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Caprice for Clarinet and Piano - Playalong
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur "Jenny L'Ouvrière" for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533345 Composed by Ali Be…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533345 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 10 pages. Musik Fabrik Music Publishing #2348193. Published by Musik Fabrik Music Publishing (A0.533345). Ali Ben Sou Alle was born Jean-Baptiste SOUALLE in 1824 in Arras, France. He first studied the clarinet, winning a first prize in Clarinet in the class of Klosé at the Paris Conservatory. He then entered the Paris Opera orchestra, but left France in 1848 because of the revolution, fleeing to London. In 1850, he met Louis JUILLIEN, another early saxophonist, who encouraged Soualle to take up the saxophone. Soualle made several modifications to the instrument, including changes to the octave mechanism and the other keys for trills and alternative fingerings, many of which are used in modern saxophones.He named his hybrid creation the turcophone and began composing works for the instrument, which included fantasies on operatic themes, character pieces and a series of descriptive works which document several concert tours in Europe, Australia and the Orient which Soualle undertook. Upon his return to France around 1861, after his conversion to Islam, he changed his name to Ali Ben Sou Alle. Under that name, he performe recitals for the Prince of Wales and for the Emperor Napoleon III and his family in 1865. After this date, no trace of his career has currently been uncovered and it is though that he probably died around 1867. This work is .in two large sections, the first in the form of a lyrical aria, the second a lively schezando.
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Saxophone Alto et Piano
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Caprice : Souvenir de la Nouvelle-Zélande for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Indispensable Folio - Bb Clarinet and Piano
Clarinet; Piano Accompaniment SKU: HL.4471940 Composed by R.M. Endresen. Rubank Sol…
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Clarinet; Piano Accompaniment SKU: HL.4471940 Composed by R.M. Endresen. Rubank Solo Collection. Concert, Contest. 36 pages. Rubank Publications #RUBL82. Published by Rubank Publications (HL.4471940). ISBN 9798350111651. UPC: 073999719406. 9.0x12.0x0.132 inches.A collection of 11 original solos (Grade 2.5) for the development of technique. Appropriate for contest. Includes: Spinning Wheel • Syncopator • Forest Echo • School Musician • Air Varie • Fox Hunt • Polish Dance * Valse Caprice • Holiday Medley • Whistlin' Pete • Moonlight Serenade.
Song List: Spinning Wheel Polish Dance Whistlin' Pete School Musician Forest Echo Air Varie Valse Caprice Syncopator Moonlight Serenade Fox Hunt Jingle Bells O Come, All Ye Faithful
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R
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Indispensable Folio - Bb Clarinet and Piano
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Rubank Publications
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SheetMusicPlus
Rubank Book of Clarinet Solos – Intermediate Level
Clarinette
Clarinet - Grade 3 SKU: HL.160726 Book with Online Audio (stream or download)
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Clarinet - Grade 3 SKU: HL.160726 Book with Online Audio (stream or download). Composed by Various. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.160726). ISBN 9781495065057. UPC: 888680623814. 9.0x12.0x0.072 inches.This compilation of 11 clarinet solos from the legendary Rubank educational library now includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment files • PLAYBACK+ A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: Adagio and Meneutto (Mozart) • Alleluja from Exultate, Jubilate (Mozart) • Bel Canto (Johnson) • Chansonette (Barret) • Concerto in G Minor (Handel) • Estilian Caprice (Paul) • Fantasy-Piece, Op. 73 No. 1 (Schumann) • Lamento (Bassi) • Menuet from Divertimento in D, K. 334 (Mozart) • Nocturne from Concerto in G Minor (Verhey) • Romance, Op. 3 (Becker).
Song List: Alleluia Adagio & Meneutto (Mozart) Bel Canto (Johnson) Chansonette (Barret) Concerto In G Minor (Handel) Menuet(Div.In D K334) Mozart Nocturne(Con. In G Min)-Verhey Romance, Op.3 (Becker) Estilian Caprice (Paul G) Lamento (Bassi) Fantasy-Piece, Op. 73, No. 1
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Clarinette
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Various
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Rubank Book of Clarinet Solos – Intermediate Level
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Rubank Publications
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SheetMusicPlus
Paganini Op 1 Caprice No 24 Variations For Solo Clarinet
A Clarinet Solo,B-Flat Clarinet Solo,Bass Clarinet Solo,E-Flat Clarinet Solo - Level 4 - D…
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A Clarinet Solo,B-Flat Clarinet Solo,Bass Clarinet Solo,E-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1302633 By Rainer's Rainbow. By Niccolo Paganini 1782-1840. Arranged by R G Roth. 19th Century,Classical,Instructional,Jazz,Standards. Individual part. 25 pages. Rainer's Rainbow #892254. Published by Rainer's Rainbow (A0.1302633). The Paganini Variations from his own Caprice No 24 have been transcribed for nearly all solo instruments since they were composed over 200 years ago. Here for the first time they are arranged in then original key of A minor with suggested chords for Clarinet. The arrangement includes a Leadsheet with chords making it possible to be played with a jazz piano or jazz guitar. Transpositions are included for C, Bb, A, Eb, and D Clarinets.
