Par MASSON THIERRY / GUILLEM PATRICK. Ce recueil s'adresse aux élèves qui débutent la guitare et le piano et souhaitent découvrir le plaisir du duo dès leur deuxième année d'instrument. / Niveau : Débutant / classique / Répertoire / Guitare et Piano

Transcriptions to the Concerto featuring the jazz piano of Claude Bolling and the classical guitar of Alexandre Lagoya. Also includes parts for bass and drums.

Par MASSON THIERRY / GUILLEM PATRICK. / variété - jazz / Recueil / Guitare et Piano

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played onguitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played onguitar. Included are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto).

Par SNIDERO JIM. The Essence of Bebopis the new series by critically acclaimed New York saxophonist Jim Snidero. The Essence of Bebop reveals the heart and soul of this groundbreaking jazz style and is the first real \'manual\' for mastering bebop. The 10 enjoyable-to-play studies are inspired by Miles Davis, Charlie Parker, John Coltrane, Sonny Rollins and many more, offering a unique basis for study and analysis. Historical insights as well as recommended listening and reading make this edition an indispensable part of jazz education. The soloist Anders Bostrom is known, among other things, as a versatile flutist in numerous Broadway productions. ?But what if you aren?t a student or a professional? The Essence of Bebop still has immense value to those interested in bebop and hard bop. By encouraging readers to understand the music?s intent, slow down their listening, and focus on the swinging, the series can help a jazz newcomer dig this cerebral, often pulse-pounding music.? - Morgan Enos, Discogs / Date parution : 2021-12-09/ Etude / Piano et Guitare

Par TORRESAN LIVIO. 10 compositions pour guitare et piano pour jeunes interprètes. Les chansons, toutes originales, peintures un voyage fantastique dans les pays d'Europe du Nord. Les compositions présentées sont faciles à lire et à contribuer à l'expansion d'une main-d'oeuvre faiblement représentées dans les lieux d'enseignement. Toutes les chansons mélodiques une forte sratterizzati être facilement assimilés par les jeunes étudiants./ Recueil / Guitare et Piano

Par DYENS ROLAND. Trois mois d'écriture et plusieurs années de doutes et de retouches, ainsi pourrait se résumer le Concerto métis, mon premier concerto et sans doute, encore à ce jour, l'oeuvre qui demeure la plus chère à mon coeur. Créé à Cannes l'année de sa composition (en avril 1990 avec l'orchestre régional P.A.C.A.), ce concerto fut, pendant plusieurs années, uniquement joué par moi-même aux côtés d'orchestres de nombreux pays. L'enregistrement (que j'en ai réalisé en avril 1997 en Arménie) ainsi que l'indispensable réduction de l'oeuvre pour piano réunissent enfin les incontournables conditions pour que le Concerto métis puisse, aujourd'hui, bénéficier d'une 'existence', tant auprès des solistes qu'au sein des conservatoires de musique. Classique dans sa forme (vif-lent-vif, cadence), ce concerto pour guitare et orchestre à cordes en hommage à la divine Ida Presti se caractérise, en premier lieu, par la diversité des 'races' de musiques dont il est traversé de bout en bout, justifiant ainsi son nom sans la moindre ambiguïté. Roland Dyens / Niveau : Difficile / classique / Répertoire / Guitare et Piano

Edited by N. Zabaleta-Rodrigo composed the Concerto de Aranjuez in 1940 on his return to Spain after the Civil War and debut performance of the work in Barcelona founded his international reputation. Concerto de Aranjuez is a musical reverie on the gardens of the Baroque summer palace of Aranjuez that only a blind composer like Rodrigo could have produced. This work immediately became the most recognisably Spanish work of the twentieth century.This is the Piano and guitar part which has been edited by Angel Romero.

Par TALBOT JODY. Ink Dark Moon was commissioned by BBC Radio 3 and Borusan Istanbul and first performed by Miloš Karadagli with the BBC Symphony Orchestra conducted by Alexander Vedernikov on 2 August 2018 in the Royal Albert Hall, London as part of the 2018 BBC Proms. This is the guitar and piano reduction. / Musique contemporaine / Répertoire / Guitare et Piano