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INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Euphonium ou Saxhorn Solo (18)
Oboe, Violin, Viola and Violon… (17)
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Soli and Orchestra (16)
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Base Musicale (15)
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Batterie Fanfare En Sib (14)
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Saxhorn Basse en Sib et Piano (13)
2 Violins and Basso (13)
English horn, Piano (13)
Children choir, Instruments (13)
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Voix Mixtes SAB et Piano (13)
2 Flutes, Piano (13)
Quintette de Cuivres (13)
Brass ensemble, Percussion (13)
Descant (Soprano) Recorder, Ba… (13)
3 Saxophones (trio) (13)
Trombone Basse (13)
Clarinette en Sib et Clarinett… (13)
Percussions Diverses (13)
Batterie et Percussions (13)
Clarinet Quartet: Clarinet, Vi… (12)
Baryton (12)
Bass Trombone (12)
Soli (ATB), Choeur Mixte (SATB… (12)
Flûte Traversière, Violon, B… (12)
5 Instruments à Cordes et Bas… (12)
2 Violons, 2 Violes, Violoncel… (12)
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3 Violons et Basse Continue ou… (12)
Saxhorn en Sib (12)
Solistes, Choeur d'Enfants, Fl… (12)
Hautbois 1 Clarinette en Sib 1… (12)
Tout Instrument (12)
Medium Voice (12)
Soprano voice, Orchestra (12)
Choeur d'Enfants, Flûte Trave… (12)
Flûte Traversière, Violon et… (12)
Baryton ou Tuba et Fanfare (12)
2 Oboes, 2 Horns and 2 Bassoon… (12)
1 Piano, 6 hands (12)
String trio (12)
Brass ensemble, Organ (12)
Parties Orchestrales (12)
Viola da Gamba (12)
Flûte Traversière, Clarinett… (12)
Flûte à Bec et Piano (12)
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Flûte Traversière, Violon Et… (12)
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ENS::Ensemble d'cole (12)
Solistes, Div. Instruments à … (11)
Solo A, Choeur SATB/SATB, 2 Or… (11)
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Oboe and Orchestra (11)
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Sextuor (11)
Organ, Trumpet (duet) (11)
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Soli (SATB), Choeur Mixte (SAT… (11)
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Cello, Organ (10)
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Quintette à Cordes (9)
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Piano, Violon et Cor ou Alto o… (7)
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2 Clarinets, Piano (7)
2 Choeurs Mixtes Et Orchestre … (7)
Piano, Oboe and Bassoon (7)
Hautbois, Cor Anglais et Basso… (7)
Solo S, Choeur d'Enfants SSA, … (7)
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Violoncelle, Alto et Violon (7)
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Basse (2 Basses) Et Piano (7)
Soprano, Piano (7)
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Baritone Saxophone (7)
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Cor en Mib (7)
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1001 All-Time Hit Songs
Melody line, (Lyrics) and Chords
[Sheet music]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
60.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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Improvvisazione Con Le Pentatoniche Sul Basso: Bass Guitar: Instrumental Tutor
Italiano
Bass guitar
[Sheet music + CD]
Play Music Publishing
Le scale pentatoniche che siano maggiori o minori costituiscono il ?mezzo? ide...
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Le scale pentatoniche che siano maggiori o minori costituiscono il ?mezzo? ideale per tutti i bassisti che desiderano avvicinarsi all?improvvisazione. Con questo metodo imparerete quindi ad utilizzare questo tipo di scala per improvvisare con il basso. Dopo un minimo di teoria (costruzione posizioni relazione con l?armonia?) vi troverete tantissimi esempi musicali accompagnati da una base musicale specifica per poter applicare subito gli insegnamenti. Affronterete quindi l?improvvisazione in modo graduale prima su un solo accordo poi due tre ed infine quattro accordi. Con una sola pentatonica o dipiù. Poi su un giro completo od una cadenza specifica. Scoprirete infine la tecnica delle sostituzioni la quale permette di rimpiazzare una pentatonica con un?altra per 'condire' le vostre improvvisazioni. Il CD MP3 allegato al metodo presenta tutti gli esempi con le basi musicali corrispondenti ossia più di 4 ore di musica in tutto! Su ogni traccia il basso suona l?improvvisazione proposta poi lascia la base musicale andare avanti per qualche minuto per permettervi di suonare. Tali esempi vi servono quindi da trampolino per improvvisare poi più liberamente.
16.50 GBP - Sold by Musicroom UK
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Bruno Tazzino: Bruno Tazzino: 50 Linee Di Basso Pop/Folk: Bass Guitar:
Italiano
Bass guitar
[Sheet music + CD + DVD]
Play Music Publishing
Questo metodo racchiude 50 grooves o linee di basso nello stile Pop/Folk alla m...
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Questo metodo racchiude 50 grooves o linee di basso nello stile Pop/Folk alla maniera dei più grandi gruppi di ieri e di oggi: The Beatles Tim Buckley David Bowie Tracy Chapman Oasis Nick Drake The Eagles Bob Dylan Neil Young Coldplay Keane ecc. Queste linee - oltre al piacere di suonarle - vi permetteranno di scoprire e di lavorare su tutte le tecniche proprie del basso Pop/Folk: l?utilizzazione delle note dell?accordo ma anche delle note di passaggio e dei rivolti; le tecniche della mano sinistra quali lo slide l?hammer-on il pull-off ecc. Inoltre ogni linea di basso è preceduta da qualche spiegazione peraiutarvi a superare le relative difficoltà di ordine tecnico ritmico e teorico. Il DVD Video permette di ascoltare e soprattutto visualizzare le 50 linee di basso a velocità normale poi ridotta dandovi in questo modo la possibilità di effettuare i gesti giusti scegliere le diteggiature adatte nonché suonare a tempo! Il CD mp3 da parte sua è composto da tante basi musicali quante linee di basso ossia 50 playalongs suonati a due velocità diverse: la prima è quella normale cioè la velocità da raggiungere mentre la seconda è ridotta per aiutarvi nello studio. Sappiate che sulla base musicale a velocità normale il basso è presente all'inizio per poi sparire e darvi il cambio! Inoltre questi playalongs hanno una durata volontariamente lunga (circa 5 minuti ognuno ossia più di 8 ore di musica in tutto!) per darvi il tempo di esercitarvi nelle migliori condizioni possibili.
