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Béla Bartók
INSTRUMENTS
INSTRUMENTS
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BAGPIPE
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Piano solo (242)
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Für Kinder (BARTOK BELA)
2 Guitars (duet)
Classical guitar
Universal Edition
Par BARTOK BELA. Béla Bartók’s “For Children” is one of the best known p...
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Par BARTOK BELA. Béla Bartók’s “For Children” is one of the best known pedagogical works for piano teachers of the twentieth century, second only perhaps to the same composer’s “Mikrokosmos”. It was based firmly on the huge number of folk songs he collected, recorded and studied with his colleague Zoltán Kodály. At the time, Bartók was offering something very new to piano teachers and their students. Siegfried Steinkogler became acquainted with “For Children” at the beginning of his guitar studies and, from them, learnt a great deal about melody and harmonisation. He has chosen 38 of the original 79 pieces to offer in arrangements for the guitar. They are presented with helpful fingerings, technical solutions and aids to familiarize the younger students with common notations. For beginners, ten of the pieces are played exclusively in the first position before a gently increasing level of difficulty helps the player broaden their skills. In these arrangements, Bartók’s ingenious teaching pieces will be as invaluable to guitarists as they have been to your pianists for over one hundred years./ Répertoire / 2 Guitares
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20 Duos Pour 2 Clarinettes (BARTOK BELA)
2 Clarinets (duet)
Universal Edition
From '44 Duos For Two Violins'. Par BARTOK BELA. Béla Bartók (1881-1945) compo...
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From '44 Duos For Two Violins'. Par BARTOK BELA. Béla Bartók (1881-1945) composed his 44 Duos for Two Violins in 1931. These unique musical miniatures combine folk melodies from Eastern Europe with the musical language of the twentieth century in an exciting blend of tradition and modernity. For the present edition Marcin Langer arranged twenty of these duos for Bb clarinets. The pieces allow players to share the pleasure of chamber music while exploring this fascinating sound world. All the duos sound at the original pitch and can thus be performed by a clarinet and violin. Most of the duets can also be played by a clarinet and alto saxophone combination (nos. 1, 5, 6, 7, 8, 12, 13, 16, 17). In such cases, the relevant duos from the edition for two violins (UE 10452A and UE 10452B) or for two alto saxophones (UE36991) should be used./ Répertoire / 2 Clarinettes
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44 Duets For Two Violas
2 Violas (duet)
EMB (Editio Musica Budapest)
Béla Bartók composed his 44 Violin Duos in 1931, at the urging of the German v...
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Béla Bartók composed his 44 Violin Duos in 1931, at the urging of the German violin pedagogue Erich Doflein. With two exceptions, all the pieces are based on original folk music themes, most of which the composer himself collected in the course of his numerous collecting trips to the Carpathian Basin and in Algeria. Although conceived as parts of a pedagogically motivated set, these little pieces are highly effective in concert performance as well. The viola transcriptions follow Bartóks original faithfully. / 2 Altos
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44 Duos From '44 Duos For Two Violins' (BARTOK BELA (ARR)
2 Flutes (duet)
Universal Edition
Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA (ARR.FERESHTEH RAHBARI). Bé...
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Aus Den 44 Duos Für Zwei Violinen. Par BARTOK BELA (ARR.FERESHTEH RAHBARI). Béla Bartók's '44 Duos” for violins are a set of marvelous musical miniatures that draw on the composer's love of Eastern European folk music. Ranging from easy to advanced standard, they have long been the province only of string players with arrangements first for cellos and more latterly for violas. Now they are available to delight flautists and will be ideal for recitals, either as a main program item or as encores, just as violinists have enjoyed them since their composition. Arranger Fereshteh Rahbari comments that it is thanks to the development of the flute over the last four decades, especially in its speaking quality, that these effective new arrangements could be made./ Répertoire / 2 Flûtes Traversières
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20 Duos (BARTOK BELA)
2 Saxophones (duet)
Universal Edition
fur 2 Saxophone aus 44 Duos fur Violinen. Par BARTOK BELA. Gives the aspiring sa...
