Dans cette série de leçons audio, canard Baker présente plusieurs approches pour le guitariste intermédiaire sur six fingerstyle solos de guitare. Les trois disques compacts vedette instruction note par note, phrase par phrase, et toute la musique est dans le livre de notation et de tablature. En plus d'une explication du système onglet, leçon un comprend du Gusty Frolics et humeurs de Whiskey dans D Drop de réglage. Leçon deux enseigne le Wicklow Hornpipe D Drop de réglage et de Bantry Bay en Drop G tuning. Leçon trois présente des coques de cueillette de Jenny et The Wise Maid, tous deux en Drop D tuning. / Guitare (Fingerpick) / 16 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Historical information about Händel's Water Music Suites is limited, but certainly these works were intended for two, possibly three, parties given by King George I on the Thames River, London, between 1715 and 1736. Händel and his orchestra played on a barge. Since then the some twenty-two separate original pieces have been organized into three Suites and nicknamed 'Water Music?, each having a separate key and likely corresponding to these river parties. This transcription of Water Music Suite II for saxophone quartet has two purposes: to make this music available to saxophonists for performance and education, and to provide in one volume the entire Suite II. The exception to the latter, because of the limits of endurance, is the exclusion of the short Adagio, a brief interlude between the fi rst two movements. Included though are the Allegro, Hornpipe, Minuet, Lentement, and Bourree. These works were originally meant for an outdoor performance, and one of the original intentions of the saxophone was to play in French military bands, also an open-air purpose. The original scoring of brass, woodwind, and string instruments (but no continuo) transcribe well for saxophones. Matching the ranges of instruments of the original to the saxophone quartet was a primary objective. In addition, this arrangement strives to disperse melodic material to all four saxophones so as to make the arrangement pleasing to all the members of the quartet while providing variety to an audience. Any dynamic, articulation, and tempo markings are to be taken only as suggestions so as to allow interpretation by the performers. The musical study and performance of all styles while using examples of composition and performance that represent excellence is necessary for saxophonists who wish to be well-rounded musicians. For the above reasons saxophonists are urged to listen to recordings of the original orchestration in order to learn and imitate proper interpretation of Baroque style. There are currently a number of excellent recordings of Handel's Suites on period instruments, such as (but not limited to) those by conductors John Eliot Gardiner, Christopher Hogwood, and the ensemble Tafelmusik. The Lewis-Clark State College Saxophone Quartet has for many years enjoyed performing Suite II for concerts, ceremonies and social settings, and I thank Advance Music for the opportunity to bring these great works to the profession. / 4 Saxophones (SATBar)

Continuing the reissue of the classic Phillips Collection of Traditional American Fiddle Tunes - Volume 2 Favorite American Hornpipes For Fiddle presents over a hundred classic and lesser-known Fiddle tunes inhornpipe style from all parts of the United States some with multiple versions.All tunes are transcribed from the playing of some of the greatest traditional fiddlers of the past and present including Benny Thomasson BobWalters Howdy Forrester James Bryan Rodney Miller Ruthie Dornfeld and many more. Bowings and chord accompaniment are included.Teachers are you looking for short pieces that will solidify scales and arpeggios thatdon't bore your students? Tired of the same old classical etudes? Hornpipes can also serve as effective and fun exercises for all Violin students not just fiddlers. Many of them could have come right out of the baroque periodof art music. But they also illustrate some of America's great tradition of fiddling.

Steve Kaufman, trois fois Champion National de Flatpicking, le fait à nouveau. Cette installmentof une série de quatre volets nous amène hornpipes celtique favoris de Steve, transcrits pour la mandoline (et fiddle trop). Il s'agit d'une importante collection de hornpipes qui construira votre répertoire ainsi que l'aide vous développez davantage des idées, des licks et des pistes pour organiser vos propres mélodies. / Mandoline / 100 pages / niveau : Intermédiaire / Partition - Format: 11 X 8,5

