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Clarinet, piano or organ
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1001 All-Time Hit Songs
Melody line, (Lyrics) and Chords
[Sheet music]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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3 Night Carols (TURNAGE MARK-ANTHONY)
Choeur Mixte et Piano ou Orgue
SATB, Organ
Boosey and Hawkes
Par TURNAGE MARK-ANTHONY. Exquis nuit trois chants du Turnage prouver l'original...
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Par TURNAGE MARK-ANTHONY. Exquis nuit trois chants du Turnage prouver l'originalité harmonique et mélodique caractéristique du compositeur, en miniature. Les textures riches de la nobis Misere non accompagnés, voix mixtes (écrite pour le choeur du roi College, Cambridge et joué au Festival de neuf leçons et chants de la veille de Noël, 2006) contraste avec le bien plus simple nuit de Noël et Carol Claremont, pour S (A) et piano ou orgue. Les textes comprennent un carol anglais médiéval également définir par Gustav Holst, un beau poème de droit Rev William Ind, ancien évêque de Truro et le célèbre ' Silent night, holy night ' de Joseph Mohr./ Feuillet / Choeur Mixte et Piano ou Orgue
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Suite de Pieces (COLERIDGE-TAYLOR SAMUEL)
Violin, Organ
[Sheet music]
Ut Orpheus
Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite ...
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Par COLERIDGE-TAYLOR SAMUEL. The period of composition (ca. 1893) for the Suite de Pièces for violin and piano or violin and organ was especially productive for Samuel Coleridge-Taylor (1875-1912) in the realm of chamber music. Unpublished works include a piano quintet, clarinet sonata, nonet, piano trio, and a piano sonata. It is notable that the different versions of the Suite for piano and organ are so contrasting. Typically, pieces in this genre that exist in versions for piano and organ have little that separate them in terms of musical content. However, Coleridge-Taylor not only approaches each keyboard instrument quite differently but conceived the violin part with notable melodic differences. This can be considered exceptional as they were both issued by the same publisher within a close timeframe. Coleridge-Taylor would have been very familiar with the organ from his early church experience as a boy in addition to studies at the Royal College of Music with Walter Alcock. His writing is consistently idiomatic for the instrument. The few registrational directions in the first edition, assuming they are by Coleridge-Taylor, demonstrate an understanding of the need to balance the organ part with the violin part so that the organ is not too loud. Rather than numbering the manuals I and II, with II being the quieter manual, the score indicates Swell and Choir but there is no requirement for the Great to be used. There are also extended sections where no manual indication is given at all. Whether the registration markings were made by Coleridge-Taylor or an editor at Schott is unclear but the indication for a Choir manual suggests not so much the need for an organ of three manuals but an instrument with a range of foundational colours for writing that is often accompanimental in nature. / Date parution : 2023-06-01/ Répertoire / Violon et Orgue
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Ed Lojeski: Missa Americana: SATB: Vocal Score
Choral SATB
[Vocal Score]
Hal Leonard
Combining the classical Mass form with American musical styles Missa Americana ...
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Combining the classical Mass form with American musical styles Missa Americana joins together both old and new. This innovative combination allows the work to be performed in both church and concert settings. IncorporatingEnglish and traditional Latin texts Missa Americana is set for mixed choir and soprano and tenor soli with orchestral or organ accompaniment. Movements: Introit and Kyrie Gloria Credo Offertory (text from Psalm 138) Sanctus and Benedictus Agnus Dei (based on American hymn tune). Publications available: SATB Score Organ Score and Orchestra (score and parts for 2 Flutes Piccolo 2 Oboes English Horn 2 Bb Clarinets Bb Bass Clarinet 2Bassoons 4 F Horns 3 Bb Trumpets 2 Trombones Bass Trombone Tuba Timpani Percussion (3 players) Harp Celesta (Piano) Violin Viola Cello and Bass). Total Performance Time: Approx. 26 minutes
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Pat Goddard: Wedding Bells - an album for clarinet & piano (or organ)
Clarinet and Piano
[Sheet music]
Spartan Press
An Album For Clarinet In Bb and Piano-'This album was inspired by the wedding of...