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fur 2 Saxophone aus 44 Duos fur Violinen. Par BARTOK BELA. Gives the aspiring saxophonists practice in the kind of musical partnership required by chamber music Béla Bartók (1881-1945) composed his 44 Duos for Two Violins in 1931. These unique musical miniatures combine folk melodies from Eastern Europe with the musical language of the twentieth century in an exciting blend of tradition and modernity. For the present sheet music twenty of these duos for saxophones (of the same pitch) were arranged. The pieces allow players to share the pleasure of chamber music while exploring this fascinating sound world. On alto saxophones, most of the duets sound in the original keys (Nos. 1, 5, 6, 7, 8, 12, 13, 16, 17). For the other duets Marcin Langer selected a key based on the sound of the piece and its suitability for the saxophone. • These unique musical miniatures combine folk melodies from Eastern Europe with the musical language of the twentieth century/ Répertoire / 2 Saxophones
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Béla Bartók: Roumanian Folk Dances: Viola: Instrumental Work
Viola, Piano
[Sheet music]
Viola World
These six dances originally written for the violin are repertoire favourites; ...
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These six dances originally written for the violin are repertoire favourites; much-loved and acclaimed by performers and audiences alike. Arranged for viola by Alan Arnold. Ed. Peter Bartok.
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Rumänische Weihnachtslieder (BARTOK BELA)
Universal Edition
Serie Ii. Par BARTOK BELA. What distinguishes Béla Bartók from most of his Eur...
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Serie Ii. Par BARTOK BELA. What distinguishes Béla Bartók from most of his European contemporaries is his lifelong dedication to folk music. He began to look into Hungarian peasant music out of musical interest only, but gradually extended his research to the neighbouring countries' folk music to study relatedness and differences, origins and influences. Bartók started to collect Romanian folk tunes in 1908, in 1915 he adapted them to be played on the piano – his 'Romanian Christmas Carols' (UE 5890). This edition of sheet music provides the rewarding opportunity to plan a concert quite different to every other Christmas concert. This arrangement of Bartók's varied composition makes full use of a saxophone quartet's abundant acoustic possibilities. The colourful pieces will enhance the saxophone quartet repertoire. Volume 1 is available with the number UE 37115./ Répertoire / 4 Saxophones [SATB]
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Rumänische Weihnachtslieder (BARTOK BELA)
4 Saxophones [SATB]
[Score and Parts]
Universal Edition
Par BARTOK BELA. What distinguishes Béla Bartók from most of his European cont...
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Par BARTOK BELA. What distinguishes Béla Bartók from most of his European contemporaries is his lifelong dedication to folk music. He began to look into Hungarian peasant music out of musical interest only, but gradually extended his research to the neighbouring countries' folk music to study relatedness and differences, origins and influences. Bartók started to collect Romanian folk tunes in 1908, in 1915 he adapted them to be played on the piano – his “Romanian Christmas Carols” (UE 5890). This edition of sheet music provides the rewarding opportunity to plan a concert quite different to every other Christmas concert. This arrangement of Bartók's varied composition makes full use of a saxophone quartet's abundant acoustic possibilities. The colourful pieces will enhance the saxophone quartet repertoire./ Répertoire / 4 Saxophones [SATB]
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Béla Bartók
Carte Postale
[Sheet music]
Carus Verlag
black and white photograph [year unknown]/ Répertoire / Carte Postale
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Béla Bartók: For Children Vol. 2: Piano Solo: Instrumental Album
Piano solo
EMB (Editio Musica Budapest)
For Children Vol. 2. Bartók composed his first pedagogical collection For Child...
