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Caprice For Three

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Caprice For Three (score - vln, vla, cel) #Mark Oâ€™Connor

#Mark O'Connor #Caprice For Three #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861813 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 22 pages. Mark O'Conn...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861813 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 22 pages. Mark O'Connor Musik International #6202395. Published by Mark O'Connor Musik International (A0.861813). Caprice For Three (score â€“ vln, vla, cel) MO140AScore (parts available)Music by Mark Oâ€™Connor18 pages - 3:40 minutes in length Caprice For Three (1997) by Mark O'Connor is a follow-up to the six Caprices for solo violin that appear on his album Midnight On The Water. This piece was also intended as a virtuoso theme for fiddle before O'Connor transformed it for virtuoso string trio on the Sony Classical album Appalachian Journey. The CD reached the number one position on Billboard's Classical Crossover music chart. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1997 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCaprice For Three can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony Classical Catalogue Number MO140ACopyright Â© 1997 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$7.50 ≈ $10.49

Caprice For Three (viola part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Caprice For Three #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861814 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861814 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6202399. Published by Mark O'Connor Musik International (A0.861814). Caprice For Three (viola part â€“ vln, vla, cel) MO140CViola Part (score and parts available)Music by Mark Oâ€™Connor4 pages - 3:40 minutes in length Caprice For Three (1997) by Mark O'Connor is a follow-up to the six Caprices for solo violin that appear on his album Midnight On The Water. This piece was also intended as a virtuoso theme for fiddle before O'Connor transformed it for virtuoso string trio on the Sony Classical album Appalachian Journey. The CD reached the number one position on Billboard's Classical Crossover music chart. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1997 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCaprice For Three can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony Classical Catalogue Number MO140CCopyright Â© 1997 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ $6.29

Caprice For Three (cello part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Caprice For Three #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861815 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861815 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6202401. Published by Mark O'Connor Musik International (A0.861815). Caprice For Three (cello part â€“ vln, vla, cel) MO140DCello Part (score and parts available)Music by Mark Oâ€™Connor4 pages - 3:40 minutes in length Caprice For Three (1997) by Mark O'Connor is a follow-up to the six Caprices for solo violin that appear on his album Midnight On The Water. This piece was also intended as a virtuoso theme for fiddle before O'Connor transformed it for virtuoso string trio on the Sony Classical album Appalachian Journey. The CD reached the number one position on Billboard's Classical Crossover music chart. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1997 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCaprice For Three can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony ClassicalCatalogue Number MO140DCopyright Â© 1997 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ $6.29

Caprice For Three (violin part - vln, vla, cel) #Mark Oâ€™Connor
#Mark O'Connor #Caprice For Three #Mark O'Connor Musik International #SheetMusicPlus

String Ensemble,String Trio - Level 5 - SKU: A0.861816 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 9 pages. Mark O'Conno...(+)

String Ensemble,String Trio - Level 5 - SKU: A0.861816 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 9 pages. Mark O'Connor Musik International #6202397. Published by Mark O'Connor Musik International (A0.861816). Caprice For Three (violin part â€“ vln, vla, cel) MO140BViolin Part (score and parts available)Music by Mark Oâ€™Connor5 pages - 3:40 minutes in length Caprice For Three (1997) by Mark O'Connor is a follow-up to the six Caprices for solo violin that appear on his album Midnight On The Water. This piece was also intended as a virtuoso theme for fiddle before O'Connor transformed it for virtuoso string trio on the Sony Classical album Appalachian Journey. The CD reached the number one position on Billboard's Classical Crossover music chart. The music is suited for advanced and intermediate levels. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 1997 Composed By Mark Oâ€™ConnorOriginally released on Appalachian Journey featuring Mark Oâ€™Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCaprice For Three can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark Oâ€™Connor Sony ClassicalCatalogue Number MO140BCopyright Â© 1997 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$4.50 ≈ $6.29

Caprice No. 7 in C Major #Violon #AVANCÉ #Mark O'Connor #Mark O'Connor #Caprice No. 7 in C Major #Mark O'Connor Musik International #SheetMusicPlus

