| BEHRINGER RD-9 - BOITE À RYTHMES
Une boîte à rythmes analogique/numérique classique avec 11 sons de batterie, un séquen...(+) Une boîte à rythmes analogique/numérique classique avec 11 sons de batterie, un séquenceur de 64 pas, un générateur d'ondes et un filtre bimode Behringer Rythm Designer RD-9Le RHYTHM DESIGNER RD-9 fournit tous les outils dont vous avez besoin pour devenir un maître du beat-maker, y compris : 11 voix de batterie ; un séquenceur 64 étapes ; un concepteur d'ondes et un filtre bi-mode - pour une boîte à rythmes à part entière qui va faire trembler la maison ! Que vous soyez novice en matière de programmation de batterie ou un professionnel chevronné cherchant à améliorer son installation, le RD-9 a tout ce qu'il faut pour passer dans la cour des grands. Le chef-d' uvre rajeuniLa RD-9 a été conçue avec le plus grand soin pour offrir de nouvelles possibilités de création de rythmes en faisant revivre le design intemporel de l'une des boîtes à rythmes les plus classiques d'antan. En adoptant une approche fraîche et moderne d'une boîte à rythmes classique, le RD-9 vous permet d'exploiter le son phénoménal de la vénérable TR-909 tout en bénéficiant de nouvelles fonctionnalités. Des basses colossales aux charlestons grésillants, vous pouvez les manipuler pour élever votre performance rythmique à un niveau supérieur. C'est un monstre de la création de rythmes analogiques ! Contrôle completConçu pour améliorer vos performances, le RD-9 propose de toutes nouvelles fonctions pour une utilisation en direct dans chacun des modes du séquenceur, notamment la répétition de pas, la répétition de notes, le déclenchement en temps réel et le step-overdubbing en direct. Il est ainsi facile d'activer l'enregistrement en mode motif, ce qui vous permet de construire des structures de morceaux à la volée et de repasser en mode lecture par simple pression d'un bouton. Chacun des 11 sons de batterie originaux est doté de ses propres commandes d'accord, de niveau, d'attaque et de déclin, ce qui vous permet de régler chaque son comme vous le souhaitez ou de les ajuster dans le feu de l'action pour créer des sons de batterie dont l'intensité et la tonalité varient au fil du morceau. Ajoutez un peu plus d'excitation avec la fonction de remplissage automatique et introduisez davantage de variations. Vous pouvez même sélectionner un autre morceau en mémoire sans interrompre la lecture, ce qui vous permet d'exécuter des sets entiers du début à la fin, simplement avec votre RD-9.Séquenceur puissant et riche en fonctionnalitésLe RD-9 est doté de l'un des séquenceurs pas à pas les plus puissants jamais créés. Le séquenceur 64 pas peut stocker jusqu'à 64 motifs et 16 morceaux avec un swing continuellement variable, ce qui vous permet d'imiter un vrai batteur et de donner aux rythmes que vous créez une sensation plus humaine. Concepteur d'ondes et filtre bi-modeLe Wave Designer intégré dispose de commandes individuelles d'attaque et de sustain qui peuvent être appliquées aux voix individuelles pour donner une autre dimension à vos rythmes de batterie. De plus, le bouton de filtre bi-mode très flexible du RD-9 permet de basculer entre LPF et HPF, ce qui vous permet d'expérimenter avec la fréquence de coupure et les commandes de résonance pour créer des rythmes hors du commun, tandis que ces balayages fluides peuvent être enregistrés directement dans le séquenceur et affinés à l'aide de l'éditeur de pas.Chaînage de paramètresL'encodeur robuste du RD-9 vous permet de définir des préférences de chaînage distinctes pour chacun de vos paramètres, leur permettant de fonctionner globalement ou de basculer lorsqu'un morceau ou un motif change. Les paramètres comprennent le tempo, le swing, la flamme, la probabilité, les mutes/solos de pistes indépendantes, les affectations de bus FX, les modes de filtre et les balayages pour un contrôle en temps réel amélioré. Les motifs peuvent être modifiés à la volée pour un contrôle créatif supplémentaire lorsque vous utilisez le RD-9 comme c ur de votre installation live.Contrôle USBPour faire entrer le RD-9 dans l'ère moderne, la connectivité USB a été ajoutée pour la synchronisation et le déclenchement MIDI. Cela permet au RD-9 d'être contrôlé par votre DAW si vous le souhaitez, permettant ainsi de déclencher des sons individuels. Les chiffresLe RD-9 dispose de 33 boutons et 58 touches, tous disposés dans un format très intuitif qui redonne du plaisir à la création de rythmes. Les connexions d'entrée et de sortie comprennent : Phones ; audio mono ; MIDI In, Out et Thru via USB et ports MIDI 5 broches ; et 11 sorties analogiques indépendantes pour le traitement externe ou l'enregistrement de vos rythmes en tant qu'audio multipiste. Avec ses 3 sorties de déclenchement, le RD-8 vous permet de contrôler des synthés externes et des séquenceurs matériels pour créer des morceaux sans avoir de station de travail audio numérique (DAW) en vue. Le RD-9 peut également envoyer et recevoir des informations d'horloge avec un timing très précis pour se synchroniser avec le monde extérieur.Une brève histoire des boîtes à rythmesDepuis ses humbles débuts en tant que support rythmique pour les organistes, jusqu'à l'embrasement des pistes de danse avec ses rythmes implacables et hypnotiques, la boîte à rythmes est l'une des inventions musicales les moins appréciées. Sans compromis dans sa précision métronomique, la boîte à rythmes fournit une section rythmique sans faille qui ne se lasse jamais de jouer la même boucle de quatre mesures. Cependant, lorsqu'elles sont placées dans la bonne main et dans le bon contexte musical, elles peuvent être affinées pour créer un art rythmique époustouflant. Première boîte à rythmes - Le RhythmiconLe révolutionnaire Rhythmicon a été créé par l'inventeur russe Leon Theremin en 1931. La machine est le fruit d'une collaboration avec le compositeur américain Henry Cowell et peut produire jusqu'à 16 rythmes différents avec un son bleepy saisissant. Rhythmate de ChamberlinLe Rhythmate