In his use of authentic Englsh folksongs Gnostic texts and Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In A Dream of Christmas Holstset a medieval carol in Dorian mode modulating to D for the words of Christ manifesting his fascination medieval English music. Harmonies in the refrain are all in thirds and the piece is well within the abilities of amateursingers or Choruses.Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.

The intertwining of women’s voices in Gustav Holst’s Tears Idle Tears will lend an elevated atmosphere to any performance giving this secular piece an almost sacred character. It was written for a cappella female chorus (SSAA) in 1905 as the 3rd movement of the 5-movement suite ‘Songs From The Princess’ which was based on 5 thematic short poem’s from the British poet Tennyson’s long narrative poem ‘The Princess’ (1847). Performance time is approximately 2 minutes.As an experienced instrumentalist and orchestra member English composer arranger and teacher Gustav Holst understood music from the standpoint of his players and madesure that however challenging their parts were always practicable a compositional characteristic still well received and appreciated by performers and audiences today.

In his use of authentic Englsh folksongs Gnostic texts and Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In 1916 hepublished Six Choral Folk Songs of which Hampshire folk tune The Song of the Blacksmith is the fourth.Holst uses the power of his mixed Voice Chorale to set the song among onomatopaeic syllables to evoke the smithy. The song isone verse long which Holst repeats not quite completely three times like the endlessly spinning thoughts of a rejected lover. There are many time signature changes between 4/4 and ¾.Gustav Holst has earned a place amongthe most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.

Holst's collection of Twelve Welsh Folk Songs was published in 1931 with the lyrics translated into English by Steuart Wilson. Two of these are presented here scored for SAB three-partchorus with a Piano reduction provided for rehearsal purposes. Gustav Holst (1874-1934) was an English composer and teacher. Having studied under Stanford and Parry he became a close friend of Vaughan Williams they would often critique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for his Planets suite.

In his use of authentic Englsh folksongs Gnostic texts and Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In 1916 hepublished Six Choral Folk Songs of which Cornish folk tune I Love My Love is the fifth number.The song is a tale of a girl ‘in Bedlam’ who awaits her love’s return from the sea. It moves into Dorian mode and outagain with a particularly effective sighing motif in the middle section. Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite ThePlanets.

The collection of nine Vedic Hymns (Op. 24) for solo Voice with Piano accompaniment marked a turning point in Holst's compositions. They were inspired by Hindu scripture and Indian raga and first published in1908. Vac (Speech) is the seventh movement and is the first of the third group of hymns where the theme shifts into the human sphere.Gustav Holst (1874-1934) was an English composer and teacher.Having studied under Stanford and Parry he became a close friend of Vaughan Williams they would often critique each other’s work and influenced composers such as Tippet and Britten. He is best remembered for hisPlanets suite.

Words by William Morris (1834-1896); Traditional French Carol; Final Verse and Chorus Based on a Harmonization by Gustav HolstA truly dynamic interpretation of a wonderful French carol! “Masters in This Hall ”in its original form is festive and full of life. This arrangement from Mark Hayes is even more exciting! Unexpected harmonies and a fabulous accompaniment make this lively Christmas carol a must for concert or festival. Foradvanced SATB choirs school or church use. Also available iPrint orchestration and StudioTrax CD.

Words by Christina Rossetti-This arrangement of the famous Christina Rossetti poem set to music by Gustav Holst features an introduction and an interlude incoporating Pachelbel's Canon in D. Memorable and easy to learn this piece offers a supportive pianoaccompaniment making this a lovely selection for the young singer.

This accompanied anthem for SATB voices from classical composer Gustav Holst includes: A Babe Is Born; Now Let Us Sing; Jesu Thou the Virgin-born; The Saviour of the World Is Born.

Buryl Red arranged this Gustav Holst for for mixed voices (SATB). Obligato parts I and II are optional. Part I may be played on flute violin harp celesta piano harpsichord or synthesizer. Part II may be played on violoncello pedal organ or synthesizer.

Swansea Town is a lively and spirited folksong which has been beautifully arranged for SATB by Gustav Holst.A Piano Accompaniment part is also scored for rehearsal purposes.

G Minor Version-The Sergeant's Song Op.15 No.3 by Gustav Holst for Voice and Piano. With words by Thomas Hardy this is the G Minor Version.

Composed for the BBC Young Chorister of the Year competition this lovely setting of the Gustav Holst melody is truly sublime. Ideal for treble choirs in school church and community!