Violin Solo - Level 5 - SKU: A0.1040132 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Folk. 10 pages. Mark O...(+)

Violin Solo - Level 5 - SKU: A0.1040132 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Folk. 10 pages. Mark O'Connor Musik International #644940. Published by Mark O'Connor Musik International (A0.1040132). Caprice No. 7 in C Major (unaccompanied violin) MO176 Unaccompanied Violin Music by Mark Oâ€™Connor 6 pages - 3:15 minutes in length Caprice No. 7 in C Major for unaccompanied violin is a composition by Mark Oâ€™Connor derived from his own â€œCaprice For Threeâ€ he recorded with Yo-Yo Ma and Edgar Meyer. Receiving great interest from performers, teachers and students of the violin, Oâ€™Connor has contributed music here which will challenge even the most gifted virtuoso. Oâ€™Connorâ€™s caprices, like Nicolo Paganiniâ€™s and Pietre Locatelliâ€™s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. â€œCaprice No. 7â€ features demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the worksâ€™ driving and aggressive rhythms in order to perfect the performance of them. This collection is appropriate for the advanced student but isolated selections could be valuable for the intermediate. Original music printed from the composerâ€™s manuscripts. Music editing, copying and engraving by Mark Oâ€™Connor using Finale on Apple Macintosh 1997 Composed by Mark Oâ€™Connor Mark Oâ€™Connor - Violin Catalogue Number MO176 Copyright Â© 1997 by Mark Oâ€™Connor Music International For more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit www.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs: www.oconnormethod.com.

$7.50 ≈ $10.49

Caprice for Viola and Piano #Alto, Piano #FACILE #Contemporain #Phil Thrift #Caprice for Viola and Piano #Phil Thrift #SheetMusicPlus

Piano,Viola - Level 2 - SKU: A0.955749 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #6683993. Published by Phil Thrift (...(+)

Piano,Viola - Level 2 - SKU: A0.955749 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #6683993. Published by Phil Thrift (A0.955749). Caprice started out as a totally different piece of music, as a song in fact. However, in this modified form in a different key, it works well as a short, easy solo for viola. This is a light piece without any technical difficulties, but the modest musical material will test your musicality. Itâ€™s mainly about melody, not technical abilities. Spirited, lyrical, reflective â€“ those are the three moods the player needs to communicate, and always with a light touch. The first section, up to the key change, should be thought of as a song. That is followed by an instrumental interlude before the song returns at measure 72. At times there is a hint of Latin feeling in the piano accompaniment, which will require some sensitive playing to support that song-like concept. The repetition of the opening four notes in the solo part at the end should not be played loud â€“ they should be regarded as an afterthought. Likewise, the last note in the piano part should not be a weâ€™ve-reached-the-end thump, instead played lightly, like an understatement.

$3.99 ≈ $5.58

Caprice for Horn and Piano #Cor et Piano #FACILE #Contemporain #Phil Thrift #Caprice for Horn and Piano #Phil Thrift #SheetMusicPlus

French Horn,Piano - Level 2 - SKU: A0.955718 Composed by Phil Thrift. Contemporary. Score and part. 13 pages. Phil Thrift #5313399. Published by Phil Th...(+)

French Horn,Piano - Level 2 - SKU: A0.955718 Composed by Phil Thrift. Contemporary. Score and part. 13 pages. Phil Thrift #5313399. Published by Phil Thrift (A0.955718). Caprice for Horn and Piano started out as a totally different piece of music, as a song in fact. However, in this modified form in a different key, it works well as a short, easy solo for horn. This is a light piece without any technical difficulties, but the modest musical material will test your musicality. Itâ€™s mainly about melody, not technical abilities. Spirited, lyrical, reflective â€“ those are the three moods the player needs to communicate, and always with a light touch. Alternative lower notes have been included in the horn part for the very highest notes, although the goal should be to play the highest notes confidently. Parts for F and Eb horn are included and a playalong piano accompaniment is available on Sheet Music Plus.