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An Album For Clarinet In Bb and Piano-'This album was inspired by the wedding of our daughter Tess.' The Wagner and Mendelssohn are of course popular at weddings and the slow movement of the Mozart concerto creates a beautiful ambience.My own piece 'Wedding Bells' conveys a celebratory loving and joyous atmosphere and 'on the big day' I played it during the signing of the register accompanied by the father of the bride - it was an emotional performance!These arrangements are intended to catch the mood: purists please forgive me - Wagner Mozart and Mendelssohn may not have written every note here but I hope that they would approve.
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Walton William - Belshazzar's Feast - Vocal Score
[Vocal Score]
Oxford University Press
William Walton Edited by Steuart Bedford Belshazzar's Feast Vocal score 136 page...
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William Walton Edited by Steuart Bedford Belshazzar's Feast Vocal score 136 pages 279x216mm for SATB, baritone solo & orchestra A newly engraved edition of this vibrant choral work and fully compatible with the Walton Edition full score. There are minor adjustments to the piano reduction to improve playability and the text underlay is now English only, as Walton's original. Forces or Category SATB, baritone solo & orchestra Duration 35 minutes Difficulty Difficult Orchestration piccolo, 2 flutes, 2 oboes, cor anglais (optional), 2 clarinets, bass clarinet, alto saxophone, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, piano, organ, 2 harps, strings, mixed chorus, baritone solo, 2 brass bands (optional), each consisting of 3 trumpets, 3 trombones, and tuba
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Essential Book Of Funeral Music For Organ
Organ
Kevin Mayhew
/ Orgue
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Vocalize
Choral
Alfred Publishing
Chaque exercice de cette précieuse ressource est conçu pour renforcer les conc...
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Chaque exercice de cette précieuse ressource est conçu pour renforcer les concepts fondamentaux vocales pour choristes et solo de n'importe quel âge. Organisé en 11 catégories ciblées, le but de chaque échauffement est évident, et clairement indiqué directions d'optimiser la croissance. Soutien accompagnements de piano, y compris les modulations progressives, sont légèrement orchestrées sur l'enregistrement clos --- parfait pour les répétitions d'ensemble, des leçons de studio, ou la pratique à la maison. Comme un bonus supplémentaire, les fichiers PDF sur le CD améliorés fournissent des extraits lignes vocales sur les pages chanteur reproductibles. Un livre pédagogique que vous utiliserez encore et encore! Sujets abordés commençant warm-up, la posture, les voyelles, le soutien de la respiration, de la qualité de ton, la diction, la dynamique, les articulations, les diphtongues, mélange, gammes, intervalles, l'harmonie, et plus encore. / Choeur
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Rory Boyle: Sonatina for Clarinet and Piano: Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music]
Chester
Sonatina was written for solo Clarinet in B flat with Piano accompaniment. It w...
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Sonatina was written for solo Clarinet in B flat with Piano accompaniment. It was first published in 1982.Rory Boyle (b.1951) is a Scottish composer and educator currently Professor ofComposition at the Royal Conservatoire of Scotland. He was a chorister at St George’s Chapel Windsor before studying Piano Organ Clarinet and conducting at the RSAMD and composition with Frank Spedding and Lennox Berkeley. Hismusic covers every style from large orchestral works to solo instrumental pieces. He is regularly in demand for commissions from Festivals Music Societies and leading performers.
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Cecil Bolton: Concerto Highlights: Piano: Instrumental Album
Piano solo
-
Intermediate
Cramer Music
Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. Fr...
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Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!
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Ravel Maurice - Four Orchestral Works - Score
Dover Publications
Although the moods may vary throughout these evocative works, the elegance and s...