était une boîte à rythmes pionnière, qui utilisait des boucles de bande pour créer des rythmes destinés à accompagner un joueur d'orgue. La machine avait 14 boucles de bande avec une commande coulissante qui permettait la lecture de différentes pistes sur chaque morceau de bande qui pouvaient être combinées pour créer de nombreuses variations.Roland CompuRhythm CR-78La CR-78 est une machine à rythmes analogique classique - et fut la première à utiliser un microprocesseur. Les 34 motifs intégrés pouvaient être modifiés par simple pression sur un bouton, offrant ainsi à l'utilisateur un contrôle créatif beaucoup plus important. En ce qui concerne les sons de batterie, le CR-78 offre 14 sons de batterie très électroniques, mais analogiques. Parmi ces sons figurent le kick, la caisse claire, le Rim, la cloche à vache, les hi-hats, les cymbales, les congas, les bongos, le tambourin et les guiros. Avec 11 effets de variation et la possibilité de régler le tempo, les accents et les entrées/sorties en fondu, le CR-78 est toujours capable de produire des rythmes exquis à utiliser dans le hip-hop ambiant et de nombreuses autres formes de musique. L'une des utilisations les plus connues de la CR-78 se retrouve dans le tube de Phil Collin de 1981,In the Air Tonight. Roland TR-808 Rhythm ComposerDans les univers de la Techno, de la House, du Hip-Hop et du R&B, le Roland TR-808 est une machine indispensable. Sa signature sonore, la grosse caisse qui a créé le groove des tubes de Marvin Gaye, Afrika Bambaata et 808 State, est actuellement l'un des sons les plus utilisés dans la musique moderne. Malgré son statut actuel d'icône, lorsqu'elle est sortie en 1980, la 808 n'était en aucun cas un best-seller. Beaucoup de gens n'aimaient pas son son simpliste et préféraient des machines plus coûteuses comme le LinnDrum à échantillonnage numérique. Cependant, les producteurs de la scène underground de la musique acidulée se sont tournés vers la TR-808 et toute la gamme de produits Roland, y compris la TB-303, la SH-101 et la TR-909, ce qui a donné à ces boîtes leur statut d'icône et leur prix moderne. Roland TR-909 Rhythm ComposerThe TR-909 featured the sampled and analog drum sounds that have become synonymous with house and techno music. This programmable, step-sequenced drum machine was launched in 1983, and while it was not an instant commercial success, it soon gained an underground following. With DIN Sync 24, MIDI In and Out and individual outputs for each sound, the TR-909 could be integrated into any studio and offers numerous controls for controlling each sound. The TR-909 has been used by The Prodigy, The Chemical Brothers, Moby, Fatboy Slim, Orbital and Jean Michel Jarre. It would be hard to find a techno or house producer who hasn t used a TR-909 kick in a track at some point.LinnDrumThe inspirational LinnDrum was created by Linn Electronics in 1982, using superior sounding samples that gave birth to a new generation of users who are synonymous with the sound of the 80 s. The LinnDrum was used on countless classics tracks throughout the 80s, including hits by Prince, Tears for Fears and Madonna.Oberheim DMXLaunched in 1981, the Oberheim DMX also used sampled sounds of real drums, individual tuning controls for each voice and a swing function to add a little grove. The controls gave the DMX the ability to emulate a real drummer via timing variations, rolls and flams to create a more human feel . The DMX has 11 samples, which can be used to create 24 individual drum sounds and allows up to 8 voices simultaneously. It has 8 separate outputs for individual channel processing and holds up to 100 sequences and 50 songs. The DMX s hard-hitting and convincing drum sound made it attractive to artists and producers in the burgeoning Hip-Hop culture and it is featured on many of the scenes early innovative records. New Order used the DMX to great effect on their 1983 single, Blue Monday with its repeating bass drum pattern. E-mu SP-1200Released in 1987, the E-mu SP-1200 was quickly accepted into the Hip-Hop world due to its limited bandwidth sampling rate, classic 4-pole filter and 12-bit sampling resolution. This all contributed to the unit s gravelly sounds, which have been featured on many hit recordings. The SP-1200 s ability to build the main structure of a song within a single piece of gear (a first in the industry) cut Hip-Hop artists loose from the studio to perform live alongside the machine. Famous users include the Beastie Boys, The Prodigy and Daft Punk.AKAI MPC60The celebrated Akai MPC was designed by Roger Linn and produced by Akai from 1988 onwards. The MPC allowed artists to use new clever ways to manipulate small samples to create a completely new track. These snippets were often lifted from other records and thus started a new style of Sound-Collage . The original MPC60 only allowed sample lengths of up to 13 seconds. Sampling memory was expensive at the time, which steered people to records at higher5 speeds in order to gain more time. The side effect was playback at a lower resolution, which contributed to the grittiness of the sound. Famous users include Kanye West, Dr. Dre and Mark Ronson. Points forts- Une boîte à rythmes étonnante avec un moteur de sons analogiques/numériques authentique pour créer des performances sonores classiques.- 11 sons de batterie originaux avec paramètres supplémentaires et possibilité d'accentuation globale- Séquenceur de batterie puissant de 64 pas prenant en charge le poly-mètre, la répétition des pas, la répétition des notes, le déclenchement en temps réel, la mise en sourdine des pistes et le solo des pistes.- 10 sorties analogiques indépendantes pour le traitement externe ou l'enregistrement de vos rythmes en tant qu'audio multipiste.- Le bus FX intégré comprend un générateur d'ondes et un filtre analogique bimode avec affectation par voix.- Enregistrement, édition et lecture en direct de la coupure du filtre analogique via l'automatisation.