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Horn, Orchestra
INSTRUMENTS
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James Horner: Themes from Apollo 13: String Ensemble: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
Horner/Del Borgo - Grade 3
39.99 GBP - Sold by Musicroom UK
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Troy (HORNER JAMES)
Choral SATB
SATB, Orchestra
[Sheet music]
-
Advanced
Editions Marc Reift (Swiss import)
Par HORNER JAMES. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orches...
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Par HORNER JAMES. / Niveau : Difficile / Répertoire / Choeur (SATB) et Orchestre à vent
209.60 EUR - Sold by LMI-partitions
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Walking with you
Euphonium or Saxhorn and Piano
[Sheet music]
Symphonic Dimensions Publishing
for Bb Euphonium Solo & Piano. Par SAMITZ NICO. This set also includes a Bb Euph...
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for Bb Euphonium Solo & Piano. Par SAMITZ NICO. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. / Date parution : 2023-07-31/ Répertoire / Euphonium et Piano
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The Joy of Freedom
Euphonium or Saxhorn and Piano
[Sheet music]
Symphonic Dimensions Publishing
for Euphonium TC/BC. Par SAMITZ NICO. This set also includes a Bb Euphonium TC s...
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for Euphonium TC/BC. Par SAMITZ NICO. This set also includes a Bb Euphonium TC solo part. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the „BlechReiz BrassQuintett“ ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music—and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the „BlechReiz BrassQuintet“. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true ‘earworm’. / Date parution : 2023-07-31/ Répertoire / Euphonium et Piano
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Richard Strauss: Hornkonzert Nr. 2 Es-dur: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
G. Henle
Hornkonzert Nr. 2 Es-dur
16.75 GBP - Sold by Musicroom UK
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Richard Strauss: Hornkonzert Nr. 1 - Es-dur Opus 11: Orchestra: Study Score
Orchestra
[Study Score / Miniature]
G. Henle
Hornkonzert Nr. 1 - Es-dur Opus 11
15.75 GBP - Sold by Musicroom UK
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James Horner: Titanic Suite: Orchestra: Score
Orchestra
[Score and Parts]
Hal Leonard
Full orchestra with soprano solo and opt. chorus (full set includes 40 choral oc...
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Full orchestra with soprano solo and opt. chorus (full set includes 40 choral octavos)
45.99 GBP - Sold by Musicroom UK
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Ed Hughes: Le Voyage Dans La Lune: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 min...
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'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera
20.95 GBP - Sold by Musicroom UK
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Johannes Brahms: Serenade No. 2 In A Major OP 16: Orchestra: Study Score
Orchestra
[Score]
G. Henle
Urtextausgabe-In his Serenade no. 2 op. 16 composed in 1858 60 Johannes Brahms...
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Urtextausgabe-In his Serenade no. 2 op. 16 composed in 1858 60 Johannes Brahms keeps to the usual smaller scoring for this genre using pairs of winds and horns as well as low strings (no violins!).?His friendClara Schumann was ?delighted? with the work but the public reaction was restrained and even Brahms himself was not happy with some details. Thus 15 years after the first performance he rigorously revised theserenade.?Henle are now publishing this definitive version from 1875 that was ?new revised by the author? as a study score with the musical text from the Brahms Complete Edition.
10.25 GBP - Sold by Musicroom UK
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Ed Hughes: Le Voyage Dans La Lune: Orchestra: Study Score
Orchestra
[Sheet music]
University Of York Music Press
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 min...
