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MUSIC COURSE
Soli (AT), Choeur Mixte (SATB) Et Orchestre
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Keyboard (1279)
Trombone (1264)
Ukulele (1196)
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Hautbois, Basson et Piano ou O… (196)
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B Flat, E Flat and C Instrumen… (188)
Saxhorn and Piano (186)
:: (186)
Band Scores (181)
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Trio (177)
Educatif (176)
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Snare drums (174)
Cello, Orchestra (170)
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Soprano voice (164)
Clarinet Ensemble (162)
Piano Quartet: piano, violin, … (160)
Orchestre (159)
Brass Quartet: 2 trumpets, 2 t… (158)
Dulcimer (157)
Eb Instruments (155)
Flute Trio: 3 flutes (153)
2 Violins and Basso (150)
Euphonium, Piano (duet) (148)
Organ, Trumpet (duet) (148)
Soprano voice, Orchestra (147)
Hautbois, Clarinette et Basson… (147)
Partition de Poche (147)
Soli (SATB), Choeur Mixte (SAT… (144)
String Quartet : 4 violas (143)
Choral SSAATTBB (141)
Travaux Pour Choeurs (139)
Harp, Flute (duet) (137)
Cornet and Piano (137)
2 Violas (duet) (136)
Flute, Oboe, Clarinet, Bassoon… (135)
Violin, Viola (duet) (135)
Euphonium (134)
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Bass Clarinet (129)
2 Tubas et Piano (129)
Big band (128)
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Violoncello, Basso continuo (117)
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ENS::Ensemble (116)
Flte Traversire, Violon Et B… (115)
Piano Quintet: piano, violin, … (112)
3 Clarinets (trio) (111)
Flte Bec Alto et Basse Cont… (111)
Brass Quartet: 4 trumpets (110)
Flexible Instrumentation (109)
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Ensemble (109)
Quatuor (108)
Low voice (107)
2 Violas, Piano (107)
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Quintette de Cuivres (106)
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4 Tubas (99)
Mlodie, Chant Et Piano (98)
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Solistes SATB, Choeur SATB, 2 … (90)
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Fanfare Band (89)
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Baritone voice (80)
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Oboe, Bassoon (duet) (78)
Ensemble Cordes (78)
Vocal duet, Piano (78)
Flte Traversire, Hautbois, C… (78)
Pocket, Study conductor (77)
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Trio Cordes (77)
2 Cornets Et 2 Tubas (77)
Cordes Et Basse Continue (75)
Clavecin (75)
Bass Clarinet, Piano (75)
Big Note Piano (74)
Clarinet, Orchestra (74)
Violon 1 (6 parts) Violon 2 (6… (72)
Solistes SATB, Choeur SATB, Fl… (71)
Dobro (71)
Solistes SAT, Choeur SATB, 2 F… (71)
Descant (Soprano) Recorder, Ba… (71)
Musique Lgre (70)
Chorale (69)
Oboe, Violin, Viola and Violon… (68)
Cor en Fa (67)
Horn Ensemble (67)
Timpani (67)
High voice (66)
Trombone or Euphonium (65)
Mandoline, Cordes et Basse Con… (64)
Vibraphone (64)
Euphonium en Cl de Fa Do ou e… (63)
Cornet and Orchestra (63)
Partition D'Orchestre (63)
Matriel D'Orchestre (63)
2 Violons, Violoncelle et Bass… (62)
Brass Trio (62)
Ensemble Instrumental et Petit… (62)
Piano, Guitar (Chords) (62)
2 Clarinets, Piano (61)
Chant et Guitare (61)
