Woodbrass
Microtech Gefell
Description from Woodbrass :
The M 910 condenser microphone has been developed for recordings of instrumental and vocal soloists in the professional market. lts well balanced frequency response in the free-field as well as in the diffuse-field and the appropriate distinct characteristics ensure clean and colourless recordings of any sound sources with good selectivity. lt is advisable to use the M 910 by soloists because it shows a specially optimised frequency response for this kind application. A distance of less than 8 to 12 inches, which is recommended as minimum distance between lips and microphone, causes a coloration with an emphasis of lower frequencies, the proximity effect. An acoustic filter integrated in the protective basket reduces the pop sensitivity. The direction of maximum sensitivity is axial, i.e. endwise to the microphone. This fact and the ergonomic design make these microphone the right choice for live performance of soloists. Following the modern trend of technique the transducer is equipped with a gold plated polyester membrane. The newly developed transformerless impedance transducer having a balanced output stage guarantees a high output capability and low intrinsic noise. Together with the good qualities of the microphone capsule a high brilliance of the live performance is reached. A 10 dB attenuator is installed to reduce the sensitivity of the microphone when placed near extremely loud sound sources. And a low frequency roll-off switch will reduce the proximity effect when close miking. The two switches are sunk placed in the middle of the amplifier. At the lower end of the amplifier the microphone is equipped with a 3-pin XLR connector fitting to the microphone cable C 70. These microphones use 48 volt phantom powering according to the international standards DIN 45596 and IEC 268-15.
The M 910 condenser microphone has been developed for recordings of instrumental and vocal soloists in the professional market. lts well balanced frequency response in the free-field as well as in the diffuse-field and the appropriate distinct characteristics ensure clean and colourless recordings of any sound sources with good selectivity. lt is advisable to use the M 910 by soloists because it shows a specially optimised frequency response for this kind application. A distance of less than 8 to 12 inches, which is recommended as minimum distance between lips and microphone, causes a coloration with an emphasis of lower frequencies, the proximity effect. An acoustic filter integrated in the protective basket reduces the pop sensitivity. The direction of maximum sensitivity is axial, i.e. endwise to the microphone. This fact and the ergonomic design make these microphone the right choice for live performance of soloists. Following the modern trend of technique the transducer is equipped with a gold plated polyester membrane. The newly developed transformerless impedance transducer having a balanced output stage guarantees a high output capability and low intrinsic noise. Together with the good qualities of the microphone capsule a high brilliance of the live performance is reached. A 10 dB attenuator is installed to reduce the sensitivity of the microphone when placed near extremely loud sound sources. And a low frequency roll-off switch will reduce the proximity effect when close miking. The two switches are sunk placed in the middle of the amplifier. At the lower end of the amplifier the microphone is equipped with a 3-pin XLR connector fitting to the microphone cable C 70. These microphones use 48 volt phantom powering according to the international standards DIN 45596 and IEC 268-15.
•Structure polaire hyper cardioïde
•Atténuateur commutable
•Filtre passe-haut commutable
•Filtre anti-pop intégré
•Sortie sans transformateur
Micro à condensateur sans transformateur
M 910
Structure polaire
hypercardioid
Principe acoustique
Pressure gradient transducer
Bande passante
40 ... 18000 Hz
Micro commutateur en position "filtre coupe-bas activé" à 90 Hz
- 10 dB
Sensibilité
14 mV / PaImpédance
150 •
Niveau sonore équivalent dû au bruit intrinsèque
CCIR 468-4
22 dB
DIN EN 60651
15 dB - A
Rapport signal/bruit
(re. 1 Pa à 1 kHz)
pondération CCIR
72 dB
mesure pondérée A
79 dB
Pression SPL max. avec. DHT • 0,5 %
135 dB
Avec atténuation de 10 dB
145 dB
Plage dynamique totale du circuit électronique du micro
120 dB
Consommation en courant (P 48, DIN 45596, IEC 268-15)
3 mA
Connecteur de sortie
XLR 3 broches, contacts plaqués or
Poids
229 g
Dimensions (l x Ø )
218 mm x 47/28 mm
Finition
Dark Bronze (bronze foncé)
•Atténuateur commutable
•Filtre passe-haut commutable
•Filtre anti-pop intégré
•Sortie sans transformateur
Micro à condensateur sans transformateur
M 910
Structure polaire
hypercardioid
Principe acoustique
Pressure gradient transducer
Bande passante
40 ... 18000 Hz
Micro commutateur en position "filtre coupe-bas activé" à 90 Hz
- 10 dB
Sensibilité
14 mV / PaImpédance
150 •
Niveau sonore équivalent dû au bruit intrinsèque
CCIR 468-4
22 dB
DIN EN 60651
15 dB - A
Rapport signal/bruit
(re. 1 Pa à 1 kHz)
pondération CCIR
72 dB
mesure pondérée A
79 dB
Pression SPL max. avec. DHT • 0,5 %
135 dB
Avec atténuation de 10 dB
145 dB
Plage dynamique totale du circuit électronique du micro
120 dB
Consommation en courant (P 48, DIN 45596, IEC 268-15)
3 mA
Connecteur de sortie
XLR 3 broches, contacts plaqués or
Poids
229 g
Dimensions (l x Ø )
218 mm x 47/28 mm
Finition
Dark Bronze (bronze foncé)
| Seller information : | Woodbrass |
| Place : | Nantes, France |
| Shipping : | Livraison Mondiale |
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