$3.99 ≈ $5.58

Caprice for Clarinet and Piano #Clarinette et Piano #FACILE #Contemporain #Phil Thrift #Caprice for Clarinet and Piano #Phil Thrift #SheetMusicPlus

Clarinet,Piano - Level 2 - SKU: A0.955728 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #5765125. Published by Phil Thrif...(+)

Clarinet,Piano - Level 2 - SKU: A0.955728 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #5765125. Published by Phil Thrift (A0.955728). Caprice for Clarinet and Piano started out as a totally different piece of music, as a song in fact. However, in this modified form in a different key, it works well as a short, easy solo for clarinet. This is a light piece without any technical difficulties, but the modest musical material will test your musicality. Itâ€™s mainly about melody, not technical abilities. Spirited, lyrical, reflective â€“ those are the three moods the player needs to communicate, and always with a light touch. A playalong piano accompaniment is available for this solo on Sheet Music Plus.

$3.99 ≈ $5.58

Caprice for flute, alto sax, and piano #Saxophone Alto et Piano #Contemporain #Luke Abruzzo #Caprice for flute, alto sax, a #Luke A. Abruzzo #SheetMusicPlus

Instrumental Duet,Piano Alto Saxophone,Flute,Instrumental Duet,Piano - SKU: A0.1035859 Composed by Luke Abruzzo. Contemporary. 9 pages. Luke A. Abruzzo ...(+)

Instrumental Duet,Piano Alto Saxophone,Flute,Instrumental Duet,Piano - SKU: A0.1035859 Composed by Luke Abruzzo. Contemporary. 9 pages. Luke A. Abruzzo #6438077. Published by Luke A. Abruzzo (A0.1035859). A piece in the classical tradition for flute, alto saxophone, and piano. This is an intermediate piece that offers gratification to all three parts.

$9.99 ≈ $13.97

Too Much For Our Thirst (Trombone and Piano) #Trombone et Piano #INTERMÉDIAIRE/AVANCÉ #Contemporain #Alexander Burdiss #Too Much For Our Thirst #Ars Nova Press #SheetMusicPlus

Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...(+)

Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba.Â The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur SymonsÂ Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found.Â We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none.Â In the evening you were a little tired, and you sat down outside a new cafÃ© at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The cafÃ© glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new cafÃ© with an equal admiration, differentiated in each according to age.Â The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy.Â Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away?Â So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!

$9.99 ≈ $13.97

Auguste Franchomme - Three Cello Pieces Arranged for Guitar #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Auguste Franchomme #Eric J Roth #Auguste Franchomme - Three Cel #Eric J Roth #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. ...(+)

Solo Guitar - Level 4 - SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. Eric J Roth #5178787. Published by Eric J Roth (A0.914746). Auguste Franchomme was one of the most well-known and respected cellists in 19th century France. He was born in 1808 in Lille and went on to have a long, celebrated career in Paris as a performer, teacher and composer. Of the three pieces arranged here for guitar, one is drawn from the Twelve Caprices, Op. 7 and two are from the Twelve Etudes, Op. 35. The Caprice, No. 9, Larghetto con dolore, retains its original key of B minor. Etudes, No. 5, Allegretto, and No. 6, Andante con moto, have been transposed to new keys. All transfer well to the guitar, offering novel textures while still seeming idiomatic to the instrument. .

$5.99 ≈ $8.38

Caprices - Karg-Elert - for Clarinet #Clarinette #AVANCÉ #Sigfrid Karg-Elert #John Gibson, editor #Caprices - Karg-Elert - for Cl #JB Linear #SheetMusicPlus

B-Flat Clarinet Solo - Level 5 - SKU: A0.581993 Composed by Sigfrid Karg-Elert. Arranged by John Gibson, editor. 20th Century,Contemporary,Instructional...(+)

