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The Sixth Sense
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
CLAVECIN
CLOCHES
COR
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Crtitères actifs :
The Sixth Sense
Partitions à imprimer
18 partitions trouvées
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1
SIXTH SENSE from Odd Beethoven
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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West Coast Wind Quintet
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SIXTH SENSE from Odd Beethoven
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Thinkling Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1162317 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 15 pages. Thinkling Musi...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1162317 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 15 pages. Thinkling Music #762678. Published by Thinkling Music (A0.1162317). Beethoven gets bluesy!Based on themes from Beethoven’s Symphony No 6, “Sixth Sense†begins just like the original, but then quickly takes a wrong turn. That one “wrong†note (you’ll hear it) signals “this is not your grandmother’s Beethovenâ€. The piece also makes creative use of Beethoven’s repeating figuration patterns, converting them with a few expertly placed note changes into quite bluesy sounding figures.
$5.00 ≈
¥36.24
The Sixth Sense
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Antonello Rizzella
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The Sixth Sense
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Antonello Rizzella
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SheetMusicPlus
Agogo Bell,Cabasa,Claves,Congas,Marimba,Timbales,Timpani,Triangle,Vibraphone,Viola - Level 4 - SKU: A0.1378827 By Antonello Rizzella. By Antonello Rizze...
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Agogo Bell,Cabasa,Claves,Congas,Marimba,Timbales,Timpani,Triangle,Vibraphone,Viola - Level 4 - SKU: A0.1378827 By Antonello Rizzella. By Antonello Rizzella. 21st Century,Country,Folk,Latin,New Age. 64 pages. Antonello Rizzella #963541. Published by Antonello Rizzella (A0.1378827). Work for solo viola and percussion orchestra. South American Latin rhythms accompany the solo viola through a fascinating and sensual journey.
$60.00 ≈
¥434.83
Manifestations of love.5. "Sixth sense"
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Yiannis Romanos with his viola
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Dimitris Minakakis
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Manifestations of love.5. &quo
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Dimitris Minakakis
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1113051 By Yiannis Romanos with his viola and Dionysis Mallouhos on the piano. By Dimitris Minakakis. Arranged by Dimitr...
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Piano,Viola - Level 4 - SKU: A0.1113051 By Yiannis Romanos with his viola and Dionysis Mallouhos on the piano. By Dimitris Minakakis. Arranged by Dimitris Minakakis. Contemporary. Score and part. 6 pages. Dimitris Minakakis #714793. Published by Dimitris Minakakis (A0.1113051). Dimitris Minakakis Manifestations of love. Yiannis Romanos with his viola and Dionysis Mallouhos on the piano perform the wordless songs of Dimitris Minakakis, which are inspired by the cycle of poems by George Mastrogiannopoulos, Fissures and Spent sunsets, as recorded by Vangelis Sapounas at Subway studio. The album is released digitally by Subways Music. YouTube Manifestations of Love - Dimitris Minakakis ft.Yiannis Romanos & Dionyssis Mallouhos (full album).
$5.00 ≈
¥36.24
Sixth Sense
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Rock
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Chicago
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Patrick Sheehan
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Sixth Sense
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747917 By Chicago. By Terry Kath. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 122 pages. Patrick Sheehan ...
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Small Ensemble - Level 5 - SKU: A0.747917 By Chicago. By Terry Kath. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 122 pages. Patrick Sheehan #4968737. Published by Patrick Sheehan (A0.747917). INSTRUMENTATION: Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Fender Rhodes, Electric Guitar I (solo), Electric Guitar II (rhythm), Bass, Conga Drums, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago VIII released in 1975. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00 ≈
¥181.18
Sixth Sense - by Piano Hive
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Piano seul
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FACILE
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Contemporain
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Janette Mason, James Thompso
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Sixth Sense - by Piano Hive
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Piano Hive
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SheetMusicPlus
Piano Solo - Composed by Janette Mason, James Thompson. Contemporary Classical, Neo-Classical, Repertoire, Technique Training, Recital. 6 pages. Pub...
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Piano Solo - Composed by Janette Mason, James Thompson. Contemporary Classical, Neo-Classical, Repertoire, Technique Training, Recital. 6 pages. Published by Piano Hive
Contemporary Classical, solo piano piece suitable for Grade 5 - 6, intermediate players.
'Sixth Sense' is an intricate cinematic piece which explores some wonderful harmony. This main riff is a real joy with both hands working in partnership to create beautiful texture and sound. The introduction of the melody comes in with grace and adds another dimension to the piece!
Key techniques
- 8th note left hand spread arpeggios over a 10th
- Right hand octave melody playing
- Contrasting dynamics left and right hand
Composer Tips
- In preparation for learning the piece, practice Ab major and F minor harmonic scales hands together.
