Marienlyst. Instrumentation: Baritone solo choir (unison) chamber orchestra (3.0.0.0/0.2.0.0/timp/str). BVN404

The first performance of 'Asyla' was given by the City of Birmingham Symphony Orchestra conducted by Sir Simon Rattle in the Symphony Hall Birmingham on 1 October 1997.

Invisible Cities for Orchestra by Swedish composer Britta Byström (2013). Programme note: Invisible Cities is an orchestral piece inspired by the Italian writer Italo Calvino's novel 'Le città invisible' (1972). The novel consists of many short poetical descriptions of wondrous cities. This is what the explorer Marco Polo reports to Kublai Khan of what he has seen during his travels. Gradually though Kublai Khan begins to suspect that Marco Polo all the time describes one and the same city but in many different ways: Marco Polo's own hometownVenice.  This was also my musical idea: to present the same motif in many different ways. The piece has eleven movements just as the novel consists of eleven different kinds of cities. Before every new musical 'city' there is a 'walk' – a little piano line which takes the listener from one city to another. This piano line is a quotation from Witold Lutoslawski'sVenetian Games. There are also other music connected to Venice hidden in my piece: the well-known Barcarolle by Offenbach and some fragments from Carnival in Venice. These references are the 'invisible cities' of my piece the material hidden under the music's surface. Marco Polo explains to Kublai Khan: 'To distinguish the other cities' qualities I must speak of a first city that remains implicit. For me it is Venice.'  (c) Britta Byström  Britta Byström’s careful ear for musical qualities such as timbre and resonance has resulted in an idiom that could almost be labeled impressionistic. She began composing already as a teenager and later studied composition at Musikhögskolan in Stockholm with Pär Lindgren and Bent Sørensen.

Version 1-Symphony No.5 (Version 1) by Rued Langgaard. BVN191. Composed 1917-18 (rev.1926). Instrumentation: 3.3.3.3/4.3.3.1/timp/perc/arpa/archi. Crititcal edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition.

Symphony No.12 'Hélsingeborg' BVN 318 by Rued Langgaard (1946). Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition. Instrumentation: 3.3.3.3/4.3.3.1/timp/perc/str.

Symphony No.10 'Hin Tordenbolig'('Yon Hall of Thunder') BVN 298 by Rued Langgaard. Composed 1944-45. Critical edition by Bendt Viinholt Nielsen - The Rued Langgaard Edition Instrumentation: 5.3.5.3/4.3.3.1/timp/2perc/pianino/str.

Hvidbjerg-Drapa. Instrumentation: Mixed choir SSAATTBB 3.2.2.2/4.3.3.1/timp/2 perc/org/str. BVN343

Symphony No.8 'Minder ved Amalienborg'. Instrumentation: Tenor solo + mixed choir 3.3.3.4/6.3.3.2/timp/2 perc/pno/archi. Composed 1926-28 (rev. 1929-34). BVN193.