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For Children Vol. 2. Bartók composed his first pedagogical collection For Children between 1908 and 1911. The first edition was issued between 1909 and 1911 in four volumes, comprising two of Hungarian and two of Slovak folk song arrangements. After moving to America, Bartók considered it important to produce new editions of his earlier works. Thus in autumn 1943, together with his new publisher Boosey
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Rumänische Volkstänze (BARTOK BELA)
Accordion
Universal Edition
Par BARTOK BELA. The Romanian Folk Dances are probably Béla Bartók's most popu...
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Par BARTOK BELA. The Romanian Folk Dances are probably Béla Bartók's most popular and most frequently played compositions. They have certainly inspired the largest number of arrangements, here for accordion by Teodoro Anzellotti. • Six brief movements, which present folk melodies with Bartók's own harmonizations in a wide variety of moods • Colorful pieces which broaden the repertoire for accordion / Date parution : 2016-11-20/ Répertoire / Accordéon
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Classical Piano Masters - Early Intermediate Level: Piano: Instrumental
Piano solo
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Intermediate
Hal Leonard
Some of the most often taught original piano literature by dozens of master comp...
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Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Early Intermediate edition features 17 pieces by 15 composers, including: Anonymous (18th century): Minuet in G from The Notebook for Anna Magdalena Bach · Johann Sebastian Bach: Gavotte II: La Musette from English Suite No. 6, BWV 811 · Johann Sebastian Bach: Prelude in C Major from The Well-Tempered Clavier, Book 1 · Béla Bartók: Three Pieces from For Children, Sz. 42 · Ludwig van Beethoven: Minuet in G Major, WoO 10, No. 2 · Ludwig van Beethoven: Sonatina No. 1 in G Major, Anh. 5, No. 1 · Anton Diabelli: Rondino · César Franck: The Doll's Complaint · George Frideric Handel: Sarabande from Suite in D minor, HWV 437 · Franz Joseph Haydn: German Dance in D Major, Hob. IX: 22, No. 2 · Friedrich Kuhlau: Scottish Dances Nos. 2, 3, 5 and 6 from Six Scottish Dances · Edward MacDowell: To a Wild Rose from Woodland Sketches · Wolfgang Amadeus Mozart: Minuet in G Major, K. 1 · Jean-Philippe Rameau: La tambourin · Franz Schubert: Waltz in A Major · Robert Schumann: Soldiers' March from Album for the Young · Pyotr Il'yich Tchaikovsky: Italian Song from Album for the Young.
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The Chester Piano Anthology: Piano: Instrumental Work
Piano solo
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Intermediate/advanced
Chester
39 popular works for piano featuring selected works from the major exam board sy...
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39 popular works for piano featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Preface by Young Musician of the Year Martin James Bartlett.
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Béla Bartók: Ein Abend am Lande für Oboe und Klavier: Oboe: Instrumental Work
Oboe, Piano (duet)
EMB (Editio Musica Budapest)
An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pi...
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An Evening in the Village was composed in 1908 as no. 5 of the Ten Easy Piano Pieces. It has become one of Bartók's favorite works which the composer himself was fond of playing at recitals. As he explained in an American interview it was ''an original composition that is ... with themes of my own invention but ... the themes are in the style of the Hungarian-Transylvanian folk tunes. There are two themes. The first one is a parlando-rubato-rhythm and the second one is more in a dance-like rhythm. The second one is more or less the imitation of a peasant flute playing.'' Bartók also orchestrated the piece in 1931 as no. 1 of HungarianSketches. In 2015 we are launching a series entitled Bartók Transcriptions for Music Students to mark the 70th anniversary of the composer’s death. This involves reissuing our tried publications and publishing some further new transcriptions that fulfill in every respect the strict aesthetic demands of the earlier ones. We trust these publications will allow us to introduce still more music students to the realm of one of the great geniuses of 20th-century music.
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Duetti (BERIO LUCIANO)
2 Violas (duet)
Universal Edition
Par BERIO LUCIANO. This set of arrangements of Luciano Berio’s “Duetti”, o...
