for Violin and Obbligato Harpsichord-Authoritative and accurate Barenreiter Urtext Edition of Six Sonatas for Violin and Harpsichord by J.S. Bach.

For Violin and Basso Continuo; Cello ad lib.Sonata VII c minor (RV 8)Sonata VIII G major (RV 23)Sonata IX e minor (RV 16)Sonata X f minor (RV 21)Sonata XI D major (RV 9)Sonata XII a minor (RV 32)

About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026) By Johann Sebastian Bach (1685-1750) arranged by Meniker Zvi edited by Andrew Manze Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import). (BA.BA5167) ISBN M006466214. Baroque. 9x12 inches. First critical edition of a work firmly attributed to Bach: the G minor Fugue BWV 1026 Figured bass realization by Zvi Meniker Two violin parts: an Urtext part and a part marked with fingering and bowing suggestions by Andrew Manze Continuo part with bass figures This new edition supersedes the earlier performance edition ofsonatas BWV 1021 and 1023 published in the New Bach Edition. Like other volumes recently issued in revised editions - Sonatas and Partitas for Violin (BA 5116) Partita for Flute (BA 5187) and Six Sonatas for Violin and Obbligato Harpsichord in one volume (BA 5240) and in two volumes (BA 5118-19) - these two sonatas have been re-evaluated on the basis of newly unearthed sources. The Fugue BWV 1026 long considered spurious appears here for the first time in a scholarly-critical edition that places Bach's authorship above reproach

Sonata G MinorSonata D MajorSonata B MinorSonata G MajorSonata A MinorSonata A Major

Johann Sebastian Bach's Trio Sonatas - Volume 1 arranged for Flute and Violin with Piano accompaniment also includes part for Cello ad lib.

Composer : Bach, Carl Philipp EmanuelInstrumentation : Fl,Vl,BcEditor : Hill, Cecil

Soli SA, 2 Vl, BcCaldaras Ave maris stella fr solistischen Sopran und Alt, zwei obligate Violinen und Basso continuo wird hier in Erstausgabe vorgelegt. Die im Quellenmaterial berlieferten Auffhrungsdaten belegen, dass das Stck in Wien am 1. Februar der Jahre 1752 und 1754 in der ersten feierlichen Vesper zum Fest Mariae Lichtmess erklungen ist, wahrscheinlich in der Groen Hofburgkapelle. Das kurze, gefllige Stck lsst sich im konzertanten wie im gottesdienstlichen Rahmen (besonders zu Marienfesten und in der Vesper) verwenden, eignet sich aber auch gut fr den Bereich der Andacht.

Clog Dances Fom The Lanca-Clog Dances from the Lancashire Cotton Mills arranged for Two Violins (or Violin & Viola) with optional Cello. Clog dancing originated in the North of England over 200 years ago. It is thought to have developed in the Lancashire Cotton Mills where wooden-soled clogs were preferred to leather soles because the floors were kept wet to help keep the humidity high an important feature in cotton spinning as the nails in leather soles could cause sparks which could result in the risk of explosion.The Clog dance steps were inspired by the rhythmic sounds of the textile machinery and it is said to have first been danced by girls working in the cotton mills. Theywould beat out a rhythm with their wooden clogs to keep in time with the shuttle flying backwards and forwards across the loom. They would also sing choruses whilst stepping to the rhythm of their machines.There were a variety of machines in the many mills of the Midlands and North West each machine built for a specific function. There were many rhythms and as the girls clog danced it is said that those watching the dancers could tell which machines they worked at and from which mill.Clog dancers were also a common sight not only at the mill's lunch breaks but also at competitions in towns and in Music Halls throughout the 19^th and 20th centuries.

John Weldon: Suite in D minor for 2 Violins and Continuo. This suite could also be played on oboes flutes or recorders.