B-Flat Clarinet Solo - Level 5 - SKU: A0.581993 Composed by Sigfrid Karg-Elert. Arranged by John Gibson, editor. 20th Century,Contemporary,Instructional. Individual part. 40 pages. JB Linear #3885595. Published by JB Linear (A0.581993). Sigfrid Karg-Elert (1877 â€“ 1933) was an instructor of music theory and composition at the Leipzig Conservatory. He wrote his 30 Caprices for a flautist friend in 1918 and they have since become standard etudes for flute students. With some editing as to range and technical issues arising between the flute and the clarinet, they also work well for clarinet. There were three caprices omitted in this edition since they were unsuitable for clarinet (#18, 23, 28). The clarinetist will find these caprices challenging and instructive. One should note that the convention of accidentals only effecting the note in the octave in which it is first played is usually marked in this edition, and the player should be aware that this is the case throughout. - John Gibson, editor

$16.95 ≈ $23.70

Vier Capricen #Violon #Josephus Andreas Fodor #Vier Capricen #Bisel Classics - Digital #SheetMusicPlus

Violin - SKU: BQ.979-0-50179-171-2 Composed by Josephus Andreas Fodor. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Te...(+)

Violin - SKU: BQ.979-0-50179-171-2 Composed by Josephus Andreas Fodor. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. 34 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-171-2). ISBN 9790501791712.Fodor made his reputation as a touring violin virtuoso but in spite of his star status he mainly composed duets for violin. Of the few solo works that exist, the caprices in this edition illustrate a solid musicality that harks back to the influence of his teacher Franz Benda. The first three caprices were published and copied widely while the fourth has been restored from a sole surviving manuscript copy and marks the first republication of the piece in almost two hundred years.

$15.95 ≈ $22.31

Cherry Blossoms. Three-Step Caprice #Piano seul #Emma I #Cherry Blossoms. Three-Step Ca #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Piano - SKU: LV.10081 Composed by Emma I. Harte. Tree limbs. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Librarie...(+)

Piano - SKU: LV.10081 Composed by Emma I. Harte. Tree limbs. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10081). Cherry Blossoms. Three-Step Caprice. by Emma I. Harte. Published 1907 by Will Rossiter in Chicago. Composition of sectional with piano instrumentation. Subject headings for this piece include Tree limbs. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

$5.99 ≈ $8.38

Barton Cummings: Concertino for contrabassoon and concert band, piano reduction and solo part #Orchestre d'harmonie #AVANCÉ #Barton Cummings #Pavilon Dreams: #Barton Cummings: Concertino fo #Musik Fabrik Music Publishing #SheetMusicPlus

Concert Band - Level 5 - SKU: A0.533848 Composed by Barton Cummings. 20th Century,Concert,Contemporary,Standards. Score and parts. 45 pages. Musik Fabri...(+)

Concert Band - Level 5 - SKU: A0.533848 Composed by Barton Cummings. 20th Century,Concert,Contemporary,Standards. Score and parts. 45 pages. Musik Fabrik Music Publishing #3053833. Published by Musik Fabrik Music Publishing (A0.533848). A three-movement Concertante work for contrabassoon and concert band, where in a piano reduction by the composer, which may be performed in concert. 1. Caprice2. Pavilon Dreams: The Kooyman Fragments3. VariationsThe full score and solo part are for sale as an individual item. The individual parts are also for sale. The full set is only available as a physical item because of page number restrictions, but may be ordered on this site.

$24.95 ≈ $34.89

Barton Cummings: Concertino for contrabassoon and concert band, full score and solo part #Orchestre d'harmonie #AVANCÉ #Barton Cummings #Barton Cummings: Concertino fo #Musik Fabrik Music Publishing #SheetMusicPlus

Concert Band - Level 5 - SKU: A0.533849 Composed by Barton Cummings. 20th Century,Concert,Contemporary,Standards. Score and parts. 154 pages. Musik Fabr...(+)

Concert Band - Level 5 - SKU: A0.533849 Composed by Barton Cummings. 20th Century,Concert,Contemporary,Standards. Score and parts. 154 pages. Musik Fabrik Music Publishing #3053835. Published by Musik Fabrik Music Publishing (A0.533849). A three-movement Concertante work for contrabassoon and concert band, where in a piano reduction by the composer, which may be performed in concert. 1. Caprice2. Pavilon Dreams: The Kooyman Fragments3. VariationsA piano reduction and solo part are for sale as an individual item. The individual parts are also for sale. The full set is only available as a physical item because of page number restrictions, but may be ordered on this site.ï»¿

