 | Diabelli, Anton - "Domine Exaudi" for Clarinets & Piano 2 Clarinettes et 1 Piano |
VoirPDF : "Domine Exaudi" for Clarinets & Piano (8 pages - 288.57 Ko)543x⬇ VoirPDF : Clarinette Part (185.57 Ko) VoirPDF : Bass Clarinette Part (185.92 Ko) VoirPDF : Piano Part (243.19 Ko) MP3 : Audio principal (243.19 Ko)223x⬇ 1370x
Domine Exaudi for Clarinets & Piano
MP3 (2.82 Mo) : 
(par Magatagan, Michael)286x⬇ 153x
Domine Exaudi for Clarinets & Piano
MP3 (2.82 Mo) : (par Magatagan, Michael)153x⬇ 117x
Domine Exaudi for Clarinets & Piano
MP3 (2.93 Mo) : (par Magatagan, Michael)280x⬇ 107x| Compositeur : | Diabelli, Anton (1781 - 1858) | ||
| Instrumentation : | 2 Clarinettes et 1 Piano | ||
| Genre : | Classique | ||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Droit d'auteur : | Public Domain | ||
| Ajoutée par magataganm, 12 Oct 2013 Anton (or Antonio) Diabelli (1781 – 1858) was an Austrian music publisher, editor and composer. Best known in his time as a publisher, he is most familiar today as the composer of the waltz on which Ludwig van Beethoven wrote his set of thirty-three Diabelli Variations. He was born in Mattsee near Salzburg. A musical child, he sang in the boys' choir at the Salzburg Cathedral where he is believed to have taken music lessons with Michael Haydn. By age 19, Diabelli had already composed several important compositions, including six masses. Diabelli was trained to enter the priesthood and in 1800 he joined the monastery at Raitenhaslach, Bavaria. He remained there until 1803 when Bavaria closed all its monasteries. He produced a number of well known works as a composer, including an operetta called Adam in der Klemme, several masses and songs and numerous piano and classical guitar pieces. Among these are pieces for piano four hands that are popular among pianists of all ages. His music goes on to be the fundamentals of opera, and is considered by some to have set the fundamental stepping stones for classic jazz. Diabelli's composition Pleasures of Youth: Six Sonatinas is a collection of six sonatinas depicting a struggle between unknown opposing forces. This is suggested by the sharp and frequent change in dynamics from forte to piano. When forte is indicated, the pianist is meant to evoke a sense of wickedness, thus depicting the antagonist. In contrast, the markings of piano represent the protagonist with its softer, more tranquil tones. The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 32, 38, 51, 102, 130, and 143 (6, 31, 37, 50, 101, 129, and 142 in the Septuagint numbering). Psalm 102/(101) "Domine, exaudi orationem meam, et clamor meus ad te veniat" ("Hear, O Lord, my prayer: and let my cry come to Thee") is the prayer of an afflicted person who has grown weak and pours out a lament before the Lord. Although originally created for chorus (SB) & orchestra, I created this arrangement for Bb Clarinet, Bass Clarinet & Piano. | |||