- Stockage de 16 morceaux et de 256 motifs, qui peuvent tous être importés/exportés pendant la lecture pour un nombre illimité de morceaux et de motifs.- Le mode Pattern permet d'organiser les motifs en morceaux complets et de définir le nombre de répétitions par partie de morceau.- Le mode Song permet d'enchaîner des morceaux pour des concerts et des compositions étendues.- La fonction unique de défilement automatique permet d'improviser dans tous les modes.- Entrée/sortie/traversée MIDI complète et implémentation USB pour la synchronisation et la connexion à des appareils externes.- Les options de synchronisation comprennent l'USB, le MIDI, l'horloge et l'interne pour une polyvalence maximale.- Encodeur pour l'édition de paramètres tels que Tempo, Swing, Probabilité, Flam et Random.- Affichage LED haute visibilité pour une édition facile des paramètres du programme- Puissantes sorties casque et principale sur connecteurs 1/4 CARACTÉRISTIQUES TECHNIQUES : Voix- Nombre de sons 11- Analogique : grosse caisse, caisse claire, tom basse, tom moyenne, tom haute, Rim shot, Clap- Numérique (échantillonnage) Chapeau fermé, Chapeau ouvert, Crash, Ride- Nombre de voix simultanées 10- Contrôles du son - Niveau d'accentuation- Grosse caisse : Accord, niveau, attaque, décroissance, hauteur, profondeur de la note- Caisse claire : Accord, niveau, tonalité, claquant- Tom basse, moyenne, haute Niveau, accord, décroissance- Rim shot / clap : Niveau- Opened/closed Hi-Hat Accord : niveau, déclin de l'accord, déclin de l'oh- Cymbale Crash : niveau, ride niveau, crash tune, ride tune- Boutons de sélection 11 Boutons de sélection de la voixConnectivité- Sorties : - Phones 1 x 1/4TRS, stéréo, impédance 8 - Mono 1 x 1/4TRS, servo-équilibré - Sortie voix 10 x 1/4TS, asymétrique- Entrée, sortie et traversée MIDI 3 x DIN 5 broches- Sorties de déclenchement 3 x +5 V, impulsion de 2 ms- Entrée/sortie de synchronisation 2 x 1/8TRS (pointe pour l'horloge et anneau pour le message de départ)- Classe USB conforme USB 2.0, type B- Systèmes d'exploitation pris en charge Windows 7 ou supérieur Mac OS X 10.6.8 ou supérieur- Commandes de volume Master, téléphones- Retour (entrée) 1 x 1/4TRS, symétrique  | |
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| Gewa : G5 Pro 5
Gewa G5 Pro 5 e-drum set, GEWA G5 Drum Module, 901 sounds, 40 preset kits, 128 user preset...(+) Gewa G5 Pro 5 e-drum set, GEWA G5 Drum Module, 901 sounds, 40 preset kits, 128 user preset kits, up to 1000 individual samples per instrument, high-resolution multi-layer samples, recorded in Berliner Funkhaus Studios, 3D Sonic Image for a realistic room sound, Bluetooth Audio and MIDI, up to 100 WAV samples can be imported (max. length 70 minutes mono, 35 minutes stereo), real-time .WAV recorder, compressor and 3-band fully parametric EQ for each pad, compressor and 4-band EQ for each output, effect banks (ambient, instrument reverb, room reverb, multi-FX), 12 types of room reverb, 9 multi-effects, 12x 6.3mm jack trigger inputs (fully compatible with pads from other manufacturers), 2x 6.3mm jack master outputs, 4x 6.3mm jack direct outputs, 1x 6.3mm headphone output, 1x 6.3mm mix input, MIDI IN/OUT/THROUGH, USB Midi (e.g. for use with VST-Players) + USB audio (2IN / 6OUT), same sound & trigger engine as in the GEWA G9, set configuration: 18"x14" bass drum including bass drum riser, 10"x07" tom pad, 12"x8" tom pad, 14"x12" tom pad, 14"x5" snare drum, lacquered shells equipped with Gewa double-ply mesh heads for realistic 2x14" Crash cymbal pads (3-Zones), 1x 18" Ride cymbal pad (3-Zones), 14" Hi-Hat cymbal pad (3-Zones) including controller, Gewa G5 hardware pack containing 3x tom/cymbal stands, hi-hat stand, snare stand, drum module stand, delivery without pedal and throne,  | |
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| Kiloview : N6 NDI Converter (2 comments)
Converts from HDMI input (encoder) to NDI and NDI|HX with loop-through for display on a mo...(+) Converts from HDMI input (encoder) to NDI and NDI|HX with loop-through for display on a monitor or from NDI and NDI|HX to HDMI video output (decoder)- Powerful features such as PoE- Built-in large tally light- PTZ control- 3.5 mm audio input and output- Multi-channel audio- Intercom functions- Based on NDI SDK 5.0, which can handle both NDI and NDI|HX (encoding and decoding)- NDI 5 enables connection to any device anywhere in the world- Video input: 1x HDMI- Video output: 1x HDMI (loop or decoding output)- Audio connections: 1x 3.5 mm line-in, 1x 3.5 mm line-out, 1x 3.5 mm microphone- Network: 1x RJ45 1000Mbps Ethernet port (with PoE)- Video resolution: 1920x1080P23/24/25/50/59/59.94/60, 1280x720p30/50/59/60, 1280x1024P60, 1152x900P60, 1152x864P60, 1024x768P60, 800x600P60- NDI codec capacity: 1x FULL NDI and 1x NDI|HX- NDI CODEC function: FULL NDI HD coding- Typical bit rate: 125 Mbps at 1080p60- PTZ control: network PTZ and serial interface- DHCP: Support- Management via website- Power supply: PoE, DC- D-Tap (camera) connector- Input voltage 5 - 18 V- Power consumption: 6 W- Dimensions: 100 x 80 x 24 mm- Weight: 272 g  | |
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 | PureLink : PI0501-003 SuperThin HDMI 0.3m
PureLink PI0501-003 SuperThin 4K Premium High Speed HDMI Cable 0.3m; HDMI cable; HDMI-A ma...(+) PureLink PI0501-003 SuperThin 4K Premium High Speed HDMI Cable 0.3m; HDMI cable; HDMI-A male to HDMI-A male, compact design; HDMI version 2.0 - 18Gbps for resolutions up to 4K UltraHD 60Hz; Gold-plated precision plug-in contacts with PureLink Secure-Lock system; Highly flexible sheath and cable construction; Technical data:; Connector Material: PVC; Connector 1: HDMI Type A male (19pin); Connector 2: HDMI type A connector (19pin); Contacts: 24k gold plated, durable design; Electrical signals:; HDCP: Yes; CEC: Yes; EDID: Yes; Cable:; Type: round cable; Material inner conductor: high-purity OFC copper; AWG:AWG28; Number of shields: 3; Shield 1: aluminum foil (100% dense); Shield 3: braid (100% dense); Outer jacket material: Highly elastic PVC; Outer jacket diameter: 4.8 mm; Signal transmission:; Supported Standards: High Speed HDMI with Ethernet; Types of transmission: digital audio and video signals; Supported color spaces: 16/24 bit RGB/YUV, Deep Color, x.v.Color , ARC, DD+; Supported audio standards: ARC, Dolby Digital Plus, Dolby TrueHD, DTS-HD Master Audio, DVD Audio, SA-CD; Max Resolution: 4K / UltraHD / 2160p (4096x2160); other standards: HDMI Ethernet Channel (HEC), 3D, HDCP, CEC, 4K2K (2160i/p), FullHD (1080i/p), HD ready (720i/p), SDTV (480i/p); Color white; Length: 0.3m  |
