Highlights Edition. By Herbert Hughes. (Voice and Piano). Boosey and Hawkes Voice. Size 9x12 inches. 100 pages. Published by Boosey and Hawkes.

Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Songbook. Size 8.75x11.75. 176 pages. Published by Mel Bay Pub., Inc.

Composed by John Musto. For High Voice. Peermusic Classical. Softcover. 56 pages. Published by Peermusic

Over 50 Classic Favorites for Voice and Piano Including a Performance CD. By Hall Johnson; Toy Harper. Edited by Julius Willams. Arranged by Hall Johnson. Text: Dwight Strickland; Eugene Thamon Simpson Ed. D.; Hall Johnson; John L. Motley; Langston Hughes; Oscar O. Cozad. For Piano, Voice. Piano/Vocal Score. 208 pages. Published by Carl Fischer

By John Hughes. Arranged by Mack Wilberg. Text: William Williams. For SATB Choir. Duration 3:00. Published by Jackman Music Corporation.
Level: Easy.

Composed by Various. Edited by David Wordsworth. For Choral (SATB). Choral. Softcover. 192 pages. Novello and Co Ltd. #NOV164681. Published by Novello and Co Ltd.

(Sop solo and S.A. choir). Composed by John Hughes. Arranged by Neil Matthews. For soprano voice solo and SA choir. Eboracum Choral Series. Octavo. Text language: English. Published by Banks Publications

By Johnny Marks. Arranged by Clifton Hughes. For Organ. Score. Published by Banks Music Publications

14 Songs Set to Poems by Contempory Poets - for Medium High Voice and Piano. By Ricky Ian Gordon. Text: Audra Mcdonald; Frank OHara; Gwendolyn Brooks; Howard Moss; James Schuyler; Jean Valentine; John Ashbery; Kathleen Raine; Langston Hughes; Paul Celan; Stanley Kunitz; Sylvia Plath; W.S. Merwin; X.J. Kennedy. For Piano, Mezzo-Soprano. Piano/Vocal Score. 78 pages. Published by Carl Fischer.

By John Innes. O & p. Level: 3-staff. Sacred organ and piano. Published by Lorenz Publishing Company.

By John Hughes. Arranged by Margaret R. Tucker. For 3-5 octave handbell choir with optional 2 octave handchimes. Level 3. Handbell score. 11 pages. Published by Chorister's Guild

25 Solo Keyboard Medleys for Contemporary Worship. Arranged by Carol Tornquist. Sacred Choral. Size 9x12 inches. 128 pages. Published by Word Music.

Piano Solo. By Various Artists. This edition: 080689395383. Book (not sheet music). Softcover. 144 pages. Published by Word Music.

Fanfare Band - Grade 3

SKU: BT.AMP-139-020

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 139-020. Published by Anglo Music Press (BT.AMP-139-020).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Concert Band/Harmonie - Grade 3

SKU: BT.AMP-139-010

Composed by Traditional. Arranged by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2005. Anglo Music Press #AMP 139-010. Published by Anglo Music Press (BT.AMP-139-010).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for concert band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Fanfare Band - Grade 3

SKU: BT.AMP-139-120

Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2005. 12 pages. Anglo Music Press #AMP 139-120. Published by Anglo Music Press (BT.AMP-139-120).

9x12 inches. English-German-French-Dut ch.

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn. Lyrics were later added by Ceiriog Hughes, which describe the melody's inspiration. This version for fanfare band retains all the beauty and simplicity of the original.

Deze oude melodie uit Wales werd in 1794 voor het eerst uitgegeven in Relics of the Welsh Bards. Dafydd (David) Owain was een beroemde bard uit Wales, hij woonde op een boerderij genaamd Gareg Wen (De witte rots) te Eifionyddin Carnarnvonshire, in Noord-Wales. Volgens de overlevering vroeg hij op zijn sterfbed om zijn harp en componeerde hij vervolgens deze prachtige melodie, met het verzoek om die te laten spelen op zijn begrafenis. Overeenkomstigzijn wens werd de melodie gespeeld in de dorpskerk van Ynys-Cynhaiarn. De tekst werd later toegevoegd door Ceiriog Hughes en beschrijft de ontstaansgeschiedenis van deze muziek.

Dafydd Owain war ein berühmter walisischer Barde, der auf einem Bauernhof namens Gareg Wen, was so viel wie weißer Felsen bedeutet, lebte; daher der Name David vom weißen Felsen“. Es wird erzählt, dass Dafydd auf seinem Sterbebett nach seiner Harfe verlangte und dort diese Melodie komponierte, mit der Bitte, man möge sie zu seiner Beerdigung spielen. Die Schlichtheit dieses bezaubernden Airs eignet sich perfekt als Zwischenspiel in Ihrem Konzert.