- Keep the quaver movement steady throughout and be careful not to over emphasise the first note in each bar.
- Keep a very loose wrist to help perform the left hand extended arpeggios
Sixth Sense is suitable for home performance, practice pieces, ABRSM grade support pieces, professional performance, school and student learning.
Influenced by the current top pianists in this field such as Ludovico Einaudi, Alexis Ffrench, Olafur Arnalds, Luke Howard etc. Piano Hive always aim to write and produce music that is clearly laid out, very readable and will help improve several aspects of your playing whilst sounding great at the same time. We hope you enjoy and please come over to our socials to leave some feedback or send us an email!
$4.99 ≈
¥36.16
Dies Irae Dodecaphonic
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Piano seul
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AVANCÉ
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Contemporain
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Publishe...
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Piano Solo - Level 5 - SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99 ≈
¥43.41
Bach Fuga BWV 539 For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standa...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
¥181.18
Into Madness
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Blake Buehler
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Into Madness
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Blake Buehler
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SheetMusicPlus
B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - SKU: A0.1206350 Composed by Blake Buehler. Chamber,Contemporary,Film/TV. 37 pages. Blake...
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B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - SKU: A0.1206350 Composed by Blake Buehler. Chamber,Contemporary,Film/TV. 37 pages. Blake Buehler #804546. Published by Blake Buehler (A0.1206350). Pierrot Ensemble, performance duration 8'12. Inspired by psychological thrillers including Midsommar, Get Out, Nope, and The Sixth Sense. Includes full score and all parts.
$24.99 ≈
¥181.11
Prelude 6 from "Book of Preludes: 1-15 for Piano"
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Piano seul
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AVANCÉ
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Barry Michael Wehrli
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Prelude 6 from "Book of P
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Wehrli Publications
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.991992 Composed by Barry Michael Wehrli. 20th Century,Contemporary,Standards. Score. 5 pages. Wehrli Publications #338413...
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Piano Solo - Level 5 - SKU: A0.991992 Composed by Barry Michael Wehrli. 20th Century,Contemporary,Standards. Score. 5 pages. Wehrli Publications #3384135. Published by Wehrli Publications (A0.991992). Recording duration: 4:25. Recording excerpt begins at measure 15. Prelude 6 is the sixth of 15 works available in the Book of Preludes: 1-15 for Piano, a collection of character pieces by keyboardist, author, educator, and Wehrli Publications founder, Barry Michael Wehrli. These evocative preludes resemble the short, expressive pieces of Beethoven, Chopin and Debussy, but possess elements of later styles such as 20th century, new-age, jazz and more. Aside from their value as outstanding new performance repertoire, advanced students and professionals are discovering the pedagogical value of the Preludes as they make their way into state teaching organizations across the country such as CAPMT (California) and UMTA (Utah). Teachers often search for new and appealing serious music for their piano students. Yet such music is hard to find. The complete Book of Preludes offers nearly an hour of diverse music, each prelude creating its own unique sense of musical journey. All preludes contain damper and sostenuto pedal indications, bar numbers, suggested fingering, and tempo and dynamic marks reflecting the composer’s recorded performance. Reviews are available at the locations below. The Complete Book of Preludes: 1-15 for Piano - In Print: wehrlipubs.com/shop/book-of-preludes. The Complete Book of Preludes: 1-15 for Piano - Studio Recordings: wehrlipubs.com/shop/book-of-preludes-cd. Purchased Books or CDs will be autographed by the composer upon request. Social media and contact information is available at Wehrli Publications: wehrlipubs.com. Barry is a member of the Music Teachers Association of California (MTAC), the California Association of Professional Music Teacher (CAPMT), and ASCAP. He welcomes your thoughts on the Preludes and is happy to answer any questions regarding the Wehrli Publications catalog of piano instruction materials.
$2.99 ≈
¥21.67
A Prayer and a Prelude
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Peter Daniel Klein
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A Prayer and a Prelude
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published...
