a-Moll. Par BUXTEHUDE DIETRICH. Einzige Quelle für die Suite in a ist der 1704 in Breitenberg bei Itzehoe entstandene Teil einer Sammelhandschrift des Organisten Johann Kruse. Aufgrund der Autorenangabe 'D. B. H. ', die in entsprechender Weise auch bei Stücken anderer Komponisten vorgenommen worden ist und sich bestätigt hat, ist es naheliegend, das Werk Dieterich Buxtehude zuzuweisen, zumal Kruse in Hamburg aller Wahrscheinlichkeit nach auch Kontakt zu ihm hatte. Unter den Buxtehude zugeschriebenen Cembalosuiten steht die hier erstmals veröffentlichte wegen der Kürze ihrer vier Sätze den ihr zugrundeliegenden Tanz-Grundmustern am nächsten - ein klein dimensioniertes, aber kunstvolles Werk./ Répertoire / Clavecin

Dietrich Buxtehude (1637 ? - 1707) est connu en premier lieu comme l'un des maîtres de Jean-Sébastien Bach. Le réduire à ce rôle n'est pas juste puisque, comme le dit l'or- ganiste Michel Chapuis, ' Si Jean-Sébastien Bach n'avait pas existé, Dietrich Buxtehude serait certainement le premier '. Dans sa découverte du ' plus grand musicien et compositeur d'Allemagne du Nord ', le lecteur est entraîné sur les traces de Dietrich Buxtehude à travers le temps, les lieux et l'histoire, depuis les débuts de la Réforme luthérienne jusqu'au XXIème siècle, de la Suède au Danemark et à l'Allemagne du Nord, de la musique à la facture d'orgues, tout en faisant connaissance avec la richesse et la diversité de la vie et de l'oeuvre du compositeur. / Livre

Für die Passionszeit des Jahres 1680 komponierte Dieterich Buxtehude sein größtes oratorisches Werk, den Kantatenzyklus Membra Jesu nostri und widmete diesen dem mit ihm befreundeten schwedischen Hofkapellmeister Gustav Düben. In den sieben Einzelkantaten, die prinzipiell alle dem Schema „instrumentale Einleitung – Chorsatz mit Bibeltext – Vokalsoli (Aria) mit mittelalterlicher geistlicher Dichtung – Wiederholung des Chorsatzes“ folgen, werden Füße, Knie, Hände, Seite, Brust, Herz und Gesicht des gekreuzigten Christus allegorisch gedeutet.
BuxWV 75
Coro SSATB, 2 Vl, Vne, 5 Vga (2 Vl, Vne, 2 Vga), Bc
Latin / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / CARUS

Das neugeborne Kindelein (The newborn babe the heavenly child) (BuxWV 13)for Mixed choir (SATB) Strings Basso continuoDietrich Buxtehude (1637-1707) was Organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.Dietrich Buxtehude’s Cantata forfour part chorus is suited remarkably well for the Christmas services as well as the general religious services which choruses take part in every year.This opulent-sounding work possesses its every own special Christmas magic. It is a piece which can claim a place in the repertoire of many choruses.- Score with parts (BA717) separate parts (BA717) and choral score (BA717-91) available for sale

In dulci jubilo for three-part Chorus two Violins and Basso continuo BuxWV 52Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.Dietrich Buxtehude’s 'Christmas Music“ is suited remarkably well for numerousAdvent and Christmas services as well as general religious services which choirs take part in every year.Although characterised by an extreme economy and simplicity of means this nevertheless opulent-sounding work possesses its own special Christmas magic. It is a piece which can rightly claim its place in the choral repertoire of today.- Score with parts (BA620) separate parts (BA620) and choral score (BA620-91) available for sale

Dietrich Buxtehude’s Magnificat is an opulent-sounding work which obtains striking results with musically simple means. It contains no particular difficulties and makes a welcome addition to the repertoire of many choruses. Besides the score with enclosed instrumental parts the choral score and supplementary parts can be purchased seperately.

Motet-Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.The Cantate Domino uses the text of Psalm 96: 1-4 and is scored for two sopranos bass mixed chorus (SSB) and continuo.Score with parts (BA542) and choral score (BA542-91) available for sale

Choral Cantata-Erhalt uns Herr bei deinem Wort - Uphold us by Thy Mighty Word (BuxWV 27)Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.This cantata uses the hymn by Martin Luther 'Erhalt uns Herr bei deinem Wort' as its basis with additional verses by JustusJonas.Score with parts (BA3196) separate parts (BA3196) and choral score (BA3196-91) available for sale

Dietrich Buxtehude’s Cantata for fourpart chorus is suited remarkably well fort he Christmas services as well as the general religious services which choruses take part in every year.This opulent-sounding work possesses its every own special Christmas magic. It is a piece which can claim a place in the repertoire of many choruses. Besides the score with enclosed instrumental parts the choral score and supplementary parts can be obtained seperately

Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.This cantata uses the text of Psalm 118: 6-7 and is scored for mixed chorus (SATB) strings and continuo.Score with parts (BA3198) separate parts (BA3198) and choral score (BA3198-91) available forsale

Cantata-Dietrich Buxtehude (1637-1707) was organist of the St Marien church in Lübeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo.This cantata uses the text of Psalm 118: 6-7 and is scored for mixed chorus (SATB) strings and continuo.Score with parts (BA3198) separate parts (BA3198) and choral score (BA3198-91) available forsale

Voorhout, Johannes (Illustr.) - Buxtehude, Dieterich (Trad.) -/ Répertoire / Carte Postale

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Singet dem Herrn ein neues Lied' is based on a text from the first verses of psalm 98 which occupies a unique position in the oeuvre of Buxtehude, since it employs only one solo instrument. The composition, which is in concertato style, offers both soloists rewarding challenges. / Date parution : 2006-02-01/ Répertoire / Solo S, Violon et Basse Continue

Kantate. Par BUXTEHUDE DIETRICH. Buxtehude's numerous vocal compositions which was written for performance in the Lübeck Marienkirche, are stylistically quite varied. The cantata 'Singet dem Herrn ein neues Lied' is based on a text from the first verses of psalm 98 which occupies a unique position in the oeuvre of Buxtehude, since it employs only one solo instrument. The composition, which is in concertato style, offers both soloists rewarding challenges. / Date parution : 2006-02-01/ Répertoire / Solo S, Violon et Basse Continue