21.90 GBP - Sold by Musicroom UK
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Jazz Conception Bass Lines (SNIDERO JIM)
Bass guitar
[Sheet music + CD]
Advance Music
Par SNIDERO JIM. Exact transcription, as played by Dennis Irwin, plus 21 simple ...
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Par SNIDERO JIM. Exact transcription, as played by Dennis Irwin, plus 21 simple bass lead sheets.See and hear how a well known bass player phrases and articulates and comp for the soloist on the mp3 CD.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Use the book/CD sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the bass lines off the CD (then check against the book) or for just having fun playing along with a great jazz rhythm section.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.Please note that mp3 CDs may not work on some (older) CD players./ Recueil / Guitare Basse
28.50 EUR - Sold by LMI-partitions
(Seller in french langage)
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New Orleans Classics: Double Bass Solo: Instrumental Album
Double Bass
[Sheet music + CD]
Music Minus One
Performed by Matt Perrine bass and Sousaphone Accompaniment: Tim Laughlin's Ne...
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Performed by Matt Perrine bass and Sousaphone Accompaniment: Tim Laughlin's New Orleans All-Stars Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a 'child of the Crescent City' as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades andsteamboat gigs and asked them to put together a typical program of New Orleans classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans.
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Improvisors Bass Method: Bass Guitar: Instrumental Tutor
Bass guitar
Sher Music Company
The Improviser's Bass Method by Chuck Sher, is the complete method book for elec...
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The Improviser's Bass Method by Chuck Sher, is the complete method book for electric or upright Bass. This is a well tested and proven method, endorsed by bass greats such as Eddie Gomez, Rufus Reid and others, this is acomprehensive start-to-finish method for bass that includes everything from, holding your instrument to improvising with other musicians. Taking into account both beginners and more experienced players, the book isfilled with charts of how all the scales and chords lie on the fingerboard, hundreds of foundation exercises to help bassists gain mastery of their instrument, ideas for constructing bass lines, soloing and more. Alsoincludestranscriptions of bass lines and solos by dozens of the greatest jazz bassists, all of which combine to form a fabulous method.
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La Gamme Mineure A La Basse
Bass guitar
[Sheet music + Audio access]
Play Music Publishing
With this method, you will finally learn and especially understand how to use th...
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With this method, you will finally learn and especially understand how to use the minor scale (natural) on bass, but also discover all its melodic potential to exploit it at best. After a few essential pages dedicated to theory, you will approach these 12 minor scales - which every bass player must master - in the most coherent and effective way. Thus, for each of them, you will discover on the left page the name and the location of the notes on the neck (22 boxes), as well as the chords on which the scale in question can be played safely. On the right page, as an illustration, you will discover a long bass line that uses this one and only range, accompanied by two recordings (to download), the first for the demonstration and the second for the implementation (playback support). You can then play your turn on this soundtrack not only the example offered, but also any other groove or bass line of your design... from the minor scale in question of course! All the recordings of this method (bass lines and playbacks) can be downloaded for free and very easily by following the instructions provided in the book.
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Basi Per Chitarra Rock 4
Base Musicale
Playgame Music
/ Base Musicale
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50 linee di basso rock: Bass Guitar: Instrumental Album
Italiano
Bass guitar
[Sheet music + CD + DVD]
Play Music Publishing
Questo metodo presenta 50 linee di basso Rock nello stile dei più grandi gruppi...
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Questo metodo presenta 50 linee di basso Rock nello stile dei più grandi gruppi di ieri e di oggi: AC/DC The Police The Who Weezer Guns ?n? Roses Foo Fighters Rolling Stones Red Hot Chili Peppers Led Zeppelin Soundgarden Aerosmith ecc. Queste linee - oltre al piacere di suonarle - vi permetteranno di scoprire e di lavorare su tutte le tecniche proprie del basso Rock: l?esecuzione lineare in ottavi gli slides le legature ascendenti e discendenti l?uso delle corde a vuoto i salti di corda i bends la precisione ritmica l?energia? Il DVD Video permette di ascoltare e soprattutto visualizzare le 50 linee di basso avelocità normale poi ridotta dandovi in questo modo la possibilità di effettuare i gesti giusti scegliere le diteggiature adatte nonché suonare a tempo! Il CD mp3 invece è composto da tante basi musicali quante linee di basso ossia 50 playalongs suonati a due velocità diverse: la prima è quella normale cioè la velocità da raggiungere mentre la seconda è ridotta per aiutarvi nello studio. Sappiate che sulla base musicale a velocità normale il basso è presente all'inizio per poi sparire e darvi il cambio! Inoltre questi playalongs hanno una durata volontariamente lunga (da 3 a 4 minuti ognuno ossia più di 7 ore di musica in tutto!) per darvi il tempo di esercitarvi nelle migliori condizioni possibili.
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Barrientos C. - Mambo For Mo - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.
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15 Easy Classical Solos
Bassoon, Piano (duet)
Anglo Music
Par . 15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui s’adresse ...
