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| Composer : | Giorgi, Giovanni | ||
| Instrumentation : | Winds & String Orchestra | ||
| Style : | Baroque | ||
| Arranger : Publisher : | MAGATAGAN, MICHAEL (1960 - ) | ||
| Copyright : | Public Domain | ||
| Added by magataganm, 20 Sep 2020 Giovanni Giorgi (late 17th or early 18th century – 1762) was a priest and an Italian composer. His style of polychoral church compositions are influenced by earlier Roman School composers such as Orazio Benevoli, but also incorporate later Roman Baroque features and (after about 1758) some elements of early Classical style. He is reputed to have originated from Venice, but few details of his life are known. In 1719 he was appointed maestro di cappella at the papal Basilica of St. John Lateran, Rome, in succession to Giuseppe Ottavio Pitoni. Many of Giorgi's early compositions were written during his time in Rome. Many Portuguese records were lost in the 1755 Lisbon earthquake, but in Giorgi's case around 600 compositions have been preserved both in the Lateran archives in Rome and at Lisbon Cathedral. Most are vocal works and many are for liturgical use. Some—particularly the later works—incorporate concerted instrumental parts. By January 1725 he was in Lisbon where he took up the post of court mestre de capela. He died in Lisbon in 1762. Nunc dimittis (Now you may dismiss) are the opening words of Simeon's song of praise on the occasion of the presentation of the infant Jesus in the Temple. After seeing Jesus, Simeon joyfully proclaims that he has seen God's salvation. Simeon had been promised by the Holy Spirit that he would not die without seeing the Saviour. Source of text: Luke 2:29-31; usually followed by the minor doxology Gloria Patri. In the Church of England, the Book of Common Prayer combined the offices of Vespers and Compline, stipulating that both the Magnificat and the Nunc dimittis be sung at Evening Prayer. For this reason, the Nunc dimittis is often found set to music in a pair with the Magnificat (see Category:Evening Canticles). In the traditional Roman rite, the Nunc dimittis also forms the Tract for Mass of the Presentation in the season after Septuagesima Source: Wikipedia (https://en.wikipedia.org/wiki/Giovanni_Giorgi_(compose r)). Although originally written for Double Choir (SSAATTBB), I created this interpretation of the "Salmo Nunc Dimittis" (Now you may dismiss) for Winds (Flute, Oboe, Bb Clarinet, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello). | |||
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