 | Bach, Johann Sebastian - Arioso & Chorus: "Ruht wohl, ihr heiligen Gebeine" for Winds & Strings BWV 245 Nos. 34 & 39 Vents & Orchestre Cordes |
VoirPDF : Arioso & Chorus: "Ruht wohl, ihr heiligen Gebeine" (BWV 245 Nos. 34 & 39) for Winds & Strings (22 pages - 292.56 Ko)1 044x⬇ MP3 : Arioso & Chorus: "Ruht wohl, ihr heiligen Gebeine" (BWV 245 Nos. 34 & 39) for Winds & Strings 126x⬇ 605x
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| Compositeur : | Bach, Johann Sebastian (1685 - 1750) | ||||
| Instrumentation : | Vents & Orchestre Cordes4 autres versions | ||||
| Genre : | Baroque | ||||
| Arrangeur : Editeur : | MAGATAGAN, MICHAEL (1960 - ) | ||||
| Droit d'auteur : | Public Domain | ||||
| Ajoutée par magataganm, 21 Mai 2016 The Passio secundum Johannem or St John Passion (German: Johannes-Passion), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of two surviving Passions by Bach. It was written during Bach's first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably Brockes') and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the St Matthew Passion, the St John Passion has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard today in the 1724 version although Bach revised it in 1725, 1732, and 1749, adding several numbers. "O Mensch, bewein dein Sünde groß", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions. The St John Passion is written for an intimate ensemble of soloists, four-part choir, strings and basso continuo and pairs of flauti traversi and oboes, the latter both doubling on oboe da caccia. For special colours Bach also used lute, viola d'amore and viola da gamba, instruments that were already old-fashioned at the time. In present day performances the part of Jesus is given to one bass soloist, Pilate and the bass arias to another. Some tenors sing the Evangelist – a very demanding part – and the arias. The smaller parts (Peter, Maid, Servant) are sometimes performed by choir members. Source: Wikipedia (https://en.wikipedia.org/wiki/St_John_Passion). I created this arrangement of the Arioso: "Mein Herz, in dem die ganze Welt" (My heart - while the entire world) and Chorus: "Ruht wohl, ihr heiligen Gebeine" (Rest well, you blessed limbs) for Winds (Flute, Oboe, Bb Clarinet, English Horn & French Horn) & Strings (2 Violins, Viola & Cello). Partition centrale : | Passion selon Saint-Jean (29 partitions) | | |||