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Par . 15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui s’adresse aux jeunes musiciens, maîtrisant un peu plus d’une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment. Spécifiquement adapté à chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie. Comprenant les parties d’accompagnement de piano et des pistes audio d’accompagnement disponibles en ligne au format MP3, ces ouvrages représentent une source complémentaire inestimable à toute méthode pédagogique. / Date parution : 2023-08-12/ Recueil / Basson et Piano
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Jazz Conception (SNIDERO JIM)
Bass Trombone
[Sheet music + CD + Accessory]
Advance Music
Par SNIDERO JIM. Jazz Conception is a new and exciting way for players at all le...
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Par SNIDERO JIM. Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well known soloist phrases and articulates and play along with or without the soloist.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo ? works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude. / Jazz / Recueil / Trombone Basse
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La Contrebasse Dans L'Orchestre (MASSARD DANIEL)
Français
Double Bass
[Sheet music]
-
Beginner
Combre
Par MASSARD DANIEL. '[La répétition] des trente-six contrebasses surtout fut c...
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Par MASSARD DANIEL. '[La répétition] des trente-six contrebasses surtout fut curieuse. Quand nous en vînmes au trait du scherzo de la symphonie en ut mineur de Beethoven, qui figurait dans le programme, il nous sembla entendre les grognements d'une cinquantaine de porcs effarouchés : telle était l'incohérence et le défaut de justesse de l'exécution de ce passage. Peu à peu cependant elle devint meilleure, l'ensemble s'établit et la phrase apparut nettement dans toute sa sauvage rudesse'. Hector Berlioz, Mémoires, Chapitre LIII Dans ses Mémoires, Hector Berlioz, compositeur français de l'époque romantique (1803-1869) se tenait 'pour satisfait de pouvoir organiser et diriger un concert gigantesque' pour lequel il parvint 'à réunir un personnel de mille vingt deux exécutants'. Cette citation relate les répétitions partielles (par pupitre) du scherzo de la cinquième symphonie de Beethoven placées sous sa direction pour un concert exceptionnel donné à Paris lors de l'Exposition des produits de l'industrie en 1844. Ce scherzo réputé difficile pour la justesse, la conduite de l'archet et la manière de l'interpréter devenait particulièrement délicat, exécuté par un pupitre de trente-six contrebasses. Depuis l'époque de Berlioz, l'apprentissage de la contrebasse a évolué. Les professeurs enseignant dans les structures musicales permettent à nos élèves de devenir de vrais contrebassistes, de vrais techniciens, de vrais professionnels, de vrais musiciens. Néanmoins, le travail de pupitre (ou répétitions partielles) reste indispensable. Contrebassiste au sein de l'Orchestre National du Capitole de Toulouse pendant quarante ans, mon expérience professionnelle m'a permis de découvrir un vaste répertoire musical. De la musique symphonique à la musique de chambre en passant par le répertoire lyrique, j'ai pu aborder tous les styles de musique depuis l'époque baroque à la musique contemporaine. Les grands chefs d'orchestre qui m'ont dirigé m'ont appris à connaître tous les grands compositeurs de notre musique occidentale, la manière d'interpréter une oeuvre, de la comprendre et de l'analyser. Nous devons écouter et surtout entendre. J'ai voulu donc, par ce premier recueil, transmettre ce que j'avais appris à l'Orchestre et permettre aux élèves de découvrir ce répertoire musical. Professeur de contrebasse au CRD de Montauban, j'ai mis au programme du premier cycle et expérimenté avec mes élèves tous les textes présentés dans ce recueil. Les jeunes contrebassistes ont toujours été très sensibles au travail des extraits musicaux. Ils sont au contact avec la Musique. Afin de parachever leur travail personnel, il est souhaitable qu'ils écoutent les musiques étudiées (enregistrements et concerts). Ces acquisitions leur permettront de découvrir les compositeurs et d'apprendre le langage musical. Ce recueil pédagogique offre un voyage musical de l'époque baroque à l'époque postromantique (de Johann Sebastian Bach à Camille Saint-Saëns). Il est destiné aux élèves du premier cycle des conservatoires et écoles de musique. Les professeurs pourront commencer à l'aborder dès la première année. Tous les extraits musicaux sont tirés du répertoire d'orchestre : de chambre, lyrique et symphonique. Ils sont joués dans la tonalité originale. Les coups d'archet originaux sont notés en noir. Les coups d'archet préconisés par les contrebassistes professionnels jouant dans les plus grandes formations orchestrales symphoniques ou lyriques en France et à l'étranger sont ajoutés en rouge. Daniel Massard Contrebassiste à l'Orchestre National du Capitole de Toulouse, Professeur au CRD de Montauban. Je remercie mes élèves de la classe de contrebasse du Conservatoire à Rayonnement Départemental de Montauban, les bibliothécaires de l'Orchestre National du Capitole de Toulouse et Véronique Lafargue, docteur en musicologie. / Niveau : 1er Cycle / classique / Méthode / Contrebasse
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François Rabbath: Trombes D'Eau: Double Bass: Instrumental Work
Double Bass
Leduc, Alphonse
The international fame of bass player François Rabbath acknowledges both the un...
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The international fame of bass player François Rabbath acknowledges both the untiring teacher author of a Nouvelle technique de la contrebasse which a whole generation of students desirous of freeing themselves from the fetters of traditional teaching has taken up and the inspired soloist unsparing of himself in concert. For several years now he has become accustomed to spending a few days in the summer in Kansas City (Missouri) to give master classes and a concert there in the framework of the ‘KC BassFest’. In July 2016 a moving surprise awaited him: on the stage of the American Jazz Museum afull-length portrait was unveiled painted by local artist Ruthie Ingram from photos taken during his recital the previous year. By way of thanks Rabbath dedicated Trombes d’eau to her a solo piece lasting approximately six minutes composed at the instigation of the International Society of Bassists for the 2017 edition of the International Double Bass Competition. Conceived as a series of short variations on an impassioned theme the work emphasises evocative glissandi and explores double stopping and artificial harmonics without ever sacrificing the essential: the pleasure of musical expression.
