VIOLAAnonymous
"The Rocks of Bawn" for Viola & Harp
Anonymous - "The Rocks of Bawn" for Viola & Harp
Viola and Harp
ViewPDF : The Rocks of Bawn" for Viola & Harp (3 pages - 92.41 Ko)386x
ViewPDF : Viola Part (73.08 Ko)
ViewPDF : Harp Part (85.88 Ko)
MP3 : principal audio (85.88 Ko)91x 622x
The Rocks of Bawn for Viola & Harp
MP3 (2.08 Mo) : (by Magatagan, Michael)36x 45x
The Rocks of Bawn for Viola & Harp
MP3 (2.09 Mo) : (by Magatagan, Michael)34x 32x
MP3
Vidéo :
Composer :
 Anonymous
Anonymous
Instrumentation :

Viola and Harp

Style :

Celtic

Arranger :
MAGATAGAN, MICHAEL (1960 - )
Publisher :MAGATAGAN, MICHAEL
Copyright :Public Domain
Added by magataganm, 25 Aug 2014

"The Rocks of Bawn" (Rocks of White) talks about Oliver Cromwell's invasion of Ireland in 1649 and the treatment of the Roman Catholics: In 1652, Oliver Cromwell "subdued" Ireland, a process that often recurred in history before and since. Many Catholic landholders were dispossessed and forced to take their families and belongings beyond the Shannon, to the hard country of Connaught. While English and Scottish Protestant newcomers settled on the lusher vacated farms, the dispossessed Irish hacked out a thin living among the "rocks, bogs, salt water and seaweed" of the barren west coast. In the ensuing centuries, to many a farm-hand even the British Army offerred better prospects than the stony plough-defying soil of Mayo, Galway and Clare. The lament of the Connaught ploughman has become one of the most popular of all Irish folk songs, seemingly within the last few years.

Scholars feel that "Rocks of White is not a good transaltion". In Irish the presence of "of" between Rocks and White denotes the genitive 9 (n tuiseal ginideach). This indicates that both Rocks and White are nouns.

In Cavan it is asserted that the Rocks of Bawn refers to the poor soil (impossible to plough) in west cavan, adjacent to the town of Bawnboy (An Babhún Buí - the yellow earth enclosure - that the earth enclosure is referred to as a Babhún rather than a Lios or Rath indicates that it was enclosure made up during the Elizabethan plantation of Ulster).

Although originally written for traditional folk instruments, I created this arrangement for Viola & Celtic or Concert (Pedal) Harp.
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