Despite his studies being interrupted by WWI Jacques Ibert won the Grand Prix de Rome at his first attempt proving his significant compositional ability such as his Jeux - Sonatine For Flute (Or Violin) And Piano. Jeux was composed towards the beginning of Ibert's professional career and can be played on either the Flute or Violin. As suggested by the title it is an animated and dynamic piece reflecting the composer's preferred harmonic choices of the Classical tradition despite developing it in his unique style. Jeux contains two contrasting movements Animé andTendre utilising the entire range of the Flute. Suitable for intermediate- to advanced-level flautists this Ibert piece is a pleasant and varied addition to the Flute's repertoire.

25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, for violin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony #9. This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music. A treasure trove for auditions at schools and music schools. / Violon Et Piano

Carmen Faust The Magic Flute And Otello-This single-volume compilation features four popular opera fantasies arranged for Violin with Piano accompaniment. Each of these frequently performed pieces was arranged by a world-class artist and offers the convenience of aseparate Violin part:Carmen Fantasy from the Opera by Georges Bizet Op. 25 transcribed by Jenö Hubay.Fantasia on Themes from Gounod's Faust Op. 20 transcribed by Henri Wieniawski.Fantasie fromMozart's The Magic Flute Op. 54 transcribed by Pablo Sarasate.Fantasie Brillante on the March and the Romance from Rossini's Otello Op. 11 by Heinrich Wilhelm Ernst.This collection is ideal forpractice performance teaching and independent study by students professional performers and amateur ensembles.

Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.

Pour Violon (ou Flûte) et Piano-Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590 which was to tour the world. This nostalgia-imbued melody which expands over a regular meter has in turn been the subject of numerous transcriptions first for clarinet then for Violin (or Flute) and Piano. Éditions Leduc have chosen torepublish this last version with the added bonus of an audio version that should be of valuable assistance to all musicians!

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Latin' features idiomatic arrangements of Latin classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Bailamos; Cherry Pink And Apple Blossom White; Guantanamera; La Bamba; La Isla Bonita; Livin' La Vida Loca; Oye Mi Canto (Hear My Voice); Soul Limbo

Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Violon et Piano

Easy Concert Pieces-For use in lessons or for your first concert performances Easy Concert Pieces for Violin and Piano contains easy and well-known solo pieces from the Renaissance to the modern era carefully selected according to technical and musical demands: Volume 1 EasyAll the pieces can be played in first position. Besides original compositions by Milán Purcell Corelli Duval or Telemann there are readily playable arrangements of classical masterpieces such as Vivaldi?s Four Seasons Handel?s Firework Music or Mozart?s Magic Flute and modern compositions from the world of pop jazz spirituals Bossa Nova and tango. Recordings andbacking tracks for all the pieces are included on the accompanying CD.

for Flute (or Violin) and Cembalo. Sheet Music and CD Play-along Pack available: see Q 9856 / Violon Et Piano

This reconstruction of the Concerto in D K.315f was first performed on 15th August 1985 at the Dartington Hall Summer School of Music by Ernst Kovacic (Violin) and Bernard Roberts (Piano) with the Dartington Chamber Orchestra conducted by Diego Masson. Instrumentation includes SOLO VIOLIN; SOLO PIANO; 2 FLUTES; 2 OBOES; 2 HORNS IN D AND G; 2 TRUMPETS; TIMPANI; STRINGS. The duration of this work is 25 minutes. Full score solo and orchestral parts are available on hire from the publishers.