Instrumental Play-Along-A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. Instrumental Play-Along Chart Hits comes complete with online access to audio demonstration tracks for download or streaming helping you to hear how the songs should sound and allowing you to play along. Songs include: All About That Bass All of Me Happy Radioactive Roar Say Something Shake It Off A Sky Full of Stars Someone like You Stay with Me Thinking Out Loud and Uptown Funk.

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Violon 1 (Partie Séparée)

For choir (4 sopranos 4 altos 4 tenors 4 basses) and string orchestra (7 violins 2 violas 2 celli 1 double bass).

Nico Muhly's A Long Line for solo Violin and Electronics. 'A Long Line for solo Violin and Electronics was written for violinist Erik Carlson and was originally meant for performance as part of VisionIntoArt's 2003 show Democrazy. The piece is built around a series of chords played by Electric Organ and articulated by Bass Clarinet and Bass Drum. These chords gradually shorten over the length of the piece as the Violin sings a long line over the texture. Towards the end of the piece the Violin is instructed to play a pattern of fast notes 'like a string exercise but extremely expressively.' - NicoMuhly Download the pre-recorded element  HERE . If you encounter any problems please email promotion@musicsales.co.uk .

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

Fünf Nachrufe-Johannes Kalitzke's Figuren Am Horizont - Fünf Nachrufe Für Solovioline Und Sechs Spieler.Instrumentation: violin solo flute (also piccolo alto flute bass flute) clarinet (also bass clarinet and double bass clarinet) percussion piano viola and cello; additional instrument: kantele

Easy Solo Violin and Piano-A collection of 12 traditional carols for easy violin (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years to come. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger · We Wish You a Merry Christmas · Deck the Halls · Ding Dong Merrily on High · God Rest Ye Merry Gentlemen · Greensleeves · O Come All Ye Faithful · Chanukah Oy Chanukah · O Holy Night · Pat-A-Pan · Silent Night · Three Holiday Songs (Medley including The Dreydl Song Jingle Bells and Joy to the World). Alsoavailable for: 00842194 Solo Viola and Piano 00842195 Solo Cello and Piano 04490404 String Quartet String Orchestra: · 04490308 Conductor Score · 04490309 Violin 1 part · 04490310 Violin 2 part · 04490311 Violin 3 part (Viola T.C.) · 04490312 Viola part · 04490313 Cello part · 04490314 String Bass part · 04490315 Piano · 04490316 Opt. Harp · 04490317 Opt. Percussion

Violin 1 And 2-This collection contains 14 arrangements of 22 traditional tunes from Ireland and Scotland in a variety of styles including jigs reels hornpipes slip jigs strathspeys waltzes and airs. The harmonies are written so thatvarious combinations from solo instrument with piano to duets and trios to full string quartet/orchestra are possible. The violin book includes two violin parts with guitar chords and piano accompaniment. All of the Celtic Tunesfor Solo and Ensemble books (Violin Viola and Cello/Bass) are written as ensemble books so they can be played as solo books or together as ensemble.

This method by Tim Kliphuis is the first book to teach Gypsy Jazz Violin in the style of Stephane Grappelli. Have you ever listened to Stephane Grappellis' solos thinking 'I wish I could do that, but it is way over my head'? Here is the answer. Simple theory, licks and stylistic lessons point you towards your first authentic Gypsy Jazz improvisations, which you can try out with the swinging Guitar-Bass play-along downloadable audio rhythm section. Then, prepare to tackle six classic Stephane Grappelli solos, annotated and analyzed for your understanding. To grasp the finesses of sound and timing, there are many sample licks and solos by Tim Kliphuis on the online audio as well. It is assumed the student reads music and has a basic command of the instrument. First method ever for learning Gypsy Jazz Violin in the style of Stephane Grappelli. Theory and stylistic lessons lead up to improvisation in authentic Gypsy Jazz style. Six classic Grappelli solos fully analyzed for study and understanding. Playalong rhythm section as well as Violin licks and sample solos. Audio available for download online.

This work for solo violin and tape is a series of sixteen gazes moments and ecstatic breaths written in Trinitarian guise - solo violin with taped violin and string bass drone pre-recorded in a resonant acoustic. It wascommissioned by Clio Gould and the BT Scottish Ensemble for the Hellenic Concert Series.This is a special item which is made to order.

Par STACY PHILLIPS. En réponse à nombreuses demandes pour une version simplifiée de sa très acclamée \' Klezmer Collection \', Stacy Phillips a compilé une sélection de pièces pour compter les instrumentistes de ce livre classique. Musique klezmer venait à l\'origine les ghettos juives d\'Europe de l\'est de la XIXe et au début du XXe siècle. Le style reflète son mélange de patrimoines d\'Europe, Near East et tzigane. Ces arrangements sont fondées sur certaines des premiers enregistrements classiques en Europe et en Amérique. À ce titre, ils sont une grande introduction à cette musique qui est maintenant un phénomène mondial. Chaque numéro est arrangé pour C, Bb, Eb et instruments de bass clef. Laiton, reed, piano, flute et acteurs de la chaîne peuvent recevoir la gratification instantanée de ces accords de niveau d\'entrée. Le CD accompagnant montre des versions de l\'ensemble de la musique, effectuée au rythme lent, par des artistes de Klezmer de classe mondiale sur la clarinette, violon, guitare et basse. / Niveau : Débutant à Intermédiaire / Jewish - Solos / Recueil / Violon

Wiener Urtext-These sonatas are among the epoch-making works of the Violin repertoire and nowadays figure in the standard repertoire of every violinist. It is all the more surprising therefore that until now there has been no Urtext edition of such significant works. The score is based on a first edition supervised by Corelli himself. From what we know of performance practice in Corelli's time however more was expected of the violinist than just a musical reading of the printed score: it was customary to add ornamentation verging on improvisation with embellishment and 'variations as desired'. The original score is therefore presented here withthe earliest documented ornamentation from a reprint published by Roger in Amsterdam in 1708. This ornamentation is not meant to be slavishly imitated but to stimulate the player to find their own creative and stylistically confident interpretation of the score. As Roger did not specify any ornaments for the sonatas in the second volume the 'variations as desired' used by Corelli’s pupil Geminiani have been reproduced with the ninth Sonata as an example. Advice on performance is given by the Cologne baroque specialist Reinhard Goebel. This advice does not only apply to ornamentation but also to articulation bowings and more besides calling for specific markings in the separate Violin part. The realisation of the Continuo part echoes the fashions of that time. Here too advice on performance is meant to stimulate free interpretation by the Continuo player. A figured Bass part is included for the player who prefers to read the accompaniment from figures.