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Ars Musica Vol. 3 - Voix Egales
Moseler Verlag
Edition de Gottfried Wolters Feier/Musik: Wohlauf, wir heben mit Singen an (Pau...
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Edition de Gottfried Wolters Feier/Musik: Wohlauf, wir heben mit Singen an (Paul Ernst Ruppel) Grünet die Hoffnung (Gottfried Wolters) An die Freude: Freude, schöner Götterfunken (Ludwig van Beethoven) Freisinn: Lasst mich nur auf meinem Sattel gelten (Gottfried Wolters) Wer sich die Musik erkiest (Heinz Lau) Musica est Dei donum optimi / Dass dich Gott behüte (Kanon / Orlando di Lasso) Lob der Musik: Was mag doch diese Welt (Johann Rudolf Ahle) Stimmt an, stimmt an den Lobgesang (Kanon / Andrea Antico) Tageskreis: All Morgen ist ganz frisch und neu / Vom Himmel hoch, da komm ich her (Caspar Othmayer) Steht auf, ihr lieben Kinderlein (Max Reger) Am Morgen: Strahlend steigt am Himmelsbogen (Orlando di Lasso) Heil dem Tag / Lobet all Gottes Güt (Kanon / Wolfgang Amadeus Mozart) Die güldene Sonne (Arthur Sädler) Die helle Sonn leucht‘ jetzt herfür (Wolfgang Stockmeier) Fliegt der erste Morgenstrahl (Willi Träder) Im Wald ist schon der helle Tag (Gottfried Wolters) Morgenlied: Es tagt, der Sonne Morgenstrahl (Werner Gneist) Jeden Morgen geht die Sonne auf (Gottfried Wolters) Dämmerung bricht jetzt herein (Ernst Häublein) In the twilight stillness / In der Dämmerstille (Kanon / England) Gute Nacht: Hält einer über uns die Wacht (Kanon / England) Lasst uns all nach Hause gehen (Kurt Müller) Zeit zu gehn ists (Kanon / Gottfried Wolters) Nun wollen wir singen das Abendlied (Otto Kaufmann) Ich liege und schlafe ganz in Frieden (Kanon / Otto Kaufmann) Nun wollen wir singen das Abendlied (Felicitas Kukuck) All praise to thee, my God / Dank sei dir Gott (Kanon / Thomas Tallis) Der Mond ist aufgegangen (Herbert Langhans) Der Mond ist aufgegangen (Otto Kaufmann) Es dunkelt schon die Heide (Felicitas Kukuck) Dunkelt das Land nun (Jens Rohwer) O du stille Zeit (Gottfried Wolters) Wiegen-Reim: Ozewiezewoze (Gottfried Wolters) Frau Holle tut das Wasser tragen (Gottfried Wolters) Kindlein mein, schlaf doch ein / Kindla mei, schloff ock ei (Otto Kaufmann) Sommeil, vite, vite (Gottfried Wolters) Dobrú noc, má milá / Gute Nacht: Schlafe, Liebchen gute Nacht (Heinz Lau) Jahreskreis: Ach bittrer Winter (Armin Knab) Limu limu lima / Limu limu leimen (Gottfried Wolters) Der Feber ist vergangen (Heinrich Spitta) Im Walde blüht der Seidelbast (Heinz Lau) Wollt im Winter ein Brieflein schreiben (Gottfried Wolters) Ei wohl ein schöne Zeit (Volkssatz) Trariro, der Sommer der ist do (Gottfried Wolters) Trariro, der Sommer der ist do (Felicitas Kukuck) Singt ein Vogel (Heinz Lau) Der Maien bringt uns der Blümlein viel (Michael Praetorius) Grüss Gott, du schöner Maie / Eija, der Maie (Jens Rohwer) Grüss Gott, du schöner Maie / Durch Feld und Buchenhallen (Andreas Rauch) Der kühle Maien (Johann Hermann Schein) Mailied: Grüner wird die Au (Franz Schubert) Willkommen, lieber schöner Mai (Kanon / Franz Schubert) Der Mai beginnt: Der Schnee zerrinnt, der Mai beginnt (Kanon / Franz Schubert) Nun will der Lenz uns grüssen (Helmut Bornefeld) Zu Maien die Vögelein singen (Wilhelm Keller) Die liebe Maienzeit (Melchior Franck) Der Kuckuck bleibt nicht still: L‘inverno è passato / Der Winter ist vorüber (Hermann Wunsch) Hört ihr ihn rufen (Kanon / England) Der Kuckuck: Hört ihr den Vogel schrein (Kanon / Felicitas Kukuck) Dieser Kuckuck, der mich neckt (Herbert Beuerle) The nightingale, the merry nightingale (Kanon / England) In the merry month of may (Henry Youll) Come let us all amaying go / Das ist der Mai (Kanon / John Hilton) Lachend kommt der Sommer (Zoltán Kodály) Wacht auf, der helle Tag ist längst erwacht (Felicitas Kukuck) Schön ist die Welt (Gottfried Wolters) Mich brennts in meinen Reiseschuhn (Gottfried Wolters) Lied der Räuber: Ein freies Leben führen wir (Gottfried Wolters) Festlied: Von dem Berge zu den Hügeln (Heinz Lau) Sonne leuchte mir ins Herz hinein (Heinz Lau) Im Wald, im hellen Sonnenschein (Ernst-Lothar von Knorr) O Täler weit, o Höhen (Melchior Franck) Abschied vom Walde: Wer hat dich, du schöner Wald (Walter Rein) Ihr kleinen Vögelein (Werner Gneist) Ihr kleinen Vögelein (Gottfried Wolters) Geh aus, mein Herz, und suche Freud (Jakob Regnart) Lobt Gott, den Herrn: Ihr Leut, steht auf (Kanon / Gottfried Wolters) Lobt Gott in allen Landen (Konrad Hagius) Von Gott kommt alles her: Was nah ist und was ferne (Wilhelm Keller) Gott hat alles recht gemacht (Volkssatz) Ridijo (Jodler) Europäische