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Par BERIO LUCIANO. This set of arrangements of Luciano Berio’s “Duetti”, originally for two violins, represents a fascinating expansion of the limited repertoire for two violas. Berio originally conceived these duets as a collection of occasional pieces, each dedicated to someone who was close to him, rather like Elgar’s “Enigma” Variations, but they eventually developed into a full compositional project with pedagogical overtones. As such, there is a wide variation in technical demands, from pieces playable by beginners up to a duet that foreshadows the skills required for Berio’s “Sequenza” for the viola. Taken as a whole, over some years of study, the “Duetti” can gently lead players into the mysteries of contemporary music; however, the composer also envisaged them in a concert performance of the complete cycle with at least 24 players of differing abilities taking turns to play. In this guise, it might be an intriguing idea to mix them with the original version for two violins (UE17757), although it must be understood that the two versions are not mutually compatible to be played as violin/viola duets./ Répertoire / 2 Altos
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Bartok Bela - Improvisations On Hungarian Peasant Songs Op.20 - Piano
Piano solo
G. Henle
Béla Bartók Improvisations sur des chants paysans hongrois op. 20 Editeur: Lá...
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Béla Bartók Improvisations sur des chants paysans hongrois op. 20 Editeur: László Somfai Doigtés: Dénes Várjon Après les «15 chants paysans hongrois» (HN 1404), les «Improvisations sur des chants paysans hongrois» sont la deuxième ?uvre de Bartók dont le titre évoque les chants paysans. Plus tard, Bartók qualifia lui-même de «limite absolue» la manière dont les mélodies populaires se trouvent, dans ces pièces, confrontées à des sonorités d?avant-garde raffinées. Sur le plan de l?élaboration des motifs, il bouleverse de manière si radicale les structures des mélodies que le titre d?«improvisations» qualifie au mieux sa manière de traiter la musique populaire. La partition de l?édition Urtext, éditée par le spécialiste de Bartók László Somfai, est empruntée au volume de l?édition intégrale des ?uvres de Bartók. Des remarques à la fin de l?édition livrent d?importantes indications pour l?interprétation.
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Quatuors à cordes (BARTOK BELA)
String Quartet: 2 violins, viola, cello
G. Henle
Béla Bartók Complete Critical Edition Volume 29. Par BARTOK BELA. / Date paru...
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Béla Bartók Complete Critical Edition Volume 29. Par BARTOK BELA. / Date parution : 2022-10-12/ Recueil / Quatuor à Cordes
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Allegro Barbaro Bb 63 (Sz. 49) (BARTOK BELA)
Universal Edition
Par BARTOK BELA. This version of Béla Bartók’s “Allegro Barbaro” is the ...
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Par BARTOK BELA. This version of Béla Bartók’s “Allegro Barbaro” is the latest of several challenging arrangements for guitar of twentieth century masterpieces. The piece was written by Bartók as a reply to a critic who had accused him of “musical barbarity” and it pulls no punches in its opposition to the late romantic musical styles of the time (1911). Huge technical and musical challenges have been answered by Siegfried Steinkogler in this arrangement, which he recommends as an effective encore piece./ Répertoire / Guitare
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Mikrokosmos 4
Piano solo
EMB (Editio Musica Budapest)
Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces publish...
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Béla Bartók's Mikrokosmos series contains 153 progressive piano pieces published across six volumes by Editio Musica Budapest. The series, which was written between 1926 and 1939, starts with very easy beginner etudes and progresses to difficult advanced technical displays, and remains an essential part of modern piano lessons and education. All six volumes are available exclusively from Faber Music Distribution in the UK and Ireland. / Piano
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Musicologies Nouvelles - Agregation 2017
Français
Musical course - Solfege
[Magazines]
Lugdivine
Les Editions Lugdivine sont heureuses et fières de vous annoncer la création d...
