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Adagio & Vivace de la
MP3 (2.42 Mo) : 
(by Magatagan, Michael)917x⬇ 244x
Adagio & Vivace de la
MP3 (7.1 Mo) : (by Magatagan, Michael)1,082x⬇ 183xVidéo :
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| Composer : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Flute and Piano3 other versions | ||||
| Style : | Baroque | ||||
| Arranger : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Publisher : | MAGATAGAN, MICHAEL | ||||
| Copyright : | Public Domain | ||||
| Other title : | Triosonate IV In E-Molll (BWV 528) | ||||
| Added by magataganm, 18 Mar 2012 The trio sonata is a musical form that was popular in the 17th and early 18th centuries. A trio sonata is written for two solo melodic instruments and basso continuo, making three parts in all, hence the name trio sonata. However, because the basso continuo is usually made up of at least two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord). It is generally accepted that Johann Sebastian Bach wrote his six Sonatas for Organ for his eldest son, Wilhelm Friedemann Bach, as the not always reliable W.F. often asserted. There is no strong reason to disbelieve it, for they appeared at about the right time and, moreover, are teaching pieces par excellence. There is a world of difference between the familiar Bach organ works in the mold of the various preludes or toccatas and fugues and the Six Sonatas. Compared to those works, these Sonatas are light, transparent in texture, never concerned with display or Baroque flamboyance. They are Trio-Sonatas, works in three voices, irrespective of how many actual players were needed. The voices in these works are independent: one in either hand, the third on the pedals. Ordinarily, each hand plays on its own manual. Thus, the Sonatas test and cultivate the student's physical and mental ability to coordinate all these separate motions of hands and feet, the interpretive ability to project each voice equally and clearly to the audience, and the musical ability to make them meaningful. Although originally created for organ, I adapted this work for alto flute and piano. This (fourth) Sonata is written in the form of a concerto for organ. This first movement is a Vivace preceded by a short slow introduction. It is a transcription of a sinfonia of the cantata Die Himmel erzählen die Ehre Gottes, BWV 76 (1723). This number was already a trio for oboe d'amore, viola, and bass line. It is in a ritornello form, with a lively main episode interspersed with contrasting sections. Sheet central : | Sonate en trio No.4 en mi mineur (18 sheet music) | | |||
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