Lieder und Chorsätze: No, though I shrink still (Thomas Weelkes) Sweet Nymph (Thomas Morley) Though Philomela lost her love (Thomas Morley) Adieu, sweet Amaryllis (Kanon / Richard Brown) Ik zeg adieu / Ich sag ade (Jacobus Clemens non papa) Adieu soulas / Ich sag ade (Antoine de Févin) La Perronnelle:Av‘ vous point vu / Habt ihr gesehen die Perronnellle (Jacobus Clemens non papa) La pastorella mia (Jakob Arcadelt) La mia dolce pastorella (Domenici Maria Melli) Parapiglia: Madona nui sapimo bon giocare / Ihr Schönen, kommt, wir wissen lust‘ge Spiele (Giovanni Domenico da Nola) No desmayes, coraçón (Alfonso de Mondéjar) Sola me dejastes (16. Jahrhundert) Mit Lieb bin ich umfangen / Es ist ein Schnee gefallen (Caspar Othmayr) Es weht ein Windlein kühl von Osten (Jacobus Clemens non papa) Wann ich gedenk der Stund (Jacobus Clemens non papa) Kein grösser Freud (Jakob Regnart) Ohn dich muss ich mich aller Freuden massen (Leonhard Lechner) Der Winter ist ein strenger Gast (Michael Praetorius) All mein Gedanken, die ich hab (Kaspar Roeseling) Minnelied: Ich freue mich auf die Blumen rot (Ernst-Lothar von Knorr) Wach auf, meins Herzens Schöne (Otto Kaufmann) Fein sein, beinander bleibn (Volkssatz) Verstohlen geht der Mond auf (Ernst Häublein) O du schöner Rosengarten (Gottfried Wolters) Ich hört ein Sichelein rauschen (Heinz Lau) Es war ein König in Thule (Carl Friedrich Zelter) Es sass ein klein wild Vögelein (Helmut Bräutigam) Zogen einst fünf wilde Schwäne (Heinz Lau) Ich fahr dahin, wann es muss sein (Johannes Brahms) Feinsliebchen, du sollst mir nicht barfuss geh‘n (Johannes Brahms) Da unten im Tale (Johannes Brahms) Wenn ich ein Vöglein wär (Kanon / Clara Schumann) Rossignolets du bois joli / Nachtigall, sing dein schönstes Lied (Gottfried Wolters) Rossinyol, que vas a França / Rossinyol, flieg hin nach Frankreich (Gottfried Wolters) Tulu, kommst du den nicht (Jens Rohwer) Uti vår hage / Draussen da wachsen blau Beeren (Felicitas Kukuck) Per Spelemann / Hans Spielmann (Daniel Helldén) Per Spelemann / Hans Spielmann (Otto Kaufmann) Mä olen paimenpoikamen / Ich bin ein junger Hirtenknab (Gottfried Wolters) Boerinnetje van buiten (Leontinus) Wel Anne-Marieke (Kamiel Cooremans) Das Carillon von Ekelsbeeke: Über Ekelsbeeke klingt (Gottfried Wolters) J‘ai descendu dans mon jardin / In meinen Garten trat ich ein (Willi Träder) Carillon d‘Orléans: Orléans, Beaugency (Kanon / Frankreich) Si le Roy m‘avait donné Paris / Wenn der König mir Paris (Gottfried Wolters) La Violette: J‘ai un long voyage à faire / Eine weite Reise hätt ich (Carl Orff) Fior di viola / O Veilchenblüte (Carl Orff) Kuckuck ist ein braver Mann (Carl Orff) Gesang der Wolga-Schlepper: Ej uchnjem! Jesco rasik / Ej uchnjem! Ruft noch einmal (Otto Kaufmann) Spielt ein Flötlein auf der Gassen (Ernst Häublein) Sag mir doch, wo ist den mein Liebster hin (Gottfried Wolters) - Spinn, nur meine Spinnerin (Gottfried Wolters) Abschied: Blumen haben lang geblüht (Gottfried Wolters) Flieg her, kleiner bunter Vogel: Vöglein, flieg doch her zu mir (Lajos Bárdos) Nem láttam én molnárcsókot / Sah nie einen Müller küssen (Lajos Bárdos) Slowakischer Dudelsackpfeifer: Eine alte Hex (Lajos Bárdos) Pandur andanduri (Ungaresca) Sej, filipa táncom (Zoltán Kodály) Hej, tulipán, teljes szëgfü / Hej, tulipán, schaut euch meinen Garten an (Zoltán Kodály) Volt nekëm ëgy kecském / Hatte eine Ziege (Zoltán Kodály) Her über d‘Alm (Volkssatz) Auf der Alma, da gibt‘s Kalma (Volkssatz) Hore, hollarore (Jodler) Springt der Hirsch übern Bach (Volkssatz) Und der Gugu im Wald Volkssatz) Böhmische Musikanten: Heit gihts nôch Sachsen `naus (Volkssatz) Böhmische Musici (Volkssatz) Der Steirer Dreier: Hoi rieho (Jodler) Papagenos Glockenspiel: Das klinget so herrlich (Wolfgang Amadeus Mozart) Gesseligkeit: Herr von Gänsewitz zu seinem Kammerdiener: Befehlt doch draussen still zu schweigen (Kanon / Joseph Hayden) Er ist da (Kanon / Friedrich Kuhlau) O du eselhafter Martin (Kanon / Wolfgang Amadeus Mozart) Warnung: Mädchen, ach, meide Männerschmeichelein (Kanon / Carl Maria von Weber) Kommt und lasst uns tanzen (Kanon / Frankreich) Kommt, ihr Gspielen (Melchior Franck) Die Brücke über den Main: Es führt über den Main (Felicitas Kukuck) Mädel, lass zum Tanz dich führen (Siegfried Rath) Jetzt wird getanzt (Kanon / Amerika) Hör ich von fern Musik (Heinz Lau) Tanzlied: Ich hab die Ros‘ an meinem Fuss (Carl Orff) Sur le pont d‘Avignon / Kommt zum Tanz herbei (Heinz Lau) Heissa Kathreinerle (Gerd Watkinson) Tanz-Quodlibet: Heissa, Kathreinerle / Immerzu,ja tanzen immerzu / Zum