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George Allan
Sheetmusic to print
70 sheet music found
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I Gotta Feeling
Level 3 - Digital Download SKU: A0.1421962 By The Black Eyed Peas. By Allan Pineda,…
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Level 3 - Digital Download SKU: A0.1421962 By The Black Eyed Peas. By Allan Pineda, David Guetta, Frederic Riesterer, Jaime Gomez, Stacy Ferguson, and Will Adams. Arranged by Mark Harrison. Pop. 45 pages. Mark Harrison #1003298. Published by Mark Harrison (A0.1421962). #PromsInThePlayground2024For 4-Part Brass group (Parts available in Eb, Bb, F, and C) and optional Drums. Individual Part Booklets available on request if all 12 are purchasedProms In The Playground 2024 Collection:1. ABBA? ABBA! - ABBA2. CRAZY IN LOVE - Beyoncé - ft. Jay-Z3. I'M STILL STANDING - Elton John4. PROUD MARY - Creedence Clearwater Revival, Ike & Tina Turner5. SHAKE IT OFF - Taylor Swift6. SHOTGUN - George Ezra7. SWEET CAROLINE - Neil Diamond8. CAN'T STOP THE FEELING - Justin Timberlake9. REACH - S Club 710. FIREWORK - Katy Perry11. WALKING ON SUNSHINE - Katrina And The Waves12. I GOTTA FEELING - The Black Eyed Peas----------------Now an annual event in its fourth year, “Proms In The Playground” is an initiative that encourages community bands to connect with their local schools by offering a performance in their playground. As well as getting young people excited about brass banding, this initiative helps bands forge and strengthen relationships with organisations around them. For those bands that want to go beyond just a performance, this initiative is an ideal opportunity to offer a taster session so school children can learn about the opportunities available in their local brass bands.- Helen Minshall, BBE Youth Development Brass Specialist----------------When I was asked to arrange a collection of fun pieces for Brass Bands England’s “Proms In The Playground” initiative, I was more than happy to do so. It’s a brilliant way to engage local schools with music and brass bands, and I hope this set of arrangements will be enjoyable to perform and share with your community all year round.- Mark Harrison, Arranger.
$12.99
12.16 €
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The Black Eyed Peas
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Tina Turner
5
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I Gotta Feeling
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Mark Harrison
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SheetMusicPlus
Let's Get It Started
Bass guitar
Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1402190 By The Black Eyed Peas…
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Bass Guitar TAB - Level 2 - Digital Download SKU: A0.1402190 By The Black Eyed Peas. By Allan Pineda, George Pajon Jr., Jaime Gomez, Michael Fratantuno, Terence Yoshiaki Graves, and Will Adams. Arranged by Jared Plane. Contemporary,Hip-Hop,Pop,R & B. Score. 4 pages. Jared Plane #985398. Published by Jared Plane (A0.1402190). Mike Fratantuno's original bass line as played on the Black Eyed Peas song, Let's Get It Started released on their 2004 album, Elephunk. This transcription comes with Standard Notation and bass TAB. This line is suitable for beginning bass players and students, and is a great choice for developing a steady 9th note / quaver groove with staccatos.
