Enjoy the stunning evocative melodies of the rich Irish tradition with this special set of classical Guitar solos. John Loesberg presents a unique collection of arrangements featuring many traditional harp melodies and dance tunes. The book boasts no less than 27 pieces many of which are suitable for elementary guitar students. However also featured are several compositions by the 17th century harpist/composer O'Carolan which are ideal for more advanced guitarists. An accompanying CD of demonstrations perfectly illustrates the music providing listeners with a useful guide to Irish phrasing and performance.

Voix et tous instruments (flute, violon, violoncelle, clavier?) Table des matières : MacCrimmon?s Lament, Cha Til MacCriman - Jane Fraser Morison Johnnie Cope - James Gillespie Laughlan?s Lilt - James Oswald Lochaber - William Thomson Etrik Banks - William Thomson Loch - Erroch Side - Thomas Oliver & George Boyd The Flower of Edinburgh - James Oswald Lady Mary Hay?s Scotch Measure - Nathaniel Gow The Fyket - Niel Gow Miss Bisset Logierait?s Reel - Malcolm McDonald Was ye at the Bridal - James Oswald The Cadgers of the Cannongate - Niel Gow Kennet ?s Dream - James Oswald The Princess Royal - Niel Gow Logan Water (For ever Fortune) - William Thomson Mrs Judge - Turlough O?Carolan John Anderson my jo (instrumental) - James Oswald John Anderson my jo (chant) - Thomas Oliver & George Boyd For our lang biding here - William Thomson Joy gae wi ?my love - Niel Gow The Flaughter Spade - David Young Patrick McDonald ?s Jig - Patrick McDonald Benney Side - James Oswald Pearlin Peggie ?s Bonny, or, The laird of Foveran - William Christie The Gum - ga ?d Aber - Gairdyn Manuscript Adew Dundee - Skene Manuscript Bonny Dundee - Variation François Lazarevitch Moc Donogh ?s Lamentation - Daniel Wright Saw na ye my Peggie (chant) - William Thomson Saw na ye my Peggie (instrumental) - William McGibbon Muirland Willie - William Thomson The Wawking of the Faulds - William Thomson I wish I wou?d marry me - Robert Bremner An caora crom - David Young Ratha Fair - Niel Gow Haud the lass till I come at her - Thomas Wilson Clean Peas Strae - Niel Gow Auteurs : Robert Bremner, William Christie, Jane Fraser Morison, James Gillespie, Nathaniel Gow, Niel Gow, Malcolm McDonald, Patrick McDonald, William McGibbon, Turlough O?Carolan, Thomas Oliver & George Boyd, James Oswald, William Thomson, Thomas Wilson, Daniel Wright, David Young Gairdyn Manuscript, Skene Manuscript Arrangements et variations : François Lazarevitch

Bournet, Pascal. Par O'CAROLAN TURLOUGH. / Niveau : Intermédiaire / Recueil / Guitare Seule

Planxty Drury - The Lamentation Of Owen O'Neil - Nanny Mc Dermontroe. Par O'CAROLAN TURLOUGH / VITA. / Recueil / Harpe

Beautiful Airs and Ballads of the British Isles. Par DIEHL MARCIA. This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough O?Carolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include O?Carolan?s classically influenced ?Lord Inchiquin? and ?Eleanor Plunkett? as well as ?O Gentle Dove? and ?Cuckoo Dear?? both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of ?The Dark Slender Boy? and ?Enchanted Valley? express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. ?Bonny at Morn?, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. ?The Skye Boat Song? originally recounted Bonnie Prince Charles Edward Stuart?s journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes. / Date parution : 2022-02-17/ Recueil / Flûte à Bec

Lévesque, Luc. Par O'CAROLAN TURLOUGH. / Niveau : Intermédiaire / Répertoire / 4 Guitares

Lévesque, Luc. Par O'CAROLAN TURLOUGH. / Niveau : Intermédiaire / Recueil / 4 Guitares

