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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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XYLOPHONE
A Love Until The End Of Time
Non classifié
22
Piano & claviers
Piano seul
12
Piano, Voix
11
Piano Facile
4
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2
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2
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1
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1
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1
+ 3 instrumentations
Retracter
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Guitare notes et tablatures
1
3 Guitares (trio)
1
Voix
Chorale SATB
5
Chorale 3 parties
4
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2
Voix duo, Piano
1
Chorale TTBB
1
Voix haute
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
Voix Tenor
1
+ 4 instrumentations
Retracter
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2
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1
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1
Clarinette
1
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1
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1
Saxophone (partie séparée)
1
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1
+ 9 instrumentations
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3
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3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba
1
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1
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1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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Retracter
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Quatuor à cordes: 2 violons, alto, violoncelle
3
Trio à Cordes: 2 violons, violoncelle
2
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2
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1
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1
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1
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7
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Fanfare
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Crtitères actifs :
A Love Until The End Of Time
Partitions à imprimer
22 partitions trouvées
<
1
A Love Until The End Of Time
#
Lee Holdridge
#
Stephen DeCesare
#
A Love Until The End Of Time
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.623756 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Conte...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.623756 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Contemporary,Wedding. 9 pages. Exultet Music #4408740. Published by Exultet Music (A0.623756). The romantic love ballad that was recorded by Placido Domingo and Maureen McGovern that has been popular at weddings ever since its release, has been freshly arranged as a duet for Flute and Bb-Clarinet with Piano accompaniment. Accessible and appropriate for any wedding or concert venue.
$4.99 ≈
4.73€
A Love Until The End Of Time
#
Lee Holdridge
#
Stephen DeCesare
#
A Love Until The End Of Time
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Trumpet - Level 2 - SKU: A0.623749 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Contemp...
(+)
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Trumpet - Level 2 - SKU: A0.623749 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Contemporary,Wedding. 8 pages. Exultet Music #4408664. Published by Exultet Music (A0.623749). The romantic love ballad that was recorded by Placido Domingo and Maureen McGovern that has been popular at weddings ever since its release, has been freshly arranged as a duet for Bb-Trumpet and French Horn with Piano accompaniment. Accessible and appropriate for any wedding or concert venue.
$4.99 ≈
4.73€
A Love Until The End Of Time
#
Lee Holdridge
#
Stephen DeCesare
#
A Love Until The End Of Time
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano,Violin - Level 2 - SKU: A0.623757 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Co...
(+)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano,Violin - Level 2 - SKU: A0.623757 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Contemporary,Wedding. 9 pages. Exultet Music #4408742. Published by Exultet Music (A0.623757). The romantic love ballad that was recorded by Placido Domingo and Maureen McGovern that has been popular at weddings ever since its release, has been freshly arranged as a duet for C-Instruments with Piano accompaniment. Accessible and appropriate for any wedding or concert venue.
$4.99 ≈
4.73€
Dance Me To The End Of Love
#
Jazz
#
Madeleine Peyroux
#
Peet du Toit
#
Dance Me To The End Of Love
#
Peet du Toit
#
SheetMusicPlus
Small Ensemble Drum Set,Euphonium,Horn,Tuba - Level 3 - SKU: A0.802534 By Madeleine Peyroux. By Leonard Cohen. Arranged by Peet du Toit. Jazz. Score and...
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Small Ensemble Drum Set,Euphonium,Horn,Tuba - Level 3 - SKU: A0.802534 By Madeleine Peyroux. By Leonard Cohen. Arranged by Peet du Toit. Jazz. Score and parts. 23 pages. Peet du Toit #5770405. Published by Peet du Toit (A0.802534). This Greek dance was inspired by the Holocaust, the death camps, the cremation, the cries, the fate... In some of those camps, prisoner musicians had to play classical music to their fellow inmates on the latter's way to death - no return... until the musician had to follow suit. Unlike Nearer my God, to Thee on the Titanic, these musicians were forced to do this. I became so emotionally involved in this arrangement... every sequence has a meaning: the high cries of the women and the children (flügelhorns), the low voices of the concern and physically defeated men (euphonium & french horn), the sirens (french horn), the promise of eternity (euph solo), the tuba (the continuous beat of walking towards one's death) and the perpetual percussion (the clock is ticking...) and the cyclical theme of endless love against all odds, remembering the good times in a dance with your loved one(s). Yours.
$24.00 ≈
22.77€
Lord of All Our Days (Funeral Hymn) Backup Track (Full harmonies and choral parts)
#
Musique Sacrée
#
Stacey Plays Hymns
#
Anastace
#
Lord of All Our Days
#
Anastace
#
SheetMusicPlus
Piano Accompaniment - Level 2 - SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious...