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Although the moods may vary throughout these evocative works, the elegance and subtly shifting energies of their musical language could only be those of Maurice Ravel. To study them in this full-score edition is to become more fully aware not only of his great originality but also of the constant striving for perfection of form and style that prompted Stravinsky to compare him admiringly to the most perfect of Swiss watchmakers. The Rapsodie Espagnole was Ravel's first entirely orchestral composition. A work whose exotic fantasy and subtle craftsmanship clearly express Ravel's distinctive musical personality, it was first performed publicly at the Théâtre du Châlet in Paris in 1908, confirming the young composer's reputation as an orchestral poet of scintillating originality. In 1911 Ravel re-created for orchestra his highly successful composition for two pianos, the Mother Goose Suite, a truly magical work whose moods range from haunting desolation to tender exaltation. Similarly, Ravel recast his brilliant 1911 piano composition Valses Nobles et Sentimentales as an orchestral score in 1912 (a ballet based on its premiere that year in Paris) and arranged his evocative 1899 piano work Pavane for a Dead Princess for orchestra in 1910. The rich orchestral settings of all four works have made them popular favorites on concert stages worldwide. This superbly prepared edition brings together in one volume authoritative full scores of these four works, reprinted from original French editions. Dover (1989) republication of Rapsodie Espagnole, Ma mère l'Oye, and Valses Nobles et Sentimentales, originally published by Durand, Paris, 1908, 1911, and 1912, respectively, and of Pavane pour une infante défunte, originally published by Max Eschig, Paris, 1910.
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Charles-Marie Widor: Introduction et Rondo: Clarinet: Instrumental Work
Clarinet and Piano
[Sheet music]
-
Advanced
Heugel
French organist composer and teacher Charles-Marie Widor (1844-1937) is predom...
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French organist composer and teacher Charles-Marie Widor (1844-1937) is predominantly known for his Organ symphonies. However his Introduction et Rondo for Clarinet and Piano also remains popular and is still regularly performed today. Widor became Director of Organ Studies at the Paris Conservatoire in 1890 and soon followed this by taking charge of the composition class. His Introduction et Rondo was composed in 1898 during his period at the Conservatoire and at the height of his career. The piece exploits the Clarinet to its full potential creating a challenging yet exciting performance on the instrument.Widor's Introduction et Rondo is essential to the repertoire of all advanced clarinetists.
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Golden Encyclopedia Of All-Organ Music
Organ
[Sheet music]
Hansen House
Une clinique de créatifs pour tous-organe technique sur les accords, enregistre...
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Une clinique de créatifs pour tous-organe technique sur les accords, enregistrement, effets spéciaux, en développement effectuant des compétences et organiser. Comprend une variété de pièces. / Orgue / Partition
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The Essential Organist
Organ
Kevin Mayhew
/ Orgue
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Classics for Weddings: Flute: Instrumental Album
Flute and Piano
[Sheet music + CD]
Fentone Music
Flute with piano accompaniment-This book contains the best known and most beauti...
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Flute with piano accompaniment-This book contains the best known and most beautiful wedding classics for Flute with Piano accompaniment. Great composers from different style periods are present: from Johann Sebastian Bach to Richard Wagner. With stately as well as cheerfully informal melodies Classics for Weddings offers ample choice. On the CD you will find demo as well as play-along versions of all the pieces. A fine aid for studying! The enclosed part is also suitable for Organ.
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Classics for Weddings: Trumpet: Instrumental Album
Trumpet, Piano
[Sheet music + CD]
-
Intermediate
Fentone Music
Trumpet with piano accompaniment-This book contains the best known and most beau...
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Trumpet with piano accompaniment-This book contains the best known and most beautiful wedding classics for Trumpet with Piano accompaniment. Great composers from different style periods are present: from Johann Sebastian Bach to Richard Wagner. With stately as well as cheerfully informal melodies Classics for Weddings offers ample choice. On the CD you will find demo as well as play-along versions of all the pieces. A fine aid for studying! The enclosed part is also suitable for Organ.
