Joseph Joachim (1831 - 1907) Autriche Joseph Joachim, né le 28 juin 1831 à Kittsee, près de Bratislava (aujourd'hui en Autriche), mort le 15 août 1907 à Berlin, est un violoniste et un compositeur austro-hongrois de confession juive.
En 1833, le commerçant Julius Joachim déménage à Pest pour assurer une bonne formation à ses enfants. Alors qu'il est âgé de quatre ans, un étudiant offre au petit Joseph un violon jouet et lui apprend à en jouer. Très vite se manifeste chez Joseph une remarquable musicalité, si bien qu'après peu de temps le Konzertmeister de l'opéra de Budapest se charge de l'enfant. Il fait ainsi ses débuts en public à l'âge de sept ans et à douze ans on reconnait déjà sa virtuosité, que l'on compare à celle de Henri Vieuxtemps (1820-1881), Niccolò Paganini (1782-1840) et Ole Bull (1810-1880).
Pour mieux développer le génie musical de Joseph, la famille déménage à Vienne. Les plus importants pédagogues-violonistes du xixe siècle, Georg Hellmesberger (1800-1873) et à partir de 1840, Joseph Böhm (1795-1876) deviennent ses professeurs. À Vienne il rencontre les virtuoses comme Heinrich Ernst, Charles-Auguste de Bériot, Henri Vieuxtemps et les sœurs Milanollo. Il découvre aussi sa passion pour le quatuor à cordes.
À Leipzig, en 1843, Felix Mendelssohn supervise ses études de théorie musicale avec Moritz Hauptmann et les études humanistes (latin, histoire et littérature). L'année suivante, Joachim voyage en Angleterre, après un concert dans la « Società armonica » le 22 avril 1844 le journal Dramatic and musical review écrivait : « ...le lion de la soirée était un gamin de treize ans nommé Joachim, certainement un des plus grands violonistes de nos temps ». Il rencontre le compositeur Charles Villiers Stanford avec lequel il se lie d'amitié. De retour à Leipzig, il fait connaissance du célèbre compositeur violoniste Louis Spohr.
Il devient Konzertmeister à la cour de Weimar, avant de rejoindre celle de Hanovre. Il épouse Amalia Schneeweiss en 1863 dans la chapelle du château et en présence de la reine d'Hanovre. Amalia deviendra une excellente chanteuse de « Lieder » et d'oratorios. À Berlin, Joseph Joachim est nommé directeur de l'académie de musique en 1868, qui ne comptait que 19 étudiants au début. Joachim est un personnage central dans le romantisme musical en Europe. Parmi ses amis il compte Mendelssohn, Franz Liszt, Hector Berlioz, Clara Schumann et surtout Johannes Brahms, qui lui dédie son concerto pour violon.
Plus tard, il part pour Londres. Par la suite, il rencontre Johannes Brahms, qu'il conseille dans la technique du violon durant la composition de son premier concerto pour violon. Avec Karl Goldmark, Brahms et le critique musical Eduard Hanslick, il défend la musique pure contre celle de Wagner. À la fin de sa vie, sa renommée de chef d'orchestre lui vaut d'interpréter la première de la Symphonie n° 1 de Brahms en Angleterre.
Après trois décennies dans un cadre très limité, Joachim peut inaugurer en 1902, en présence du couple impérial, les nouveaux bâtiments de l'académie de musique, désormais fréquentée par 250 étudiants encadrés par 50 professeurs.
Tombe d'honneur de Joseph et Amalie à Berlin
À Berlin, le 17 août 1903, il enregistre quelques rares faces chez Gramophone (G&T), seuls témoignages musicaux qui illustrent les techniques d'interprétation dans les années 1830 sur violon à cordes en boyaux, déjà oubliées en 1903. Il est le plus ancien violoniste au monde à avoir enregistré.
