Par GRIEG EDVARD. This stringset Suite from Peer Gynt contains a score and 16 parts. It is appropriate for an intermediate level player and explores a varied programme of 4 movements. Peer Gynt, Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876. Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. / Ensemble Music / Répertoire / Violon, Violoncelle, Alto et Contrebasse

for Piano Four-hands-La musique populaire norv?gienne joua un r?le majeur dans pratiquement toute l??uvre de Edvard Grieg. Pour les Danses norv?giennes op. 35 pr?sent?es ici en ?dition Urtext le compositeur a utilis? d?anciennes m?lodies populaires emprunt?es ? une anthologie du musicien et musicologue Ludvig Mathias Lindeman et les a adapt?es en 1880 pour piano ? quatre mains. L??dition Henle a ?t? pr?par?e sur la base des premi?res ?ditions et de tous les autographes conserv?s dans les archives Grieg de Bergen. Le pianiste norv?gien et sp?cialiste de Grieg Einar Steen-N?kleberg a fait office de co?diteur et s?est charg? des doigt?s.

Arr. Jacob De Haan. Par GRIEG EDVARD. Edvard Grieg (1843-1907) a délibérément choisi de donner à ses oeuvres une touche norvégienne et nordique très personnelle. La notoriété de plusieurs de ses oeuvres a dépassé les frontières de la Scandinavie. Ainsi, le Concerto pour piano en La mineur (1868) et la musique de scène Peer Gynt (1876) ont été salués par les mélomanes du monde entier. Edvard Grieg a également composé un grand nombre de mélodies, chansons et lieder. Jacob de Haana choisi d’arranger trois de ces chansons : Fremad!, Fremad!, une chanson au caractère majestueux ; Stille Nu!, plus mélancolique en raison de sa tonalité mineure et Fola, Fola, Blakken, unallegro plein de gaieté qui vient conclure cette petite suite en trois parties. / Niveau : 1.5 / Pièce de concert / Répertoire / Concert Band ou Harmonie ou Fanfare

Version for Piano-La musique populaire norv?gienne joua un r?le majeur dans pratiquement toute l??uvre d'Edvard Grieg. Pour les Danses norv?giennes op. 35 pr?sent?es ici en ?dition Urtext le compositeur a utilis? d?anciennes m?lodies populaires emprunt?es ? une anthologie du musicien et musicologue Ludvig Mathias Lindeman et les a adapt?es en 1880 pour piano ? quatre mains. Quelques ann?es plus tard il en r?alisa ?galement cet arrangement ? deux mains. L??dition Henle a ?t? pr?par?e sur la base des premi?res ?ditions et de tous les autographes conserv?s dans les archives Grieg de Bergen. Le pianiste norv?gien et sp?cialiste de Grieg Einar Steen-N?kleberg a fait office de co?diteur et s?est charg?des doigt?s.

Of Grieg?s three Violin sonatas the great C-minor Sonata op. 45 is the best known today. And unjustly so because the two early sonatas are captivating in their joy to play and their fresh youthful tone. And what is more they can also be played by advanced students due to their somewhat lesser technical demands. Written in 1867 the G-major Violin Sonata op. 13 palpably draws on Grieg?s enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional ?jumping dance.? Aside from the second print edition of 1887 revised by Grieg himself the autograph manuscript in Stockholm wasalso consulted for this edition thus offering an optimally ascertained musical text.

This beautiful edition brings together nine popular pieces by Grieg under one cover. The Piano Music Of...Edvard Grieg includes Album leaf Anitra's Dance Arietta Cradle Song Death of Åse Folk Song My homeland Waltz and Waltz in A. ‘The Piano Music Of...’ series is a great way to broaden the repertoire and familiarise yourselfwith great Piano writers.

