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Manuel Ponce: Ponce: Concierto Del Sur: Guitar Solo: Instrumental Album
Guitar
Classical guitar
Music Minus One
Guitar Play-Along-Performed by Christian Reichert guitar Accompaniment: Plovdiv...
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Guitar Play-Along-Performed by Christian Reichert guitar Accompaniment: Plovdiv Symphony Orchestra Conductor: Nayden Todorov Manuel Ponce's legendary Concierto del Sur remains one of the undisputed masterworks for guitar and orchestra and is arguably the greatest guitar concerto to emerge from Latin America. It is a vital part of the modern guitarist's repertoire. The concerto's unconventional melodic style and distinctly Latin American feel predominate integrating a near-perfect balance between guitar and orchestra. The writing for the guitar is brilliant forthright and leaves a strong impression on both player and audience. This Music Minus One edition presents a bravura performance of this20th-century classic from virtuoso guitarist Christian Reichert. Study his technique then you stand center-stage with the Plovdiv Symphony Orchestra under Maestro Nayden Todorov for your own Latin spectacular! Includes an authoritative newly engraved solo part printed on high-quality acid-free ivory paper containing the solo guitar part; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.
19.99 GBP - Sold by Musicroom UK
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Christopher Parkening: Parkening Duets & Concertos: Guitar Solo: Instrumental
Guitar
Classical guitar
Hal Leonard
Throughout his career Christopher Parkening America's preeminent classical gui...
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Throughout his career Christopher Parkening America's preeminent classical guitarist has had the opportunity to perform with many of the world's leading artists and orchestras. This folio Duets and Concertos contains many selections from those collaborations and features a wide range of musical pairings which show the guitar at its versatile best: voice and guitar guitar duets chamber music and concertos. All of the pieces included here have been edited and fingered for the guitar by Christopher Parkening and to quote Christopher himself ???No compromise has been made in requirement of technique. All of these pieces are suitable for performance by the virtuosoguitarist.??? This folio contains 35 transcriptions.
25.99 GBP - Sold by Musicroom UK
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German Schauss: Shredding Bach: Guitar: Instrumental Tutor
Guitar notes and tablatures
Electric guitar
[Sheet music + CD]
-
Advanced
Alfred Publishing
J.S. Bach is one of the greatest composers and most virtuosic musicians of all t...
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J.S. Bach is one of the greatest composers and most virtuosic musicians of all time. His amazing compositions are technically demanding which make them the perfect match for heavy metal shred Guitar. Shredding Bach introduces you to the unique style of this musical master and stretches your playing to the limits. It shows you all the essential techniques to play Bach's music on your electric Guitar including sweep picking tapping legato and rapid alternate picking.Every example has been arranged to be as true and accurate to the original compositions as possible with only minor adjustments made to accommodate the Guitar and shred style.The accompanying CD features all of the examples recorded at multiple speeds to help you practice and to get you on your way to mastering Bach's challenging compostions.
18.95 GBP - Sold by Musicroom UK
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Ferdinando Carulli: Ferdinando Carulli - Two Guitar Concerti: Guitar Solo
2 Guitars (duet)
Classical guitar
[Sheet music + CD]
Music Minus One
E Minor Op. 14 and A Major Op. 8a-Performed by Christian Reichert guitarAccompa...
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E Minor Op. 14 and A Major Op. 8a-Performed by Christian Reichert guitarAccompaniment: Rousse Philharmonic OrchestraConductor: Nayden TodorovFerdinando Carulli born in Naples but largely based in Paris was one of the most influentialfigures in the history of guitar and author of a famous 200-year-old method still in use today. He wrote hundreds of guitar works and these two concerti in E minor and A major rank at the top of his oeuvre! Beautiful melodiesand immense fun for the guitarist. So sit down with the orchestra and play to your heart's content!Contains a newly engraved authoritative printed solo part edited by soloist Christian Reichert; and two compactdiscs containing complete versions of each concerto with soloist; and accompaniments minus you! Also includes a special -20% slow-tempo practice version of the orchestral accompaniments for practice purposes.