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 | PureLink : PI0501-005 SuperThin HDMI 0.5m
PureLink PI0501-005 SuperThin 4K Premium High Speed HDMI Cable 0.5m; HDMI cable; HDMI-A ma...(+) PureLink PI0501-005 SuperThin 4K Premium High Speed HDMI Cable 0.5m; HDMI cable; HDMI-A male to HDMI-A male, compact design; HDMI version 2.0 - 18Gbps for resolutions up to 4K UltraHD 60Hz; Gold-plated precision plug-in contacts with PureLink Secure-Lock system; Highly flexible sheath and cable construction; Technical data:; Connector Material: PVC; Connector 1: HDMI Type A male (19pin); Connector 2: HDMI type A connector (19pin); Contacts: 24k gold plated, durable design; Electrical signals:; HDCP: Yes; CEC: Yes; EDID: Yes; Cable:; Type: round cable; Material inner conductor: high-purity OFC copper; AWG:AWG28; Number of shields: 3; Shield 1: aluminum foil (100% dense); Shield 3: braid (100% dense); Outer jacket material: Highly elastic PVC; Outer jacket diameter: 4.8 mm; Signal transmission:; Supported Standards: High Speed HDMI with Ethernet; Types of transmission: digital audio and video signals; Supported color spaces: 16/24 bit RGB/YUV, Deep Color, x.v.Color , ARC, DD+; Supported audio standards: ARC, Dolby Digital Plus, Dolby TrueHD, DTS-HD Master Audio, DVD Audio, SA-CD; Max Resolution: 4K / UltraHD / 2160p (4096x2160); other standards: HDMI Ethernet Channel (HEC), 3D, HDCP, CEC, 4K2K (2160i/p), FullHD (1080i/p), HD ready (720i/p), SDTV (480i/p); Color white; Length: 0.5m |
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 | PureLink : PureTools PT-MA-HD44M
PureLink PureTools PT-MA-HD44; 4x4 4K 18Gbps HDMI matrix with audio extraction; Matrix swi...(+) PureLink PureTools PT-MA-HD44; 4x4 4K 18Gbps HDMI matrix with audio extraction; Matrix switching from 4 HDMI signals to 4 HDMI outputs; Supports 18Gbps for resolutions up to 4K UltraHD 60Hz; Analogue and digital audio extraction; front display; Control via buttons, web GUI, CEC, RS232 and IR; Ultra compact housing (1/2 19") with screwable power connection; Technical data:; Input: 4x HDMI; Outputs: 4x HDMI, 4x Analog Stereo (3 pin Phoenix), 4x Digital Audio (Cinch); Power connection: DC 12V / 2A, screwable; control connection: 1x IR EXT (3.5mm jack), 1x RS232 (3 pin Phoenix); : Max. 14 W; Supported standards: HDMI 2.0, HDCP 2.2; Supported color spaces: HDMI v2.0 compatible; Supported audio standards: PCM 2.0, Dolby TrueHD / DTS-HD Master Audio, LPCM 5.1 / 7.1 pass-through via S/PDIF and stereo; Max. resolution: 4K@60Hz (4:4:4); other standards: HDR10, HLG, Dolby Vision, etc.; Dimensions: 216.2 x 128.5 x 34 mm; 1x PT-MA-HD44M, 1x IR remote control, 5x 3-pin Phoenix screw terminal, 1x IR receiver cable, 1x power supply (12V, 2A) |
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 | RGBlink : VUE PTZ Camera 20x HDMI/USB (1 comments)
Full HD resolution with up to 60 frames/sec. simultaneously on all video outputs- High ima...(+) Full HD resolution with up to 60 frames/sec. simultaneously on all video outputs- High image quality with dynamic noise reduction in low light conditions- High-speed optical zoom- Embedded audio in HDMI and network streams- H.264/H.265 dual streaming with all relevant network protocols- Tally LED light on top- OSD menu with manual IP entry/DHCP activation via remote control- Administration via web browser- PTZ camera control via VISCA or Pelco protocols- Power-saving sleep function with park position of lens vertically downwards- 1/4" Tripod thread on the bottom- Suitable for wall or ceiling mounting (accessories not included)- Dimensions: 180 x 188 x 198 mm- Weight: 1.7 kg- Incl. power supply unit, remote control (without AAA batteries)- Video formats: 1080P60 1080P50 1080I60 1080I50 1080P30 1080P25 720P60 720P50 1080P59.94 1080I59.94 1080P29.97 720P59.94- Camera: 20x optical zoom f=5.05 - 91.50 mm- Angle of view: 3.45° - 60.04°- AV F1.8 ~ F2.9- 10x digital zoom- Minimum illumination 0.5 lux (F1.8, AGC On)- DNR 2D & 3D DNR- SNR >55dB- Effective pixels 2.07 m, 16:9- Pan/Tilt movement: -170°~+170°/'-30°~+90°- Pan/tilt speed 0.1~60°/s / 0.1~30°/s- Full 360° view of tally- Audio compression format: AAC | MP3 | G.711A- Video compression format H.264 | H.265 | dual streaming output- Output resolutions: 1080p60/59.94/50/30/29.97/25 | 1080i60/59.94/50 | 720p60/59.94/50- Control protocol VISCA | Pelco-D | Pelco-P- Baud rate (bps): 115200 | 9600 | 4800 | 2400 bps- Network protocols: RTSP | RTMP | ONVIF | GB/T28181 | VISCA- Supported standards: SDI SMPTE 425M (Level A & B) | SMPTE-424M | SMPTE-292M | SMPTE 259M-C | DVB-ASI- Input voltage: DC 12 V / 1.5 A- Maximum power: 12 W- 1x HDMI-A- 1x USB2-A- 1x UDB3-A- 1x RJ45 LAN- 1x 3.5 mm stereo jack Audio In- 2x DIN8 Control RS232 In/Out- 1x DC 12 V Power  |
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 | Rgb Link Hdmi Mixer For Live Streaming