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Classics for Weddings: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
-
Intermediate
Fentone Music
Violin with piano accompaniment-This book contains the best-known and most beaut...
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Violin with piano accompaniment-This book contains the best-known and most beautiful wedding classics. Filled with music from the great composers from different eras from Johann Sebastian Bach to Richard Wagner. With stately as well as cheerfully informal melodies Classics for Weddings offers ample choice. On the CD you will find demo as well as play-along versions of all the pieces - a fine aid for studying! Also includes a piano part which is also suitable for organ (manuals only).
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Two Antipodean Sketches (RAE JAMES)
Clarinet and Piano
Universal Edition
Par RAE JAMES. This work was written for and dedicated to the clarinettist Mark ...
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Par RAE JAMES. This work was written for and dedicated to the clarinettist Mark Walton OAM by way of a thank you for all his fine recordings and performances of my music. It was premiered in London by Mark and his accompanist David Miller OAM, on June 29th 2014 in the Princess Alexandra Hall at Royal Over-Seas League, Mayfair in a concert entitled ‘Clarinet Hidden Treasures from England’ which was organised to launch Mark’s CD of the same name. The two-disc album, as its title suggests, contains works for clarinet and piano in a variety of styles by English composers including Mike Cornick, Jonathan FeBland, Paul Harris, Paul Harvey, Joseph Horovitz, Gordon Jacob, Christopher Norton and Sid Phillips. This sheet music album includes two pieces: Cloudy Bay is in the north east of New Zealand’s South Island, brought to world fame by the fine Sauvignon Blanc wine sharing the same name. This movement is very dreamy and reflective in nature and was inspired by Mark’s exquisite, silky sound. Beatin’ about the Bush! is a celebration of Mark’s highly successful pioneering outreach programme of workshops bringing music to young musicians in the Outback of Australia and beyond. This is a lively movement in 3/8 time designed to display both performers’ dexterity, humour and musicianship./ Répertoire / Clarinette et Piano
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Greatest Melodies
Organ
Kevin Mayhew
/ Orgue
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Eugène Bozza: Aria: Violin: Instrumental Work
Violin and Piano
[Sheet music + Audio access]
Leduc, Alphonse
Pour Violon (ou Flûte) et Piano-Composer and conductor Eugène Bozza (1905-19...
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Pour Violon (ou Flûte) et Piano-Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590 which was to tour the world. This nostalgia-imbued melody which expands over a regular meter has in turn been the subject of numerous transcriptions first for clarinet then for Violin (or Flute) and Piano. Éditions Leduc have chosen torepublish this last version with the added bonus of an audio version that should be of valuable assistance to all musicians!
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Sing in a Season
Choeur Mixte SATB et Piano
Oxford University Press
Par CHILCOTT BOB. for SATB and piano or small ensemble A collaboration with poet...
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Par CHILCOTT BOB. for SATB and piano or small ensemble A collaboration with poet Charles Bennett, this celebratory work explores all that we can learn from the natural world. The work may be accompanied by piano, playing from the vocal score, or a small ensemble of flute, oboe, clarinet in A, horn in F, timpani, and organ, using the materials available separately. / Date parution : 2023-08-12/ Répertoire / Choeur Mixte SATB et Piano
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Jarrige Nicolas : Ocean. Conducteur / Score
Concert band
[Sheet music]
Dhalmann
Océan est une longue pièce que l'on peut classer dans les musiques à programm...