$29.95 ≈ $41.88

Three Improvisations (for piano solo) #Piano seul #INTERMÉDIAIRE/AVANCÉ #Contemporain #Alan Bullard #Three Improvisations #Colne Edition / BullardMusic #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1190156 Composed by Alan Bullard. 20th Century,Contemporary. Score. 12 pages. Colne Edition / BullardMusic #789776. Publi...(+)

Piano Solo - Level 4 - SKU: A0.1190156 Composed by Alan Bullard. 20th Century,Contemporary. Score. 12 pages. Colne Edition / BullardMusic #789776. Published by Colne Edition / BullardMusic (A0.1190156). These three pieces, although not technically improvisations as they are completely notated, are improvisatory in character, and explore a wide range of colour within an accessible style. They are of around ABRSM Grade 6 Â standard.Â The Caprice, mostly light and delicate, leads to a slower and expressive Lament, and the set concludes with a lively gigue-like Dance.Duration: 7 minutes Published by Colne Edition www.colneedition.co.uk Â or Â https://www.alanbullard.co.uk/score/three-improvisations-piano-solo/

$5.99 ≈ $8.38

Georges Bizet Caprice #Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor #INTERMÉDIAIRE #Classique #Georges Bizet #Simeon Loring #Georges Bizet Caprice #S. Loring #SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.953680 Composed by Georges Bizet (1838-1875). Arranged by Simeon Loring. Romantic Period. 25 page...(+)

Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.953680 Composed by Georges Bizet (1838-1875). Arranged by Simeon Loring. Romantic Period. 25 pages. S. Loring #1768709. Published by S. Loring (A0.953680). Bizet wrote a suite of three pieces for the harmonium. This is the third movement. It is a charming selection that delights audiences.

$24.99 ≈ $34.95

Eight Dutch Baroque Duets for SB, TB, or SA Recorders #Classique #Anonymous #John Geohegan #Eight Dutch Baroque Duets for #JGJG Sheet Music LLC #SheetMusicPlus

Recorder - Level 3 - SKU: A0.1417272 Composed by Anonymous. Arranged by John Geohegan. Baroque. Recorder Ensemble. 84 pages. JGJG Sheet Music LLC #99883...(+)

Recorder - Level 3 - SKU: A0.1417272 Composed by Anonymous. Arranged by John Geohegan. Baroque. Recorder Ensemble. 84 pages. JGJG Sheet Music LLC #998830. Published by JGJG Sheet Music LLC (A0.1417272). Eight varied instrumental duets written for amateur musicians. Â Includes pavan, galliard, caprice, branle, and set of four carillon tunes. Â Originally for soprano recorder and bass instrument, published 1649. Â Three PLAYABLE SCORES for each song in S/B, T/B, and S/A voicings. Â File includes two copies of each score. Â Choose your instruments and print the scores you need!

$8.00 ≈ $11.19

Winter Sketches for Violin and Piano #Violon et Piano #AVANCÉ #Contemporain #Sy Brandon #Winter Sketches for Violin and #Sy Brandon #SheetMusicPlus

Piano,Violin - Level 5 - SKU: A0.754903 Composed by Sy Brandon. 20th Century,Contemporary. 18 pages. Sy Brandon #3214163. Published by Sy Brandon (A0.75...(+)

Piano,Violin - Level 5 - SKU: A0.754903 Composed by Sy Brandon. 20th Century,Contemporary. 18 pages. Sy Brandon #3214163. Published by Sy Brandon (A0.754903). This three movement work opens with a Caprice with playful imitative figures in both parts. A lyrical Ode in 6/8 presents a reflective second movement. A rhythmic Toccata with frequent meter changes brings the work to an exciting close.

$9.99 ≈ $13.97

Sonata in D minor, Op.6, No.12 for cello and keyboard (harpsichord) #Violoncelle, Piano #INTERMÉDIAIRE #Classique #Pietro Antonio Locatelli #David Starkweather #Sonata in D minor, Op.6, No.12 #Artaria Editions #SheetMusicPlus

Cello,Piano - Level 3 - SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artar...(+)

Cello,Piano - Level 3 - SKU: A0.1487803 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 31 pages. Artaria Editions #1064741. Published by Artaria Editions (A0.1487803). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12. Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.