RGB LINK Mélangeur HDMI pour le streaming LiveMini+ simplifie le streaming live. En perme...(+) RGB LINK Mélangeur HDMI pour le streaming LiveMini+ simplifie le streaming live. En permettant de commuter facilement entre les 4 entrées HDMI tout en mélangeant simultanément vers les sorties HDMI et USB 3.0, Mini+ est la solution professionnelle idéale pour les applications et les présentations en streaming live à partir de plusieurs sources vidéo. Ce mélangeur intègre des fonctions PIP, des effets de transitions, des fonctions avancées pour caméras PTZ et permet l'intégration d'une source audio externe. Les larges boutons facilitent les actions et la T-bar permet de gérer des transitions fluides entre caméras et graphiques. Sa taille compacte permet une utilisation nomade aussi bien qu'en studio. - Direct stream via USB 3.0 vers toutes les plus populaires plateformes - Commutation fluide entre les entrées - Commutation de sources directe par boutons ou par T-bar - 14 Effets de transition - Insertion audio externe via entrée sur minijack - Extraction audio vers sortie sur minijack - Contrôle par app via LAN - Prévisualisation simultanée de toutes les sources vidéo - Afficheur 2''TFT pour preview des entrées - Support PIP (Picture-In-Picture) - Commutation entre 6-Picture PVW et PGM vers la sortie HDMI - Control par PC or smartphone (via APP) - Logo - Chroma Key - Contrôle PTZ CARACTÉRISTIQUES TECHNIQUES : Connecteurs :- 4 entrées HDMI - 1 sortie HDMI - 1 sortie USB 3.0 type A- 1 entrée audio stéréo sur minijack 3,5 mm- 1 sortie audio stéréo sur minijack 3,5 mm- 1 port LAN RJ45 -1 entére alimentationPerformance :Resolutions d'entrée- HDMI : SMPTE 720p@50/60 |1080i@50 | 1080p@23/24/30/50/60- VESA : 1024×768@60 | 1280×720@60 | 1280×768@60 | 1280×800@60 | 1280×1024@60 | 1360×768@60 | 1366×768@60 | 1440×900@60 | 1600×1200@60 | 1680×1050@60 | 1920×1080@60 | 1920×1200@60Resolutions de sortie :- HDMI : SMPTE 720p@60 | 1080p@60- VESA : 1024×768@60 | 1280×720@60 | 1280×768@60 |1280×1024@60 | 1360×768@60 |1920×1080@60 USB | H.265 : 1024×768@60 | 1280×720@60 | 1280×1024@60 | 1360×768@60 | 1920×1080@60Standards supportés :- HDMI 1.3- USB 3.0- H.265 ITU-T H.265/ ISO/IEC 23008-2- Poids : 0.6kg- Dimension : 180 x 112,5 x 48.7 mm |
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 | Blackmagic Design : Studio Camera 6K Pro
Built-in ND filters allow you to reduce the amount of light hitting the sensor, allowing y...(+) Built-in ND filters allow you to reduce the amount of light hitting the sensor, allowing you to film in variable light conditions, even in bright sunlight- Built-in streaming function- 2G-SDI, HDMI and 10G Ethernet connections- All connections can be connected via a single- Significantly cheaper cable into an SMPTE fibre-optic workflow- Effective sensor size: 23.10 mm x 12.99 mm (Super 35)- Lens mount: active EF lens mount- Iris control: Iris, focus, zoom with supported lenses- Dynamic range: 13 stops- Dual Native ISO: 0 dB and 18 dB gain- Sensitivity at 0 dB gain: f11 at 2160p/59.94, f12 at 2160p/50- 2000 lux at 89.9 % reflection- Signal to noise ratio: 64.62 dB at 2160p- Ultra HD scaled from 5.3K- Resolutions for recording: 6144 x 3456 (6K) up to 50 fps, 6144 x 2560 (6K 2.4:1) up to 60 fps, 5376 x 3024 (5.3K 16:9) up to 60 fps, 3840 x 2160 (Ultra HD) up to 60 fps- Video output standards: 2160p, 1080p, 1080i- Frame rates: Supported project frame rates 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.- Offspeed frame rates 5-50 fps in 6K and 5-60 fps for all other recording resolutions- Built-in ND filters: IR ND filters with the 4 positions: Clear (no filter), 2 stops, 4 stops and 6 stops.- Focusing: Autofocus available when using compatible lenses- Screen dimensions: 7" with 1920 x 1200 pixels- Screen type: LCD with capacitive touchscreen- Screen brightness: 2000 cd/m²- Controls: Touch screen for camera settings and menus plus command dial, programme button, assignable function keys F1, F2 and F3, rotary controls for brightness, contrast and peaking- Mounting options: 2 x 1/4-inch tripod thread, 1 x 3/8-inch tripod thread- Built-in stereo microphone- 1 Built-in mono speaker- Live tally indicators: 1 front indicator, visible to performer / 1 rear indicator, visible to the operator- Included software: Blackmagic Camera Setup software for Mac and Windows- Operating systems: Mac Monterey 12.0, Mac Ventura 13.0 or higher / Windows 10, 64 bit- Power supply: 1 external 12V DC power supply for 60W- Power inputs: 1 lockable 12V DC socket for 5.5 mm hollow plug- 1 Four-pin XLR 12V DC socket for external power supply or battery charging- 1 RJ45 Ethernet port for power from PoE power supplies type 4- Power consumption: 32 - 52 W via DC socket, 38 - 59 W via PoE port- Dimensions: 273.6 x 199 x 167.3 mm (camera), 113.7 x 35.5 mm (tripod mount)- Weight: 1940 g (camera), 525 g (tripod mount)- Includes Blackmagic Studio Camera lens hood, matching tripod mount for 15mm lightweight rails, tripod support plate, module locking cap, 12V DC power supply with locking mechanism and matching international plug adapters for most countries- HD video standards: 1080p/23.98; 1080p/24; 1080p/25; 1080p/29.97; 1080p/30; 1080p/50; 1080p/59.94; 1080p/60; 1080i/50; 1080i/59.94; 1080i/60.- Ultra HD video standards: 2160p/23.98; 2160p/24; 2160p/25; 2160p/29.97; 2160p/30; 2160p/50; 2160p/59.94; 2160p/60- SDI compliance: SMPTE 424M, SMPTE 425M Level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10- SDI audio sampling rate: Standard television sampling rate of 48 kHz and 24 bits.- Blackmagic RAW Constant Bitrate 3:1 / 5:1 / 8.1 / 12:1- Blackmagic RAW Constant Quality Q0 / Q1 / Q2 / Q3 / Q5- Storage type: 2 USBC 3.1 Gen 1 expansion ports for external storage devices- Colour Corrector: DaVinci YRGB- 1 SDI video input- 1 SDI video output- SDI rates: 1.5G, 3G, 6G, 12G- 1 HDMI 2.0 video outputs- 2 XLR analogue audio inputs. switchable between microphone and line levels, supports phantom powering- 1x 3.5 mm stereo input, can also be used as time code input- Analogue audio outputs: 1x 5-pin XLR socket for talkback headset, 1x 3.5 mm TRRS mini jack for headphones with microphone- Reference inputs: For Tri-Sync or Black Burst when used with optional Blackmagic Studio Converter- SDI audio outputs: 2 channels of programme audio embedded in 1.5G/3G/6G/12G SDI- 2 Talkback channels on 15 and 16- Remote control: Remote control of the camera via SDI, HDMI or Ethernet- Ethernet: 10 Gbps- Computer interface: 2 USB Type-C 3.1 Gen 1 (up to 5 Gb/s) expansion ports for connection to external recording devices and Focus and Zoom Demands, USB-C Port A for software updates.  |