Tanze da geht Je höher der Kirchturm (Franz Biebl) Quodlibet: Übers Bacherl bin i gesprunge / Auf der Mauer, auf der Lauer / Drunten im Unterland (Arthur Sädler) Horch, was kommt von draussen rein (Otto Kaufmann) Martin, lieber Herre (Ernst Häublein) Maciek: Trägt der Maciek (Felicitas Kukuck) Mir san ja, die lustigen Hammaschmiedsgsölln (Fritz Büchtger) Jagd-Quodlibet: Auf, auf, zum fröhlichen Jagen / Ein Jäger aus Kurpfalz / Der Jäger in dem grünen Wald (Hans Poser) Begrüssung: Hört ihr den jubelnden Ton (Volkssatz) Blaset die Hörner zum fröhlichen Jagen (Gottfried Wolters) Das grosse Halali: Rufen die Hörner halali (Volkssatz) Seefahrt/Shanty/Negro-Songs: What shall we do (Otto Kaufmann) Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Carl Borenlius) - Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Jens Rohwer) Vinden drar, skeppet far / Winde wehn, Schiffe gehn (Otto Kaufmann) Farewell and adieu / Fareewell und adieu (Gottfried Wolters) This ol‘ hammer (Kanon / Amerika) Go down, Moses (Gottfried Wolters) Blin‘ man stood on de way an‘ cried (Gottfried Wolters) I never felt such love (Gottfried Wolters) Crucifixion: They crucified my Lord (Gottfried Wolters) Singin‘ wid sword in ma han‘ (Paul Ernst Ruppel) Lit‘le David (Gottfried Wolters) Geistliche Chormusik: Conditor alme siderum / Gott, heiliger Schöpfer (Jacobus Clemens non papa) Jesu, rex admirabilis / Jesu, dulcis memoria (Giovanni Pierluigi da Palestrina) Ad te, perenne gaudium / Christe, der du bist Tag und Licht (Orlando di Lasso) Vater unser im Himmelreich (Leonhard Paminger) Vater unser im Himmelreich / Leit uns mit deiner rechten Hand (Kanon / Samuel Scheidt) Herr, höre meine Worte (Hans Leo Hassler) Ein Lied in Fröhlichkeit des Geistes zu singen: Ich freue mich und bin fröhlich (Caspar Othmayr) Lasst uns den Herren loben (Heinrich Schütz) Das Deo gratias: Danket dem Herren, denn er ist sehr freundlich (Johann Hermann Schein) Ein feste Burg ist unser Gott (Caspar Othmayr) Benedictus (Orlando di Lasso) Herr Gott, dich loben wir (Johann Joseph Fux) Tisch-Gebet: Aller Augen warten auf dich, Herre (Heinrich Schütz) Danket dem Herren, denn er ist sehr freundlich (Heinrich Schütz) Danket dem Herren, denn er ist sehr freundlich (Johann Staden) Danket Gott, dem Herren (Johann Kugelmann) Laudate Dominum (Gregor Aichinger) Alleluia (Kanon / William Boyce) Cantate Domino (Daniel Friderici) Pleni sunt coeli et terra (Francesco Durante) Es ist ein köstlich Ding (Johann Staden) Nun danket alle Gott (Johann Sebastian Bach) Wer nur den lieben Gott lässt walten (Johann Sebastian Bach) Du Friedefürst, Herr Jesu Christ (Johann Sebastian Bach) Laudate Deum (Kanon / Henry Purcell) Singt dem Herrn ein neues Lied / Canticorum jubilo (Georg Friedrich Händel) Heilig, heilig, heilig, heilig ist der Herr (Franz Schubert) Soli Deo gloria: Gloria, soli Deo gloria (Kanon / Paul Kickstat) Lobe den Herren, den mächtigen König (Gottfried Wolters) Sancta Trinitas: Dominum patrem nostrum benedicimus (Kanon / Jens Rohwer) Wie schön leuchtet der Morgenstern (Fritz Dietrich) Advent/Weihnachten: O Heiland, reiss die Himmel auf (Heinz Lau) Es kommt ein Schiff, geladen (Otto Kaufmann) - Es war ein Jungfrau auserkorn / Die ganze Welt, Herr Jesu Christ (Jacobus Clemens non papa) Maria durch ein Dornwald ging (Cesar Bresgen) Es ist ein Ros entsprungen (Johannes Petzold) Es ist ein Ros entsprungen (Michael Praetorius) Vom Himmel hoch, da komm ich her (Otto Kaufmann) Uns ist ein Kindlein heut geborn (Johann Sebastian Bach) Freut euch, ihr lieben Christen (Leonhart Schröter) O Jesulein zart (Samuel Scheidt) Lobt Gott, ihr Christen (Max Reger) Gloria in exelsis Deo (Gottfried Wolters) Hört, ihr Hirten, lasst euch sagen (Gottfried Wolters) Jodler-Andacht: Tjo tjoiri (Jodler) Die Hirten freuten sich (Gottfried Wolters) Es wird scho glei dumpa (Volkssatz) Der Heiland ist geboren (Walther Hensel) Still, still, still, wer Gott erkennen will (Gottfried Wolters) Ein Kind ist geboren zu Bethlem im Stall (Gottfried Wolters) Kommet, ihr Hirten (Heinz Lau) O du fröhliche / O sanctissima (Gottfried Wolters) Haben Engel wir vernommen (Willi Träder) Am weyhnachtabend in der still (Carl Orff) Melchior et Balthazar / Melchior und Balthazar (Gottfried Wolters) Marsch der Könige: Hoch zu Ross (Gottfried Wolters) Täglich zu singen: Ich danke Gott (Wilhelm Keller)
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Veronica Clark: Class Assemblies Year 2: Vocal Tutor
Musical Awakening
Collins Music
Everything you need for class assemblies in one ready-to-use pack. Fourassemblie...
