ORCHESTRE

Orchestra voices SATB/SATB, 3 Fl, 2 oboes, Eh, 2 clarinets, basso continuolt, 4 bassoons, 4 horns, 3 trumpets, 4 trombones, timpani, cassa, 2 violins, viola, cello, contrabassoon

SKU: CA.2719413

Composed by Giuseppe Verdi. Edited by Michele Girardi. Viola. Sacred vocal music, Praise and thanks. Single Part, Viola. Composed 1895/96. 4 pages. Carus Verlag #CV 27.194/13. Published by Carus Verlag (CA.2719413).

ISBN 9790007200909. Language: Latin.

Giuseppe Verdi's Te Deum for double choir and large orchestra is the most frequently performed work of his Quattro pezzi sacri; composed in 1895/96, the Te Deum was his next to last work. Verdi came to terms intensively and in a very personal manner with the text of the Ambrosian hymn of praise. In a compact formal structure a broad range of styles unfolds, from the monodic beginning in Gregorian chant via large dramatic effects to the soft, doubtful dying away of the conclusion. The work is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2719400.

Orchestra voices SATB/SATB, 3 Fl, 2 oboes, Eh, 2 clarinets, basso continuolt, 4 bassoons, 4 horns, 3 trumpets, 4 trombones, timpani, cassa, 2 violins, viola, cello, contrabassoon

SKU: CA.2719409

Composed by Giuseppe Verdi. Edited by Michele Girardi. 1x 27.194/21 flute 1, 1x 27.194/22 flute 2, 1x 27.194/23 flute 3, 1x 27.194/24 oboe 1, 1x 27.194/25 oboe 2, 1x 27.194/26 English horn, 1x 27.194/27 clarinet 1, 1x 27.194/28 clarinet 2, 1x 27.194/29 clarinet 3, 1x 27.194/31 bassoon 1, 1x 27.194/32 bassoon . Harmony parts. Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Composed 1895/96. Carus Verlag #CV 27.194/09. Published by Carus Verlag (CA.2719409).

ISBN 9790007200879. Language: Latin.

Giuseppe Verdi's Te Deum for double choir and large orchestra is the most frequently performed work of his Quattro pezzi sacri; composed in 1895/96, the Te Deum was his next to last work. Verdi came to terms intensively and in a very personal manner with the text of the Ambrosian hymn of praise. In a compact formal structure a broad range of styles unfolds, from the monodic beginning in Gregorian chant via large dramatic effects to the soft, doubtful dying away of the conclusion. The work is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and parts available separately - see item CA.2719400.