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Piano Solo - Level 3 - SKU: A0.1029559 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 6 pages. Peter Daniel Klein #5307267. Published by Peter Daniel Klein (A0.1029559). I have written a programmatic, neo-romantic/post-romantic prose and musical fragment/miniature based on Schlegel's writings about a Hedgehog. Fragment in the sense that it is not fully developed, yet, in another sense, it is overdeveloped for its length. There are several modern elements in that it is bitonal at one point. At another point, I pit Scriabin's mystic chord, which is his synthetic mode, against what I feel is its nearest aeolian mode, c-minor, which is modernistically dissonant. It is written in 'classicized' AABA popular song form, which is perfect for a miniature. It revolves around the programmatic, free verse' Prayer,' a plea to God for sleep, elusive due to the mourning of lost love and the associated emptiness and grief felt deep in the night. It is motivic in that there is a repeated augmented 6 to a half-diminished cadence that introduces the theme and then serves to transition each small section, in a secondary dominant style repetition until reaching tonic. -A1 is a simple statement of the linear theme and harmony in 6ths, and 9ths, almost in keeping with the introductory and transitionary cadence, at least intervallically. -A2 is a restatement of that theme with an added countermelody (which becomes the subject of section B) woven between the upper linear melody and the altered bass accompaniment. -B begins with a short statement of the countermelody bi-tonally, the left hand in c minor, the right in g minor. There is a brief transposition between several keys, bitonally, while the sostenuto pedal holds a pedal tone until it attenuates completely. The two measures build from repressed despondency to rage, as strong emotions often do, quickly turning to dissonant chaos. The dynamics and intensity build to a diminished chord whose top note moves up half a step to a Scriabin mystic chord arpeggio. The held sustain pedal melds the dissonance together with emotional tumult, which fades as quickly as it came, as outbursts often do. -A3 starts with the motivic cadence and a deep bass pedal tone. This section is the crowning moment in the piece. In sixths, the macabre accompaniment moves to the right-hand upper tessitura as the more developed 'A' melody moans below in the bass and baritone as the music ebbs away. A simple c-minor arpeggio strains against a very similar Scriabin mystic chord arpeggio, an octave or a minor seventh apart, ending on an A major and A flat in sweet, gentle, unresolved dissonance against a dying root pedal tone, the final teardrop.
$4.99 ≈
¥36.16
Go Rest High On That Mountain
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE/AVANCÉ
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Country
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Vince Gill
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Cascia Talbert
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Go Rest High On That Mountain
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Cascia Talbert
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1486857 By Vince Gill. By Vincent Gill. Arranged by Cascia Talbert. Country. 10 pages....
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String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1486857 By Vince Gill. By Vincent Gill. Arranged by Cascia Talbert. Country. 10 pages. Cascia Talbert #1063926. Published by Cascia Talbert (A0.1486857). Go Rest High on That Mountain is a song written and recorded by American country music artist Vince Gill. Released in August 1995 as the sixth single from his album *When Love Finds You*, this eulogic ballad was inspired by the death of country singer Keith Whitley in 1989. Gill began writing the song shortly after Whitley's death but did not complete it until a few years later, following the death of his older brother Bob in 1993. The recording features background vocals by Ricky Skaggs and Patty Loveless. The song is a tribute to Vince Gill's stepbrother and is composed in the key of D major with a slow tempo, primarily following the chord progression D-G-D-A-D. In December 2019, Gill added a third verse to the song, commenting to *People*, “Yeah, it doesn’t make much sense, does it? ‘Leave it alone, you idiot!’ That should be my mantra. But in my heart, I think this makes it better.”This arrangement is for string ensemble.
$12.99 ≈
¥94.14
Chiedi al vento di me
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Piano seul
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Contemporain
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Monica Bergo
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Chiedi al vento di me
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871).
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Piano Solo - SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the Ask at wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense Crow that flies, bad omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow me to stay I'll be with you in the wind ... I'm the wind that laughs It wraps you up until the summer returns ... Monica Bergo
$3.99 ≈
¥28.92
HERO SANDWICH from Odd Beethoven
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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West Coast Wind Quintet
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HERO SANDWICH from Odd Beethov
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Thinkling Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1162314 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 14 pages. Thinkling Musi...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.1162314 By West Coast Wind Quintet. By Ron Levy. 20th Century,Classical. 14 pages. Thinkling Music #762674. Published by Thinkling Music (A0.1162314). Once again, my mind goes to food. What can I say? But this is no random title. “Hero†refers of course to the subtitle of Beethoven’s third symphony, the “Eroicaâ€. Just as in Sixth Sense, my piece begins a lot like the original, but soon goes astray - into a blues style which  Beethoven never knew. There IS drama here, along with the witty stuff.  After all, it is “Odd BEETHOVENâ€. And “Beethoven†is synonymous with “dramaâ€â€¦ as well as with “witâ€! The overall mood is whimsical and fun – and the piece is brief, making it a perfect encore piece – short and sweet.
$5.00 ≈
¥36.24
Valses Poéticos No. 6
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Piano seul
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INTERMÉDIAIRE
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Classique
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Enrique Granados
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Thomas Ling
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Valses Poéticos No. 6
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Thomas Swee Chin
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1380205 Composed by Enrique Granados. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages...