16.99 GBP - Sold by Musicroom UK
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Orchestral Gems for Classical Guitar: Guitar Solo: Instrumental Album
Guitar
[Sheet music + CD]
Music Minus One
Performed by Andrew LaFreniere guitar Accompaniment: Stuttgart Festival Orchest...
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Performed by Andrew LaFreniere guitar Accompaniment: Stuttgart Festival Orchestra Conductor: Emil Kahn Here is a beautiful collection of shorter pieces for guitar and orchestra. Gorgeously orchestrated to take full advantage of the guitar's unique qualities when set against an orchestral background these pieces are a joy to play. This album makes a perfect choice for the early intermediate player who wants to advance technique in an orchestral setting. Never has the guitar been this much fun! Includes a high-quality printed solo part and a compact disc containing a complete performance with soloist; then a second version with the orchestral accompaniment minus the soloist.
15.99 GBP - Sold by Musicroom UK
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Elias Barreiro: Vivaldi Concerto Op. 3 No. 10 - L'Estro Armonico: Guitar
Guitar
Classical guitar
[Sheet music]
-
Intermediate
Mel Bay
The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmon...
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The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.
12.99 GBP - Sold by Musicroom UK
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The Classic Guitar Technique
Guitar
Classical guitar
[DVD]
RGB Arte Visual S.L
Jorge Cardoso is a recognized performer who has travelled the world over giving ...
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Jorge Cardoso is a recognized performer who has travelled the world over giving hundreds or concerts as a soloist, in duos, and with orchestras. There are innumerable recordings of his performances, and he is a prolific composer whose works have been recorded by other guitarists in more than thirty albums. Cardoso is also a master teacher with followers around the world. This DVD traces the historical path of the guitar, showing the instrument's ancestors and tracing its development to its current form. It includes a visit to the workshops of Manuel Contreras II and Ars Antiqva, Jose Angel Espejo's workshop, followed by a detailed analysis of the factors that contribute to the proper development of classical guitar technique. The DVD covers everything from the seat, the position of the body, and the devices used to improve it 'Aguado's machine?, Sor's support system, the foot-rest, attachments, and an ingenious, simple and practical system created by the author, to the mechanical workings of the hand, its main ways of gripping, and the problems posed by the ring finger. All of these topics are approached through the scientific reasoning of the author, backed up by his knowledge as a doctor. As Jorge Cardoso says in the introduction, this course 'can be useful both to beginners and to more advanced players. . . it can be useful to anyone who plays a plucked stringed instrument.? It includes basic demonstrations and explanations about how the hands work from the moment they are placed on the guitar, as well as exercises and concert pieces of the highest level. There is a discussion of strumming technique, of 'toque mixto? and four complete pieces interpreted by the author. The course will also be useful for electric guitarists and others who have focused on the use of the pick and have neglected other essential guitar techniques. UK product number 8353412233. / Guitare Classique / 125 pages / niveau : Multiple Levels / Dvd - Format: 7,5 X 5,25
51.50 EUR - Sold by LMI-partitions
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Bryce Dessner: St. Carolyn By The Sea: Electric Guitar: Score
Guitar, Orchestra
Chester
Bryce Dessner's St. Carolyn By The Sea. Full score for two Electric Guitars and ...
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Bryce Dessner's St. Carolyn By The Sea. Full score for two Electric Guitars and Orchestra. This piece was co-commissioned by the American Composers Orchestra with the support of the HollandFestival and the Muziekgebouw FritsPhilips Eindhoven.
22.99 GBP - Sold by Musicroom UK
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Herbert Chappell: Guitar Concerto Caribbean (Guitar/Piano) : Guitar:
Piano, Guitar (duet)
Chester
This concerto a new addition to the literature for guitar and orchestra casts ...