Dafydd (David) Owain fu un poeta e cantore gallese. Visse a Eifionydd, nella contea del Carnavonshire (nel nord del Galles), in una fattoria chiamata”Gareg wen” (La roccia bianca). Una leggenda narra che, prima di morire,Dafydd Owain chiese che gli venisse portata la sua arpa. Negli ultimi istanti della sua vita avrebbe composto questa deliziosa melodia esigendo che venisse eseguita al suo funerale. Alcuni anni dopo, il poeta John Ceiriog Hughes scrisse un testo riportandosi alla storia che aveva portato alla composizione di questa melodia, divenuta da allora un classico della musica tradizionale gallese.

Recorder and Piano - Intermediate-Advanced

SKU: FP.FCG08

Composed by Gordon Crosse. Sheet Music and Books. A loving tribute to birdlife by avid 'twitcher' and leading British composer Gordon Crosse, for the intermediate to advanced recorder player. Classical. Collection. Forsyths Publications #FCG08. Published by Forsyths Publications (FP.FCG08).

ISBN 9790570504084.

Born in Bury in 1937, Gordon Crosse is one of the most distinguished composers of his generation. He studied at Oxford University under Egon Wellesz and, during a long academic career, was Composer-in-Residence at King's College Cambridge from 1973-75. His best known works include the oboe concertante Ariadne, the Three Choirs Festival Oratorio Changes, the opera Purgatory, the children's entertainment Meet my Folks, to words by Ted Hughes, the orchestral Dreamsongs (a homage to the music of Benjamin Britten) and Memories of Morning: Night (a monodrama for mezzo-soprano and orchestra).

Three Twitchings was first performed by John Turner (recorder) and Nathan Williamson (piano) in the Library at The Red House, Aldeburgh, on October 4th 2018. Two scores are provided, rather than a separate recorder part, so that the recorder player can see and respond to the pianist's part as they play.

Choral (SATB)

SKU: HL.1138341

Composed by John Hughes. Arranged by Duane Funderburk. Jubal House. General Worship, Sacred. Octavo. 12 pages. Jubal House Publications #JH-2150. Published by Jubal House Publications (HL.1138341).

UPC: 196288114079. 6.75x10.5x0.029 inches.

“Guide Me, O Thou Great Redeemer” is a festive arrangement of the familiar hymn tune, CWM Rhonda. With optional full orchestra or brass/percussion instrumentation, Duane Funderburk's arrangement also has an option of involving the congregation along with the choir. This prayerful hymn would make an amazing festival piece fitting for many performance settings.

Voice and piano

SKU: BC.238001

Composed by David Martin & Langston Hughes. Vocal Music. Single. With vocal melody, lyrics and piano accompaniment. Published by Bourne Music (BC.238001).

9x12 inches.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in F, trombone 1, trombone 2, timpani

SKU: GI.G-9336INST

Composed by John Hughes. Arranged by Raymond H Haan. Tune Name: Cwm Rhondda. Sacred. Full score and parts. 4 pages. GIA Publications #9336INST. Published by GIA Publications (GI.G-9336INST).

UPC: 785147933694. English. Text Source: Henry Emerson Fosdick, 1878–1969, alt. Text by Harry Emerson Fosdick.

The organ accompaniment is printed in full score. The brass and timpani parts are optional and horn in F is a substitute for trombone I.

SATB choir, divisi, tenor voice solo, soprano Soli, piano accompaniment - Late intermediate

SKU: GI.G-9265

Composed by Hall (Francis) Johnson. Arranged by Brandon Waddles. Evoking Sound. Music Education. Octavo. 12 pages. GIA Publications #9265. Published by GIA Publications (GI.G-9265).

UPC: 785147926504. English. Text by Langston Hughes.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, timpani - Intermediate

SKU: GI.G-9336

Composed by John Hughes. Arranged by Raymond H Haan. Calvin Institute. Tune Name: Cwm Rhondda. Sacred. Octavo. 16 pages. GIA Publications #9336. Published by GIA Publications (GI.G-9336).

UPC: 785147933601. English. Text Source: Henry Emerson Fosdick, 1878–1969, alt. Text by Harry Emerson Fosdick.

