Vocal Score-First Urtext edition based on Georg Philipp Telemann Musical Works.An attractive addition to the repertoire with a view to the Telemann Year 2017.Bilingual Foreword (Ger/Eng).Uncluttered idiomatic Piano reduction.Full score and parts (BA5897) and vocal score (BA5897-90) available for sale.Chorale settings form a central part of Telemann?s ?uvre. His 1754 setting of the church hymn Christus Der Ist Mein Leben based on Melchoir Vulpius? melody from the Hamburg Hymnal is especially well-suited to display his mastery in depicting the words of the chorale. The so-called ?Ausfüllungsbass? (a vocal bass added tothe principal bass in tutti passages) was probably necessitated by the acoustical properties of Hamburg?s churches.This is the first Urtext edition of this highly successful chorale setting which is based on Georg Philipp Telemann Musical Works. The score contains a realisation of the continuo part.

The musical Wicked continues to thrill music lovers everywhere! This value-packed SATB collection features five full arrangements including two that have never before been released for choir. Includes: Dancing Through Life (arr. Audrey Snyder) Dear Old Shiz (arr. Mark Brymer) For Good (arr. Mac Huff) No Good Deed (arr. Michael Hartigan) The Wizard and I (arr. Ed Lojeski). Available separately: SATB Collection ShowTrax CD. Duration (if performed in entirety): ca. 14:00.

Virgil Thomson's The Akond Of Swat for SATB choir with Baritone solo and Piano accompaniment.This composition is one movement of a larger work entitled 'Cantata on Poems of Edward Lear'. The complete work consists of five movements which are performed in the following order:1. The Owl and the Pussycat (Soprano and Baritone soli Piano)2. The Jumblies (Soprano solo SATB chorus Piano)3. The Pelican Chorus (Soprano and Baritone soli SATB chorus Piano)4. Half an Alphabet (SATB chorus Piano)5. The Akond of Swat (Baritnoe solo SATB chorus Piano)

Love Comes Quietly is a plaintive setting by Alexander L'Estrange of Robert Creely's beautiful love poem of the same name for SAATB. The texture is mostly homophonic and full of the rich jazz-infused harmonies that have become L’Estrange’s trademark. Perfect for weddings or concert programmes. Love Comes Quietly is part of the Faber Choral Signature Series  which  introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and offers a thrilling array of variedstyles.

Sing to me windchimes. Sing to me, windchimes was commissioned by Louth Choral Society in 2017 following a bequest made by Gill Fraser, member of the Choir from 2001 - 2014. It was first performed by Louth Choral Society in St James?s Church, Louth, Lincolnshire, on Sunday 22 April 2018, conducted by Owain Park and accompanied by David Parker. The work sets text by Lyva Marty, A. E. Housman, Stella Benson, Alice Meynell and Sara Teasdale.

The Part-songs of John Ireland that lay scattered throughout and across various sources and publishers have been fondly and faithfully brought together into this superb edition. This volume features five settings of poems and classic English lyric verse in wonderful arrangements for SATB choir with a Piano accompaniment for practice purposes only.

Christmas Collection-This collection of songs from the King's Singers' repertoire spans the period from the mid-seventies to the late eighties. Arranged for mixed voices SATB with piano accompaniment.

Paul Mealor wrote In My Dreams for The Military Wives Choir, Jonjo Kerr and Gareth Malone for their first album In My Dreams . This version is for SATB chorus and Piano. Also available for Tenor solo, SSA chorus, Piano, Harp, Percussion and Strings, and for SATB chorus and Piano. / SATB Et Piano

'Yankee Doodle' with variations is the most concise way to describe the piece commissioned by the New Haven Symphony Orchestra to commemorate Conneticut's participation in The United States Bicentennial. 'Yankee Doodle' a tune dating back to the Middle Ages in Holland and England (and used by the British as early as 1755 to poke fun at untrained American troops in the French and Indian war) is interwoven with other folk and national melodies to stitch a patchwork or a musical collage. It is a personal view of American history.'To explain my approach to They All Sang Yankee Doodle I must explain my own background because the piece is made up ofmusical memories imprinted from early childhood.My earliest musical memories are a juxtaposition of sounds - hymns and Bach chorales from the church next door where my mother was choir director; early twenties jazz from my oldest brother's dance band; classical piano from my middle brother and my mother's piano studio; and cowboy songs and turn-of-the-century ballads that I have always identified with my father. Concord California where I was born was once part of a land grant from the Mexican government and the Spanish-Mexican influence remained strong even as the town expanded from a sleepy settlement into an American microcosmos with a wide variety of ethnic groups. Over fifty years ago most of us who sang 'Yankee Doodle' in Concord could not trace our ancestry to the founding fathers. Those of us with Anglo-Saxon names were at the end of the Westward push our forefathers having left behind the Eastern cities a few generations before settling for a time mid-continent then restlessly pushing further West. Little is known of my paternal grandfather for instance except that he had come to California from Indiana walking across Nevada desert to become one of the first settlers in Mordoc Indian territory.Of course the native American the Indian was there to greet each new migration and it is his

This second volume for SATB by Ken Burton follows in the wake of the outstanding success of Feel the Spirit!. Upbeat and lively or lyrical and reflective Ready To Ride! is a diverse collection of contemporary gospel choruses and spirituals arranged for SATB choir by Ken Burton. These pieces will make a superb addition to your repertoire.Great Day Were You There? Rivers Of Babylon and Deep River are arranged for SATB choir a cappella with a piano accompaniment part scored for rehearsal purposes. Ready To Ride however is written for SATB choir and Piano.

In the deep of wintertime. for SATB and organ or piano With words by the composer, Archer's carol joyfully describes the Nativity story with a lilting melody in 3/4 time. The voices culminate in a powerful unison statement with an angelic descant, all the while underpinned by flowing keyboard accompaniment. Perfect for services and concerts.

Chanson Für Frauen ist das kein le problème de Max Raabe ('pas de problème pour les femmes') à partir de 2013 l'album correspondant, défini comme arrangement SATB choeur mixte avec accompagnement au piano.Livré dans un classeur avec une partition de piano (8 pages) et 10 partitions vocales (8 pages chacun), les deux Rétractés ensemble dans un seul paquet. Piano et de partitions vocales peuvent être commandés séparément du Bosworth Chor Edition dans Cologne. / Choeur Mixte (SATB) Et Piano

Paul Mealor wrote In My Dreams for The Military Wives Choir, Jonjo Kerr and Gareth Malone for their first album In My Dreams . This version is for Tenor solo, SSA chorus and Piano. Also available for Tenor solo, SSA chorus, Piano, Harp, Percussion and Strings, and for SATB chorus and Piano. / SATB Et Piano

Sleep On takes pride of place on Hayley Westenra's album, Hushabye (Decca cat no: 4810351), written by Paul Mealor and dedicated to the Royal baby. This vocal score presents the piece arranged for SATB chorus and Piano. Also available for solo soprano and ensemble: Full Score NOV163889 Vocal Score (solo Soprano and Piano version) NOV163900 / Choeur Mixte (SATB) Et Piano