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Piano Accompaniment - Level 2 - SKU: A0.1477616 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054996. Published by Anastace (A0.1477616). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with only piano (instead of this one with the full choral backup vocals) as well as the following sheet music options:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key] For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00 ≈
2.85€
Lord of All Our Days (Funeral Hymn) Backup Track (No Vocals)
#
Musique Sacrée
#
Stacey Plays Hymns
#
Anastace
#
Lord of All Our Days
#
Anastace
#
SheetMusicPlus
Piano Accompaniment - Level 2 - SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious...
(+)
Piano Accompaniment - Level 2 - SKU: A0.1477614 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Accompaniment. Duration 235. Anastace #1054994. Published by Anastace (A0.1477614). As of this publishing, over 140,000 people have found my one video collection of funeral hymns on YouTube, not including separate postings of each individual song. Because of this it's been on my mind for a long time to write a funeral song, but it was somehow just never the right time until just a few weeks ago when this one came pouring out in 5 minutes flat [which does not happen often, I can assure you!]. The culmination of years of playing for funerals, a bachelor degree in theology and sacred music, and many more years of writing and playing music through good times and also times full of grief, Lord of All Our Days is my very best and heartfelt attempt to serve those who are also dealing with the absolute heartache of loss, be it the acute, fresh grieving of just losing someone or the flashbacks that come time and time again, years and even decades later.This song carefully and tenderly handles the true earth-shaking grief that it is to lose someone you love, while holding out a strong hope of the life to come for those who trust God. I had a very difficult time recording it without being moved to tears over and over, and I pray it will reach many in need of comfort, being of service to anyone who is looking for a Christian, Biblical funeral hymn for a memorial service or a celebration of life service. Also available, by searching Stacey Plays Hymns and the song title on this site, is an accompaniment track with the full backup vocals as well as the following sheet music versions:Piano Vocal in Bb Minor to match the original recording [vocal range: Bb3-Bb4]Piano Vocal in C Major for easier playing and a better congregational vocal rangeLead Sheet for piano or guitar in C Major - best key for singing without a capoLead Sheet in G minor for piano or guitar [play capo 3 or more to match the original key]For other formats including large print, a different key to match a soloist's preferred range, or piano solo for a matching prelude or postlude, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one funeral or memorial service with under 1000 people, with proper attribution and credit in all printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00 ≈
2.85€
No Greater Love
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David Kai
#
David Kai
#
No Greater Love
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David Kai
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SheetMusicPlus
Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Per...
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Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105110 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary. Full Performance. Duration 254. David Kai #708357. Published by David Kai (A0.1105110). A song for Good Friday. Scripture reference: John 15:13. No one has greater love than this, to lay down one’s life for one’s friends. NO GREATER LOVE words and music by David Kai ©1985 A chilly wind blows upon Calvary's hill, the sky is as dark as the night, the sweat and the blood trickle down to the ground, as the townspeople gaze at the sight, And the hands that once held the children near are nailed onto the tree, Why did you have to suffer that for me? They beat him until he could hardly stand, a crown of thorns pierced his head, and all of that time not a single word in his defense he said, And I stood within that angry crowd that jeered along the way, for I helped to put you on the cross that day. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Saviour took our sins away. For all of my life your boundless love I want to get to know, 'though sometimes I've turned my back on you and I’ve heard the rooster crow, but then you've appeared just like a friend to guide my wandering way, no longer on the cross, you're here today. The Light of the World, the Bread of Life, the Son of God, Morning Star, my earthly mind can't comprehend all of the things you are, but even through glass that's dark and dim, my eyes can plainly see, you loved us so much you died to set us free. CHORUS For the man on the cross filled with sorrow and pain, will bring us to God once again, for no greater love has been shown since that day when the Savior took our sins away. No greater love, no there's no greater love, No greater love, no there's no greater love, There's no greater love than to lay down your life for a friend.
$1.99 ≈
1.89€
How Deep Is Your Love from the Motion Picture SATURDAY NIGHT FEVER
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Bee Gees
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Unimusic Group
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How Deep Is Your Love from the
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Unimusic Academy
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SheetMusicPlus
Small Ensemble Bass Guitar,Piano - Level 2 - SKU: A0.809389 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Unimusic Group. Dance,...