14 famous classical pieces, original version + jazzy arrangement Instrument : piano Type : edition with CD Nombre de Pages : 80 14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side. The accompanying CD provides examples and suggestions as to how all of these pieces can be interpreted. Content : Schubert, The Trout - Korn, Fish Rag - Grieg, Kobold - Korn, Coolbold - Grieg, Piano Concerto a Minor (Beginning of 1st Movement) - Korn, Tango Concertante - Brahms, Hungarian Dance No. 1, Korn, Hungarian Salsa No. 1 - Schubert, Symphony in B Minor Unfinished (Beginning of 1st Movement) - Korn, Endless - Händel, Halleluja (from Messiah) - Korn, Halleluja Rock - Paganini, La Campanella (Rondo-Thema from 2nd Violin Concerto) - Korn, Campanella Swing - R. Schumann, Knecht Ruprecht - Korn, Santa Claus in Bobby's House - J. S. Bach, Air (from Orchestral Suite No. 3) - Korn, Air in Blue - Mozart, A little Night Music (Excerpt from 4th Movement) - Korn, A Clack Night Music - Offenbach, Cancan - Korn, Nacnac - J. Strauss jr., The Blue Danube - Korn, On the Beautiful Blue Mississippi - Beethoven, Grande Sonate Pathétique (Introction to the 1st movement) - Korn, Echoes of the Pathétique - Chopin, Valse op. 69 Nr. 2 - Korn, Senor Siminor

Edvard Grieg (1843-1907) Norway’s most famous composer has written a lot of music which is definitely worth playing and listening to! Play Grieg features a selection of well-known and lesser-known works or themes. Since most of these were originally written for instruments other than the one for which they are intended in this volume things such as tempi have been carefully adapted from the original parts or pieces have been shortened to ensure playability.

Edvard Grieg (1843-1907), Norway?s most famous composer, has written a lot of music which is definitely worth playing, and listening to! Play Grieg features a selection of well-known and lesser-known works or themes. Since most of these were originally written for instruments other than the one for which they are intended in this volume, things such as tempi have been carefully adapted from the original parts, or pieces have been shortened, to ensure playability.

Edvard Grieg (1843-1907) Norway’s most famous composer has written a lot of music which is definitely worth playing and listening to! Play Grieg features a selection of well-known and lesser-known works or themes. Since most of these were originally written for instruments other than the one for which they are intended in this volume things such as tempi have been carefully adapted from the original parts or pieces have been shortened to ensure playability.

Edvard Grieg (1843-1907) Norwayâ??s most famous composer has written a lot of music which is definitely worth playing and listening to! Play Grieg features a selection of well-known and lesser-known works or themes. Since most of these were originally written for instruments other than the one for which they are intended in this volume things such as tempi have been carefully adapted from the original parts or pieces have been shortened to ensure playability.

15 well-known original pieces in progressive order of difficulty with practical comments-Edvard Grieg was a master of the Romantic miniature for piano and with his ten volumes of ?lyric pieces? he more or less created a new genre all on his own. These works offer an abundance of wonderful pieces that are ideal for aguided return to the piano. It proved difficult to choose a selection of them for our volume. But we also offer well-known pieces from the orchestral suites From Holberg?s Time and Peer Gynt which Grieg himself arranged for thepiano. Naturally they are presented superbly in true Urtext.

Edvard Grieg (1843-1907) a délibérément choisi de donner à ses œuvres une touche norvégienne et nordique très personnelle. La notoriété de plusieurs de ses œuvres a dépassé les frontières de la Scandinavie. Ainsi le Concerto pour piano en La mineur (1868) et la musique de scène Peer Gynt (1876) ont été salués par les mélomanes du monde entier. Edvard Grieg a également composé un grand nombre de mélodies chansons et lieder. Jacob de Haana choisi d?arranger trois de ces chansons : Fremad! Fremad! une chanson au caractère majestueux ; Stille Nu! plus mélancolique en raison de sa tonalité mineure et Fola Fola Blakken unallegro plein de gaieté qui vient conclure cette petite suite en trois parties.