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 | Purelink - Male/male Actif 25m -active Hdmi Serie. Gold-plated Connectors And Triple Cladding Ensure... HA-HA-HEHDMI Câble 2mPlug A - Plug A AWG 28 |
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 | RGBlink : Mini Pro V2
4x 4K HDMI inputs with integrated scaler- Joystick PTZ camera control and chroma keying- P...(+) 4x 4K HDMI inputs with integrated scaler- Joystick PTZ camera control and chroma keying- PTZ camera control in 8 directions with joystick and zoom rocker- 2" LCD touch display for monitoring and video previews- Hardware-based noise reduction- USB streaming output for PC or Mac- USB recording to SSD/USB stick up to 2 TB- Audio mixer including delay up to 160 ms- Line input, microphone input and line output- Chroma keying- 14 Transition effects- Configurable PIP video overlay- Broadcast-style T-bar- Shortcut key- Input: 4x HDMI2.0 (HDMI-A)- Output: 1x HDMI 1.3 (HDMI-A), 1x USB 3.0, 1x USB 2.0 (type A)- Audio: 1x 3.5 mm stereo jack input/output each- Network: 1x RJ45 LAN- Power supply: DC 12V/1.5A, max 18W- Resolution Input SMPTE: 720p50/60, 1080i50, 1080p23/24/30/50/60, 2160p@60- Resolution Input Vesa: 1024×768@60, 1280×720@60, 1280×768@60, 1280×800@60, 1280×1024@60, 1360×768@60, 1366×768@60, 1440×900@60, 1600×1200@60, 1680×1050@60, 1920×1080@60, 1920×1200@60, 3480x2160@60, 4096x2160@60- Resolution Output SMPTE: 720p60 , 1080p60- Resolution Output Vesa: 1024×768@60, 1280×720@60, 1280×768@60, 1280×1024@60, 1360×768@60, 1900×1200@24/25/30/50/60- Supported standards: HDMI 2.0, USB 3.0, ITU-T H.265 / ISO / IEC 23008-2- Supported protocols: PTZ: VISCA- Colour space and sampling: RGB 4:4:4 YUV- Power supply: 12V/1.5A. max. 18W- Dimensions: 180 x 118 x 58 mm- Weight: 480 g- 1 Mini Pro V2- 1 USB-C PD power supply with USB-C cable- 1 USB 3.0 cable- Y-Audio cable 3.5 mm plug and 2x 3.5 mm jack for microphone and headphones |
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 | RGBLink : USB PTZ Camera 10x and TAO 1Tiny
Consisting of the 10x Zoom PTZ Camera and the TAO 1Tiny Webcam / ePTZ Camera Adapter- 10x ...(+) Consisting of the 10x Zoom PTZ Camera and the TAO 1Tiny Webcam / ePTZ Camera Adapter- 10x Zoom PTZ camera with USB 2.0 connection- 70° Wide angle lens- Low noise and high SNR- Pan and tilt control- Low-power sleep functionality- Auto-focus technology- Up to 255 presets- 1/4" Tripod thread on the bottom- Incl. power supply 230V to 12V with 2.5 metre cable, IR remote control (2 x AAA batteries required), USB 2.0 cable 2 m, RS-232 cable 2 m, RS-485 connector- Video: USB 2.0 (1xUSB-A)- Network connections: RS232 (2xDIN 8)- RS485 (1x2 Pin Terminal Connector)- Power supply: 1x HEC3800 DC socket- Optical zoom: 10x f = 4.34~41.66 mm- Angle of view: 8.8° ~ 70°- AV: F1.85 ~ F2.43- Digital zoom: 10x- Minimum illumination: 0.5 lux (F1.8, AGC ON)- DNR: 2D & 3D DNR- White balance: Auto/Manual/One Push / 3000K - 7000 K- Focus: Auto / Manual / OnePush: Exposure control: Auto/Manual- BLC: On/Off- Video settings: Brightness / Colour / Saturation / Contrast / Sharpness / B|W mode / Gamma curve- SNR: >55 db- Effective pixels: 2.07 m, 16:9- Pan and Tilt specifications- Angle of motion: -170° ~ +170° / '-30° ~ +90°- Speed: 0.1 ~ 60°/s, 0.1 ~ 30°/s- Presets: Pan: 60°/s, Tilt: 30°/s- Up to 255 preset positions (10 selectable on remote control)- Video compression: MJPG, H.264, H.265 format- Output resolution: 720p@25/30, 1080p@25/30- Control protocol: VISCA, Pelco-D, Pelco-P- Operating system: Windows 7, Windows8, Windows10, Mac osx, Linux- USB: UVC protocol- Input voltage: DC 12 V / 0.25 A- Max. power: 2.5 W- Weight: 1 kg- Dimensions: 156.8 ×112.6 ×139.5 mm- Webcam and ePTZ camera adapter from USB-C (UVC) to HDMI 2.0- Converts a signal of up to 4K30p on the USB-C output of UVC-compatible cameras to HDMI 2.0 (up to 4K) so that they can be used in the HDMI workflow, e.g. on an HDMI video mixer or monitor/projector- In conjunction with RGBlink video mixers, the Tao 1 Tiny provides a second HDMI video output (this requires an additional USB 3.0 adapter to USB-C, which then connects the mini mixer to the Tao 1 Tiny)- Supports USB Bluetooth controls- Power supply via standard USB-C PD power supply units- Input: USB-C for UVC compatible cameras, USB 2.0 USB-A for Bluetooth controllers- Output: HDMI 2.0 1x HDMI-A- Power: USB-C- Input resolution: Type C, SMPTE: 720p@25/30/50/60 / 1080p@30/50/60 / 2160p@30, VESA: 1280×720@30/50/60 / 1280×768@60 / 1920×1080@25/30/50/60 / 3840×216- Output resolution: HDMI, SMPTE: 720p@25/30/50/60 / 1080p@30/50/60 / 2160p@30, VESA: 1280×720@30/50/60 / 1280×768@60 / 1920×1080@25/30/50/60 / 3840×216@30- Supported standards: HDMI 2.0, USB 3.0- Decoding formats: MJPEG, YUV, H.264- Compatibility: camera with UVC1.1/UVC1.5 protocol- Power supply: 5 V / 2 A, 10 W- Dimensions: 9.5 x 5.6 x 2.7 cm- Weight: 200 g |
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 | Obsbot : Tiny 2 (7 comments)
Obsbot Tiny 2 PTZ Webcam - AI-powered PTZ webcam; 4K UHD resolution; equipped with Sony 1/...(+) Obsbot Tiny 2 PTZ Webcam - AI-powered PTZ webcam; 4K UHD resolution; equipped with Sony 1/1.5'' sensor; with improved tracking algorithm that detects and smoothly and precisely follows a person; gesture control; voice control; HDR; auto-focus; beauty mode; ready in 5 seconds; magnetic mount; 1/4'' connector; Technical specifications: Sensor: 1/1.5", 50M pixels; Max. video resolution: 4K@30fps, MJPEG, H264; Zoom: 4x digital zoom; FOV: 85.5°; Pan: -150° to +150°; Tilt: -150° to +150°; Tilt: -150° to +150°; Tilt: -150° to +150°; Tilt: -150° to +150°. Video Resolution: 4K@30fps, MJPEG, H264; Zoom: 4x digital zoom; FOV: 85.5°; Pan: -150° to +150°; Tilt: -45° to 45°; Max Controllable Speed: 1Power Connection: DC; Data Connection: USB-C; OS Requirements: Windows 10 or later; Windows 8; Windows 7 / MAC OS 10.13 or later; Dimensions (W x H x D): 47 x 62 x 44 mm; Weight without mount: 95.6 g, Weight with mount: 143.3 g, Included in delivery: USB-C 3.0 cable & USB-C to USB-A 3.0 adapter, mount, case  |
