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Ravel
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Ravel Maurice - Concerto Pour La Main Gauche - Piano Reduction
Barenreiter
In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in t...
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In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel?s most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. The piano reduction in our edition contains both Ravel?s and Wittgenstein?s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.
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Maurice Ravel: Le Tombeau de Couperin and Other Works: Piano: Instrumental Album
Piano solo
-
Intermediate/advanced
Dover Publications
This volume includes 'Ma Mere L'oye' (Mother Goose) 'Valse Nobles Et Sentimenta...
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This volume includes 'Ma Mere L'oye' (Mother Goose) 'Valse Nobles Et Sentimentales' and Ravel's own piano transcription of his world-famous 'La Valse'. Intermediate and advanced pianists will welcome this superb compilation of piano classics reproduced from authoritative French scores.
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Drucker, Marie : La Petite Danseuse de Maurice Ravel
Français
[Book + CD]
Bleu Nuit Editeur
Le compositeur Maurice Ravel est toujours heureux de revenir dans son Pays basqu...
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Le compositeur Maurice Ravel est toujours heureux de revenir dans son Pays basque natal pour retrouver Inès, sa petite nièce qui adore danser. Mais il ne se doute pas encore que le morceau, qu?il va composer
spécialement pour elle, va devenir l?un des plus grands tubes du répertoire... / Enfance / Livre CD /
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Maurice Ravel: Piano Masterpieces: Piano: Instrumental Album
Piano solo
Dover Publications
Ravel ranks as one of the most original French composers of his time. Along with...
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Ravel ranks as one of the most original French composers of his time. Along with Debussy he stands in the front rank of great modern composers for the piano and his piano music includes a number of masterpieces considered vital to the repertoire of any serious pianist. This volume includes 'Pavane pour une Infant Defunte' 'Sonatine' 'Jeux d'eau' 'Gaspard de la nuit' and 'Miroirs'.
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Travellers Tales / Flûte Traversière
Flute
[Sheet music + CD]
Fentone Music
Travellers Tales 'avec leurs titres et descriptifs contiennent imagination contr...
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Travellers Tales 'avec leurs titres et descriptifs contiennent imagination contrôlée défis techniques et musicales qui non seulement améliorer la situation d'enseignement, mais de fournir du matériel excellent concert lorsqu'il est effectué avec les accompagnements au piano - que ce soit en direct ou avec le CD. Beaucoup de pièces afficher le fun et l'humour devrait de ce compositeur, et également créer des moments de magie. Un voyage musical de découverte! / Flûte Traversière / 44 pages / niveau : Elementaire / Partition Cd
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Philip Sparke: Raveling Unraveling: Brass Band: Score & Parts
Brass ensemble
Anglo Music
In search of 'La Valse'-Winning Performance EBBC Lille 2016 Raveling Unraveling...
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In search of 'La Valse'-Winning Performance EBBC Lille 2016 Raveling Unraveling In Search of âLa Valseâ was written for the Cory Band as their own-choice test piece for the 2016 European Brass Band Championships in Lille. The piece found its genesis in Sparkeâs The Unknown Journey (2014) for concert band and the use of Ravelâs La Valse as a structural undercurrent to the original piece is an act of reverence. Sparkeâs aim was to produce a work that is organic rather than episodic in nature. The composerâs view is that little in music does this better than La Valse and for this reason he uses various sections of this masterpiece both manipulated and quoted verbatim (including much of itsstunningclosing passages) to provide the overall geography of his new work. As the music progresses more of the Ravel appears surfacing completely as the piece reaches its climax - a gesture of homage to the French master.
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Maurice Ravel: 46 Mélodies - 46 Songs (High Voice): High Voice
High voice, Piano
Durand
pour voix élevée-The melodies of Maurice Ravel (1875-1937) span the entire chr...
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pour voix élevée-The melodies of Maurice Ravel (1875-1937) span the entire chronology of his creative output from his earliest song BALLADE DE LA REINE MORTE DAIMER (1893) written during his student years at the Paris Conservatory to the cycle DON QUICHOTTE ÀDULCINÉE (1932-33) his last compositions in any genre. In his songs Ravel?s text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined classical in their phrase structure.In his treatment of rhythm Ravel finds subtlety within traditional meters and dance forms-minuet waltz folk dances (especially Spanish dances)-also shape the rhythm in many of his songs.
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Maurice Ravel: 46 Mélodies - 46 Songs (Medium/Low Voice): Low Voice
Low voice, Piano
Durand
pour voix moyenne ou grave-The melodies of MAURICE RAVEL (1875-1937) span the en...
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pour voix moyenne ou grave-The melodies of MAURICE RAVEL (1875-1937) span the entire chronology of his creative output from his earliest song BALLADE DE LA REINE MORTE D`AIMER (1893) written during his student years at the Paris Conservatory to the cycle DON QUICHOTTE ÃDULCINÃE (1932-33) his last compositions in any genre. In his songs Ravelâs text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined classical in their phrase structure. In his treatment of rhythm Ravelfinds subtlety within traditional meters and dance forms-minuet waltz folk dances (especially Spanish dance) -also shape the rhythm in many of his songs.
