Master Tallis's Testament No.3 from Six Pieces for Organ. Composed in 1940 Master Tallis's Testament unfolds Quasi lento teneramente in a gentle six-eight rhythm and in G minor. It consists of three variants of a theme which falls into three phrases (eight plus six plus four bars). The music rises gradually to a climax at the end of the third variant. A quiet echo of the last two bars supplies a coda and a peaceful ending in the major. The piece is one which its composer regards as most typical and with particular affection. Its title which pays tribute to a father of English cathedral music allies it to the twenty-four pieces contained in Howells' two sets of clavichordpieces the twelve of Lambert's Clavichord (the Lambert not being the composer Constant but the Bath photographer Herbert who in the Twenties published a set of portraits of British composers (including Howells) and the twelve of Howells' Clavichord (1951) the separate titles similarly evoke those of the Elizabethan Virginalists. © 1977 Felix Aprahamian

This transcription of the Prelude No.14 in F sharp minor from the first book of Bach's Well Tempered Clavichord was written in São Paulo in 1931. This title is edited by David Chew.

The Celle court organist Wolfgang Weßnitzer was a paragon of diligence when it came to compiling keyboard pieces. His collection, put together around 1662, is sure to impress the friends of early keyboard music and musicologists alike. It contains over 200 little pieces by Jan Pieterszoon Sweelinck and Heinrich Scheidemann - to name but the most famous composers - and was practically unknown until now. For our first edition, Martin Böcker has selected 32 previously unpublished pieces. The 'Celler Clavierbuch' offers an impressive panorama of the rich and vibrant music that was written for the harpsichord, the spinet, the clavichord, etc. in Northern Germany in the mid 17th century. / Clavier

Berlin, Amsterdam, J.J. Hummel, s.d. = c. 1789Versuch in figurierten Chorälen sowohl für die Orgel, als für das Clavichord. - 21 chorals variés pour orgue ou clavicorde, suivis d'une postface. / Orgue Ou Clavicorde / 24 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

for Harpsichord, Clavichord or Piano. Par MESSORI MATTEO. / Date parution : 2022-06-08/ Répertoire / Clavecin

In the Baroque Era the term “clavier” referred to all keyboard instruments: virginal clavichord harpsichord fortepiano and others. The Bärenreiter Baroque Piano Album presents a representative selection of the major forms of Baroque clavier music from England Italy France and Germany . The anthology is divided into these four countries and illustrated with pictures of historical instruments to convey an impression of music making in the country concerned. The volume begins with the Italian composer Girolamo Frescobaldi whose keyboard works exemplify the stylistic transition from the Renaissance to theBaroque. It then moves on to the English virginalists and the French clavecinistes and ends with the epochal of Johann Sebastian Bach. Apart from traits which prevailed in each of these countries piano pupils will learn about the various stages of the Early High and Late Baroque period as well as about the major musical genres from dance to fugue. Special care was taken in the selection of the pieces to ensure that they could be played on the modern piano. Since Baroque ornaments must be executed differently for each composer practical suggestions are included in the musical text. Reliable fingering has been added to make the volume ideal for use in piano lessons. Representative overview of the major styles in Baroque clavier music 44 easy-to-play pieces Colour illustrations of historical keyboard instruments Musical text includes suggestions for ornaments Reliable fingering

Suite in memory J. S. Bach-As times go bye... is a title with several possible meanings. In one sense it is a nostalgic reference to the long period of time that has elapsed since the days of J. S. Bach. In another sense though it refers to the musical concept of time which is a principal element of this composition: As time goes by and Playing with time are taken as themes with each movement dealing with a particular aspect of time in conjunction with musical motifs from Bach's Well-tempered Clavichord. A rewarding piece for the saxophone ensemble repertoire - suitable for competitions concert performance and teaching purposes.

Johann Pachelbel's Organ Works In 2 Volumes - Vol. 1 for Organ (Clavichord Harpsichord Piano).

Following the public success of the first set of Petites Pièces arranged from Mozart the Leipzig publishers Peters issued a second collection in 1804 drawing on the little-known repertoire of basset-horn trios and horn duos; three extracts from the choruses of Le Nozze di Figaro would have been the only material familiar to the general public. All the pieces were arranged with a clear eye to the amateur market with no great technical demands or wide stretches and where Mozart had left few dynamic markings the arranger carefully marked suitable and stylish expressive effects. This repertoire would be effective today on the modern piano the fortepiano or theclavichord.Contains Polonoise in D major ABRSM Grade 4 examination piece

Learn from the master. Johann Sebastian Bach composed countless pieces specifically for his many students. My First Bach contains many of these educational pieces which are, for the most part, arranged in increasing difficulty. Easy two-part chorales and dances are followed by more demanding little preludes, two-part inventions and the first Prelude from the Well-Tempered Clavier. / Piano