Trompette Sib 1 Cor en Fa 1 Tr… (60)
Xylophone or Marimba or Vibrap… (60)
Basse En Eb Et Piano (60)
1 Piano, 6 hands (60)
2 Cellos, Piano (59)
Scores (59)
Carte Postale (59)
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Clarinet, Cello, Piano (trio) (58)
Flte Traversire Hautbois, Cl… (58)
Saxhorn Basse, Tuba et Piano (57)
2 Trombones, Piano (57)
2 Bassons et Piano ou Orgue (57)
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Choeur SATB, (4 Instruments, C… (55)
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Recorder, Bass Continuo (55)
Musique de chambre (55)
Treble (Alto) Recorder, Piano (55)
Conga (55)
Piccolo, Piano (55)
Saxophone en Mib et Piano (54)
Saxhorn Basse et Piano (54)
2 Bassons et Piano (54)
2 Saxophones, Piano (54)
Cajon (54)
Quintette avec Piano (54)
2 Tubas (53)
3 Trombones Tnor et 1 Trombon… (52)
Brass Quartet: 4 horns (52)
Symphonic Band (52)
Drum set and Piano (51)
2 Trompettes, Cordes Et Basse … (51)
Flte Traversire, Cordes Et B… (51)
Cello Ensemble (51)
Djembe (51)
Quintette Cordes (50)
2 French horns, Piano (50)
Flute, Violin, Keyboard (basso… (50)
2 Violons, Alto Et Basse Conti… (50)
Choral, Orchestra (50)
Trompette ou Bugle ou Cornet o… (50)
3 Trombones (trio) (50)
Flte Traversire, Violon, Alt… (49)
Saxophone Baryton (49)
Soprano (49)
A Cappella (49)
Saxhorn Basse ou Euphonium et … (48)
Flte Traversire, Hautbois, V… (48)
Cor, 4 Trompettes, 4 Trombones… (48)
2 Violons, Alto, Violoncelle e… (48)
2 Clarinettes en Sib et Clarin… (48)
3 Bassons (48)
Partition D'Orchestre In 16 Po… (48)
Choeur d'Enfants, Solistes, In… (48)
Violin, Organ (48)
2 Oboes, Piano (48)
Ensemble Instrumental (48)
Solistes STBB, Choeur SATTBB, … (47)
Choeur de Femmes (46)
Soli and Orchestra (46)
Voix Mixtes (46)
Saxhorn Basse, Euphonium, Tuba… (45)
Trumpet, Trombone (duet) (45)
Clavecin Et Cordes (45)
Flte Traversire, 2 Violons e… (44)
Orchestre de Chambre (Flte … (44)
Clavecin Et Instruments A Cord… (44)
2 Violons, Alto et Violoncelle… (44)
Flte Traversire, Instruments… (44)
Livres (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
Violon, Instruments Cordes e… (44)
Hautbois 1 Clarinette en Sib 1… (44)
String Trio: 3 violins (44)
Lap Steel Guitar (44)
Voix et Orchestre (44)
Solistes SATB, Choeur SATB, 2 … (43)
Flte Bec Soprano, Cordes et… (43)
Solistes SATB, Choeur SATB, 4 … (43)
Flte Traversire, Clarinette … (43)
Soprano Saxophone (43)
Viola, Cello (duet) (43)
5 Part Ensemble (Clavier, Guit… (43)
Cello, Guitar (duet) (43)
Oboe, Bassoon and Piano (43)
4 Tubas (2 Euphoniums et 2 Tub… (42)
Solistes (SATB), Choeur Mixte … (42)
Clarinet, Bassoon (duet) (42)
2 Cornets et Piano (42)
Choeur SATB et Basse Continue (42)
Violin, Clarinet, Piano (trio)… (42)
2 Choeurs Mixtes (SATB Et SATB… (41)
Contrebasse (Partie spare) (41)
Piano, Bass, Drums (trio) (41)
2 Recorders, Basso continuo (t… (41)
Clavier Ou Orgue Electronique (41)
Voix et Instruments Divers (40)
3 Clarinettes Sib et Clarinett… (40)
Orgue, 2 Fltes Traversires, … (40)
Flte Bec, Guitare et Musiqu… (40)
Trombone Alto et Piano (40)
5 Voix (SSATB) et Basse Contin… (40)
Soli (ATB), Choeur Mixte (SATB… (40)
Bugle (40)
Cornet en Mib et Piano (40)
Accordion and Orchestra (40)
2 Trombones Basse et Piano (40)
Clarinet, Violin, Cello, Piano… (40)
2 Saxophones Tnor et Piano (40)
Baryton (40)
2 Cors en Mib et Piano (40)
Viola and orchestra (40)