Par BULLOCK ROBIN. Celtic acoustic guitar and cittern wizard Robin Bullock takes the vibrating string to astonishing places with four of his own compositions, artful arrangements of another five traditional Celtic tunes, and tunes by Norman Blake and Dougie MacLean. From high-octane performances on Spider - Maho Snaps - Matelot Jig - and Old Brown Case to the extraordinarily moving and trancelike tune Between Earth and Sky(original title piece of his CD), the slow Irish air For Ireland I'd Not Tell Her Name - and Tiger Baby's Lullaby - Robin displays the fingerpicking and flatpicking styles that, combined with his composing and multi-instrumental skills, have earned his reputation with such renown Celtic and world-music groups as Helicon, Billboard's 'world music' TOP 10 artist John Whelan's new Celtic band, and Riverdance guest artists Footworks Percussive Dance Ensemble. An extraordinary composer, Robin also varies tunings using standard tuning on only two pieces - he fingerpicks seven of the tunes, and uses flatpick technique on Old Brown Case and the three cittern (Irish bazouki) pieces: his original The Iraqi Road to Dublin and Irish traditional tunes Maho Snaps and The Dawn/Miss Monahan. Completing the 11 pieces on this video are: Dougie MacLean's Farewell to Craigie Duh, Turlough O'Carolan's Sir Charles Coote - Captain Higgins - and Rigler's March - Rex's Ramble - another one of his own. Find out why everyone who hears Robin Bullock is entranced by his masterful musical versatility, his humorous approach to life, and the music that runs through his head. / Acoustic Music - Concert/Documentary / Accessoire / Guitare

Par NEWTON ABBY. Aujourd'hui le violoncelle est habituellement considéré comme un instrument classique, mais la fin XVIIe au début du XIXe siècle, il a été utilisé dans des ensembles folkloriques à fournir des rythmes faibles, conduites danse tunes et à rendre haunting airs écossais. Au sein de la Renaissance de la musique folklorique du passé quarante ans il y a eu un mouvement petit mais dédié à restaurer la richesse unique du violoncelle à la musique traditionnelle et Newton Abby a été à l'avant-garde de ce mouvement. Abby a été profondément impliqué avec la musique écossaise depuis, voyageant à et d'effectuer, en Ecosse, plusieurs fois. Les airs, les planxties et les bobines, cet ouvrage proviennent de sources traditionnelles et contemporaines, y compris le violoneux du XVIIIe siècle Neil Gow, harper Turlough O'Carolan, Daithi Sproule, David Hornung, Alasdair Fraser, Ronnie Aimes et autres. Tous les 19 de la mélodie sont écrites pour violoncelle solo avec corde symboles inclus sur la plupart des airs pour un instrument d'accompagnement. Le texte comprend également des notes de l'auteur sur l'origine de chaque morceau. / Niveau : Débutant à Intermédiaire / Scottish - Transcribed Solos / Recueil / Violoncelle

Media Type : Book/CD Set Level : Multiple Levels Musical Genre : Celtic/Irish Number of pages : 56 This collection of 35 Celtic tunes represents ten different performance styles from Ireland, Scotland, Wales and Brittany. The majority of these pieces are dance tunes such as the jigs and reels popular at Irish sessions, the informal gatherings of musicians in pubs, community halls, and homes. Although relatively new to the session ensemble, the autoharp bears a distinct resemblance to the Irish folk harp. Fittingly, this collection includes harp tunes by famed Irish harpist Turlough O'Carolan as well as other slow airs. All of the pieces in this book have been arranged to be played on any standard 15 or 21-bar chromatic autoharp in either melodic or rhythmic (backup) style. A melody line with suggested chord accompaniment is included so other instrumentalists can easily join in. The book's companion CD includes performances of all 35 selections, ably illustrating the rhythmic and stylistic nuances of this engaging music. In notation and tablature.

Fingerstyle Guitar Edition-This comprehensive book contains over 100 Celtic tunes arranged for solo fingerstyle guitar. This edition is derived from a collection of nearly 300 arrangements Glenn Weiser has created over the last twenty years. The book isdivided into 4 sections: 1) airs marches and waltzes 2) hornpipes jigs and reels 3) tunes from the Bunting collection 4) harp tunes of Turlough O'Carolan. All are in either standard or dropped-D tuning and can be played oneither nylon or steel string guitars. All of these melodies are accompanied with brief historical notes. Written in standard notation and tablature. Intermediate in difficulty.

This comprehensive book contains over 120 Celtic tunes arranged for mandolin presented in standard notation and tablature. Includes airs marches jigs slip jigs hornpipes reels strathspeys country dances and selections byfamed Irish harper Turlough O'Carolan.

This collection of 35 Celtic tunes represents ten different performance styles from Ireland Scotland Wales and Brittany. The majority of these pieces are dance tunes such as the jigs and reels popular at Irish sessions theinformal gatherings of musicians in pubs community halls and homes. Although relatively new to the session ensemble the Autoharp bears a distinct resemblance to the Irish Folk Harp. Fittingly this collection includes Harptunes by famed Irish harpist Turlough O'Carolan as well as other slow airs. All of the pieces in this book have been arranged to be played on any standard 15 or 21-bar chromatic Autoharp in either melodic or rhythmic (backup)style. A melody line with suggested chord accompaniment is included so other instrumentalists can easily join in. The book's companion online audio includes performances of all 35 selections ably illustrating the rhythmic andstylistic nuances of this engaging music. In notation and tablature.