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Les Editions Lugdivine sont heureuses et fières de vous annoncer la création de Musicologies Nouvelles. Une nouvelle collection qui répond à la volonté d?offrir à tous les professionnels du monde de l?enseignement musical des outils en phase avec leurs besoins, en termes de formation et d?application. Cette collection s?appuie sur la publication annuelle de trois revues spécifiquement dédiées : - au programme d?agrégation (Musicologies Nouvelles Agrégation), - au programme du Bac (Musicologies Nouvelles Bac) - à un dossier spécial (Musicologies Nouvelles Dossier spécial). Toute l?équipe éditoriale, regroupée autour de Mihu Iliescu et Laurence Le Diagon-Jacquin, ainsi que les différents rédacteurs ponctuels apportent toute leur expérience et leurs compétences pour garantir un niveau d?excellence en rapport avec l?ambition de cette publication. Musicologies nouvelles : pourquoi une nouvelle revue ? L'éditorial de Jean-Jacques Nattiez - Professeur émérite de l?Université de Montréal - Président d?honneur du comité de rédaction de Musicologies nouvelles Thèmes Agrégation 2017 Livre 21 X 28 cm 168 pages - Voix de ville et airs de cour : l?avènement de la monodie accompagnée en France (1576 - 1696). - Poème symphonique et identité culturelle. Les auteurs collaborant à ce numéro : Nahéma Khattabi, Alice Tacaille, Catherine Massip, Catherine Deutsch, Olivier Bettens. Laurent Guillo, Marie Demeilliez, Yann Mahé, Robin Joly, Mathilde Vittu, Damien Erhardt, Michael Saffle (article en anglais), Bruno Moysan, Jean-Christophe Branger, Jean-Jacques Velly, Liliana-Isabela Apostu, Antonin Servière... SOMMAIRE La monodie en français avant Chardavoine : plaisirs et pouvoirs de la voix seule Alice Tacaille Université Paris-Sorbonne, IReMus-CNRS, UMR 8223 Les voix de ville recueillis par Jehan Chardavoine : un corpus de chansons à danser Robin Joly Doctorant au CESR de Tours Voix de ville et air de cour : le chant soliste en France à la fin de la Renaissance Nahéma Khattabi Agrégée de musique et docteur en musicologie Les prosodies du français chanté, de Chardavoine à Bacilly Olivier Bettens Le développement de la monodie en France et son rôle dans la sociabilité du XVIIe siècle Catherine Massip IReMus L?air de cour, champ expérimental de l?édition musicale dans le dernier tiers du XVIIe siècle Laurent Guillo IReMus Aria et artifice contrapuntique au tournant du XVIIe siècle en Italie Catherine Deutsch Université Paris-Sorbonne/(IReMus) Quel(s) solfège(s) pour l?air de la seconde moitié du XVIIe siècle ? Théorie et pratique autour de deux manuscrits et d?un air de Sébastien Le Camus Mathilde Vittu Conservatoire de Paris - CNSMDP Tablatures et basses continues : l?accompagnement des airs de cour Marie Demeilliez Université Grenoble Alpes Entre monodie accompagnée et polyphonie : le cas du dernier recueil d?airs de Michel Lambert (1689) Yann Mahé Université de Toulouse Jean Jaurès. Il Laboratorio (EA 4590) Musique et transferts culturels. Le poème symphonique entre la France et l?Allemagne (1854-1914) Damien Ehrhardt Université d?Evry Val d?Essonne / Université Paris-Saclay Liszt, Musical Transnationalism, and the Symphonic Poem Michael Saffle Virginia Polytechnic Institute and State University Frontières, forme et signification dans le Poème symphonique lisztien Bruno Moysan Forme et signification particulières dans le dernier poème symphonique de Liszt Laurence Le Diagon-Jacquin Université de Franche-Comté (ELLIADD) Transcender le message lisztien : Massenet et le poème symphonique. Des suites d?orchestres à Thaïs Jean-Christophe Branger Université de Lorraine À la recherche de l?expression : les poèmes symphoniques de Richard Strauss Jean-Jacques Velly Université Paris-Sorbonne Les poèmes symphoniques de Georges Enesco et Béla Bartók : une marque d?identité culturelle et nationale Liliana-Isabela Apostu Institut für Musik, Oldenburg Tapiola de Jean Sibelius : entre identité nationale et incarnation du Nord Antonin Servière Compositeur et musicologue
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Béla Bartók: 15 Hungarian Peasant Songs: Piano: Instrumental Work
Piano solo
[Sheet music]
G. Henle
In a note for the planned first edition of his Hungarian Peasant Songs in 1914 ...