$28.00 ≈ $39.16

Sonata in D major, Op. 6, No. 6 for cello and keyboard (harpsichord) #Violoncelle, Piano #INTERMÉDIAIRE #Classique #Pietro Antonio Locatelli #David Starkweather #Sonata in D major, Op. 6, No. #Artaria Editions #SheetMusicPlus

Cello,Piano - Level 3 - SKU: A0.1487802 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 28 pages. Artar...(+)

Cello,Piano - Level 3 - SKU: A0.1487802 Composed by Pietro Antonio Locatelli. Arranged by David Starkweather. Classical. Score and part. 28 pages. Artaria Editions #1064740. Published by Artaria Editions (A0.1487802). Three movements from these two sonatas became part of the cello literature due to an arrangement by Alfredo Piatti(1822-1901). Piatti's arrangement, while extending the literature for cello, took considerable liberty with the material. The three movements of the Locatelli-Piatti sonata are originally movements from the two Locatelli violin sonatas arranged in this edition for cello and continuo. Piatti's arrangement used the second and third movements of the Sonata in D Major, Op. 6 No. 6 , and the first movement of the Sonata in D Minor, Op. 6 No. 12 . Pietro Antonio Locatelli (1695-1764) was an Italian composer and violinist who moved to Amsterdam in 1729. He was a virtuoso violinist, and his compositions are all concertos, sonatas and violin caprices. The twelve violin sonatas of Opus 6,1 published in Amsterdam in 1737, are considered to be among Locatelli's best works. The sonatas of Opus 6 generally follow the pattern found in No.6: a three movement scheme with a slow first movement, a fast middle movement, and concluding with a third movement set of variations, often on a minuet theme. No. 12 is a surprise, having five movements the last of which is a Capriccio, a predominantly solo movement subtitled Prova del intonatione. David Starkweather.

$28.00 ≈ $39.16

PAGANINI CAPRICE - VARIATIONS FOR THREE VIOLINS, CELLO AND PIANO #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Classique #Nicolo Paganini #Helen Marple-Horvat #PAGANINI CAPRICE - VARIATIONS #Helen Marple-Horvat #SheetMusicPlus

Composed by Nicolo Paganini (1782-1840). Arranged by Helen Marple-Horvat. Score, Set of Parts. 47 pages. Published by Helen Marple-Horvat...(+)

Composed by Nicolo Paganini (1782-1840). Arranged by Helen Marple-Horvat. Score, Set of Parts. 47 pages. Published by Helen Marple-Horvat

$20.00 ≈ $27.97

Variations on Paganini Caprice 24 for Guitar with staff notation and tab
#Guitare notes et tablatures #INTERMÉDIAIRE/AVANCÉ #Classique #David F Wainwright, theme by #Variations on Paganini Caprice #D F Wainwright #SheetMusicPlus

Guitar Tab - Advanced Intermediate - Digital Download Composed by David F Wainwright, theme by Niccolo Paganini. Contemporary Classical, Repertoire, Gradu...(+)

Guitar Tab - Advanced Intermediate - Digital Download Composed by David F Wainwright, theme by Niccolo Paganini. Contemporary Classical, Repertoire, Graduation, Recital. Set of Parts. 3 pages. Published by D F Wainwright
If you're looking for a piece to shine with in your music exam or maybe need a short (1min 30sec) encore to surprise the audience, this set of theme and three variations will do the trick. The 1st and 2nd variations integrate some rock/jazz figures, while the 3rd variation quotes (briefly) Rachmaninov's famous Variation 18. david@springquartet.co.uk

$9.99 ≈ $13.97

Madrigal Pavane / Timburibá #Francisco Braga #Luciano Lima #Madrigal Pavane / Timburib&aac #Les Productions d'OZ - Digital #SheetMusicPlus

Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...(+)

Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.

$7.95 ≈ $11.12

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