Batterie et Percussions (40)
Hautbois, Cordes Et Basse Cont… (39)
Livre Musical (39)
Saxhorn en Sib Basse Continue (39)
Lute (39)
Basse En Bb Et Piano (Orgue) (39)
3 Trumpets (trio) (39)
Flte Bec Alto, Cordes et Ba… (38)
4 Bassons (38)
Solistes SATB, Choeur SATB, 2 … (38)
Chamber Music (38)
4 Violons, Cordes et Basse Con… (37)
3 Clarinettes en Sib et Clarin… (37)
Basse En Bb Et Piano (37)
Choeur SATTB et Basse Continue… (37)
Horn and Orchestra (37)
Soprano Saxophone and Piano (37)
Trombone et Brass Band (37)
Orchestre Cordes et Basse Co… (37)
4 Violons, 2 Altos, Violoncell… (36)
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Violon Principal, 2 Violons, A… (36)
Cornet (36)
Bassoon, Violoncello (35)
3 Tubas (35)
2 Hautbois, Cor Anglais et Bas… (35)
Cello, Organ (35)
Basse (35)
Quatuor Variable (35)
2 Hautbois, 2 Clarinettes, 2 C… (35)
2 Violons, Cordes Et Basse Con… (35)
Choral SSATTB (34)
English horn, Piano (34)
Ensemble A 4 Parties (34)
Guitare Tablatures Flatpick et… (34)
Madrigaux (34)
Medium Voice (34)
Guitare Flatpick et Plectre (34)
Solistes SATB, Choeur SATB, 2 … (34)
Saxhorn or Euphonium (34)
Clavier Electronique et Ligne … (34)
Voice, Organ (34)
8 Voix (SATB Et SATB) Et Basse… (33)
Solistes SATB, Choeur SATB, Ha… (33)
Drums-Marching band (33)
Tuba Solo (33)
Flute, Clarinet and Bassoon. (33)
2 Double basses (duet) (33)
Trombone, Organ (33)
Saxophone Soprano, Saxophone A… (33)
Xylophone (33)
Ensemble De Cuivres Et Percuss… (33)
Duos (33)
Ensemble de Vents (33)
Clarinet Quartet: Clarinet, Vi… (32)
Violon, Alto, Violoncelle et C… (32)
Batterie Fanfare En Sib (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Choeur en 8 Parties (SATB-SATB… (32)
DVD Opera and Ballets (32)
Trombone Basse (32)
Orgue et Brass Band (31)
2 French horns (duet) (31)
Choeur SSATTB, (6 Instruments,… (31)
Oboe and Orchestra (31)
String quintet (31)
Quatuor De Cuivres Et Orgue (30)
Tuba en Do et Piano (30)
2 Hautbois, 2 Clarinettes, 2 C… (30)
4 Euphoniums (30)
Cor en Mib et Brass Band (30)
Cor en Mib (30)
Solistes SBar, Choeur SATB, 2 … (30)
Cornet et Brass Band (30)
Saxhorn en Sib (30)
Guitar and Bass Tablatures, Ch… (30)
Organ and Brass Band (30)
Chanson (30)
Batterie Fanfare En Mib (30)
Trompette et Concert Band ou H… (29)
Choeur SATB/SATB, (Basse Conti… (29)
Alto, Violoncelle Et Contrebas… (29)
4 Cellos (29)
Piccolo (29)
Handbells (29)
Sextuor (29)
Trio A Cordes (29)
Harpsichord and Strings (29)
Autoharp (29)
Accordion - Piano, Voice, Guit… (28)
Flte Bec F1, C1, 2 Violons,… (28)
Solo Flte Bec F1, 2 Violons… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Flte Bec F1, Violon et Bass… (28)
Alto, Cordes Et Basse Continue… (28)
Flte 1 Hautbois 1 Clarinette … (28)
Flte Traversire Violon et Ba… (28)
C Trumpetor et Trompette Sib/C… (28)
Guitar, String Quartet (28)
Flte Bec Alto et Basse Cont… (28)
2 Violons, 2 Altos ou 3 Violon… (28)
4 Parties Mixtes (28)
Flte, Hautbois, Clarinette, C… (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
Guitare ou Luth (28)
Solistes SATB, Choeur SATB, 2 … (28)
Flte Traversire, Hautbois et… (28)
Voix Seule (28)
Solistes SATB, Choeur SATB, 2 … (28)
Bass Trombone (28)
Euphonium et Brass Band (28)
Instruments A Vent (28)
Violoncelle ou Contrebasse (Pa… (28)
SATB, (4 InstrumentS Basse et … (27)
Solistes SATB, Choeur SATB, 2 … (27)
Voix et Brass Band (27)
Violin, Horn and Piano (27)
Flute, Clarinet, Piano (trio) (27)
