 | Bach, Johann Sebastian - Sinfonia: "Nach der Predigt" for Oboe & Strings BWV 76 No 8 2 hautbois et violoncelle |
VoirPDF : Sinfonia: "Nach der Predigt" (BWV 76 No 8) for Oboe & Strings (3 pages - 128.77 Ko)325x⬇ MP3 : Sinfonia: "Nach der Predigt" (BWV 76 No 8) for Oboe & Strings 39x⬇ 359x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | 2 hautbois et violoncelle | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 09 Jun 2015 Die Himmel erzählen die Ehre Gottes (English: The heavens are telling the glory of God), BWV 76, is a church cantata by Johann Sebastian Bach. He composed the church cantata in Leipzig for the second Sunday after Trinity within the liturgical year and first performed it on 6 June 1723. Bach composed the cantata at a decisive turning point in his career. Moving from posts in the service of churches and courts to the town of Leipzig on the first Sunday after Trinity, 30 May 1723, he began the project of composing a new cantata for every occasion of the liturgical year. He began his first annual cycle of cantatas ambitiously with Die Elenden sollen essen, BWV 75, in an unusual layout of 14 movements in two symmetrical parts, to be performed before and after the sermon. Die Himmel erzählen die Ehre Gottes has the same structure. Similar to the opening chorus of BWV 75, Bach sets the psalm in two sections, comparable to a prelude and fugue on a large scale. An instrumental concerto unites the complete "prelude", the trumpet "calls" to tell the glory of God. The fugue in C major is a permutation fugue, which develops the subject twice, starting with the voices, up to a triumphal entrance of the trumpet, similar in development to the first chorus of Wir danken dir, Gott, wir danken dir, BWV 29, composed much later and used twice in the Mass in B minor. Joseph Haydn later set the same words, also in C major, in his oratorio The Creation. Part II starts on an intimate chamber music scale with oboe d'amore and viola da gamba, concentrating on "brotherly devotion" (brüderliche Treue). A sinfonia in E minor for these two instruments is reminiscent both of Bach's compositions for the court in Köthen and of a French overture, marked "adagio", then "vivace". Bach used the music of this movement later in his organ trio, BWV 528. Gardiner calls the movement "in effect a sonata da chiesa". Source: Wikipedia (http://en.wikipedia.org/wiki/Die_Himmel_erz%C3%A4hlen_ die_Ehre_Gottes,_BWV_76) Although originally scored for oboe, viola da gamba and continuo, I created this arrangement for Oboe & Strings (Viola & Cello). Partition centrale : | Die Himmel erzählen die Ehre Gottes (8 partitions) | | |||
