Ed Hughes' A Time For Singing for Clarinet Cello and Piano. Score and parts.'My sister the clarinettist Alison Hughes is a member of the Camilleri Trio who gave the first performance. The work was conceived in memory of our aunt Gillian Nicholls.The four movements are:1. Walk with rainstorm2. Song3. Scherzo4. Until the day breakIt is a kind of narrative - in one sense an imagined walk through a changing landscape. A very English one in other words one in which it rains! But sometimes lit up by sunshine.It remembers Gillie Nicholls who loved walking and loved life. She died from cancer in2010. I wanted to write a piece that would remember her and her wonderful enthusiasm and sense of humour as well as forming a more traditional lament. So there are elements of each in this piece.Gillie was also a profoundly spiritual person. When she and John Muddiman married in 2010 they asked me to write a short song for the wedding 'Rise Up My Love' using words from 'Song of Solomon'.The new work for the Camilleri Trio commissioned by Jennifer Hughes in memory of her sister Gillian Nicholls also refers in the main title and in the last movement title to lines from 'Song of Solomon':the time of the singing of birds is come - Song of Solomon 2:12Until the day break and the shadows flee away - Song of Solomon 2:17A Time for Singing was written for the Camilleri Trio - Alison Hughes (clarinet/bass clarinet) Anja Inge (cello) Joanne Camilleri (piano). It was first performed by them at Mansfield Chapel Mansfield College Oxford on 30 October 2011.' - Ed Hughes

Cette série de trois livres est conçu pour combler un besoin pour un répertoire (pentatonique et diatonique) pour les joueurs enregistreur début et intermédiaires, tant musicalement exigeante et enrichissante, disposés séquentiellement et parallèlement à la progression de base de la série américaine Orff-Schulwerk. La plupart des pièces est destinée à être joué et dansé et accompaniements simples pour diverses combinaisons d'instruments Orff (avec violoncelle et guitare) sont fournis. / Flûtes A Bec Et Orff-Instruments

Franz Schubert's scherzos were right at the beginning of a development that, in the course of the 19th century, resulted in the separation of the scherzo from the sonata and its emancipation as an independent piano piece. These traces become apparent in the three pieces compiled in this volume: the two popular Scherzos in B flat major and D flat major (D 593) and the Scherzo in D major (D 570) which has survived, together with an allegro fragment, in the composer's autograph. With its pleasantly flowing melody, its typically Schubertian harmony and the modest technical demands, this piece might soon outrank its well-known sister work in B flat major. / Piano

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. / Piano

Compositeur : Brahms, JohannesInstrumentation : Piano soloEditeur Musicologique : Georgii, WalterCouverture ReliéeContenu : Ballad [Edward-Ballad] d minor op. 10,1Ballad D major op. 10,2Ballad [Intermezzo] b minor op. 10,3Ballad B major op. 10,4Scherzo e flat minor op. 4Sonata C major op. 1Sonata f sharp minor op. 2Sonata f minor op. 5