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This concerto a new addition to the literature for guitar and orchestra casts the guitar almost as a member of the percussion family from the very beginning explosive in its energy easing into song for its secondtheme.An extensive cadenza takes the soloist to the highest note before plunging into an appropriately hectic ending. A simple (but all the more telling) guitar solo opens and closes the middle movement a nocturne withanother extended cadenza. The movement starts in meditation grows into a broad chorale-like melody and moves into rage before the orchestra intervenes to return to the calm of the beginning. The boisterous and carefree flavourof the last movement sketched while on holiday in Antigua during Carnival gives the concerto its nickname.This riotous and exuberant finale generates an irresistible rumba bringing together themes first heard at thevery beginning of the work particularly the rasqueado strumming and the tamburo percussive effects. The moods and flavour of the Caribbean are very acutely captured not in a tourist photograph but in an obviously loving spiritual portrait.????????????Eduardo?Fern?ndezThe Guitar Concerto ?Caribbean? has been recorded by Eduardo Fern?ndez withthe English Chamber Orchestra conducted by Barry Wordsworth.
24.99 GBP - Sold by Musicroom UK
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Antonio Ruiz-Pipo: Tablas: Guitar: Instrumental Work
Español
Voice, Guitar
[Sheet music]
Unión Musical Ediciones
A Spanish work which was originally composed for Guitar and Orchestra is seen h...
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A Spanish work which was originally composed for Guitar and Orchestra is seen here for Guitar and Piano reduction. Book only no solo part.
13.99 GBP - Sold by Musicroom UK
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Antonio Vivaldi: Concerto In D RV 93 - Score: Guitar: Score
GTR/STR ORCH::Guitar, String Orchestra
[Sheet music]
-
Intermediate
Sikorski
Vivaldi's Concerto in D Major for Guitar and Strings RV 93 was written after the...
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Vivaldi's Concerto in D Major for Guitar and Strings RV 93 was written after the Sonata for Lute 2 Violins and Continuo. This edition has been edited and arranged by Siegfried Behrend.This is the Full Score.
10.95 GBP - Sold by Musicroom UK
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Stefan Grossman: Fingerpicking Guitar Techniques: Guitar: Instrumental Tutor
Guitar
Grossman's Guitar Workshop
Stefan Grossman's Guitar Workshop-This two DVD set is for beginner and intermedi...
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Stefan Grossman's Guitar Workshop-This two DVD set is for beginner and intermediate guitarists who want to start fingerpicking. Rev. Gary Davis used to tell his students that playing the guitar was easy. He would say that a piano player has only two hands (theleft keeps an alternating bass while the right plays a melody) but a guitarist has three hands! Our right hand thumb is one hand and plays the bass figures while our index finger is our second hand and plays the melody. Ourthird hand is our left hand which fingers chords. The results produce a full and orchestrated fingerstyle sound with a rhythmic bass played against melodic lines. This is the alternating bass technique which we sometimes jokinglyrefer to as 'bum-chick.' It is the most popular fingerpicking style played and has been used by legendary guitarists. Mississippi John Hurt Rev. Gary Davis Merle Travis Doc Watson Chet Atkins are but a few of the giantsof this style.On these two DVDs we will explore how to master the alternating bass style. Each tune is taught phrase by phrase and then played again slowly on a split-screen so that you can carefully see what both hands aredoing. A detailed 60 page tab/music PDF is included. As well you will see footage of some of the great fingerstyle players such as Rev. Gary Davis Lightnin' Hopkins Mance Lipscomb Merle Travis Brownie McGhee ElizabethCotten John Jackson Pink Anderson and Doc Watson.
29.95 GBP - Sold by Musicroom UK
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Ernesto Cordero: Concierto Festivo For Guitar And Piano: Guitar: Score
Guitar
[Partitions]
-
Intermediate/advanced
Mel Bay
Reduction Of Score-Classic Guitar/Ensemble. Cordero's 'Concierto Festivo' for Gu...