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Philip Sparke: Raveling Unraveling: Brass Band: Score
Brass ensemble
Anglo Music
In search of 'La Valse'-VAINQUEUR EBBC LILlE 2016Raveling Unraveling ? In Searc...
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In search of 'La Valse'-VAINQUEUR EBBC LILlE 2016Raveling Unraveling ? In Search of La Valse a ?t? compos? pour le Cory Band comme pi?ce de choix pour le Championnat Europ?en de Brass Band 2016 ? Lille. L??uvre tire son origine de la pi?ce de concert pour orchestre d?harmonie de Sparke The Unknown Journey (2014). Une marque de respect ? La Valse ce nouveau morceau utilise l??uvre de Ravel comme sous-courant structurel et a comme objectif un genre organique plut?t qu??pisodique. D?apr?s le compositeur La Valseest l?un des seuls morceaux qui r?ussit ? accomplir ceci. Il se sert de plusieurs sections de ce chef d??uvre aussi bien modifi?es que cit?es telles quelles ? y inclus laplupart de ses magnifiques passages finaux ? pour ?tablir la structure g?n?ralede ce nouveau morceau. Plus la musique progresse plus la musique de Ravel appara?t et domine alors que l?apog?e est atteinte ? un hommage au maestro fran?ais.
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Maurice Ravel: Pavane Pour Une Infante Défunte Pour Piano: Piano: Instrumental
Piano solo
Barenreiter
Dieses Werk das Ravel 1899 ursprünglich für Klavier solo komponierte und das ...
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Dieses Werk das Ravel 1899 ursprünglich für Klavier solo komponierte und das bei Demets verlegt wurde erzielte rasch großen Erfolg und gilt seitdem als eines der beliebtesten Werke im klassischen Kanon.Die kritische Edition der „ Pavane “ von Regina Back und Douglas Woodfull-Harris berücksichtigt die diversen Nachdrucke der originalen Klavierfassung ebenso wie die handschriftliche Partitur der Orchesterfassung von 1909 und die zahlreichen Nachdrucke bis Ravels Tod 1937. Im Vorwort zeichnen die Herausgeber die Geschichte der Komposition nach. Auch die Klaviereinspielung des Komponisten und die zu seinen Lebzeiten unterseiner Leitung entstandenen Orchesteraufnahmen wurden herangezogen.Ein Vorwort in Englisch Französisch und Deutsch Faksimileseiten und ein Kritischer Bericht runden diese wichtige neue Ergänzung des Bärenreiter Urtext-Programms ab.- Erste kritische Edition von Ravels Meisterwerk- Faksimileseiten- Dreisprachiges Vorwort (engl./ franz./dt)
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Monolog
Oboe
Peters
/ Hautbois
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Ravel Maurice - Rapsodie Espagnole, Mother Goose Suite, And Pavane For A Dead Princess - Full Score
Orchestra
Dover Publications
Description With the premiere in 1908 of Rapsodie Espagnole , Ravels first...
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Description With the premiere in 1908 of Rapsodie Espagnole , Ravels first entirely orchestral composition, the French composer achieved renown as a highly original and imaginative composer. In 1911 he recast the Mother Goose Suite , his extremely successful work for piano four-hands as an orchestral work. Based on five fairy tales, among them 'Sleeping Beauty', 'Tom Thumb' and 'Beauty and the Beast', this collection continues to enchant listeners of all ages with its variety of moods. After a decade after its initial appearance as a piano work, Ravel transcribed his evocative Pavane For A Dead Princess for orchestra, now one of his best-known and most frequently performed compositions. These three rich orchestral settings are presented in full score in this authoritative edition. Songlist Mother Goose Suite Pavane For A Dead Princess Rapsodie Espagnole
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Enzel C./ravel M. - Trois Chansons - Saxophone Quartet
Saxophone Quartet: 4 saxophones
[Score and Parts]
Advance Music
Conducteur et parties Saxophone Quartet (SATB) The Three Songs (Trois Chansons...
