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TRI ET FILTRES
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Tri et filtres :
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Quatuor à cordes: 2 violons, alto, violoncelle
6
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James Rowe
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Love Lifted Me, Gospel Hymn for Violin and Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.593007 Composed by James Rowe. Ar…
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Piano,Violin - Level 2 - Digital Download SKU: A0.593007 Composed by James Rowe. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. 4 pages. David McKeown #6415207. Published by David McKeown (A0.593007). Love Lifted Me is a beautiful hymn arranged here for Solo Violin and Piano.Love Lifted Me was written late in life in 1912 by an English émigré to the US, James Rowe. A secularized version later became popular amongst Country and Western artists.
$2.49
2.22 €
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Violon et Piano
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James Rowe
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David McKeown
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Love Lifted Me, Gospel Hymn for Violin and Piano
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David McKeown
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SheetMusicPlus
Best Day Of My Life
Quatuor à cordes: 2 violons, alto, violoncelle
By American Authors. By Aaron Accetta, David Rublin, James Adam Shelley, Matthew Sanch…
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By American Authors. By Aaron Accetta, David Rublin, James Adam Shelley, Matthew Sanchez, Shep Goodman, and Zachary Barnett. Arranged by Will Rowe. Pop, Rock, Wedding. Score and parts. 17 pages. Will Rowe Music #718397. Published by Will Rowe Music
$15.99
14.28 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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American Authors
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Will Rowe
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Best Day Of My Life
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Will Rowe Music
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SheetMusicPlus
Sail On
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.583925 By Robin Trower. By James Dewar and Robin Trower. Arranged by Jeff Tincher. Rock. Score and parts. 15 pages. Jeff Tincher #5178497. Published by Jeff Tincher (A0.583925). Here is a hidden gem from the great blues guitarist Robin Trower. In the original key from his Caravan To Midnight album, this song is a ballad about a sailor longing for the sea. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
11.6 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robin Trower
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Jeff Tincher
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Sail On
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Jeff Tincher
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
44.61 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for String Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
66.94 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: La Messe de Nostre Dame for String Quartet
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jmsgu3
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SheetMusicPlus
The Devil Went Down To Georgia
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1307013 By The …
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Cello,Instrumental Duet,Violin - Level 5 - Digital Download SKU: A0.1307013 By The Charlie Daniels Band. By Charles Fred Hayward, Charlie Daniels, Fred Laroy Edwards, James Wainwright Marshall, John Thomas Crain, Jr., and William Joel DiGregorio. Arranged by AZSAP MUSiC. Country. 5 pages. AZSAP MUSiC #896327. Published by AZSAP MUSiC (A0.1307013). Get ready for a thrilling musical showdown with our Devil Went Down to Georgia violin and cello duet arrangement, featuring a virtuoso first violin part. This electrifying arrangement delivers the fiery energy and technical brilliance of the original performance while offering a fresh and dynamic interpretation that is perfect for concerts, recitals, and any event where show-stopping entertainment is a must.Key Features:1. Virtuoso First Violin Part: The arrangement boasts an extraordinary first violin part, allowing the lead violinist to showcase their technical prowess and virtuosity. The demanding and exhilarating performance will captivate audiences and fellow musicians alike.2. Dynamic Duet: The violin and cello duet format provides a unique and powerful interpretation of Devil Went Down to Georgia. The interplay between the two instruments creates a rich and dynamic soundscape, highlighting their contrasting voices.3. High-Energy Performance: This arrangement maintains the fervor and excitement of the original composition. Musicians can expect a heart-pounding performance that keeps the audience on the edge of their seats.4. Versatile Entertainment: Whether you're organizing a concert, a special event, or a captivating recital, this duet arrangement offers a dynamic and impressive addition to your program.Experience the thrill of the iconic Devil Went Down to Georgia as you've never heard it before with this virtuoso violin and cello duet arrangement. Whether you're the daring first violinist or the masterful cellist, this arrangement promises an electrifying musical journey that is bound to leave a lasting impression on your audience.
$4.99
4.46 €
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Violon, Violoncelle (duo)
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The Charlie Daniels Band
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AZSAP MUSiC
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The Devil Went Down To Georgia
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AZSAP MUSiC
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SheetMusicPlus
The Devil Went Down To Georgia
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1307012 By The …
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String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1307012 By The Charlie Daniels Band. By Charles Fred Hayward, Charlie Daniels, Fred Laroy Edwards, James Wainwright Marshall, John Thomas Crain, Jr., and William Joel DiGregorio. Arranged by AZSAP MUSiC. Country. 9 pages. AZSAP MUSiC #896326. Published by AZSAP MUSiC (A0.1307012). Experience the electrifying and iconic Devil Went Down to Georgia like never before with this exceptional string trio arrangement, featuring a virtuosic first violin part. This captivating arrangement can be performed with either a second violin or a viola, making it a versatile choice for various musical settings, from concerts to special events.Key Features:1. Virtuoso First Violin Part: The arrangement shines with an extraordinary first violin part that showcases the virtuosic and fiery performance required for this famous piece. Musicians will revel in the opportunity to demonstrate their technical prowess and expressiveness.2. Versatile Performance: Whether you're organizing a lively concert, a unique recital, or a memorable event, this arrangement adds an element of excitement and versatility to your program. Musicians can choose to complement the first violin with either a second violin or a viola, providing flexibility for different trio configurations.3. Dual Parts Included: The package includes both the second violin and viola parts, allowing musicians to select the ideal complement to the dazzling first violin, catering to the strengths and preferences of the ensemble.4. High-Energy Entertainment: Devil Went Down to Georgia is renowned for its high-energy and enthralling performance. This trio arrangement maintains the song's fervor while providing an exciting and dynamic experience for the audience.Prepare for an extraordinary musical journey with this string trio arrangement of Devil Went Down to Georgia. Whether you're the daring first violinist or one of the skilled supporting musicians on second violin or viola, this arrangement offers a unique and exhilarating performance opportunity that is sure to leave a lasting impression on your audience.
$12.99
11.6 €
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Trio à Cordes: violon, alto, violoncelle
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The Charlie Daniels Band
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AZSAP MUSiC
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The Devil Went Down To Georgia
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AZSAP MUSiC
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SheetMusicPlus
Byrd: Fantasia in A Minor for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1289747 Composed by William Byrd. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 44 pages. Jmsgu3 #880447. Published by jmsgu3 (A0.1289747). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for publishing about ten volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.William Byrd's Fantasias are considered to be highly important. Byrd, an English composer of the Renaissance, played a significant role in pioneering the development of the freely composed fantasia, which became an essential form of Jacobean and later composers. His array of sacred and secular compositions demonstrates a deeply sophisticated musical mind, blending technical prowess and emotional fervor. Byrd is regarded as one of the most prolific composers of the Renaissance, with over 600 of his pieces circulating. Therefore, the Fantasias of William Byrd hold great significance in the history of music.
$28.95
25.86 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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William Byrd
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James M
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Byrd: Fantasia in A Minor for String Quartet
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jmsgu3
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SheetMusicPlus
O Holy Night for Violin & Piano
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.548680 Composed by Adam. Arranged…
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Piano,Violin - Level 2 - Digital Download SKU: A0.548680 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. 10 pages. Jmsgu3 #3410445. Published by jmsgu3 (A0.548680). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg. Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.28 €
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Violon et Piano
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Adam
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James M
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O Holy Night for Violin & Piano
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jmsgu3
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SheetMusicPlus
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