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Everything you need for class assemblies in one ready-to-use pack. Fourassemblies specially tailored for Year 2 with accompanying songs andmusic as well as ideas for dances costumes and sets with supporting teaching notes. Four complete class assemblies for Year 2 carefully designed to take the stress out of whole-class performances. Each assembly is based on a story which links to literacy topics as well as cross-curricular themes. The stories are semi-scripted allowing the class to join in with lines actions and choral speech. Supporting teaching notes provide ideas for sets costumes and dances as well as advice for preparing the performance and forlinking the assembly to classroom work and SEAL themes. The accompanying audio CD provides music for entering and exiting the assembly performance and backing tracks for the songs and music for optional dances. No music reading required.
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Shredding Bass
Bass guitar
[Sheet music + CD]
Alfred Publishing
It's time to take center stage to deliver all the pyrotechnics usually associate...
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It's time to take center stage to deliver all the pyrotechnics usually associated with six-string guitar shredders! Shredding Bass Guitar takes you there through in-depth lessons on building technique, dexterity, and speed. It shows you how to shred using chords, arpeggios, and scales, and covers heavy metal and funk techniques like tapping, string skipping, and slap and pop. Lessons and examples are in the styles of bass masters Billy Sheehan, Les Claypool, Steve Harris, Victor Wooten, Stanley Clarke, and others. Shredding Bass Guitar provides a fresh perspective on the four-string electric bass and is a must-have for any bassist looking to take their playing to a new level. The accompanying CD features all the examples from the book. Features * In-depth lessons for developing technique, dexterity, and speed * For pick-style and fingerstyle players * Covers techniques like string skipping, tapping, two-handed tapping, wide-interval skipping, slap and pop, double thumbing, double popping, and more About the Author David Overthrow is an author, educator, and virtuoso bassist. After attending Berklee College of Music, he began performing with a wide variety of artists throughout the U.S. and Europe, playing rock, funk, jazz, and R and B. David is Director of Music at the Canterbury School in New Milford, Connecticut. He has written for Bass Guitar magazine, authored numerous electric bass methods, and taught three instructional videos for Alfred Music. David has performed with such luminaries as Pat Metheny, Stanley Clarke, Mike Stern, Trey Anastasio, Paul Gilbert, Zakk Wylde, and Sonny Landreth. / Guitare Basse
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Basi Per Chitarra Rock 5
Base Musicale
Playgame Music
/ Base Musicale
18.50 EUR - Sold by LMI-partitions
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Basi Per Chitarra Rock 2
Base Musicale
Playgame Music
by Aurelio Follieri.Playbacks for guitar. Chords included / Base Musicale
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Basi Per Chitarra Fusion
Base Musicale
Playgame Music
by Aurelio Follieri, Alessio MilaniPlaybacks for guitar. Chords included. / Base...
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by Aurelio Follieri, Alessio MilaniPlaybacks for guitar. Chords included. / Base Musicale
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Teaching Key Stage 1 Music (BRYANT ANN)
Musical course - Solfege
[Sheet music + CD]
Faber Music Limited
Par BRYANT ANN. This book is ideal for primary teachers with little or no experi...
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Par BRYANT ANN. This book is ideal for primary teachers with little or no experience of teaching music. It will also offer fresh ideas and inspiration to the most experienced music specialists. Teaching Key Stage 1 contains an entire scheme of work for pupils in Year 1 and Year 2, with a CD of performance and accompaniment tracks and photocopiable resources. The scheme has been devised by Ann Bryant to offer guidance for those with no formal musical training and build the confidence of all primary level teachers. The lesson plans are completely flexible and can accommodate mixed age and mixed ability groups, making them perfect for schools with more than one intake. Any teacher will benefit from Ann?s broad experience and imaginative ideas and children will have fun singing the fun, original songs that have been incorporated into this structured and accessible set of lesson plans. Following Ann Bryant?s training at the Royal College of music and her postgraduate course in Dalcroze Eurythmics, she has taught music movement and Drama to young people both here in the U.K and in Europe. For the last fifteen years Ann has specialised in Foundation and Key Stage 1, developing a unique and dynamic style of teaching. Author of the award-winning Teaching Key Stage 1 Music (best New Music Product - Music Industry Associations Awards 2002), she has also established a highly successful career as a children?s author. / Methods
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Corso Per Principianti - Basso Elettrico: Bass Guitar: Instrumental Tutor
Italiano
Bass guitar
[Sheet music + Audio access]
Music Sales
La guida completa e illustrata per suonare il basso elettrico-Il Corso per Princ...