$5.00
4.68 €
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Bass guitar
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The Black Eyed Peas
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Let's Get It Started
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Jared Plane
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SheetMusicPlus
Take Your Time Miss Lucy. A Comic Ballad
Piano, Voice
Piano and voice - Digital Download SKU: LV.18214 Composed by George Loder. Parlors,…
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Piano and voice - Digital Download SKU: LV.18214 Composed by George Loder. Parlors, Upper classes, Mothers & children, Fathers & children, Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18214). Take Your Time Miss Lucy. A Comic Ballad. The Words By A. Allan, Esqr.; Adapted from the Original Melody By George Loder. Published 1842 by Atwill, 201 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Parlors, Upper classes, Mothers & children, Fathers & children, Courtship & love. First line reads When young my heart was bent, sir, Upon a nice young beau.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Piano, Voice
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A
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George Loder
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Take Your Time Miss Lucy. A Comic Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Banner of the Sea. A National Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.21489 Composed by George W. Hewitt. Nava…
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Piano and voice - Digital Download SKU: LV.21489 Composed by George W. Hewitt. Naval warfare, Seamen, Civil War--Union, Patriotism. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21489). The Banner of the Sea. A National Song and Chorus. Words by D. Brainard Williamson. Music by Geo. W. Hewitt. Published 1861 by Lee & Walker, 722 Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Naval warfare, Seamen, Civil War--Union, Patriotism. First line reads Of all the flags that float aloft o'er Neptune's gallant tars.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Piano, Voice
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George W
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The Banner of the Sea. A National Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
America Shall Aye Be Free! National Song & Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.13653 Composed by George W. Hewitt. Flag…
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Piano and voice - Digital Download SKU: LV.13653 Composed by George W. Hewitt. Flags, Patriotism, Liberty. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13653). America Shall Aye Be Free! National Song & Chorus. Words written by A.W. Burns. Music by Geo. W. Hewitt. Published 1856 by Beck & Lawton, S.E. Corner 7th & Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Flags, Patriotism, Liberty. First line reads Stand by that flag ye gallant sons, Of noble patriot sires.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Piano, Voice
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George W
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America Shall Aye Be Free! National Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Where Is The Love
Choral SATB
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Down…
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Download SKU: A0.479577 By The Black Eyed Peas. By Allan Pineda, George Pajon Jr., J. Curtis, Jaime Gomez, Justin Timberlake, Michael Fratantuno, Printz Board, and Will Adams. Arranged by Deke Sharon. This edition: Interactive Download. Pop. Octavo. Duration 245. Deke Sharon #79AZtwkP83BSXgp58o5UoJ. Published by Deke Sharon (A0.479577). Key: F major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.86 €
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Choral SATB
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The Black Eyed Peas
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Where Is The Love
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Deke Sharon
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SheetMusicPlus
Bonnie George Campbell for voice and piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914156 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.914156 Composed by Traditional. Arranged by Tom Swafford. Celtic,Contemporary,Folk,Irish,Multicultural,World. Score. 8 pages. Tom Swafford #3631661. Published by Tom Swafford (A0.914156). This is an arrangement of an old Scottish ballad about a man who gallantly rides off to battle and his family awaits his triumphant return. Sadly, only his horse comes back. This version is quite slow and sparse, in order to emphasize the song's message, which remains so relevant today. The recorded example is countertenor Stephen Bryant and pianist Jane Harty. It can be sung by any vocal type. Contact me if you would like it in a different key. Duration: 4 minutes. ASCAP www.tomswafford.com
$3.00
2.81 €
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Piano, Voice
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Traditional
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Bonnie George Campbell for voice and piano
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Tom Swafford
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SheetMusicPlus
Annabel Lee, for Soprano and Marimba
Instrumental Duet Instrumental Duet,Marimba,Voice - Level 5 - Digital Download SKU: A0.…
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Instrumental Duet Instrumental Duet,Marimba,Voice - Level 5 - Digital Download SKU: A0.943222 Composed by George Dousis. 20th Century,Contemporary. Score and parts. 27 pages. George Dousis #6132177. Published by George Dousis (A0.943222). Annabel Lee is a composition based on E.Allan Poe's homonymous famous poem. It was commissioned by the soprano Marina Rechkalova and the percussionist Konstantinos Botinis who recorded the music in October-November 2020. Annabel Lee is dedicated to Marina Rechkalova and Konstantinos Botinis . You can enjoy their unique performance on Bandcamp and Youtube.Visit my website and youtube channel:www.georgedousis.comwww.youtube.com/georgescoring
