Par NORGAARD MARTIN. Jazz Viola Assistant Jr. est conçu pour les middle début et intermédiaire et altistes de l'école secondaire dans la tradition de la méthode parente, Jazz Fiddle Assistant--une approche de percée pour les acteurs de la chaîne qui veulent apprendre à improviser dans le style jazz. Aucune étape n'est exclu dans cette introduction séquentiellement arrangée pour le rôle de rythme, appel et réponse, articulation, échelles et modifications de la corde dans l'improvisation jazz. Les exercices sont transformées en mélodies accrocheuses disposées à travailler dans n'importe quelle configuration de groupes de la chaîne. C'est-à-dire, arrangements de trois volets pour chaque morceau peuvent être joués avec un nombre quelconque de comme instruments ou en conjonction avec les livres Jazz Fiddle Assistant Jr. et Jazz violoncelle Assistant Jr.. Convenable comme un livre de soi-même ou pour utilisation en privé ou instruction de chaîne de groupe, Jazz Viola Assistant Jr. contient des parties de l'accompagnement au piano ainsi qu'un CD qui offre un accompagnement de la section rythmique complète pour chaque exercice et de la mélodie. Le ton approprié et le style sont modélisés par p l'auteur... / Niveau : Débutant à Intermédiaire / Jazz - Methods / Recueil / Alto

Par BLACKWELL KATHY / DAVID. Il couvre les modèles utilisés dans les doigts Viola Time Joggers et coureurs, et comprend toutes les gammes et arpèges pour les élèves de ABRSM 1 et 2, y compris le mineur naturel Etablit chaque forme avec un tableau de doigté, d'un téléphone 'helpline' pour renforcer le doigté arpège, et un jeu de rythme à pratiquer l'échelle Inclut une variété de pièces amusantes pour chaque touche, et une gamme de puzzles et des jeux de composition L'édition révisée de Viola échelles de temps déborde d'idées créatives et emballé avec des dessins animés imaginatives et amusantes à faire échelles d'apprentissage et d'arpèges faciles. / Niveau : Facile / Etude / Alto

The Art Of Bowing consists of Fifty Variations on a Gavottte by Corelli by Guiseppi Tartini. As excercises they test and improve bowing technique and have been adapted for Viola by Alan Arnold.

Transcribed for Viola by Alan H. Arnold ASCAP. Includes Allegro Indian Lament Scherzo and Finale.

A collection of pieces geard to the requirements of the beginning player transcribed and arranged in First Position by Paul Doktor for Viola and Piano. Includes two duets for two violas. Music by Tchaikovsky Mozart Gluck Bach Handel and folksongs.

Titles: Concerto No. 2, 3rd Movement (F. Seitz) * Concerto No. 5, 1st Movement (F. Seitz) * Tonalization: Lullaby, Wiegenlied, Op. 98, No. 2 (F. Schubert) * Tonalization: Lullaby, Wiegenlied, Op. 49, No. 4 (J. Brahms) * Concerto in D Minor, 1st Movement, transcribed from Concerto in A Minor, Op. 3, No. 6 for Violin (A. Vivaldi) * Concerto in D Minor, 3rd Movement, transcribed from Concerto in A Minor, Op. 3, No. 6 for Violin (A. Vivaldi) * Concerto in G Major (Largo, Allegro, Andante, Presto) (G.P. Telemann) * Concerto in G Major for Two Violas (Lento, Allegro, Largo, Vivace) (G.P. Telemann). This title is available through SmartMusic.

'Die fröhliche Viola' is a viola method for children which is aimed primarily at pupils who start to learn playing the viola without taking a detour to the violin. Those who have already played the violin and use the method as a 'way to change instruments' may skip some pieces or even start with Vol.2.Like 'Die fröhliche Violine', this book intends to make the children have fun while learning to play the viola. For this purpose, a stylistically varied range of classical and folkloristic songs and instrumental pieces encourage music-making, and small texts provide interesting information on the viola, the music and its composers.The viola is used both as a solo and as an accompanying instrument, and the 'hearing' and 'counting' of middle and lower lines are specifically trained. Due to the fact that many songs and secondary parts are notated in the treble clef and thanks to examples for trio and quartet playing, this book especially encourages ensemble playing with friends or within the family.

This work for viola chorus and percussion was commissioned by the London Symphony Chorus and was first performed in October 1994 at the Barbican Hall London by Yuri Bashmet and the London Symphony Chorus conducted by StephenWestrop.The remarkable text of the Troparion written by the great Byzantine poetess-nun Cassiana was the inspiration of The Myrrh-Bearer. The text informed the architecture of the music. The viola solo represents MaryMagdalen as the cello solo represented the Mother of God on The Protecting Veil. This is where the resemblance between the two pieces ends.In The Myrrh-Bearer the Chorus symbolises ‘us’ the ‘sins of the world’ from‘stylized dictatorships’ to ‘the frivolous inane escapist vanities of the world ’ the to cries of ‘help’ after the cosmic catastrophe and finally reaching an apocalyptic climax in the words ‘We have no king by Caesar;’ adownright condemnation of God in the Earthly power.In a surreal way the Magdalen’s ‘sin’ shines through in the viola music because she recognises the Godhead and the endless ‘Kyrie eleison’ chanted by the semi-chorusrepresents her repentance and whatever is left of a ‘repentant’ world.The Myrrh-Bearer explores the whole range of the viola climbing from the depths up to the highest notes and then falling again at the end after theMagdalen’s recognition of the Risen Christ ‘Rabboni.’The last stroke of the gong in the viola’s final bottom C gives a deliberately ominous end to the piece.This is a special item which is made to order. Please e-mail ourMail Order Department for further information.

Par PUSCOIU COSTEL. Great performers have proven that the viola can be successfully used for playing not only classic music, but also symphonic or chamber music from the classical, romantic or modern 36 period just as well as any other musical instrument. No longer is the contemporary repertoire considered unfit for the viola. This collection contains music which has been adapted and arranged especially for the viola. Ideal for the beginning player, it focuses on simple, well known melodies which are both easy and enjoyable. The arranger has carefully chosen the best keys for viola and therefore many songs are not in the keys in which they were originally written. A number of other adaptations have also been introduced to make the music more suitable for performance on the viola. The structure of the music has not been altered. The selections in the beginning of this book use more the treble clef than alto clef, making them easier for beginners and violinists transferring to viola. The piano accompaniment is available as a free download. / Niveau : Débutant / Classic - Solos / Recueil / Alto