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Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
187.57 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
187.57 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Calme des Nuits for Brass Trio
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.792722 Composed by Camille Sain…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.792722 Composed by Camille Saint-Saens. Arranged by Justin Chiang. A Cappella,Classical,Romantic Period. Score and parts. 6 pages. Gordon Cherry #6059239. Published by Gordon Cherry (A0.792722). Saint-Saëns composed this 3-minute a cappella work for 4-part chorus in 1882. Its serene sounds are only briefly interrupted by a bit of gaiety. Justin Chiang has arranged the work for brass trio of Trumpet in B-flat, Horn and Trombone....and it works very, very well for intermediate level or higher performers.
$12.50
11.16 €
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Ensemble de cuivres
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Camille Saint-Saens
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Justin Chiang
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Calme des Nuits for Brass Trio
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Gordon Cherry
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SheetMusicPlus
Two Sacred Choruses for Brass Quartet
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.792650 Composed by Camille Sain…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.792650 Composed by Camille Saint-Saens. Arranged by Jean-Louis Couturier. A Cappella,Christmas,Easter,Romantic Period,Sacred. Score and parts. 11 pages. Gordon Cherry #5214095. Published by Gordon Cherry (A0.792650). Saint Saens composed several settings of Ave Maria. This version is for a cappella chorus from about 1860. Tollite Hostias (Bring Forth Your Offerings) is an anthem and comes from the final chorus of his Christmas Oratorio from 1858. Jean-Louis Couturier has arranged these two lovely works for Brass Quartet. They will work for Christmas or Easter and can be performed by intermediate + performers, as the technical demands are quite modest. Instrumentation is for 2 Trumpets in B-flat, Horn (substitute Trombone part) and Trombone or Euphonium.
$20.00
17.86 €
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Ensemble de cuivres
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Camille Saint-Saens
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Jean-Louis Couturier
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Two Sacred Choruses for Brass Quartet
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Gordon Cherry
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SheetMusicPlus
Ave Maria from Quattro Pezzi Sacri for 8-part Brass Ensemble
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.811185 Composed by Giuseppe Ver…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.811185 Composed by Giuseppe Verdi. Arranged by Denise. A Cappella,Classical,Opera,Praise & Worship,Romantic Period,Sacred. Score and parts. 16 pages. Gordon Cherry #5982071. Published by Gordon Cherry (A0.811185). Ave Maria, composed in 1889 is the first movement of Verdi's Quattro pezzi sacri for a cappella chorus. Verdi was inspired to compose this work, prompted by the challenge put forth to harmonize the Enigmatic Scale by composer Adolfo Crescentini. The rather bizarre scale is passed around to all the parts throughout the entire work and has become part of the mystery of this beautiful sacred work. This 6-minute piece has been brilliantly arranged for 8-part Brass Ensemble with the following instrumentation: Cornet in B-flat, 3 Flugelhorns, 3 Trombones and Bass Trombone. Substitute parts for 2 Horns and Tuba are also included if desired. This work may be performed by moderately advanced performers.
$25.00
22.33 €
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Ensemble de cuivres
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Giuseppe Verdi
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Denise
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Ave Maria from Quattro Pezzi Sacri for 8-part Brass Ensemble
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Gordon Cherry
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
43.72 €
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Orchestre de chambre
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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jmsgu3
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SheetMusicPlus
Carol Of The Bells - String Orchestra (Individual Parts)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1254983 Composed by Mykola Le…
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String Orchestra - Level 3 - Digital Download SKU: A0.1254983 Composed by Mykola Leontovich. Arranged by César Madeira. Chamber,Christmas,Folk,Multicultural,Traditional,World. Score and Parts. 10 pages. Sheet Music To Play Editions #848571. Published by Sheet Music To Play Editions (A0.1254983). Carol Of The Bells by Mykola Leontovich. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Mykola Dmytrovych Leontovych (1877 – 1921) was a Ukrainian composer, conductor, ethnomusicologist and teacher. His music was inspired by the Ukrainian composer Mykola Lysenko and the Ukrainian National Music School. Leontovych specialised in a cappella choral music, ranging from original compositions, to church music, to elaborate arrangements of folk music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
11.6 €
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Orchestre à Cordes
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Mykola Leontovich
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César Madeira
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Carol Of The Bells - String Orchestra
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Sheet Music To Play Editions
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SheetMusicPlus
Carol Of The Bells - String Orchestra (Full Score and Individual Parts)
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1181072 Composed by Mykola Le…
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String Orchestra - Level 3 - Digital Download SKU: A0.1181072 Composed by Mykola Leontovich. Arranged by César Madeira. Children,Christian,Christmas,Film/TV,Multicultural,World. Score and parts. 21 pages. Sheet Music To Play Editions #780903. Published by Sheet Music To Play Editions (A0.1181072). Carol Of The Bells by Mykola Leontovich. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Full Score and Individual Parts. Enjoy it!Mykola Dmytrovych Leontovych (1877 – 1921) was a Ukrainian composer, conductor, ethnomusicologist and teacher. His music was inspired by the Ukrainian composer Mykola Lysenko and the Ukrainian National Music School. Leontovych specialised in a cappella choral music, ranging from original compositions, to church music, to elaborate arrangements of folk music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$19.99
17.85 €
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Orchestre à Cordes
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Mykola Leontovich
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César Madeira
#
Carol Of The Bells - String Orchestra
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Sheet Music To Play Editions
#
SheetMusicPlus
Carol Of The Bells - String Orchestra (Full Score) - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1254988 Composed by Mykola Le…
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String Orchestra - Level 3 - Digital Download SKU: A0.1254988 Composed by Mykola Leontovich. Arranged by César Madeira. 19th Century,20th Century,Chamber,Christmas,Film/TV. 11 pages. Sheet Music To Play Editions #848577. Published by Sheet Music To Play Editions (A0.1254988). Carol Of The Bells by Mykola Leontovich. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Mykola Dmytrovych Leontovych (1877 – 1921) was a Ukrainian composer, conductor, ethnomusicologist and teacher. His music was inspired by the Ukrainian composer Mykola Lysenko and the Ukrainian National Music School. Leontovych specialised in a cappella choral music, ranging from original compositions, to church music, to elaborate arrangements of folk music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$12.99
11.6 €
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Orchestre à Cordes
#
Mykola Leontovich
#
César Madeira
#
Carol Of The Bells - String Orchestra
#
Sheet Music To Play Editions
#
SheetMusicPlus
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