$35.00
32.75 €
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George Dousis
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Annabel Lee, for Soprano and Marimba
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George Dousis
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SheetMusicPlus
Let Us Break Bread Together — trombone, organ
Trombone
Trombone Solo - Level 3 - Digital Download SKU: A0.1093124 Composed by African-Amer…
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Trombone Solo - Level 3 - Digital Download SKU: A0.1093124 Composed by African-American Spiritual. Arranged by Todd Marchand. Folk,Sacred,Spiritual,Traditional. Individual part. 8 pages. Con Spirito Music #697221. Published by Con Spirito Music (A0.1093124). “Let Us Break Bread Together” is an African-American folk song passed down through oral tradition in South Carolina’s coastal communities. First transcribed by Nicholas George Ballanta-Taylor, an African ethnomusicologist, and published in his Negro Spirituals of Helena’s Island (1925), it has become a hymn sung in many churches throughout the United States and beyond.The tune became widely known after publication in The Second Book of Negro Spirituals (1926), compiled by brothers James Weldon Johnson and Rosamond Johnson, and it grew in popularity with its inclusion in many 20th-century hymnals and through various choral arrangements.In this arrangement, trombone and organ each take a turn at the verse and refrain, then join together after a modulation up one step on verse, refrain and conclusion.©Copyright 2013 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$5.99
5.61 €
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Trombone
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African-American Spiritual
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Let Us Break Bread Together — trombone, organ
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Con Spirito Music
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SheetMusicPlus
Georgetown University March (Two-Step)
Piano solo
Piano - Digital Download SKU: LV.16361 Composed by L. A. Callan. Lester S. Levy Col…
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Piano - Digital Download SKU: LV.16361 Composed by L. A. Callan. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16361). Georgetown University March (Two-Step). By L.A. Callan. Published 1895 by John F. Ellis & Co., 937 Penna. Ave in Washington, D.C. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.61 €
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Piano solo
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L
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L
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Georgetown University March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The City In the Sea: Choral Tone Poem
Choral SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanle…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality” to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60
5.24 €
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Choral SATB
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Stanley M Hoffman
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The City In the Sea: Choral Tone Poem
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stanleymhoffman.com
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SheetMusicPlus
Let's Get It Started
Choral SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.861168 By The Black…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.861168 By The Black Eyed Peas. By Allan Pineda, George Pajon Jr., Jaime Gomez, Michael Fratantuno, Terence Yoshiaki Graves, and Will Adams. Arranged by Jetse Bremer. A Cappella,Hip-Hop,R & B. Octavo. 15 pages. Jetse Bremer #5794469. Published by Jetse Bremer (A0.861168).
$2.50
2.34 €
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Choral SATB
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The Black Eyed Peas
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Let's Get It Started
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Jetse Bremer
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.45 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano solo
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septime regrettent!!!, Petite Valse,Ftes galantes, and Prlude ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
36.45 €
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Piano solo
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sail On, Thou Gallant Bark, or, The Departure of the Californians
Piano, Voice
Composed by George Taylor. Sailors, Courage, Families, Prayer, Explorers. Lester S. Levy C…
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Composed by George Taylor. Sailors, Courage, Families, Prayer, Explorers. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12099). - - - Johns Hopkins University Sheridan Libraries
$5.99
5.61 €
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Piano, Voice
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George Taylor
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Sail On, Thou Gallant Bark, or, The Departure of the Californians
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Bizet, Georges : Chanson du Toréador (Collection Anacrouse) + MP3
1 Piano, 4 hands
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br> Transcription pour piano 4 mains + Biographie + Notes sur l'oeuvre
5.50 €
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1 Piano, 4 hands
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Bizet, Georges
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Chanson du Toréador
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Note4Piano
Bizet, Georges : Chanson du Toréador (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
(+)