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La guida completa e illustrata per suonare il basso elettrico-Il Corso per Principianti è stato progettato per insegnarvi tutte le nozioni di base per suonare il vostro strumento. Le immagini vi accompagneranno passo dopo passo e fin dal primo giorno di studio suonerete assieme a una base musicale!Una collana di corsi facile da capire ricci di consigli pratici e di istruzioni illustrate. Suonerete con basi professionali prima di quanto possiate immaginare!Nel corso degli anni la collana ?Corso per Principianti? ha insegnato a suonare a milioni di persone. Ora è il vostro turno! Un approccio da ?manuale di istruzioni? per il vostro strumento che renderàl?apprendimento più facile che mai!I metodi della collana ?Corso per principianti? sono corredati dalla speciale ?download Card? che vi permetterà di scaricare le tracce audio MP3 per poterle utilizzare su PC Tablet e Smartphones.
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Victor Wooten: Victor Wooten Bass Workshop: Bass Guitar Solo: Instrumental Tutor
Bass guitar
Hudson Music
The Language of Music and How to Speak It-Victor Lemonte Wooten emerged as a onc...
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The Language of Music and How to Speak It-Victor Lemonte Wooten emerged as a once-in-a-lifetime game-changing bassist in the early- 90s via his highly innovative playing with Bela Fleck & the Flecktones. Launching his solo career a few years later with A Show of Hands it soon became apparent that Wooten was also a major musical force thanks to an organic and highly original approach to music and music education. In this book/online video package Victor Wooten Bass Workshop: The Language of Music and How to Speak It Victor reveals his musical soul. In Part 1 he outlines his ten essential elements of music including such important and under-emphasized areas as emotion and feel dynamics tone phrasing space and listening. This section deals more with Victor s concepts and approaches and are more theoretical in nature. In Part 2 Victor addresses the personal lessons using text notation tablature and video footage to cover such key topics as warming up and hand-strengthening tone harmonics thumb technique tapping looping and soloing. This section is a more how to approach with hands-on demonstrations. Throughout Victor underscores this vital material with a groove first ethic as well an accent on being musical and creative three mandatory ingredients to becoming a highly-sought-after professional bassist. All of which makes Victor Wooten Bass Workshop a must-have tool for bass players at all levels. Includes online 4 hrs. of video that can be streamed or downloaded.
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Chris Squire: Instructional Dvd For Bass: Bass Guitar Solo: Instrumental Tutor
Bass guitar
[DVD]
Hal Leonard
Founding member and innovative bass player with the classic rock group Yes Chri...
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Founding member and innovative bass player with the classic rock group Yes Chris Squire is a major force in the band's revolutionary sound. His unique approach to the bass in an integral part of the recognition that Yes receives as one of the most influential groups on rock music history. The band Yes was formed in the late 1960s and Chris is the only original band member that still performs with the band today. In this in-depth interview with Chris Squire taped in 1990 Chris reveals some of his earliest aspirations in music to his prolific contributions as the bass player with Yes. Chris demonstrates his unique style in songs performed on the90125 World Tour after the release of Yes' double-platinum album ?Owner of a Lonely Heart.? Live performances include ?Changes ? where he plays a potent 8-string bass; plus ?I've Seen All Good People ? ?'Round About ? ?I'm Running ? and ?Cinema.? Chris gives us a close look at the styles and technique he uses with a unique collection of basses. With a rebellious and visionary style Chris says It's down to must attacking things really. So step into the world of Chris Squire with fascinating musical history bass riffs and riveting live concert footage.
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Cornish Pastiche: Bassoon: Instrumental Album
Bassoon, Piano (duet)
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Intermediate
Spartan Press
Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself dow...
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Timeless Cornish Melodies Cooked Up For Hungry Brass Players-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture - I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally ideally sung and played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the
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Easy Jazz Conception Bass Lines
Bass guitar
Advance Music
Ce livre/cd permet aux bassistes de s'initier au jazz. Il contient 15 solos, bas...
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Ce livre/cd permet aux bassistes de s'initier au jazz. Il contient 15 solos, basés sur la progression des accords. Ces morceaux sont enregistrés sur le CD par Dave Hazeltine (Piano), Paul Gill (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète une version sans la partie solo. / Guitare Basse
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Dan Greenblatt: The Blues Scales - Bass Clef: Bass Instrument: Instrumental
Bass Clef Instruments
Sher Music Company
Essential Tools for Jazz Improvisation. Sher Music Co.?s highly-regarded book, T...
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Essential Tools for Jazz Improvisation. Sher Music Co.?s highly-regarded book, The Blues Scales: Essential Tools for Jazz Improvisation is now available in bass clef. As Michael Brecker said, ?This is an excellent addition to the growing number of books dedicated to mastering the art of jazz improvisation. Useful to beginners as well as advanced players, The Blues Scales admirably addresses the vocabulary of the blues ? the ?root of jazz.? ? Step-by-step exercises to get beginning students able to quickly solo using the two basic Blues Scales. ? Extensive dictionary of classic Major and Minor Blues Scale phrases. ? Help with transposing the ideas learned into other keys. ? Numerous ways to expand the Blues Scales to make them even more useful. ? Appendices for advanced players showing how the masters of jazz use the Blues Scales in their own playing.
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