One of the grandest tunes in Christian hymnody is CWM RHONDDA, and Raymond Haan has crafted a setting that magnifies the tune’s gravitas. The tune appears with its traditional partner, “God of Grace and God of Glory,” and would be ideal for festival or ecumenical celebrations. The brass and timpani are optional, horn in F may be substituted for the trombone I. The brass and timpani parts are optional and horn in F is a substitute for trombone I.

SKU: GI.G-017245

Composed by Jerry Galipeau. Sacred. Collection. GIA Publications #017245. Published by GIA Publications (GI.G-017245).

UPC: 641151172453. English or Spanish Bilingual.

Chosen in Christ/Elegidos en Cristo is a complete music resource for the celebration of the rites of Christian Initiation for English-speaking, Spanish-speaking, and bilingual parish communities. Many of these pieces have appeared in WLP's time-tested worship resources and are sure to bring life to the various rites that are at the heart of the initiation process. Unique to this resource are the pastoral and performance notes, written in English and Spanish, which introduce each of the sections dealing with the major rituals. Each piece includes a keyboard arrangement and contains chord symbols for the guitarist. This resource will assist presiders, parish musicians, initiation ministers, and liturgy planners in the preparation, implementation, and celebration of the Rite of Christian Initiation of Adults. Composers represented in this collection include Sterling Picard, James Marchionda, Lucien Deiss, Lorenzo Florian, Jerry Galipeau, Alan Hommerding, Peter Kolar, Peter Rubalcava, Carl Johengen, Howard Hughes, Laura Dankler, Lisa Stafford, John Olivier, Paul Page, Steve Warner, Kevin Keil, Joe Mattingly, and Michael Ward. Also available is a companion recording on 2 CDs (#017244) Chosen in Christ/Elegidos en Cristo es un recurso musical completo para la celebración de los ritos de Iniciación Cristiana para comunidades parroquiales de habla inglesa, hispana y bilingües. Muchas de estas piezas han aparecido en los recursos de adoración probados por el tiempo de WLP y seguramente darán vida a los diversos ritos que se encuentran en el corazón del proceso de iniciación. Únicos en este recurso son las notas pastorales y de actuación, escritas en inglés y español, que presentan cada una de las secciones que tratan de los principales rituales. Cada pieza incluye un arreglo de teclado y contiene símbolos de acordes para el guitarrista. Este recurso ayudará a los presidentes, músicos parroquiales, ministros de iniciación y planificadores de liturgia en la preparación, implementación y celebración del Rito de Iniciación Cristiana de Adultos.

SKU: GI.G-017244

Composed by Jerry Galipeau. Children. Sacred. GIA Publications #017244. Published by GIA Publications (GI.G-017244).

English or Spanish Bilingual, english.

A complete music resource for the celebration of the rites of Christian Initiation for English-speaking, Spanish-speaking, and bilingual parish communities! All of the music within is time-tested and sure to bring life to the various rites at the heart of the initiation process. Most pieces are ritual in nature: short, acclamatory pieces designed to support parish celebrations of the rites of initiation. Jerry Galipeau, noted author and lecturer on Christian initiation, is the compiler and editor of this fine resource. Introductions include pastoral and performance notes in English and Spanish. Keyboard arrangements and guitar chord symbols are provided for each piece. Composers represented in this collection include: Sterling Picard, James Marchionda, Lucien Deiss, Lorenzo Florian, Jerry Galipeau, Alan Hommerding, Peter Kolar, Peter Rubalcava, Carl Johengen, Howard Hughes, Laura Dankler, Lisa Stafford, John Olivier, Paul Page, Steve Warner, Kevin Keil, Joe Mattingly, and Michael Ward. This CD set is the companion recording to the bilingual (English/Spanish) Chosen in Christ/Elegidos en Cristo music collection.

Trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in F, trombone, bass trombone, timpani

SKU: GI.G-9714INST

Concertato on CWM RHONNDA. Composed by John Hughes. Arranged by J. Michael Joncas. Tune Name: Cwm Rhonnda. Sacred. Full score and parts. 24 pages. GIA Publications #9714INST. Published by GIA Publications (GI.G-9714INST).

UPC: 785147971498. English, Greek, Latin. Text by J. Michael Joncas.

The organ accompaniment is printed in the full score.

Cantor, assembly, keyboard accompaniment - Beginning

SKU: GI.G-2212

Composed by Howard Hughes. Nativity of John the Baptist. Cantor/Cong. Sacred. Octavo. 8 pages. GIA Publications #2212. Published by GIA Publications (GI.G-2212).

Scripture: Psalm 139:1–5, 23–24.