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Air célébrissime, Toréador est tiré de lopéra Carmen de Bizet. L'uvre a été créée le 3 mars 1875 à l'Opéra-Comique de Paris. Composé à lorigine pour un chanteur basse, ce morceau raconte comment Escamillo, beau toréro, séduit Carmen comme elle a séduit Don José, brigadier basque. Une partie du drame de cet opéra se jouera dailleurs entre ces deux hommes qui se battront en duel pour lamour de la bohémienne. Grâce à ses rythmes délicieusement pointés et sa mélodie enthousiasmante, cet arrangement pour piano ravira aussi bien les amateurs du genre que les simples curieux. Transcription pour piano + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Bizet, Georges
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Chanson du Toréador
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Note4Piano
Chopin, Frédéric : Prélude `La goutte d'eau` Opus 28 n°15 (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
(+)
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Ce Prélude, surnommé « gouttes deau », est tiré du recueil des 24 préludes opus 28 de Chopin. Quinzième pièce en ordre dapparition, il est le plus long mais surtout le plus populaire. Très proche de latmosphère dun Nocturne, il égrène ses notes répétées à la main gauche qui finissent par hypnotiser lauditeur. Pour certains, cette répétition interminable de mêmes notes symbolise les gouttes de pluie qui frappaient pesamment le toit de la chartreuse de Valdemosa, lieu de retraite de Chopin et Georges Sand. La partie centrale du Prélude, dans le ton de do dièse mineur, senfle peu à peu, sagite et aboutit à un fortissimo inconsolable, point culminant de luvre. La fin réexpose le thème initial et retourne brièvement à une certaine clarté, non dénuée daccablement et de tristesse. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Chopin, Frédéric
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Prélude `La goutte d'eau` Opus 28 n°15
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Note4Piano
Chopin, Frédéric : Prélude n°6 Opus 28 (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Les uvres groupées dans lopus 28 réunissent 24 préludes qui ont été composés de 1837 à 1839 par Frédérick Chopin. Lessentiel de ses pièces a été écrit avant et pendant le séjour des amoureux transis Chopin et Georges Sand à Majorque. Le compositeur a créé une sorte de cohésion dans la succession des 24 préludes, dune part par lenchaînement par tons voisins et dautre part par lalternance des tonalités majeures, mineures qui les rendent effectivement inséparables. Le premier prélude part de do majeur qui ne correspond à aucune altération. Puis, chaque morceau monte les dièses un par un. A la fin de lascension de la gamme des dièses, on passe à la tonalité enharmonique de mi bémol qui correspond au prélude 14 avec 6 bémols. Chopin fait redescendre ensuite la gamme des bémols jusquà la tonalité de ré mineur du prélude 14 qui équivaut à un seul bémol. Le prélude n°6 est une des pièces quil a écrite pour vaincre ses angoisses lors de son séjour à la Chartreuse de Majorque en compagnie de Georges Sand. Il trouvait ce cloître terrorisant et fantomatique. Dans ce prélude, Chopin fait entendre la mélodie dun thème pensif, dune plaintive fragilité. Celui-ci est à peine soutenu par laccompagnement sobre de la main droite mais dont lobstination répétitive dune note accentue laspect mélancolique ce prélude fut joué aux funérailles de Chopin. Cette grande expressivité, sombre avec une ombre despérance suscite une certaine introspection allant chercher en nous ce quil y a de plus profond, ce qui certainement enrichira linterprétation musicale du pianiste. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Chopin, Frédéric
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Prélude n°6 Opus 28
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Note4Piano
Chopin, Frédéric : Prélude n°4 Opus 28 (Collection Anacrouse)
Piano solo
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d…
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La collection ANACROUSE offre aux pianistes novices et confirmés un large choix duvres classiques, allant de la Renaissance à lépoque moderne.<br><br>Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes dune valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à lunité, a fait lobjet dun travail éditorial attentif, tant sur le plan de létablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces uvres.<br><br>Les partitions sont proposées sous la forme douvrages traditionnels (feuillets papier), et disponibles également par téléchargement.<br><br><br><br>Le cahier des vingt-quatre Préludes Opus 28 fut composé pour lessentiel avant le séjour à Majorque de Frédéric Chopin et George Sand durant lhiver 1838-39. Le grand modèle du compositeur est ici Jean-Sébastien Bach. Pour toute musique Chopin avait emporté avec lui à Majorque le Clavier bien tempéré, les Préludes du Fugues du Cantor de Leipzig quil admirait par-dessus tout et dont il jouait une page pour lui-même avant chacun de ses concerts.<br>Le quatrième Prélude en mi mineur célèbre entre tous, à juste titre, « douce déploration » aux longs phrasés sur son accompagnement régulier daccords en mouvement chromatique descendant, est empreint dune gravité émue. Partition + Biographie + Notes sur l'oeuvre
3.30 €
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Piano solo
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Chopin, Frédéric
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Prélude n°4 Opus 28
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Note4Piano
Feel The Beat
Easy Piano
Easy Piano - Level 2 - Digital Download SKU: A0.1358408 By The Black Eyed Peas. By …
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Easy Piano - Level 2 - Digital Download SKU: A0.1358408 By The Black Eyed Peas. By Allan Pineda, B-fine, Baby Gerry, Brian George, Curtis Bedeau, Gerard R Charles, Jaime Gomez, Jimmy Gomez, Juan Arias, Juan Londono, Lucien George, Lucien George Jr., Paul George, Reynard K Bargmann, Will Adams, William Adams, Yonatan Goldstein, and etc. Arranged by eduardo. Pop,Rock,Romantic Period. Score. 5 pages. O_Talentoso #942867. Published by O_Talentoso (A0.1358408). Black Eyed Peas-Feel The Beat (Piano Cover) + SHEET Partitura Intermediary.