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Océan est une longue pièce que l'on peut classer dans les musiques à programme. En effet, il s'agit là d'une longue odyssée retraçant la vie des pêcheurs en mer, ceux qui partent parfois de longs mois pour de grandes campagnes de pêche loin de chez eux.Cette pièce m'a été inspirée par la lecture de 'Pêcheurs d'Islande' de Pierre LOTTI. Ce roman puise sa force dans la nature dangereuse mais attirante de la mer et la particularité de ses habitants qui en vivent. La mer source de nourriture mais source de malheurs avec le nombre encore important de marins disparus dans les tempêtes.J'ai voulu retransmettre tout ceci dans Océan qui est une pièce d'un niveau assez élevé et qui demandera un travail intéressant à votre orchestre.A noter que la partition de piano est difficilement remplaçable et que celle-ci apporte beaucoup dans les différentes ambiances que j'ai voulu y dépeindre.Océan commence par 'l'aube sur la grève', longue introduction, comme le soleil qui se lève. Mais à peine est-il apparu que la vie du port se réveille et les pêcheurs sont sur le départ. Les dangers guettent bientôt ces téméraires marins qui s'en sortent malgré tout et qui ont alors le temps de penser à leurs familles restées au port.'Loin de tes yeux', mouvement lent et mélancolique dépeint ce sentiment, lourd de solitude qui s'empare parfois des hommes seuls au milieu de l'océan...Mais déjà le travail reprend, les filets sont pleins et prêts à être remontés à la surface, le travail et l'esprit d'équipe qui anime ce métier prend alors tout son sens.Après de longs mois passés en mer, il est alors temps de rentrer au port, les cales remplies de poissons. Il est aussi temps pour les marins de retrouver leurs femmes et leurs enfants qu'ils n'ont pas vus depuis si longtemps. De grandes fêtes sont organisées et les héros de la mer profitent un maximum de leur escale.Mais déjà sonne l'heure du départ et les hommes doivent quitter leurs familles pourun éternel recommencement...Mais l'appel de l'océan est toujours le plus fort, ce qui peut parfois provoquer des disputes, les familles se retrouvant à nouveau dans l'attente...Océan se termine dans le ressac des vagues et dans la plus grande quiétude.Puisse cette pièce de musique rendre hommage à ces hommes qui donnent parfois leur vie pour nourrir une population.Nomenclature : Flûte 1 - 2 (picc)HautboisClarinette 1 SibClarinette 2 - 3 SibSaxophone alto 1 - 2Saxophone ténorSaxophone baryton Trompette 1 - 2 SibCor 1 - 2 en FaTrombone 1 - 2Euphonium Basse Piano MalletsBatteriePercussion 1Percussion 2Timbales Parties optionnelles : Cor 1 en MibCor 2 en MibBaryton BbBasse Bb clé de Fa et clé de Sol / Orchestre D'Harmonie
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Wolfgang Amadeus Mozart: Fantasy in F Minor K. 608: Woodwind Ensemble: Score &
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Southern Music Ltd
for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV...
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for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.
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Wolfgang Amadeus Mozart: Fantasy in F Minor K. 594: Woodwind Ensemble: Score &
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
Southern Music Ltd
for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV...
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for Woodwind Quintet-These two extraordinary works of late Mozart KV 594 and KV 608 were both composed to fulfill a commission for a memorial exhibit in Vienna to be played in a “mechanical clock organ.” The term “fantasy” or“fantasia” came to be affixed to these works later and is more descriptive and less cumbersome than the term Mozart listed in his own catalogue “Ein Stüke für ein Orgelwerk in ein Uhr.” They are also variouslytitled “Adagio und Allegro in f für ein Orgelwerk” and “Allegro und Andante (Fantasie in f) für eine Orgelwaltze.”The first of these composed between the monumental String Quintet in D and the Piano Concertoin Bb KV 595 is an A-B-A form comprised of an f minor Adagio opening and closing with a contrapuntal Allegro at its heart. KV 608 is more complicated opening with an f minor section reminiscent of a French Overture followed by a fugue in fminor then an Andante aria followed by a return to the opening and then a more complex version of the fugue.Despite the frustration that Mozart expressed (in a letter to Constanze) with the sound world of these mechanical devices KV 594and 608 are remarkable works which stand at an intersection incorporating what he learned about counterpoint studying at the foot of Bach while looking ahead to the emotional and harmonic poignancy of Schubert.
25.99 GBP - Sold by Musicroom UK
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