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Conducteur et parties Saxophone Quartet (SATB) The Three Songs (Trois Chansons) dating from 1914/15 were arranged for four a cappella voices by Ravel immediately after he had written the music of these pieces. The lyrics were penned by the composer himself. The songs represent Ravels sole contribution to choral literature. The first song consists of three sections and tells the story of Nicolette, who sets out to pick flowers in the fields. Just like Little Red Ridinghood, she meets a wolf who asks her if she is on her way to her grandmothers house (M.1-13). Fleeing from him, she meets a page who wonderswhether she would like to have him as her lover true. She dismisses his proposition though she finds it hard to do so (M. 14-39). In the third section, she encounters a plump, unhandsome man (lento!). He speaks to her:Stay, stay, my Nicolette, all this gold I give to thee, and - VIVO - Nicolette takes refuge in his arms. (M.40 to end). The Three Lovely Birds from Paradise are sky-blue, white as fallen snow and bright red - just like the colors of the Tricolore, the national flag of France - which has been interpreted in many reviews as a sign of an increasingly nationalistic attitude becoming apparent in the war year of 1914. This song mourns the loss of the beloved one who went to war. The Ronde is also made up of three sections. The old women are the first to sing (M.1-28). They warn the young maidens against entering the forest since it is inhabited by all kinds of dangerous (male) beasts. Then (M. 29 56) the old men warn the young lads against going into the woods because of the numerous (female) demons living there. The irony of the story is to be found in the final answer of the young people (as of M. 57), who conclude: We will not go into the woods since the old folks have frightened off all the beasts, anyway.
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Maurice Ravel: Concerto: Piano: Part
Klavier und Orchester
Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
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for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravelâs most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravelâs Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the workâs evolutionfrom Ravelâs autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravelâs own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgensteinâs own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravelâs and Wittgensteinâs fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the workâs history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale
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Maurice Ravel: Concerto: Piano: Part
Klavier und Orchester
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for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
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for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravelâs most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravelâs Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the workâs evolutionfrom Ravelâs autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravelâs own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgensteinâs own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravelâs and Wittgensteinâs fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the workâs history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale
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Ravel Maurice - Tzigane - Violon and Piano
Violin and Piano
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D?Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer?s earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of ?Tzigane? from the estate of Jelly D?Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D?Aranyi?s fingering
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Maurice Ravel: The Joy Of Ravel: Piano: Instrumental Album
Piano solo
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Amsco Wise Publications
This collection of sheet music by the great French composer Maurice Ravel featur...
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This collection of sheet music by the great French composer Maurice Ravel features 19 of his greatest pieces all newly-arranged especially for this volume. The subtle melodies and achingly beautiful harmonies of theselush Impressionist pieces truly do illustrate the sheer Joy Of Ravel. The pieces by Ravel included in this collection rank alongside Debussy as some of the prettiest Piano music evercomposed. Ravel himself categorically refused the term 'Impressionist' believing it to be reserved for paintings only but his?music so closely resembles the colourful flourishing and affective beauty of those worksof art that it is difficult to resist such a description. Featuring works like Boléro Jeux D'Eau Pavane Pour Une Infante Défunte as well as excerpts from La Valse The Joy Of Ravel?forsolo Piano sound utterly divine. Pieces like Menuet Antique Prélude and the selections from Le Tombeau De Couperin?perfectly encapsulate what makes Ravel's compositions soincredible. His perfectionist methods resulted in extended harmonies complexly musical modulations and masterful melodies that make these 19 works of art an unabashed joy to play and to hear. One of the great things about thissheet music book is the visual beauty of the music. With lilting notes and extensive ties this is not only a work full of aural pleasure but it's some of the nicest-looking notation out there. Certainly in this case what you seeis what you get simply The Joy Of Ravel. The Joy Of...?series is a constantly growing collection of musical editions that is now recognised and loved throughout theworld. Originally compiled by the editorial hand of renowned teacher arranger and musicologist Denes Agay the series continues to reflect his influence and covers a wide variety of musical genres including the classics folk
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Maurice Ravel: Concerto: Piano: Instrumental Work
2 Pianos, 4 hands
[Reduction]
Barenreiter
for the Left Hand for Piano and Orchestra Piano reduction and solo part-In 1929...
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for the Left Hand for Piano and Orchestra Piano reduction and solo part-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravelâs most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravelâs Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the workâs evolutionfrom Ravelâs autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravelâs own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgensteinâs own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravelâs and Wittgensteinâs fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the workâs history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale
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Tzigane (RAVEL MAURICE)
Double Bass
[Sheet music]
Barenreiter
Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuo...
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Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane and both versions remain a 'must for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D'Aranyi's fingering/ Répertoire / Contrebasse
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Maurice Ravel: Concerto: Piano: Score
Piano and Orchestra
Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
(+)
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework’s evolution from Ravel’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale.
46.50 GBP - Sold by Musicroom UK
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Tzigane
Concert band
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Harmonie
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Tzigane
Viola
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Alto
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Tzigane
Violon 2
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violon 2
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Maurice Ravel: Tzigane: Violin: Instrumental Work
Violin and Piano
Barenreiter
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hung...
(+)
Concert rhapsody for violin and piano-In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Maurice Ravel: Concerto: Piano: Part
Klavier und Orchester
Barenreiter
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist a...
(+)
for the Left Hand for Piano and Orchestra-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravelâs most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravelâs Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the workâs evolutionfrom Ravelâs autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravelâs own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgensteinâs own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravelâs and Wittgensteinâs fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the workâs history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale
14.00 GBP - Sold by Musicroom UK
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