for the Violin-Roland Vamos Exercises For The Violin In Various Combinations Of Double-Stops features a systematic series of fixed double-stops that enables the aspiring violinist to practice and master every possible combination of finger patterns across two strings without shifting.The exercise book helps with the development of a strong left hand set up so that the fingers rise and drop consistently landing on the same part of the finger.

100 Ultimate Jazz Riffs for Violin. 100 Ultimate Jazz Riffs for Violin by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as the II-V-I, III-VI-II-V etc. in both major and minor keys. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz and Latin Jazz. Each musical example has a single note improvised melody line with the chord progression At the end of the book there is the chord progression for the popular jazz standard "Blue Moon" showing you how to use various examples from the 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book. The audio files are recorded with the clarinet playing the melody line along with a rhythm section of guitar, piano bass and drums. All the examples are recorded with the violin and the rhythm section, as well as the rhythm section without the violin. An absolute must for musicians learning and playing various jazz styles. There are different versions: a version for Flute, Guitar, Bb and Eb Sax, Piano, Trumpet, Trombone and Clarinet. Facebook Twitter Pinterest Google Quantity

Par DUNCAN CRAIG. This valuable supplement has been written to present essential scales and scale studies for the beginning student. The scales are presented in various rhythms and patterns, including arpeggios. All of the various patterns presented can be used with each scale. The fingerings included present viable ways to approach the scales, but other fingerings can be explored. Various rhythms and bowings may also be applied to practicing the scales. All major scales are presented in two and three octave patterns. All minor scales are presented in three octave patterns. Chromatic scales of two and three octaves are also included. These scales can form an important part of any violin student's practice. / Niveau : Débutant à Intermédiaire / All Styles - Technic / Etude / Violon

This valuable supplement has been written to present essential scales and scale studies for the beginning student. The scales are presented in various rhythms and patterns including arpeggios. All of the various patternspresented can be used with each scale. The fingerings included present viable ways to approach the scales but other fingerings can be explored. Various rhythms and bowings may also be applied to practicing the scales. All majorscales are presented in two and three octave patterns. All minor scales are presented in three octave patterns. Chromatic scales of two and three octaves are also included. These scales can form an important part of any violinstudent's practice.

Folk Tunes of Malaysia for Violin Beginners combines the folk tunes of the various cultural groups in Malaysia with Ivan Galamian?s principles of learning the violin. It consists of 15 Malaysian tunes carefully chosen and arranged for violin and piano.Short stories and simple illustrations enhance the violin player?s knowledge interest and appreciation of the rich multi-cultural heritage of Malaysia. It is hoped that the beautiful and vibrant folk songs in this book will motivate violin beginner?s to continue mastering the techniques of the violin and explore knowledge on Malaysia?s rich multicultural heritage.This volume contains the pianoaccompaniment only.

Published in early 1806 Kreutzer?s ?40 Études ou Caprices? for Violin there are 42 today are the product of his years-long employment at the Conservatoire de Paris and are the most comprehensive collection of studies from his quill. Their systematic and complete reappraisal of essential Violin technique make them an indispensable tool of the trade for every serious student of the Violin (conservatory level). In the intervening two centuries numerous reprints by various publishers followed the Parisian first edition frequently adapted by famous soloists and teachers. Just a few years after the first edition Kreutzer published a completerevision of this standard work in which he exchanged or heavily altered etudes. This second version of the collection forms the basis for our Urtext edition which nevertheless presents the variants from the early edition as well. The virtuoso and sought-after Violin pedagogue Ingolf Turban acted as a consultant for this edition and furnished it with modern markings so that it provides an ideal foundation for contemporary Violin instruction.

A violin method for children age four and older-The fourth volume introduces various positions as well as new bowing techniques. These are practiced in increasingly demanding classical duets. From here students can embark on the journey of standard repertoire – Concerti such as Vivaldi Accolay etc. are now within reach. The authors:The original German Violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned Violin pedagogues in Germany. For the new English edition his son Kurt Sassmannshaus worked as co-author and adapted his father’s successful method for English-speaking children. The combinedknowledge and experience of father and son make the four volumes of the Sassmannshaus Tradition the most thoroughly researched and thought-through beginner Violin method in the world.

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Getting Into Blues Violin is a comprehensive workshop that specifically addresses improvisation techniques through exercises and ear training studies that relate to the featured licks and scales. Theoriginal tunes by the author  Marty Laster address various technical challenges and old blues standards are also included to build an authentic blues repertoire. The book next touches on the influence of the blueson swing bluegrass Cajun and Gypsy styles while teaching improvisational techniques in each. It pays tribute to the great Blues violinists of the past and present with bios and some photos. Finally ways to develop and varybreaks are explored. The text touches on many aspects of Violin techniques as it relates to the blues and has an easygoing tone that is sometimes humerous. The book begins at a moderate level of difficulty but quickly movesto intermediate material; reaching fairly advanced territory by the end. Both violinists who have been playing a couple of years and serious classical players can benefit from Getting Into Blues Violin. Audiodownload available online.

Violin Study Time is an anthology of established and newly composed studies which are designed to help the young violinist's technique in several directions. It may be used in conjunction with the Young Violinist's Repertoire Pieces. There are studies for various types of bowing studies for finger action and basic shifts and several studies which introduce third position. This useful selection features studies by the greatest Violin teachers of all time including Czerny Sevick and Dancla.

A Fresh Approach to Sight-Reading-Joining The Dots: For Violin (Book 1) is the perfect book to help improve sight reading. With various exercises and warm ups this book will have the reader sight reading perfectly in no time. Joining The Dots: For Violin (Book 1) is the first from Alan Bullard’s Joining The Dots series that goes through the grades from 1 – 5.

A Fresh Approach to Sight-Reading-Joining The Dots: For Violin (Book 3) is the perfect book to help improve sight reading. With various exercises and warm ups this book will have the reader sight reading perfectly in no time. Joining The Dots: For Violin (Book 3) is the third from Alan Bullard?s Joining The Dots series that goes through the grades from 1 ? 5.