$5.00
4.68 €
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Easy Piano
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The Black Eyed Peas
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Feel The Beat
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O_Talentoso
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SheetMusicPlus
Diomed - Contest March by George Allan - - brass sextet
Flute, Oboe, Clarinet, Bassoon
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.490032 Composed by George Allan. Arranged by Hugh Vaughan Wallis. Traditional. Score and parts. 33 pages. Allensbank Music #106073. Published by Allensbank Music (A0.490032). George Allan (1864-1930) has been called the March King of the North East. He wrote over seventy marches for Brass Band, many of which have been lost in the annals of time. This arrangement of Diomed for Brass Sextet has been made with consideration especially for the cornet players who are anticipated to be of approximately equal ability. The melody line has been shared between them although occasionally the 1st cornet is expected to have a slightly higher range than the 2nd, as the 1st player is asked to cover some of the soprano cornet lines from the original work. This is the third in a series of arrangements of favourite marches by George Allan that are being released in 2021. Both Treble and Bass Clef parts are provided as appropriate.
$14.99
14.03 €
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Flute, Oboe, Clarinet, Bassoon
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George Allan
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Diomed - Contest March by George Allan - - brass sextet
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Allensbank Music
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SheetMusicPlus
Pendragon - Contest March by George Allan - - brass sextet
Flute, Oboe, Clarinet, Bassoon
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.491256 Composed by George Allan. Arranged by Hugh Vaughan Wallis. Traditional. Score and parts. 34 pages. Allensbank Music #106792. Published by Allensbank Music (A0.491256). George Allan (1864-1930) has been called the March King of the North East. He wrote over seventy marches for Brass Band, many of which have been lost in the annals of time. This arrangement of Pendragon for Brass Sextet has been made with consideration especially for the cornet players who are anticipated to be of approximately equal ability. The melody line has been shared between them although occasionally the 1st cornet is expected to have a slightly higher range than the 2nd, as the 1st player is asked to cover some of the soprano cornet lines from the original work. This is the third in a series of arrangements of favourite marches by George Allan that are being released in 2021.
$14.99
14.03 €
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Flute, Oboe, Clarinet, Bassoon
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George Allan
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Pendragon - Contest March by George Allan - - brass sextet
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Allensbank Music
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SheetMusicPlus
Jupiter - Contest March by George Allan - - brass sextet
Flute, Oboe, Clarinet, Bassoon
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.492600 Composed by George Allan. Arranged by Hugh Vaughan Wallis. Traditional. Score and parts. 34 pages. Allensbank Music #107871. Published by Allensbank Music (A0.492600). George Allan (1864-1930) has been called the March King of the North East. He wrote over seventy marches for Brass Band, many of which have been lost in the annals of time. This arrangement of Jupiter for Brass Sextet has been made with consideration especially for the cornet players who are anticipated to be of approximately equal ability. The melody line has been shared between them although occasionally the 1st cornet is expected to have a slightly higher range than the 2nd, as the 1st player is asked to cover some of the soprano cornet lines from the original work. This is the fourth in a series of arrangements of favourite marches by George Allan that are being released in 2021. Both Treble and Bass Clef parts are provided as appropriate.
$14.99
14.03 €
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Flute, Oboe, Clarinet, Bassoon
#
George Allan
#
Jupiter - Contest March by George Allan - - brass sextet
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Allensbank Music
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SheetMusicPlus
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