(+)
'Le Voyage Dans La Lune is a continuous orchestral score of approximately 14 minutes comprising two outer fast sections and a slower inner section of a dream-like character. The work is directly inspired by the film Le Voyage Dans La Lune (1902) written and directed by the pioneering French film-maker Georges Méliès. Méliès was influenced by 19th century interests in science and discoveries as well as the science fiction of Jules Verne. At the same time his work seems fantastic surreal and satirical. Some critics point out an underlying critique of colonial adventuring. The plot centres on a group of astronomers who decide tolaunch a rocket to the moon containing a handful of their number. They reach the moon (famously landing on the moon?s face) and then encounter a strange race of aliens whom they battle and destroy. The return to earth involves a dramatic descent a plunge into the ocean and then celebratory dancing. The film inhabits a surreal and dream-like space and uses an idiosyncratic visual language which transforms reality. This inspired an active musical response in my own score which is by turns abrupt smooth lyrical and violent and expresses something of the strange shifting surfaces and multiple and layered tempos evident in the film. The canons in the horns in the first scene reflect the intense arguments of the astronomers as they consider the project. The slower inner section is inspired by the scenes of the industrial City viewed from its rooftops by the astronomers. It also expresses the wonder of the astronomers as they see the earth rise from the perspective of the moon after their arrival there. The music of the final section is in places conflicted reflecting the violent encounters with the moon?s inhabitants. It moves into a more harmonious phase at the close to match the celebrations upon the astronomers? return from their adventuring. The music could be considered to be a surreal mini-opera
19.95 GBP - Sold by Musicroom UK
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John Field: Concertos For Piano and Orchestra Nos. 1-3: Piano: Score
Piano and Orchestra
Stainer and Bell
Edited by Frank MerrickThis is neglected repertoire by an important figure of th...
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Edited by Frank MerrickThis is neglected repertoire by an important figure of the early Romantic movement who was a significant influence on Chopin. The contents include Piano Concertos in E flat A flat and E flat scored for strings timps and double woodwind horns and trumpets.First published in 1961.
96.00 GBP - Sold by Musicroom UK
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Richard Rodney Bennett: Symphony No. 3: Orchestra: Score
Orchestra
Novello & Co Ltd.
Richard Rodney Bennet’s Symphony No. 3 commissioned for the 1987 Three ...
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Richard Rodney Bennet’s Symphony No. 3 commissioned for the 1987 Three Choirs Festival by the Elgar Foundation with additional funds from West Midlands Arts is now published in a facsimile study score.In contrast with his first two symphonies which were rather extrovert display pieces Symphony No. 3 is quite thoughtful and lyrical in nature more or less monothematic and has a strong feeling of tonality particularly at the opening and closing of the score. The more moderate orchestration (2 Flutes Oboe Cor Anglais 2 Clarinets in B flat Bassoon 2 Horns in F Percussion 1 (small Triangle Tam-tam 3 suspendedCymbals) Percussion 2 (side Drum tubular Bells) Timpani Piano Harp and Strings) also reflects this. Performance time of the three movements is ca. 22 minutes.Sir Richard Rodney Bennett was an English composer of film TV and concert music and also a jazz pianist. He was based in New York City from 1979 until his death there in 2012.
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Aulis Sallinen: A Solemn Overture (King Lear): Orchestra: Score
Orchestra
Novello & Co Ltd.
A facsimile study score for one of Sallinen's most recent works A Solemn Overtu...
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A facsimile study score for one of Sallinen's most recent works A Solemn Overture. Orchestration: 3 flutes 3 oboes 3 clarinets in B flat 3 bassoons 4 horns in F 3 trumpets in B flat 3 trombones in C Tuba Timpani Harp and Strings. Duration approximately 10mins.
15.99 GBP - Sold by Musicroom UK
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Elisabeth Lutyens: Elegy of the Flowers Op.127: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Tenor and Ensemble.Published in 1978.Tenor voice 2 Horns 2 Violins Flute/...
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For Tenor and Ensemble.Published in 1978.Tenor voice 2 Horns 2 Violins Flute/Alto Flute Clarinet/Bass Clarinet Cello Double Bass 2 Violas 2 Trombones Percussion.Score.
40.00 GBP - Sold by Musicroom UK
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Elisabeth Lutyens: Music From 'The Skull' - Study Score: Orchestra: Study Score
Orchestra
University Of York Music Press
Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score....
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Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score.Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass.
17.95 GBP - Sold by Musicroom UK
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Howard Blake: The Snowman - Schools Version: Orchestra: Score
Orchestra
[Sheet music]
Chester
Howard Blake's The Snowman - Schools Version. Instrumentation: Flute Oboe (or 2...