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 | Roland : VR-400UHD 4K Streaming Mixer
Roland VR-400UHD 4K Streaming AV Mixer; 4K streaming AV mixer with two touch screens; comb...(+) Roland VR-400UHD 4K Streaming AV Mixer; 4K streaming AV mixer with two touch screens; combines video switching, audio mixing and USB streaming in one unit; scene function for creating and recalling complex video compositions; simultaneous preview of up to eight scenes; storage of up to 64 scenes (eight scenes and eight banks) including zoom level, cropping and more; Scenes for compositing two picture-in-picture/key layers over background images; Superimpose a DSK image over the picture-in-picture/key layers and background image regardless of the scene used; Seven HDMI inputs with up to 4K/60p frame rate (four inputs can be used simultaneously); Supported resolutions: 4K/60p, HDR (Rec. 2020 ) up to 1080/60p, SDR (Rec.709 ); Integrated scalers in the HDMI inputs and outputs for free combination of the formats 4K/FHD, HDR/SDR and Rec.2020/Rec.709 ; Import and save BMP, JPEG and PNG image files via USB to eight internal storage locations (PNG alpha channel supported); Region-of-Interest (ROI) function to simulate multiple camera perspectives with a single 4K camera; Seamless switching between two scenes in PGM/PST mode; Dual mode allows different scenes to be displayed on each of the two touch displays; 14-channel digital audio mixer with advanced effects and signal processors; Four XLR/TRS combo inputs with phantom power, two TRS mic inputs and two stereo RCA line inputs; USB-C webcam output supports streams up to 4K/30fps (compatible with USB 3.2 Gen 2, 10 Gbps); Technical data:; Power supply: AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz); Power consumption: 115 W; Dimensions: 436 x 279 x 137 mm; Weight: 6.8 kg  |
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 | Blackmagic Design : Studio Camera 4K Plus G2
Blackmagic Design Studio Camera 4K Plus G2; Broadcast camera for live productions; Effecti...(+) Blackmagic Design Studio Camera 4K Plus G2; Broadcast camera for live productions; Effective sensor size: 17.78mm x 10mm (Four Thirds); Lens connection: MFT bayonet with electronic aperture control; Aperture control: aperture, focus, zoom with supported lenses; Dynamic range: 13 stops; Dual Native ISO: 0dB and 18dB Gain; Resolutions for filming: 3840 x 2160 (Ultra HD) up to 60 fps; Offspeed frame rates of up to 60 fps in Ultra HD; Focusing: Autofocus available when using compatible lenses; Screen dimensions: 7 inches with 1920 x 1200 pixels; Screen Type: LCD with Capacitive Touch Screen; Screen brightness: 600 cd/m²; Controls: Touchscreen for camera settings and menus as well as adjustment wheel, program button, assignable function keys F1, F2 and F3, rotary controls for brightness, contrast and peaking; Mounting options: 2 x 1/4" tripod thread, 1 x 3/8" tripod thread; Connections:; HDMI 2.0 video outputs: 1; SDI In: 1; SDI Out: 1; Analog audio inputs: 1 x 3.5mm stereo input, can also be used as timecode input; Analog audio outputs: 1 x 3.5mm mini jack for headphones; Remote control: camera remote control via HDMI; Computer interface: 2 USB Type-C 3.1 Gen 1 for connection to external recording devices, focus and zoom demands and for software updates; Audio:; Microphones: integrated stereo microphone; Built-in speaker: 1 mono speaker; Supported Codecs:; Blackmagic RAW Constant Bitrate 3:1 / 5:1 / 8.1 / 12:1; Blackmagic RAW Constant Quality Q0 / Q1 / Q2 / Q3 / Q5; Storage Features:; Storage type: 2 USBC 3.1 Gen 1 for external storage media; Included Software: Blackmagic Camera Setup Software for Mac and Windows; Dimensions: 273.6 x 169.7 x 167.3 mm (camera); 113.7 x 35.5 mm (tripod mount); Weight: 1380g (camera), 525g (tripod mount); included:; Blackmagic Studio Camera 4K Plus G2, Blackmagic Studio Camera lens hood, matching tripod mount for 15 mm lightweight rails; Module cap, 12V DC power supply |
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 | Elgato : Facecam MK.2
Elgato Facecam; 1080p60 Full HD webcam; 60 frames per second; HDR-capable; camera hub soft...(+) Elgato Facecam; 1080p60 Full HD webcam; 60 frames per second; HDR-capable; camera hub software for adjusting the video (like a DSLR); supported resolutions (uncompressed): 1080p60, 1080p30, 720p120, 720p60, 720p30, 540p120, 540p60, 540p30; Optics: Elgato Prime Lens (fixed focal length); Focus range: 30 - 120 cm (11.8 - 47.2 inches); Aperture: f/2. 4; Focal length: 24 mm (equivalent to 35 mm format); Viewing angle: 84°; Sensor: SONY® STARVIS CMOS sensor 1/2.5"; USB video class: UVC standard v1.5; 1/4-inch thread; Connection: USB type C; Dimensions: 84 x 38 x 61 mm (WxHxD); Weight: 90g  |
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 | Blackmagic Design : Studio Camera 4K Pro G2
12G-SDI output and one 12G-SDI input for programme feedback with camera control, talkback ...(+) 12G-SDI output and one 12G-SDI input for programme feedback with camera control, talkback and tally- HDMI output supports the same control commands- In addition, the 10G Ethernet connection enables SMPTE-compliant workflows over a single cable in a cost-effective way- Effective sensor size: 17.78 x 10 mm (Four Thirds)- Lens mount: MFT bayonet with electronic iris control- Iris control: iris, focus, zoom with supported lenses- Dynamic range: 13 stops- Dual native ISO: 0 dB and 18 dB gain- Sensitivity at 0 dB gain: f11 at 2160p/59.94, f12 at 2160p/50- 2000 lux at 89.9 % reflection- Signal-to-noise ratio: 63 dB at 2160p- Resolutions for filming: 3840 x 2160 (Ultra HD) up to 60 fps- Frame rates: 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 frames per second- Offspeed frame rates of up to 60 fps in Ultra HD- Focusing: Autofocus available when using compatible lenses- Screen dimensions: 7" with 1920 x 1200 pixels- Screen type: LCD with capacitive touchscreen- Screen brightness: 2000 cd/m²- Controls: Touch screen for