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Reduction Of Score-Classic Guitar/Ensemble. Cordero's 'Concierto Festivo' for Guitar and String Orchestra is his most recent work written in 2003. It was commissioned by the University of Puerto Rico to celebrate the 100th Anniversaryof its foundation and the re-opening of its Theater.The concerto has three movements written in a modal and neo-Romantic style in which the contrapuntal elements of the Spanish Renaissance combine with contemporaryharmonies giving it a distinctive flavor which is present in most of Cordero’s works.As in his previous concerti Afro-Antillean influences occasionally appear in this composition with their rich sumptuousrhythms. Ernesto Cordero explores creatively the sonorous resources of the guitar offering it a virtuoso solo feature enriched by dialogues with the other instruments. In many lyrical sections of the piece the guitarshines and projects a romantic spirit through beautiful phrases that reflect Cordero’s passion for life and for his beloved Puerto Rico.
12.99 GBP - Sold by Musicroom UK
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Ernesto Halffter: Concierto Para Guitarra Y Orquesta: Guitar: Instrumental Work
Español
[Sheet music]
-
Intermediate/advanced
Unión Musical Ediciones
Guitar and Piano reduction for the work for Guitar and Orchestra.
13.99 GBP - Sold by Musicroom UK
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Double Concerto For 2 Violins And Orchestra
2 Guitars (duet)
Classical guitar
Chanterelle
Editor: Lendle, Wolfgang / 2 Guitares
24.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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Malcolm Arnold: Serenade For Guitar And Strings: Guitar: Instrumental Work
Piano, Guitar (duet)
[Sheet music]
Paterson's Publications
Guitar/Piano reduction of work for Guitar and String Orchestra. Premiered by Jul...
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Guitar/Piano reduction of work for Guitar and String Orchestra. Premiered by Julian Bream under the direction of the composed in 1955.
10.99 GBP - Sold by Musicroom UK
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Barrientos C. - Periwinkle Memories - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: For years, my fellow guitarists have been asking me to compo...
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The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles?the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won?t kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, ?One man?s remorse is another man?s reminiscence.? Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bes
9.00 EUR - Sold by Woodbrass
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Barrientos C. - Mambo For Mo - Guitare
Guitar
Classical guitar
Editions Orphee
The composer says: Several musical threads led to my writing this piece of musi...
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The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.
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Csárdás For Guitar Solo
Guitar
Classical guitar
Chanterelle
The Hungarian Dance Csárdás is the best known work by Vittorio Monti (1868-192...
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The Hungarian Dance Csárdás is the best known work by Vittorio Monti (1868-1922) an Ita - lian composer born in Naples, who worked extensively as a conductor and composer in Paris. Originally written for Violin, or Mandolin, with piano or orchestra accompaniment Csárdás was immediately selected by numerous virtuosos who adopted it as a showpiece. Nowadays, it is still widely heard for just about every instrumental combination from various solo instruments, particularly solo violin, to versions for many instrumental combinations from gypsy orchestras through to marching bands. We are proud to publish this fine solo guitar arrangement by the virtuoso Russian guitarist Dimitri Lavrentiev, who resides and teaches in Augsburg, Germany. / Guitare
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Fernando Sor: Classic Guitar Duos: Guitar Duet: Instrumental Album
2 Guitars (duet)
[Sheet music + CD]
Music Minus One
2-CD Set-Performed by Christian Reichert primo guitar; Beata Bedkowska-Huang s...
