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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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MANDOLINE
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Psalm 3
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264
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128
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94
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59
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17
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17
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7
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5
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2
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2
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Clavecin
1
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3
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3
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2
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2
Voix Baryton, Piano
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1
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1
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1
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31
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7
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5
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4
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3
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3
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3
Saxophone Alto
2
Ensemble de Flûtes
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2
Saxophone (partie séparée)
2
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2
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Clarinette, Trompette (duo)
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Ensemble de saxophones
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1
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Flûte, Alto (duo)
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3 Saxophones (trio)
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5 Flûtes à bec
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1
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Flûte, Alto et Piano
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1
Hautbois, Clarinette (duo)
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22
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10
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6
Trombone (partie séparée)
6
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5
Quatuor de Cuivres
5
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3
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3
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2
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Cor
2
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1
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1
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1
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Tuba
1
Bass Clef Instruments
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17
Harpe
13
Alto seul
9
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8
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8
Alto (partie séparée)
7
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6
Violon, Violoncelle (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
2 Violons (duo)
3
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3
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2
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2
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Piano Trio: Violon, Alto, Piano
2
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1
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1
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1
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1
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1
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1
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1
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9
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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MANDOLINE
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Crtitères actifs :
Psalm 3
Tuba et Piano
Partitions à imprimer
2 partitions trouvées
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1
He Leadeth Me (bass C instrument solo)
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Tuba et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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William B
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Sandra Zylstra
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He Leadeth Me
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sandra dee zylstra
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SheetMusicPlus
Bass Clef Instrument,C Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 3 - SKU: A0.712073 Composed by William B. Bradbury. Arranged by S...
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Bass Clef Instrument,C Instrument,Cello,Euphonium,Instrumental Solo,Piano,Tuba - Level 3 - SKU: A0.712073 Composed by William B. Bradbury. Arranged by Sandra Zylstra. Christian,Praise & Worship,Sacred. Score and individual part. 8 pages. Sandra dee zylstra #708329. Published by sandra dee zylstra (A0.712073). This hymn was written in the days of the Civil War and came about as Joseph Gilmore reflected on the words of Psalm 23. The tune was later set in motion by William Bradbury. Think about the first few verses of Psalm 23 as you play this well loved hymn. He Leadeth Me is arranged as an intermediate bass C instrument solo with piano accompaniment and a separate instrument part in the keys of D and A. (Approximately 3 minutes, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: http://www.sheetmusicplus.com/formats/singles/sandra-zylstra/600092+3001855 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra/ .
$4.25 ≈
¥30.80
Luther: Out of the Depths for Tuba & Piano
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Tuba et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 ...
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Piano,Tuba - Level 1 - SKU: A0.548724 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411763. Published by jmsgu3 (A0.548724). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95 ≈
¥180.82
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Psalm 3