Transcriptions from Buckley's Banjo Guide of 1868. Par TWISS TIM. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. This modern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, more refined plucking technique. James Buckley (1803 â' 1872), sometimes referred to as the 'Father of the Classical Banjo,â? was one of the most prolific transcribers of early banjo music. His compositions and arrangements were performed on the minstrel stage, andhis scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for the concert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even todayâ'all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo in a lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. Early American Banjo by Tim Twiss provides complete banjo tablature transcriptions of the instrumental solos that first appeared in standard notation in Buckley's Banjo Guide of 1868. Thismodern tablature edition of over 100 mid-19th century jigs, waltzes, polkas, hornpipes and reels provides insight to the transition between the African down-stroke technique, which preceded claw-hammer style and the newer, morerefined plucking technique. James Buckley (1803 and ndash - 1872), sometimes referred to as the and ldquo - Father of the Classical Banjo, and rdquo - was one of the most prolific transcribers of early banjo music. His compositions andarrangements were performed on the minstrel stage, and his scholarly discipline produced a lasting record of banjo music of his era. This repertoire collection includes easy tunes as well as more complex pieces suited for theconcert stage. The player will delight in discovering how fresh and unusual some of this music sounds, even today and ndash - all in modern banjo tab. While best experienced on a period reproduction, gut-string fretless banjo ina lower tuning, any 5-string banjo in C tuning (gCGBD) may be used to interpret this collection. Includes access to online audio. / Niveau : Intermédiaire à Avancé / Musique traditionnelle d'Amérique du Nord / Date parution : 2018-05-04/ Recueil / 5-String Banjo

Lively Tin Whistle Tunes is a collection of 55 spirited tin whistle solos. The selections include reels hornpipes jigs sea chanteys dance tunes and more. These tin whistle solos are ideal for performance or just enjoyment. Guitar chords are included for accompaniment and can be used by any chordal instrument.

Violist and composer Benedict Taylor presents a collection of 60 pieces for solo viola. Drawn from the rich tradition of Irish folk music the collection covers a range of styles including Jigs, Reels, Hornpipes and Marches. The volume includes notes on playing styles, and is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8. / Alto

Le livre de source ultime pour le joueur de banjo traditionnels. Contient plus de 230 turluttes, bobines, chiffons, hornpipes et des ruptures de tous les principaux instrumentales styles traditionnels. Spirale Bound / Banjo

100 Irlandais Dance Tunes et Airs, sélectionnés par Matt Cranitch. Cette collection contient une sélection variée d'airs connus largement joués et moindre, divisé en rythmes de danse différents : double turluttes, diapositives, glissement turluttes, polkas, bobines, hornpipes, de définir des danses et des airs. La gamme des airs conviennent particulièrement pour le violon, mais peut être utilisé sur d'autres instruments. / Violon

Ask Noel Rawsthorne to compose a piece for organ based on The Sailor's Hornpipe and the result is a foregone conclusion: bubbling totally enjoyable music that simply fizzes along sweeping all and sundry before it!That is why we have described Hornpipe Humoresque as a 'nautical extravaganza'. Vintage Rawsthorne!

Par PURCELL HENRY. La comédie ' Le Beau marié ou l'Impertinent curieux ' par John Crowne est basé sur un épisode de la première partie du roman de Miguel Cervantes ' Don Quichotte '. Musique pour le théâtre de Purcell se compose de neuf mouvements. Trois mouvements, l'Air, l'Air de la trompette et mars, sont basés sur les arpèges de la triade (fanfares suite à la musique pour cuivres). Purcell montre les multiples possibilités offertes par ce matériel simple. Doit porter une attention spéciale à la ' Hornpipe sur un motif ' montrant une fois de plus l'habileté de Purcell pour combiner diverses formes avec l'autre./ Répertoire / Orchestre à Cordes et Basse Continue

Hornpipe Highlights est dédié aux musiciens de l?Orchestre d?Harmonie Royal Kunst Veredelt d?Ingelmunster en Belgique et à leur chef Francis Baert. D?origine celte le hornpipe est une danse en solo traditionnellement associée aux marins anglais. Au cœur de la musique celtique et irlandaise figure le bódhran une sorte de grand tambourin à peau de chèvre. Son utilisation dans cette composition s?imposait comme une évidence.