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2-CD Set-Performed by Christian Reichert primo guitar; Beata Bedkowska-Huang secondo guitar Accompaniment: Christian Reichert primo guitar; Beata Bedkowska-Huang secondo guitar These three long-form duets by Spanish classical guitar master Fernando Sor feature beautifully crafted melodies artfully orchestrated between the two guitars and a technical approachability for all intemediate-level guitarists. The three works presented here all come from the late 1820s and 1830s. The Divertissement is in three-movement form whereas both L'Encouragement and Souvenir de Russie take the form of an introduction followed by a theme with variations capped off with a dance-like finale. ThisMusic Minus One edition presents a sparkling performance of these duets from virtuosi Christian Reichert and Beata Bedkowska-Huang. Listen to their technique either from the combined recording or from one of the solo parts presented separately; then you join either Mr. Reichert or Ms. Bedkowska-Huang to make your own beautiful music! Featuring music for players of nearly all levels every guitarist will revel in a celebration of the classical guitar at its zenith. Includes an expansive newly engraved authoritative performance edition of the music score featuring both guitar parts with performance suggestions from Christian Reichert and edited by both Mr. Reichert and Ms. Bedkowska-Huang and printed on high-quality ivory paper; plus a CD containing the complete performance of the pieces in digital stereo; a second compact disc containing accompaniments to each piece first minus the primo guitar part then presented again minus the secondo part.
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Georges Bizet: Carmen Suite: Guitar Solo: Instrumental Album
Guitar
Classical guitar
Mel Bay
Classical Guitar Arrangements from Bizet's Opera Carmen. One might think that it...
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Classical Guitar Arrangements from Bizet's Opera Carmen. One might think that it would be impossible to arrange the music of Georges Bizet?s opera, Carmen, for solo classic guitar, but Néstor Ausqui has done it! While the guitar is an intimate and sweet-sounding instrument, it does not have a broad dynamic range; yet, as Dionisio Aguado proclaimed in his Nuevo Método para Guitarra of 1843, the classic guitar?s expansive palette of tone color gives it the ability to emulate ?a miniature orchestra?. These characteristics make the guitar the ideal instrument to reflect both the character and sensuality of the dances that occur throughout Bizet?s Carmen?Aragonaise, Habanera, Seguidillas, and Danse Bohéme?as well as Carmen?s sober ?Chant de la Mort?. Recommended for the advanced guitarist, Carmen Suite is written in standard notation with extensive digitation and occasional drop-D tuning. In Néstor Ausqui?s Carmen Suite, ??the guitar both sings like a human voice and accompanies itself, giving the work an irrefutable guitar identity. The characteristic feeling manifested in Spanish dance is now expressed through the guitar with a full and defined instrumental singularity.? ? Guillermo Rene? Alvarez Musicologist, Professor at the Instituto Superior de Mu?sica, Universidad Nacional del Litoral-Argentina
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Composer's Guide To The Electric Guitar (LAGANELLA DAVID)
Guitare Electrique
-
Beginner
Mel Bay
Par LAGANELLA DAVID. Guide du compositeur à la guitare électrique est un ouvra...
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Par LAGANELLA DAVID. Guide du compositeur à la guitare électrique est un ouvrage essentiel pour les compositeurs, arrangeurs et les guitaristes électriques. Il est le seul livre sur le marché qui offre une couverture approfondie sur la façon de composer pour tous les aspects de la guitare électrique. L'ouvrage présente notation pour toutes les pratiques de rendement standard plectre, harmoniques et techniques étendues. Il compare les éléments clés qui permettent de distinguer les types communs de guitares électriques. Il y a aussi des renseignements importants sur les processeurs sonores et comment elles affectent le ton et le timbre de la guitare. Le livre est accompagné d'un disque compact qui fournit audio correspondant aux exemples des musique. Il s'agit d'un ouvrage précieux pour les compositeurs de tout genre musical. Elle est aussi un grand livre de référence pour les guitaristes électriques qui souhaitent avoir le profil complet de leur instrument. / Niveau : Débutant / All Styles - Arranging and Orchestrating / Méthode / Guitare Electrique
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Kachian Chris - Composer's Desk Reference For The Classic Guitar - Guitar
Guitar
Classical guitar
Mel Bay
Media Type : Book Level : Beginning-Intermediate Musical Genre : Classic Number ...