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Piano Solo - Level 3 - SKU: A0.1380205 Composed by Enrique Granados. Arranged by Thomas Ling. 19th Century,Instructional,Romantic Period. Score. 2 pages. Thomas Swee Chin #964986. Published by Thomas Swee Chin (A0.1380205). Vals Poético No. 6: The sixth waltz is infused with a sense of drama and intensity, featuring passionate melodies and dynamic contrasts. It alternates between moments of tenderness and exuberance, showcasing Granados' skillful composition.
$5.80 ≈
¥42.03
Lulea Dream
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Piano seul
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INTERMÉDIAIRE
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Jarle Kiesé
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Lulea Dream
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Jarle Kiesé
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1131123 By Jarle Kiesé. By Jarle Kiesé. Classical,New Age. Score. 4 pages. Jarle Kiesé #724755. Published by Jar...
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Piano Solo - Level 3 - SKU: A0.1131123 By Jarle Kiesé. By Jarle Kiesé. Classical,New Age. Score. 4 pages. Jarle Kiesé #724755. Published by Jarle Kiesé (A0.1131123). Lulea Dream is a musical portrait of Skandinavian Nature by having a sense of relaxation, calmness and peace. It's the sixth of twelve compositions on Kiesé's Album Piano Pieces.
$3.50 ≈
¥25.37
Moondances
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Jason Taurins
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Moondances
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Jason Allan Taurins
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Publis...
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Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenberg’s Pierrot Lunaire. It’s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pablo’s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.
$9.99 ≈
¥72.40
Pulso de la vida
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Guitare
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AVANCÉ
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Yorgos Nousis
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Pulso de la vida
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions...
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Guitar - Advanced - SKU: ZY.DO-1551 Composed by Yorgos Nousis. Score. 8 pages. Les Editions Doberman-Yppan (digital) #DO 1551. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1551). PULSO DE LA VIDA was composed as part of my dear friend Kostas Tosidis' doctoral thesis with the title Bowing technique on the guitar.The character of the piece changes from simple and meditative to rhythmic and tension-filled, reflecting different stages of our lives.Using a C, G, D tuning for the bass strings, the guitar utilizes resonance to create sustained, cello-sounding melodies on the fourth string, complemented by harmonies on the fifth and sixth strings.The bowing technique is introduced with a continuous tremolo accompanied by an extended form of the first theme. The more dancelike and rhythmical part of the piece uses a 19/16 measure that allows us to experience a sense of disparity. Finally, the simplicity combined with a sense of completeness, but also of abandonment of the beautiful gift of life, leaves us in a state of stillness for any kind of introspection.PULSO DE LA VIDA a été composé dans le cadre de la recherche doctorale de mon cher ami Kostas Tosidis, sous le titre Bowing technique on the guitar (technique d'archet à la guitare).Le caractère de la pièce passe de simple et méditatif à rythmique et plein de tension, reflétant les différentes étapes de notre vie.La guitare, dont les cordes basses sont accordées en do, sol et ré, utilise la résonance pour créer des mélodies soutenues au son du violoncelle sur la quatrième corde, complétées par des harmonies sur les cinquième et sixième cordes.La technique d'archet est introduite par un trémolo continu accompagné d'une forme étendue du premier thème. La partie plus dansante et rythmique de la pièce utilise une mesure 19/16 qui nous permet d'éprouver un sentiment de disparité. Enfin, la simplicité combinée à un sentiment de plénitude, mais aussi d'abandon du magnifique cadeau qu'est la vie, nous laisse dans un état de tranquillité propice à toute forme d'introspection.
$5.95 ≈
¥43.12
Lavender's Blue (Beginner to Level 1)
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Piano seul
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DÉBUTANT
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Folklorique/Traditionel
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Traditional
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Lisa Ruping Cheng
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Lavender's Blue
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Lisa Ruping Cheng
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.930521 Composed by Traditional. Arranged by Lisa Ruping Cheng. Folk. Score. 1 pages. Lisa Ruping Cheng #6409235. Publishe...
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Piano Solo - Level 1 - SKU: A0.930521 Composed by Traditional. Arranged by Lisa Ruping Cheng. Folk. Score. 1 pages. Lisa Ruping Cheng #6409235. Published by Lisa Ruping Cheng (A0.930521). Lavender's Blue is a bright and popular children's song. Arranged for piano beginners to play. The level is about begginer to level one, with the right hand playing the melody and the left playing the accompaniment. Written in C major within a range of tonic to degree of sixth, cultivating young players' good sense of C major's hand position, tonality, and harmonization. Lyrics (first verse) and fingerings are provided for ease of playing and singing along. ISMN 979-0-706118-26-0.
$4.99 ≈
¥36.16
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The Sixth Sense