camera settings and menus plus command dial, programme button, assignable function keys F1, F2 and F3, rotary controls for brightness, contrast and peaking- Mounting options: 2 x 1/4-inch tripod thread, 1 x 3/8-inch tripod thread- Built-in stereo microphone- 1 Built-in mono speaker- Live tally indicators: 1 front indicator, visible to performer / 1 rear indicator, visible to the operator- Included software: Blackmagic Camera Setup software for Mac and Windows- Operating systems: Mac Monterey 12.0, Mac Ventura 13.0 or higher / Windows 10, 64 bit- Power supply: 1 external 12V DC power supply for 60W- Power inputs: 1 lockable 12V DC socket for 5.5 mm hollow plug- 1 Four-pin XLR 12V DC socket for external power supply or battery charging- 1 RJ45 Ethernet port for power from PoE power supplies type 4- Power consumption: 26 - 40 W via DC socket, 30 - 46 W via PoE port- Dimensions: 273.6 x 169.7 x 167.3 mm (camera), 113.7 x 35.5 mm (tripod mount)- Weight: 1685 g (camera), 525 g (tripod mount)- Includes Blackmagic Studio Camera lens hood, matching tripod mount for 15 mm lightweight rails, module cap, 12V DC power supply with locking mechanism and matching international plug adapters for most countries- HD video standards: 1080p/23.98; 1080p/24; 1080p/25; 1080p/29.97; 1080p/30; 1080p/50; 1080p/59.94; 1080p/60; 1080i/50; 1080i/59.94; 1080i/60.- Ultra HD video standards: 2160p/23.98; 2160p/24; 2160p/25; 2160p/29.97; 2160p/30; 2160p/50; 2160p/59.94; 2160p/60- SDI compliance: SMPTE 424M, SMPTE 425M Level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10- SDI audio sampling rate: Standard television sampling rate of 48 kHz and 24 bits.- Blackmagic RAW Constant Bitrate 3:1 / 5:1 / 8.1 / 12:1- Blackmagic RAW Constant Quality Q0 / Q1 / Q2 / Q3 / Q5- Storage type: 2 USBC 3.1 Gen 1 expansion ports for external storage devices- Recording formats: Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 in Ultra HD 3840 x 2160 at the selected frame rate- Colour corrector: DaVinci YRGB- 1 SDI video input- 1 SDI video output- SDI rates: 1.5G, 3G, 6G, 12G- 1 HDMI 2.0 video outputs- 2 XLR analogue audio inputs. switchable between microphone and line levels, supports phantom powering- 1x 3.5 mm stereo input, can also be used as time code input- Analogue audio outputs: 1x 5-pin XLR socket for talkback headset, 1x 3.5 mm TRRS mini jack for headphones with microphone- Reference inputs: For Tri-Sync or Black Burst when used with optional Blackmagic Studio Converter- SDI audio outputs: 2 channels of programme audio embedded in 1.5G/3G/6G/12G SDI- 2 Talkback channels on 15 and 16- Remote control: Remote control of the camera via SDI, HDMI or Ethernet- Ethernet: 10 Gbps- Computer interface: 2 USB Type-C 3.1 Gen 1 (up to 5 Gb/s) expansion ports for connection to external recording devices and Focus and Zoom Demands, USB-C Port A for software updates. |
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 | IK Multimedia : ARC 4
Precise analysis in conjunction with a natural-sounding correction algorithm optimise the ...(+) Precise analysis in conjunction with a natural-sounding correction algorithm optimise the frequency response and stereo image of studio monitors at the monitoring position- Automatic multi-point measurement based on 3D VRM technology with "Quick Mode" for room correction with just 7 measuring points- Virtual Monitoring simulates different monitoring situations and playback devices including over 20 profiles of well-known studio monitors- Monitor Control Panel inkl. Echtzeit-Analysator- Quick set-up thanks to simple step-by-step room analysis with 7 or 21 measuring points- Natural and Linear Phase Mode- Precise corrections with extended parameters- Measurement accuracy when using the ARC system microphone +/- 0.5 dB- Support for measurement microphones from other manufacturers- Saves the measurement results for use in the ARC system correction plug-in- Four factory presets and four user presets for customising playback to personal preferences- Measurement at 48 kHz, supports playback resolutions up to 32 bit / 192 kHz- Scalable user interface- Measurement microphone features: Precision measurement MEMS microphone- Omnidirectional polar pattern, free-field equalised- Calibrated frequency response when used with ARC: 20-20,000 Hz, +/- 0.5 dB- Transformerless output, electronically balanced, impedance 100 Ohm- Signal-to-noise ratio: 65 dB- Maximum sound pressure level: 124 dB- Phantom power 12-48V- Dimensions: 129.5 x 23 mm- Weight: 25 g- Requires an audio interface with phantom-powered XLR microphone input and a stereo monitor output as well as support for 44.1 kHz or 48 kHz sampling rate- Measuring microphone- Microphone clamp- Software licence  |
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 | Kiloview : MG300 V2 Video Media Gateway
Kiloview MG300 V2 IP Media Gateway; NDI and IP converter with streaming function; Supporte...(+) Kiloview MG300 V2 IP Media Gateway; NDI and IP converter with streaming function; Supported codecs: H.264 / H.265 / NDI HX; Resolutions up to 2160/60p; Distribution of 9 video channels to display walls; Multi-stream switching; 24/7 working mode; Support of stream media protocols, distribution, multi-channel video decoding etc.; Configuration via web browser; Media protocols: NDI|HX 2. 0/SRT/RTSP/RTMP/TS-UDP; Simultaneous decoding capability: 4K30Hz up to 4 channels; 1080p50-60Hz up to 8 channels; 1080p30Hz/1080i50-60Hz/720p up to 9 channels; Decoding delay: 200 ms; Connections:; Inputs: 2x 100/1000 Mbit Ethernet (RJ-45, POE compatible), 1x USB 3. 0 Type-A, 1x 3.5 mm line in; Outputs: 1x 4K HDMI 2.0, 1x 3G/HD/SD-SDI (BNC), 1x 3.5 mm line out; SDI output formats: 1080p60/59.94/50,1080p30/29.97/25/24/23.98,1080i60/59.94/50,720p60/ 59. 94/50, 576i50, 480i60; HDMI output formats: 4K 3840x2160@60/30, 1080p60/50, 1080p24/25/30, 1080i60/50, 720p60/50; Power supply: 12V, 1A; Power consumption: max. 6W; Dimensions: 140 x 105 x 28 mm; Weight: 380 g |
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