BANJOLansing, George L.
desired, finger \dfjitsj rircm d.g.al coda diagram above. diagram of different kinds of scales. dim. d minor dots, thus: dotted quarter note dou& double- flatted raises down down and up down strokes d.qal fine. drawn over drawn through the drum, bass drum, drums d.s.air> d.s.al fine. d.smfine. easy melodies edge of the bridge. elements of music. elements of musiif '*.' v elevate 4th string elevating the 4th string e major e major and c$ minor e minor employed equal equal to equal to 3 ?erformers and er i"nes oan be letei mined. essentia etude in every major scale has everymeasure has exact value. examples examples: examples of common time. examples of compound time. examples of the examples of the gruppetto. examples of triple time. excelsior excelsior method for exercises in intervals of thirds, expressed accordingly, extending above or below the falling- fast fa tempo fclef. ^) : feku, felgh ff, fortissimo f igure fi ir-rrtm^tb-p i r / fine. fine, fine. finger fingerboard rests finger forte : for the (for this (for this work) forxando, and fourth fr1 and tune fox trot fpr*[? fret fret and pick the string with the thumb. frets frets 16 frew. fr-ffi %yiui $#is ltfvt from from ten inches from the nut, f.r^rj iiiuk frtm fru-^j f^sff l/tu tj/a fsne. fte * &. ftj~ ftn0. ^fzj fz, sf or := sforzdndo g and georgia glide gibson cooke gjltp g.l.lansing g.l.lansing. g major) g major with plectrum golden bird graded systematic course grade larger group of notes half note. quarter half notes or rests. half or moderately loud. hand harmonics hapter 208, section 83. harmonic harmonic minor scale. harmonics harp have hj- ill pir holding the banjo hole note hornpipe how ruany of that kind how to tune the banjo hsuj h^yv fii iaj"c/' icj/ufrt^a 'icjvr id sixteenth notes if after 'iff*!'**!'. ^ifrrc/lt.^ i g^ht'cjir i lolfs4-s4 long appoggiaturas. lop. loud. loud and immediately soft again. lplfa-54 l tir 'lui lxruxr- oj'-j *m4 time s' " made of white major major, f$ minor, make several march march and two-step march melody march_militaire marked master mastered. maybe) consisting means measure thai ^mecfu melodic minor scale. melodic minor scale , and the melody melody- banjo shuffle melody with accompaniment method methods methods are al mf-j^nnf mf, mezzo -forte ^ mfpiu lento mi fa sol la mifc mil. minerva minor minor gigue minor scale, and minor. the signature minor third minstrel medley miscellaneous characters miscellaneous characters. mitten thereon. moderato moon-land moon-land (intermezzo, two-step) *-mor mordente m# trio muak publuainc much patient prac- mulcni^ music music department music for the piano, must have a cc my old kentucky home nataral(lf), natural accent new york next, nifies a repetition -nmji notation notation) note. note or best notes notes. notes and rests. notes on 4th string notes on each string. not too fast nrr\pn\jr^ns: nrs: nwst suc- observe slurred notes octaves, on 1st and 4th strings of a princi- often necessary to of the of the 5th string of the pre ohanged old pennyroyal old time reel old town medley on. double dotted rests one continuous sound. (one-step) one step on the on the banjo. open string open strings or bass clef. or esc. organ ornaments. or pencil. or plat or the or treble clef. (or turn). %osc other other accidentals p above; p above and 2 below: pal note. patrol. peck penalties are imposed by the perfect trill. pervei ted and made pfblh lbt^ttp phone. piano accomp. piano arcnmp. piece price zo cents pieces for tenoi p^ ^i plnij ff placed placed above a note placed ao ions/ as it remains placed over the note. plat(b), plaving played played: played. played thus: playing with a pick or plectrum plectrum exercises (plectrum style} plectrum style pm^ djgi^ pm fesi*! pocket. points of excellence. polka di concert *pomtlnw< fka n>t! portion of the music. position post-paid. p^pff clrihr p, piano p pi >jctt pp, pianissimo price principal note. principal notes. producing 'p'^ txl/ pushers' q major qnarter notes quarter note* or rest r\{7}n\prj\p rage rage (one-step) rah* cbngbess stbest raism r cj ixj^^| rcrhjjii recognized as one (relative to (relative to c major.) repeating repeat several times repetition of the same required required than rest. rest against the outer r^fcj^ / r j rff hipp u>p ffr -rfi- rf > r -fit rfjm rfn-n irpffi rfr, t.f rhal rif. right hand right hand harmonics r-iij-ff rij" rim varying ris- rjflttrjflin ^rjilf rnet, trombone ro] lowing rtsb \jfprtthr v said same kind are called a same kind, kv same pitch same string. scale scale. scale and chords in scale and chords in b minor scale and chords in c major scale ascending. scale in scale in a? major scale in right scale of a minor. scale of c major. scale on each string) scale, the second finger on the third second notes. semitone apart. set into the sextolet *sfra shake). sharp (#), sharply accented. short short appoggiaturasv short trill). shown sign for fingering sign, for fingering signs for plectrum strokes signs for plectrum strokes with examples silk, .silver sixteenth note sixths, octaves and tenths sixty fourth sixty - fourth note. slide slur. small note. soft. softer to fnd. soinet sometimes sometimes used. some writers sons? without so that the point lays spaces. = spanish fandango, the spanish. galopade srf> staccato. staff, notes and rests staff .pz- makes staff, thus: stands from the nut. stebbins str. string string, (c); the 5th string, string to the upper fret. stroke stroking, thus giv stronger accent students' favorite studio support the neckat tailpiece tempo di polka tenor-banjo and tenths on tfgiinjrj tfr
Excelsior Method for the Banjo
Lansing, George L. - Excelsior Method for the Banjo
Banjo


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Compositeur :
George L. Lansing
Lansing, George L. (1855 - 1920)
Instrumentation :

Banjo

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Methodes

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Langue :Anglais
Droit d'auteur :Public Domain
Ajoutée par FS, 04 Jun 2016
Source / Web :archive.org
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