Trombone and Orchestra (27)
Cornet ou Trompette et Brass B… (27)
2 Fltes Traversires et Basse… (27)
Ensemble De Bois (27)
4 Contrebasses (27)
4 Bassoons (27)
Ensemble Divers (27)
Viola da Gamba (27)
Lyrics only (27)
Clarinette, Saxophone, Trompet… (26)
Trompette en Do ou et Trompett… (26)
2 Fltes Traversires, Cordes … (26)
Violoncelle, Cordes et Basse C… (26)
Petit Choeur SATB, Contrebasse… (26)
Trio (2 Soli Avec Rduction D'… (26)
Piano et Orchestre (26)
Baritone Saxophone (26)
Flte Traversire Hautbois, Cl… (26)
Saxophone and Orchestra (26)
Vocal duet (26)
Oboe, Basso continuo (26)
Book (26)
Flte traversire (26)
Guitare (Fingerpick) (26)
2 Trompettes (duo) (26)
Trompette Solo (25)
Soprano, Basse, Choeur Mixte e… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
Flute Quartet: Flute, Violin, … (25)
2 Violons, Alto, Violoncelle o… (25)
Snare drums, Piano (25)
Choeur Mixte (SATTB/SATTB), So… (25)
Saxophone Alto et Concert Band… (25)
Conducteur et Poche (25)
2 Cornets, Cor en Mib et Tuba (25)
5 Recorders (25)
Libretto (25)
Trio De Cuivres (25)
Hautbois et Basse Continue (25)
Concert Band ou Harmonie et Ba… (25)
Choeur SATB, 2 Violons, Alto e… (25)
Choeur SAM (25)
Ocarina (25)
TTBB (25)
Flute and Strings Trio (25)
Voix, Flte Bec et Basse Con… (25)
Voix et Orff-Instruments (25)
Percussions Diverses (25)
Choeur SSATTB et Basse Continu… (25)
Trombone ensemble (25)
Instruments Acoustiques (25)
Flte Bec, 2 Violons, Alto e… (24)
Solistes ATB, Choeur SATB, Fl… (24)
Petit Choeur SATB, 2 ViolonSBa… (24)
Hautbois 3 Clarinettes Sib 1 C… (24)
2 Hautbois, 3 Trompettes, Timb… (24)
Trompette 2 Violons 1 Alto 1 V… (24)
2 Clarinets, Bassoon (24)
Violon (2), Alto et Contrebass… (24)
Quatuor de Cordes (24)
2 Hautbois, 2 Cors, 2 Clarinet… (24)
Flte Traversire 3 Clarinette… (24)
Quartette Pour Fltes Bec (Q… (24)
Hautbois 2 Violons 1 Alto 1 Vi… (24)
Trompette 3 Clarinettes Sib 1 … (24)
Flte Bec F2, 2 Violons et B… (24)
Flte Bec Alto, 2 Violons et… (24)
2 Violons, 2 Altos, Violon ou … (24)
String Trio: 2 violins, viola (24)
2 Violons, Alto, Violoncelle e… (24)
Hautbois ou Flte Traversire,… (24)
Trompette, Instruments Corde… (24)
Solistes SATBB, Choeur SATB, 2… (24)
Concert Band ou Harmonie et Cl… (24)
Clarinette 2 Violons 1 Alto 1 … (24)
Basson, 2 Violons, 2 Altos et … (24)
Flte Traversire 2 Violons 1 … (24)
Quintette Variable (24)
Quatuor Cordes et Basse Cont… (24)
2 Violons, Violoncelle Et Cont… (24)
Guitar Tab, Voice, Bass, Drum (24)
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Ristâs at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Part
Soli (ATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata No. 134 Ein Herz Das Seinen Jesum: SATB: Vocal
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Cantata for Easter Tuesday-J.S. Bach's Ein Herz das seinen Jesum lebend weiÃ...
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Cantata for Easter Tuesday-J.S. Bach's Ein Herz das seinen Jesum lebend weià BWV 134 for SATB.
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
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Johann Sebastian Bach: Cantata BWV 175: SATB: Parts
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
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Franz Joseph Haydn: Mass In B-flat: Mixed Choir: Part
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Ha...
