 | Haendel, Georg Friedrich - Concerto Grosso in A Major for Double Reeds & Strings HWV 329 Op. 6 No. 11 Hautbois, Cor anglais et Cordes |
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| Compositeur : | Haendel, Georg Friedrich (1685 - 1759) | ||||
| Instrumentation : | Hautbois, Cor anglais et Cordes | ||||
| Genre : | Baroque | ||||
| Tonalité : | La majeur | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 17 Fév 2018 For the 1739–1740 season at the Lincoln's Inn Fields theatre, Handel composed Twelve Grand Concertos to be performed during intervals in these masques and oratorios, as a feature to attract audiences: forthcoming performances of the new concertos were advertised in the London daily papers. Following the success of his organ concertos Op.4, his publisher John Walsh had encouraged Handel to compose a new set of concertos for purchase by subscription under a specially acquired Royal License. There were just over 100 subscribers, including members of the royal family, friends, patrons, composers, organists and managers of theatres and pleasure-gardens, some of whom bought multiple sets for larger orchestral forces. Handel's own performances usually employed two continuo instruments, either two harpsichords or a harpsichord and a chamber organ; some of the autograph manuscripts have additional parts appended for oboes, the extra forces available for performances during oratorios. Walsh had himself very successfully sold his own 1715 edition of Corelli's celebrated Twelve concerti grossi Op.6, first published posthumously in Amsterdam in 1714. The later choice of the same opus number for the second edition of 1741, the number of concertos and the musical form cannot have been entirely accidental; more significantly Handel in his early years in Rome had encountered and fallen under the influence of Corelli and the Italian school. The twelve concertos were produced in a space of five weeks in late September and October 1739, with the dates of completion recorded on all but No.9. The ten concertos of the set that were largely newly composed were first heard during performance of oratorios later in the season. The two remaining concertos were reworkings of organ concertos, HWV 295 in F major (nicknamed "the Cuckoo and the Nightingale" because of the imitations of birdsong in the organ part) and HWV 296 in A major, both of which had already been heard by London audiences earlier in 1739. In 1740 Walsh published his own arrangements for solo organ of these two concertos, along with arrangements of four of the Op.6 concerti grossi (Nos. 1, 4, 5 and 10). Source: Wikipedia (https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_( Handel)). Although originally written for Baroque Orchestra, I created this Interpretation of the Concerto Grosso in A Major (HWV 329 Opus 6 No 11) for Double-Reeds (Oboe & English Horn) & Strings (2 Violins, Viola & Cello). Partition centrale : | Opus 6, Nos. 1-12 (13 partitions) | | |||