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Howard Blake's The Snowman - Schools Version. Instrumentation: Flute Oboe (or 2nd Flute) 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb Trombone/Tuba Descant/Tenor Recorder Treble Recorder Classroom Percussion Orchestral Percussion 3 Timpani Violin 1 Violin 2 Viola/Violin 3 Cello Double Bass Rhythm Guitars/Bass Guitar and Piano Duet. This is the score only. A score and set of parts isavailable under the code CH78001.
44.99 GBP - Sold by Musicroom UK
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George Butterworth: Banks of Green Willow: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
George Butterworth was born in London on July 12th 1885 to a well-to-do family....
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George Butterworth was born in London on July 12th 1885 to a well-to-do family. Eton School was followed by university at Trinity College Oxford where he met Vaughan Williams and Cecil Sharp. He taught for a while at Radley studied for a short time at the Royal College of Music then concentrated more or less full time on collecting folk songs sometimes with Vaughan Williams. When the First World War started in 1914 he joined the Durham Light Infantry as a Lieutenant. In the trenches he was mentioned in dispatches for outstanding courage and won the Military Cross. He led a successful raid on August 15th 1916 in the Battle of the Somme but during the raidButterworth was killed by a sniper's bullet.Much of his music is influenced by folk-song. The idyll 'Banks of Green Willow' is one of his best works and perfectly captures the nature of the English countryside. It is almost as if the music occurred naturally and Butterworth just discovered it.This pack comprises one full score string parts 4/4/3/4/2 and any wind brass and percussion parts.Orchestration:2 Flutes 2 Oboes 2 Clarinets in A or Bb 2 Bassoons2 Horns in F Trumpet in Bb Harp Strings (Violin 1 Violin 2 Viola Cello Double Bass)
28.00 GBP - Sold by Musicroom UK
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Morton Gould: Philharmonic Waltzes: Orchestra: Score
Orchestra
[Sheet music]
Schirmer
Score-Morton Gould's Philharmonic Waltzes (Waltz Suite In Three Parts). Full sco...
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Score-Morton Gould's Philharmonic Waltzes (Waltz Suite In Three Parts). Full score. Playing time: 9 minutes.Instrumentation: 2 Flutes (2nd on Piccolo) 2 Oboes 2 Clarinets Bass Clarinet (on 2ndClarinet part) 2 Bassoons Contra Bassoon 4 Horns 3 Bb Trumpets 3 Trombones Tuba Percussion (3) Timpani Piano Harp Strings.
15.99 GBP - Sold by Musicroom UK
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Johannes Brahms: Symphony No.2 In D Major Op.73: Orchestra: Miniature Score
Orchestra
Dover Publications
Braham's second symphony was an instant success when it first premiered in 1877....
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Braham's second symphony was an instant success when it first premiered in 1877. From its ingenious treatment of attractive melodic ideas in the first movement and the somber adagio to the lyrical charm of the allegretto and the finale's robust cheerfulness it is a delightful combination of enchanting melodies and masterly thematic treatment. A staple of the repertoire it is reproduced here from an authoritative edition. The score appears with bar-numbered movements ideal for study in the classroom at home or in the concert hall. This affordable high-quality conveniently sized volume will be edition of choice for music students and music lovers alike.Instrumentation includes: 4 Horns in C D E G B 2 Trumpets in D B 3 Trombones Bass Tumba Timpani 2 Flutes 2 Oboes 2 Clarinets in A 2 Bassoons Violin 1 2 Violas Cellos Basses
5.99 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata No. 1 - BWV 1: Orchestra: Study Score
Orchestra
Barenreiter
Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1...
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Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1. Cantata for the Feast of Annunciation Day.The cantata ? Wie Schön Leuchtet Der Morgenstern? BWV 1 was written for 25 March 1725 when the Feast of the Annunciation of the Blessed Mary coincided with Palm Sunday. It forms the conclusion of Bach?s cantata cycle of 1724/25.The anonymous librettist retained the outer verses 1 and 7 of Philipp Nicolai?s text (1599) which is assigned to the feast of Epiphany according to old tradition but was also sung at the Annunciation of the Blessed Mary. Verses 2 to 6 form the basis for the Tenor and Bassrecitatives and the Soprano and Tenor arias.Bach?s composition has a particularly festive brilliance with his use of 2 Horns 2 Oboes Da Caccia and the two concertante solo Violins. The Violins? lively figurations clearly reflect an image of the shining morning star.- Urtext of the New Bach Edition.- Original German text with English singing translation.- Idiomatic and easy-to-play Piano reduction.- Performance material (BA10001) vocal score (BA10001-90) & study score (TP1001) available for sale.
