Arrangement and Orchestration by Andrea Cappellari. Full score and 25 parts: 1) C Instr.(Flute) / 1) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 2) C Instr.(Flute Violin Oboe) / 2) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 3) C Instr.(Violin) / 3) Bb Instr.(Clarinet Soprano Sax. Trumpet) / 4)r.(Violin) / 4) Bb Instr.(Alto Sax.) / 5) C Instr.(Violin) / 5) Eb Instr.(Alto Sax.) / 6) C Instr.(Violin Viola) / 6) Bb Instr.(Clarinet) / 6) Eb Instr.(Alto Sax.) / 7) C Instr.(Violin Viola) / 7) Bb Instr.(Clarinet) / 7) Eb Instr.(Alto Sax.) / GuiPiano 1 / Piano 2 / Piano 2 (Easy version) / Bass Cello Bassoon / Bass (Easy version) / Hi-hat Bass drum / Guiro Snare drum / Bongos /Four hands Piano ad libitum. Performance possible also without Piano

Ensemble-Commissioned by the European Composers' Professional Development Programme and dedicated to Karien Kruger.Instrumentation:Flutes: Piccolo (sounds an octave higher than written); AltoFluteClarinets: Clarinet in Bb Bass Clarinet in BbPercussion: Vibraphone Glockenspiel (sounds two octaves higher than written) Quarter-tone Glockenspiel; Timpani; Cymbals; Kick Drum; Bass Drum;.Percussionist requires a bow and hard and soft malletsElectric GuitarBass GuitarPiano:Score is in C

Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet Trumpet Soprano Sax.) / 2) C Instr. (Flute) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet Trumpet) / 4) C Instr. (Violin) / 4) Bb Instr. (Clarinet T) / 5) C Instr. (Violin) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin) / 7) Bb Instr. (Clarinet Trumpet Soprano Sax.) / 7) Eb Instr. (Alto Sax.) / 8) C Instr. (Violin Viola) / 8) Bb Instr. (Cla/ 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Basco Snare drum / Tom tom Bass drum / FourHands Piano ad libitum. Performance possibile also without Piano.

Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet Soprano Sax.) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (Violin Viola) / 4) Bb I(Clarinet) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Flute Violin Oboe) / 7) Bb Instr. (Clarinet Soprano Sax.) / 7) Eb Instr. (Alto Sax.) / 8) C Instr. (Violin ) / 8) Bb Instr. (Clarinet Soprano Sax.) / 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Snare drum /Bass drum / Four Hands Piano ad libitum. Performance possibile also without Piano.

Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Flute) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violin Viola)Bb Instr. (Clarinet Trumpet) / 5) C Instr. (Violin) / 5) Eb Instr. (Alto Sax.) / 6) C. Instr. (Violin) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola) / 7) Bb Instr. (Clarinet) / 7) Eb Instr. (Alto Sax.) / 8) C Instr. ( Violin Viola) / 8)tr. (Clarinet) / 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Maracas Snare drum / Tom tom Triangle Bass drum / Four Hands Piano ad libitum. Performance possibile also without Piano.

Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical

Arrangement and Orchestration by Andrea Cappellari. Full score and 20 parts: 1) C Instr. (Flute Violin Oboe) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet SopranoTrumpet) / 4) C Instr. (Violin) / 4) Eb Instr. (Alto Sax) / 5) C Instr. (Violin) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax) / 6) C Instr. (Violin Viola) / 6) Bb Instrum. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bello Bassoon / Triangle Snare drum / Cymbal Bass drum / Four hands Piano ad libitum. Performance possible also without Piano

Arrangement and Orchestration by Andrea Cappellari. Full score and 25 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax.) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Flute Violin Oboe) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Insiolin Viola) / 4) Bb Instr. (Clarinet Soprano Sax.) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7nstr. (Alto Sax.) / 8) C Instr. (Violin Viola) / 8) Bb Instr. (Clarinet) / 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 /Bass Cello Bassoon / Timpani / Basco / Cymbals Bass drum / Four Hands Piano ad libitum. Performance possibile alsot Piano.

Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be

Ideal for Palm Sunday this popular praise song sets the tone as it tells the story of Jesus the man from Galilee entering Jerusalem. The familiar refrain brings it all together: 'there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!'Orchestrations: Conductor's Score Flute Oboe(or Soprano Sax or Clarinet) Clarinet Horn (or Alto Sax or Clarinet) 2 Trumpets (or Alto Sax) 2 Trombones (or Tenor Sax or Baritone T. C. ) Percussion Piano Acoustic Guitar (w/separate Capo Guitar Pt. ) Electric Bass Drums Violins 1 & 2 Viola (or Clarinet) Cello/Bassoon (or Bass Clarinet)Ideal for Palm Sunday this popular praise song sets the tone as it tells the story of Jesus the man from Galilee entering Jerusalem. The familiar refrain brings it all together: 'there is strength in the Name of the Lord. Blessed is he who comes in the Name of the Lord!'Orchestrations: Conductor's Score Flute Oboe(or Soprano Sax or Clarinet) Clarinet Horn (or Alto Sax or Clarinet) 2 Trumpets (or Alto Sax) 2 Trombones (or Tenor Sax or Baritone T. C. ) Percussion Piano Acoustic Guitar (w/separate Capo Guitar Pt. ) Electric Bass Drums Violins 1 & 2 Viola (or Clarinet) Cello/Bassoon (or Bass Clarinet)

Par ARMSTRONG LOUIS. If you can play just a few notes on the Recorder, then you're ready for this book. Here is a great selection of 12 pieces, perfect for your very first solos, all of them with simple, but attractive piano accompaniments. The pieces are arranged progressively, so you can hear the step-by-step improvement in your playing as well as simply enjoying the music. Includes pieces set for the ABRSM Descant Recorder examinations grade 1 and 2. / Répertoire d'Examen / Recueil / Ensemble Variable

These songs were written for the Old Vic production of Shakespeare's The Tempest in 1962. The original instrumentation was Piccolo, Flute, Clarinet, Horn, Timpani, Harp, Bells and Harpsichord. The instrumentation in this edition (Piccolo doubling Flute, Clarinet in B flat, Horn in F, optional percussion (small Bass Drum and Bells) and Harpsichord or Piano) is Tippett's revised version.When the accompaniment is played on a harpsichord the crescendo and diminuendo marks may be regarded as guides to phrasing and interpretation. / Voix Et Ensemble

A Worship Experience for All Seasons-God for Us proclaims God's goodness and encourages believers that He is with us and He is also for us. This Don Moen musical following on his God with Us features beautiful orchestral music choirs spoken parts and testimonies. Titles include I Worship You Almighty God Awesome God Think About His Love Mighty Is Our God and more. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1-3 Horn 1 2(Alto Sax) Trombone 1 2 (Tenor Sax/Baritone Treble Clef) Trombone 3/Tuba Violin 1 2 Viola (Clarinet 3) Cello (Bassoon/Bass Clarinet) String Bass Synthesizer String Reduction Drums Percussion 1 2 Rhythm(Piano/Guitar/Bass). SATB Listening Cassette Listening CD Cassette Accompaniment Trax (Split) Cassette Accompaniment Trax (Stereo) CD Accompaniment Trax (Split) CD Accompaniment Trax (Stereo) Ochestration Preview Pack(Cassette) Preview Pack (CD) Bulletin Pack (100).