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Rainer's Rainbow
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R G Roth
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Paganini Op 1 Caprice No 24 Variations For Solo Clarinet
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Rainer's Rainbow
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SheetMusicPlus
Joseph Williams: Melodie - Caprice, Pensées Fugitives, No. 1 - clarinet & piano
Clarinette et Piano
Instantly printable sheet music by Joseph Williams for clarinet & piano of MEDIUM/HIGH…
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Instantly printable sheet music by Joseph Williams for clarinet & piano of MEDIUM/HIGH skill level. Contents: Joy of Music, Virtuoso and Entertaining Pieces for Clarinet and Piano / classical
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Clarinette et Piano
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Joseph Williams
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Virtualsheetmusic
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) III. Impromptu (Le Toupie) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553913 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century,Children,Standards. Score and parts. 16 pages. RayThompsonMusic #6089863. Published by RayThompsonMusic (A0.553913). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top) (this one)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife)Le bal – galop (The ball) Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of one movement - no. 2 (no. 3 in the petite suite) Arranged double wind quintet and bass,
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) I.March (Trompette et tambour) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553908 Composed by Georges Bizet. Arranged by Ray Thompson. 20th Century,Children,Christmas,Romantic Period. Score and parts. 19 pages. RayThompsonMusic #6083141. Published by RayThompsonMusic (A0.553908). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871.[ The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife)Le bal – galop (The ball)Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of no 6 (no 1 in the petite suite).It is arranged for double wind quintet and bass.
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
Bizet: Jeux D'Enfants Suite (Children's Games)(Complete) - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553928 Composed by Georges Bizet. Arranged by Ray Thompson. Children,Instructional,Romantic Period. Score and parts. 63 pages. RayThompsonMusic #6197359. Published by RayThompsonMusic (A0.553928). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife) Le bal – galop (The ball)Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of the suite.(in bold above) for double wind quintet/bass
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants Suite
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RayThompsonMusic
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SheetMusicPlus
Bizet: Jeux D'Enfants (Children's Games) IV. Duo - symphonic wind
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553927 Composed by Georges Bizet. Arranged by Ray Thompson. Holiday,Instructional,Romantic Period. Score and parts. 16 pages. RayThompsonMusic #6196941. Published by RayThompsonMusic (A0.553927). Jeux d'enfants (Children's Games) Op. 22, is a suite of twelve miniatures composed by Georges Bizet for piano four hands in 1871 The entire piece has a duration of about 20 to 23 minutes. The movement titles are as follows:L'escarpolette – reverie (The swing)La toupie – impromptu (The spinning top)La poupée – berceuse (The doll)Les chevaux de bois – scherzo (Wooden horses)Le volant – fantasie (Battledore and shuttlecock)Trompette et tambour – marche (Trumpet and drum)Les bulles de savon – rondino (Soap bubbles)Les quatre coins – esquisse (Puss in the corner)Colin-maillard – nocturne (Blind man's buff)Saute-mouton – caprice (Leap-frog)Petit mari, petite femme – duo (Little husband, little wife) (this one)Le bal – galop (The ball) Bizet orchestrated five of these; Nos. 6, 3, 2, 11, 12 became his Petite Suite; it is probable he also orchestrated No. 4,This is my arrangement of one movement - no. 11 (no. 4 in the petite suite) Arranged double wind quintet and bass,
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Georges Bizet
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Ray Thompson
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Bizet: Jeux D'Enfants
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RayThompsonMusic
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SheetMusicPlus
F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1364910 Composed by Francis Poulenc. Arra…
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Full Orchestra - Digital Download SKU: A0.1364910 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 108 pages. Arkady Leytush #949205. Published by Arkady Leytush (A0.1364910). Napoli Suite for piano was written in 1922-25. The aesthetic attribute most praised by the French is that utterly indefinable quality known as â??charmâ??. Among its leading proponents among 20th-century composers is Francis Poulenc, whose picture-postcard piano suite Napoli whimsically evokes the seaside pleasures, the serene beauty and urban bustle of Italian life as seen through the lens of an urbane French tourist in Naples. All of the above-mentioned colorful virtues of this music moved me to orchestrate this suite for a symphony orchestra, combining it with chamber and solo episodes, where, along with a full symphony orchestra, complete freedom is given to the soloists of the orchestra and its groups. For example, the 1st part â?? Barcarolle - starts with Violin, Flute, Oboe, and Clarinet solo. The 2 part - Nocturne - is almost chamber ensemble consisting of Flute, Oboe, Clarinet, Bassoon, Harp, Tambourine, Cello and D. Bass. The Tutti orchestra wedges in contrast only in in the last 6 bars. The 3rd part - Caprice Italien â?? string septet is soloing in 2 episodes without a conductor amidst powerful and colorful full orchestra sound. I hope to arouse interest of conductors and soloists of the orchestra to perform this brilliant music.
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Orchestre
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Francis Poulenc
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A
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F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Paganini Caprice XXIV - Piano Accompaniment by Benny Goodman - Instrumental Parts
Performed by: Benny Goodman: Paganini Caprice XXIV - Piano Accompaniment Digital Sheetmusi…
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Performed by: Benny Goodman: Paganini Caprice XXIV - Piano Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Solo & Accompaniment;Instrumental Parts, instruments: Clarinet;Piano; 4 pages -- Jazz~~Big Band~~Swing
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Benny Goodman
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Piano Accompaniment by Benny Goodman
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Musicnotes
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