La cantatrice Irène Joachim est sa petite fille et la violoniste Jelly d'Arányi sa petite nièce. (Retracter) ... (lire la suite) Source de l'extrait biographique : Wikipedia
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Partitions (expédition des USA)
Johannes Brahms: Concerto in D major for Violin and Orchestra Orchestre, Violon [Conducteur] Barenreiter
Composed by Johannes Brahms (1833-1897), edited by Brown Clive. Score for violin...(+)
Composed by Johannes
Brahms (1833-1897),
edited by Brown Clive.
Score for violin solo and
orchestra. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006526093.
$60.95 - Voir plus => Acheter Délais: 1 to 2 weeks
Violin Concerto No. 1 in G minor Op. 26 Violoncelle, Orchestre Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15132
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Full score. 84 pages.
Duration 25'. Breitkopf
and Haertel #PB 15132.
Published by Breitkopf
and Haertel
(BR.PB-15132).
ISBN
9790004214688. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$70.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Violin 1 (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-15 ...(+)
Violin 1 (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.OB-15132-15
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-15.
Published by Breitkopf
and Haertel
(BR.OB-15132-15).
ISBN
9790004341940. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$7.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Violin Concerto No. 1 in G minor Op. 26 Violoncelle, Orchestre Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU:
BR.PB-15133-07
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with
G. Henle Verlag
Solo concerto; Romantic;
Late-romantic. Study
Score. 84 pages. Duration
25'. Breitkopf and
Haertel #PB 15133-07.
Published by Breitkopf
and Haertel
(BR.PB-15133-07).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$21.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.PB-1...(+)
Violin and orchestra
(solo: vl - 2.2.2.2 -
4.2.0.0 - timp - str)
SKU: BR.PB-15133
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Romantic;
Late-romantic. Study
Score. Duration 25'.
Breitkopf and Haertel #PB
15133. Published by
Breitkopf and Haertel
(BR.PB-15133).
ISBN
9790004214695. 6.5 x 9
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$21.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Viola (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-19 ...(+)
Viola (solo: vl - 2.2.2.2
- 4.2.0.0 - timp - str)
SKU:
BR.OB-15132-19
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-19.
Published by Breitkopf
and Haertel
(BR.OB-15132-19).
ISBN
9790004341964. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$7.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Violoncello (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-23(+)
Violoncello (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.OB-15132-23
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-23.
Published by Breitkopf
and Haertel
(BR.OB-15132-23).
ISBN
9790004341971. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$7.95 - Voir plus => Acheter Délais: 3 to 4 weeks
Violin Concerto No. 1 in G minor Op. 26 Breitkopf & Härtel
Double bass (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-15132-27(+)
Double bass (solo: vl -
2.2.2.2 - 4.2.0.0 - timp
- str)
SKU:
BR.OB-15132-27
Urtext . Composed
by Max Bruch. Edited by
Michael Kube. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Romantic; Late-romantic.
Part. 8 pages. Duration
25'. Breitkopf and
Haertel #OB 15132-27.
Published by Breitkopf
and Haertel
(BR.OB-15132-27).
ISBN
9790004341988. 10 x 12.5
inches.
Bruch's
evergreen for the first
time in UrtextThanks to
the premiere performance
by Joseph Joachim and to
the release of the
printed edition in 1868,
Max Bruch's Violin
Concerto no. 1 zipped
onto the road to success
and has never left it
since. Yet from the
preface of the
BreitkopfUrtext
edition,one can infer how
things looked like behind
the dazzling facade.
After the world premiere,
the composer struggled
for the definitive form.
He wrote 3, 4 development
sections in the finale,
and sought the advice of
celebrated virtuosi such
as Joseph Joachim and
Ferdinand David to revise
the solo part. And after
all this was done (see
above), Bruch suffered
under the work's
popularity: Have I
written nothing but this
one concerto?The new
Urtext edition is based
primarily on the first
edition. Next to the main
source and the autograph,
what is supremely
interesting is a solo
part with entries by
Joachim and Bruch. It
confirms how intensively
the two men collaborated
on honing the final form
of the work.
$7.95 - Voir plus => Acheter Délais: 3 to 4 weeks
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