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Johann Sebastian Bach: Brandenburg Concerto No.1 In F major BWV 1046: Orchestra:
Orchestra
Barenreiter
Violino piccolo pitch notation - notated the way it sounds-Violin solo part soun...
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Violino piccolo pitch notation - notated the way it sounds-Violin solo part sounds at pitch (F major).Includes original version of the Sinfonia BWV 1046a.Authoritative Urtext edition of Johann Sebastian Bach's Brandenburg Concerto No.1 in F major BWV 1046.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach’s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even along side the version known today.In the earlier version of Concerto No.1 (BWV 1046a) which according to the editor of the edition Heinrich Besseler seems to have been Bach’s favorite among the six there is no violino piccolo part to be found and the violin concerto-like 3rd movement as well as the Polonaise movement are also absent.In nearly every bar the articulation in one instrument or another differs from the later version; for example the 16th-note slurs in bars 1 and 2 of the horns are missing in the later score the oboe slurs and trills in m.12 are also not to be found. The later version has the cello seperated from the continuo which means that the 16ths in m.7 are not to be played by the Violone grosso.
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Igor Stravinsky: L'Oiseau De Feu (The Firebird) - Miniature Score: Orchestra:
Orchestra
[Study Score / Miniature]
Chester
Stravinsky won his initial fame with the ballet The Firebird (L’Oiseau De...
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Stravinsky won his initial fame with the ballet The Firebird (L’Oiseau De Feu) using enormous orchestration and dynamic elements. Commissioned by Diaghilev it was his first large scale work.Orchestrated for 2 Flutes; 2Oboes; 2 Clarinets; 2 bassons; 4 Horns; 2 Trumpets; 3 Trombones; Tuba; Percussion; Harp; Pianoforte; 2 Violins Viola; Cello; Double-Bass.
24.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: Symphony No.1 In E-Flat KV16: Orchestra: Score
Orchestra
Barenreiter
Scored for 2 Oboes 2 Horns and Strings. Probably written in 1764 in London duri...
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Scored for 2 Oboes 2 Horns and Strings. Probably written in 1764 in London during the Mozart family's tour of Europe. The eight year old Mozart's father Leopold was taken ill and the family moved for a short time to a house in Chelsea.- Full score & parts (BA9165) based on the New Mozart Edition available for sale.
11.00 GBP - Sold by Musicroom UK
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Gordon Jacob Hubert Parry: I Was Glad When They Said Unto Me (Score): Orchestra:
Orchestra
[Sheet music]
Novello & Co Ltd.
I Was Glad When They Said Unto Me (Score)-Orchestrated by Gordon Jacob.Instrumen...
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I Was Glad When They Said Unto Me (Score)-Orchestrated by Gordon Jacob.Instrumentation.2 Flutes2 Oboes2 Clarinets in B flat2 Bassoons4 Horns in F8 Trumpets in B flat2 Tenor TrombonesTubaTimpaniPiccolo SnareHarpOrganChorusStrings
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Antonio Vivaldi: The Four Seasons: Orchestra: Miniature Score
Orchestra
Dover Publications
One of the best known and loved collections of string music in history. The prog...
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One of the best known and loved collections of string music in history. The programmatic nature of the Four Seasons based on the lines of sonnets printed along with the music brings seasonal sights and sounds readily and delightfully to the ear: the bird calls in Spring the swarms of wasps in Summer the hunters' horns in Autumn the winds and icy snow of Winter.Dr. Eleanor Selfridge-Field a recognised authority on music of the Italian Baroque has researched primary sources in Italy to prepare this specially commissioned authoritative new edition.
6.10 GBP - Sold by Musicroom UK
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