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Media Type : Book Level : Beginning-Intermediate Musical Genre : Classic Number of pages : 76 Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: - Experienced composers with a concern for writing idiomatically for the guitar. - Guitarists who are commissioning a work from a composer who has never written for the instrument. - Libraries that wish to add this essential sourcebook to their music reference section. The very structure of the book reflects the composer's own intuition by addressing such questions as: - How is the guitar constructed? - What does successful guitar music look like? - How is the guitar played? - How does the guitarist interpret music and express emotion? - Which musical elements and gestures are most effective? - How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.
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Mario Castelnuovo-Tedesco: Guitar Concerto No. 1 in D Major Op. 99: Guitar Solo
Guitar
Classical guitar
[Sheet music + CD]
Music Minus One
Performed by Christian Reichert guitarAccompaniment: Plovdiv Philharmonic Orche...
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Performed by Christian Reichert guitarAccompaniment: Plovdiv Philharmonic OrchestraConductor: Nayden TodorovThis sumptuous guitar concerto written by the great Castelnuovo-Tedesco on the eve of World WarII quickly became a modern classic almost approaching the popularity of Rodrigo's 'Concierto de Aranjuez.' Its appreciation has grown with the ensuing years and it is now considered a 20th-century classic. Don't miss thislyrical masterpiece! This deluxe 2CD set includes a slow-tempo practice version to help you get up to speed with the concerto.Includes an authoritative newly engraved solo part printed on high-quality ivory paper;a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the completeversion as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.
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Jozsef Eotvos: Brahms Johannes Hungarian Dances For Solo Guitar: Guitar:
Guitar
Classical guitar
[Sheet music]
-
Intermediate/advanced
Mel Bay
While originally conceived as piano duets Johannes Brahms' Hungarian Dances (Op...
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While originally conceived as piano duets Johannes Brahms' Hungarian Dances (Op. 39) have been transcribed for various instrumental ensembles including the orchestral version provided by the composer himself. In this edition outstanding Hungarian guitarist József Eötvös has transcribed all twenty-one of the dances for solo guitar in standard notation only with suggested fingerings. While many of these transcriptions lie well on thefretboard this volume is recommended for the advanced classic guitarist.
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Concierto Antillano - Guitar Solo Part (CORDERO ERNESTO)
Guitare Classique et Orchestre
-
Intermediate/advanced
Mel Bay
Par CORDERO ERNESTO. Ce concerto pour guitare et orchestre a été composé par ...
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Par CORDERO ERNESTO. Ce concerto pour guitare et orchestre a été composé par Ernesto Cordero, un des compositeurs contemporains exceptionnelles de Porto Rico. Le premier mouvement de pastorale dépeint le paysage idyllique d'antillais à l'aide d'une combinaison d'influences continentales d'espagnol et antillais espagnol créole, qui sont plus perceptible dans la cadence luxuriante et romantique. Le second mouvement se distingue par l'alternance de deux mélodies : one, une mélodie mélangeant un certain nombre d'influences antiques et le second distinctement cubaine dans la nature. Ce mouvement a été inspiré par le calme de l'été pacifiques de la mer des Antilles. Le troisième mouvement est le seul dans le travail pour dessiner directement sur le folklore portoricain, citant un fragment de la milonga seis, une danse traditionnelle. Cet extrait est Uni dans ce mouvement avec son homologue argentin familier. Le dernier mouvement est le mouvement plus difficile des trois pour le soliste de guitare, exigeant une performance presque virtuose. 16 pages de grand format (13,75 ' x 10,25 '). Vue... / Niveau : Intermédiaire à Avancé / Contemporary - Chamber / Recueil / Guitare Classique et Orchestre
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André Previn: Concerto: Guitar: Instrumental Work
Schirmer
Originally written for guitar and orchestra arranged by Previn.
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Astor Piazzolla: Histoire Du Tango and Other Latin Classics: Guitar and Accomp.:
Guitar
[Sheet music + Audio access]
Music Minus One
for Guitar
25.99 GBP - Sold by Musicroom UK
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