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Harmony Mass-Missa B-flat Major Hob.XXII:14 'Harmony Mass'Urtext from: Joseph Haydn WerkeIt is well known that Joseph Haydn wrote his late masses to the commission of his last employer Prince Nicolaus II Esterhazy. The 'Harmoniemesse' is the last of these high masses all of which probably received their first performances in celebration of the name-day of Princess Maria Josepha Hermenegild the prince's wife. The present work was given for the first time on 8 September 1802 in the Bergkirche at Eisenstadt Haydn himself conducting.Haydn entitled his work simply 'Missa'. The work has acquired the name 'Harmoniemesse' by reasonof the prominent parts given to the wind instruments ('Harmonie' being a contemporary name for a wind band); the nickname did not become established until the late nineteenth century.Full score and parts (BA4659) vocal score (BA4659-90) and study score format 22.5 x 16.5cm (TP97) available for sale.
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata No.134: SATB: Part
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Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134 C...
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Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134 Cantata for Easter Tuesday (third version). Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance. Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New BachEdition Full score & performance material (BA10134) vocal score (BA10134-90) available for sale
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 45 Es Ist Dir Gesagt: Mixed Choir: Parts
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist ...
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Cantata for the 8th Sunday after Trinity-Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45Cantata for the 8th Sunday after Trinity- Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale.Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Parts
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Franz Joseph Haydn: Mass In E-flat Major: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4I...
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Great Organ Mass Hob. XXII:4-Mass in E-flat major (Great Organ Mass) Hob.XXII:4In honorem Beatissimae Virginis MariaeFollowing his “Jugendmesse” from 1749 church music played only a secondary role in Haydn’s creative output. It was not until 1766 with the “Cäcilienmesse” and again in 1768-69 with the “Great Organ Mass” that Haydn returned to this genre of composition.This Mass in E-flat major belongs to the same period as the “Sturm-und- Drang” symphonies. Some of the remarkable features of this period are reflected here in the expansion of expression combinedwith a new very original musical language. The score also contains the traditional Viennese trumpet and timpani parts although it is extremely unlikely that they stem from Haydn. As Haydn at least tolerated these parts the performance material contains both the original as well as the expanded versions.- Hadyn’s 'Sturm-und-Drang' Mass- Performable in both versions- Clear and straightforward vocal score- Urtext from Joseph Haydn Werke- Full score parts (BA4646) and vocal score (BA4646-90) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Parts
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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Johann Sebastian Bach: Cantata BWV 12 Weinen Klagen Sorgen Zagen: Mixed
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying ...
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Cantata for the Sunday Jubilate-Weinen Klagen Sorgen Zagen (Weeping Crying Sorrow Sighing) BWV 12Cantata for the Sunday Jubilate- Performance material (BA10012) vocal score (BA10012-90) & study score (TP1012) available for saleBarenreiter's editions of Bach's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach?s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays.Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.
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Johann Sebastian Bach: Cantata No.134: SATB: Parts
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Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Canta...
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Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance.Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale
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Johann Sebastian Bach: Cantata BWV 175: SATB: Part
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own s...
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Cantata for Whit Tuesday-Er rufet seinen Schafen mit Namen (He calleth His own sheep each by name) BWV 175Cantata for Whit TuesdayThe text of the present cantata was written by Mariane von Ziegler and was set by Bach for the third day of Whitsun in the year 1725.Bach made considerable alterations to the text when setting it. The pastorale atmosphere is created by three recorders through the inkoduction of which the opening words from the scriptures become a charming accompagnato; it is followed by an alto aria in the same orchestration - a combination that Bach uses nowhere else.- Urtext of the New BachEdition- Performance material (BA10175) vocal score (BA10175-90) & study score format 22.5 x 16.5cm (TP1175) available for sale
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Franz Joseph Haydn: Creation Mass in B-flat Major Hob.XXII: Mixed Choir: Parts
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was com...
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Creation Mass-Creation Mass in B-flat major Hob.XXII:13The Creation Mass was composed and first performed during the last decade of Haydn's life in September 1801 at the Bergkirche at the Esterhazy estate in Eisenstadt on the occasion of the nameday of Princess Maria Hermenegild. The nickname 'Creation' stems from Haydn's incorporating into the Gloria movement (at the words 'Qui tollis peccata mundi') a quotation from Adam and Eve's duet in his oratorio The Creation.- Full score (BA4656-01) performance material (BA4656) and vocal score (BA4656-90) available for sale- Urtext from Joseph Haydn Werke G. Henle Verlag
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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