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In a note for the planned first edition of his Hungarian Peasant Songs in 1914 Bartók wrote that ?the melodies published here are folksongs in the truest sense of the word; more precisely peasant songs?. Bartók initiallywithdrew this work from publication however and added new pieces to it using folk music he had collected in the meantime. The first edition was only finally published in 1920. The Bartók scholar László Somfai explains the work?scomplicated genesis in his preface. The comments at the close of this edition include important indications regarding performance practice derived from the two recordings that the composer made of several of its pieces in 1927 and1936. The musical text here follows that of the corresponding volume of the Bartók Complete Edition that is currently in preparation. This is yet another highly popular Bartók work on offer from G. Henle Publishers!
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Béla Bartók: 21 Duets: Violin Duet: Instrumental Work
Viola, Cello (duet)
[Sheet music]
Universal Edition
From 44 Duos For 2 Violins-Bela Bartók's 44 Violin Duos or selections therefro...
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From 44 Duos For 2 Violins-Bela Bartók's 44 Violin Duos or selections therefrom have been the source of arrangements for a variety of instruments such as for piano (one set by the composer the Petite Suite) band as well as duos for every member of the string family even contrabass. These all followed the original concept: a pair of identical instruments. This set for viola and violoncello is intended to fill a gap where two instruments an octave apart can produce the broader tonal range. (P. Bartók)
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Béla Bartók: Romanian Folk Dances: Violin & Viola: Instrumental Collection
Violin, Viola (duet)
Partitura Verlag
arranged for Violin and Viola
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Mini Maestro Band 1
Easy Piano
-
Beginner
Schott
50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente ...
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50 kleine Klavierstücke. La collection Mini Maestro en trois volumes présente de petites pièces pour piano de difficulté progressive de très facile à moyenne, datant de cinq siècles, par ordre chronologique, de la musique baroque, classique, romantique, moderne au jazz, à la pop et à la musique minimale. A la fin de chaque volume se trouvent trois pièces bonus à quatre mains - sous la devise ' Plus de plaisir à deux '. Faciles à apprendre, toutes les pièces offrent un répertoire varié qui constitue un complément idéal à toute méthode de piano et convient à des concerts, leçons, examens et concours. Le volume 1 contient des morceaux dans la gamme pentatonique / dans des gammes pentatoniques changeantes, suivis de morceaux dans l'ambitus d'une octave avec un rythme simple et un jeu d'accords facile. D'autres critères sont la différente articulation, la mélodie à la main gauche, les signes d'octave et les pièces en majeur/mineur jusqu'une armure à un dièse/bémol. Le volume 2 contient des pièces dans l'ambitus étendu de deux octaves et avec un jeu des accords à trois ou quatre voix et des renversements. Les autres critères sont le jeu de pédale, des ornements élémentaires, la polyphonie simple, la différenciation de la mélodie et de l'accompagnement et les pièces en majeur/mineur jusqu'une armure à deux dièses/bémols. Le volume 3 contient des pièces avec un ambitus allant jusqu'à quatre octaves, avec un rythme et une vélocité plus exigeants. D'autres critères sont la différenciation subtile des tons, le jeu expressif, la polyphonie dans une main, la polyphonie avancée et les pièces en majeur/mineur jusqu'une armure à trois dièses/bémols. / Niveau : 1 / Classique / Recueil / Piano
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