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Small Ensemble Bass Guitar,Piano - Level 2 - SKU: A0.809389 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Unimusic Group. Dance,Disco. Score and parts. 10 pages. Unimusic Academy (Academia Unimusica) #5776705. Published by Unimusic Academy (Academia Unimusica) (A0.809389). How Deep Is Your Love is a pop ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 (becoming the first of six consecutive US number-one hits), ended the 10-week reign of Debby Boone's You Light Up My Life and stayed in the Top 10 for a then-record 17 weeks. This record would hold for fifteen years, until it was broken by End of the Road by Boyz II Men. This song spent 19 weeks in the top-ten after the introduction of Nielsen Soundscan in 1991 allowed singles to achieve longer runs on the charts. How Deep Is Your Love is the Bee Gees' signature song. It spent six weeks atop the US adult contemporary chart. It is listed at number 22 on the 55th anniversary edition of Billboard's All Time Top 100.[1] Alongside Stayin' Alive and Night Fever, it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching number-one on the UK Singles Chart for three weeks.[2]
$8.00 ≈
7.59€
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95 ≈
10.39€
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
Choral Choir - Level 5 - SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #85...
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Choral Choir - Level 5 - SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50 ≈
2.37€
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
23.71€
Until Next Time Instrumental Track
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Deborah Johnson
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Until Next Time Instrumental T
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Deborah Johnson
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SheetMusicPlus
Double Bass,Drums,Piano,Voice - SKU: A0.1068169 Composed by Deborah Johnson. Folk,Holiday,Jazz,Love,Pop. Accompaniment. Duration 257. Deborah Johnson #6...
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Double Bass,Drums,Piano,Voice - SKU: A0.1068169 Composed by Deborah Johnson. Folk,Holiday,Jazz,Love,Pop. Accompaniment. Duration 257. Deborah Johnson #6686817. Published by Deborah Johnson (A0.1068169). Instrumental background track for sing-a-long. Beautiful love ballad, music and lyrics by Deborah Johnson. First written as a part of the musical, One Little Kiss, this is a folk-style jazz arrangement that can be performed as a solo or duet. In the score is the sparse secondary piano part, played two octaves apart, and the guitar solo. It has become a favorite in live performances.The song is available for download on the album The Hero Inside. https://www.amazon.com/dp/B00FKQ4HT4/ for individual songs and https://DJWorksMusic.com/products for full CD album. Full video of the song at http://youtu.be/KP78n2T168oIt can be performed with or without the duet, which is written mostly in octaves. It can also be performed very effectively with just guitar. The piano transcription is mostly at the intermediate level and the vocal range for the solo in this version is between a low E (below middle C) to a mid-A. It can easily be transposed up a key or two, depending on the singer.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonMusic and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production, guitars and bass by Michael Ferenci. Background vocals by David Johnson. Recorded at Ferenci Studios, Silverlake, CA.
$8.99 ≈
8.53€
Until Next Time Instrumental Track-no piano
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Deborah Johnson
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sing along
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Until Next Time Instrumental T
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Deborah Johnson
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SheetMusicPlus
Double Bass,Drums,Piano,Voice - SKU: A0.1068168 Composed by Deborah Johnson. Concert,Folk,Holiday,Jazz,Love. Accompaniment. Duration 258. Deborah Johnso...
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Double Bass,Drums,Piano,Voice - SKU: A0.1068168 Composed by Deborah Johnson. Concert,Folk,Holiday,Jazz,Love. Accompaniment. Duration 258. Deborah Johnson #6686813. Published by Deborah Johnson (A0.1068168). Instrumental background track to play & sing along. Beautiful love ballad, music and lyrics by Deborah Johnson. First written as a part of the musical, One Little Kiss, this is a folk-style jazz arrangement that can be performed as a solo or duet. In the score is the sparse secondary piano part, played two octaves apart, and the guitar solo. It has become a favorite in live performances.The song is available for download on the album The Hero Inside. https://www.amazon.com/dp/B00FKQ4HT4/ for individual songs and https://DJWorksMusic.com/products for full CD album. Full video of the song at http://youtu.be/KP78n2T168oIt can be performed with or without the duet, which is written mostly in octaves. It can also be performed very effectively with just guitar. The piano transcription is mostly at the intermediate level and the vocal range for the solo in this version is between a low E (below middle C) to a mid-A. It can easily be transposed up a key or two, depending on the singer.DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. The author of multiple books, her music has been up for multiple GRAMMY Awards. You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Follow her on Instagram @Deborah_JohnsonMusic or on Facebook @Deborah.JohnsonMusic and Lyrics by Deborah Johnson. Basic production and piano tracking by Deborah. Additional production, guitars and bass by Michael Ferenci. Background vocals by David Johnson. Recorded at Ferenci Studios, Silverlake, CA.
$8.99 ≈
8.53€
Tiny Shattered Pieces
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Evelyn Glennie
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Tiny Shattered Pieces
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EAMUSIC
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SheetMusicPlus
Instrumental Duet,Percussion,Violin - Level 5 - SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Contemporary. 26 pa...
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Instrumental Duet,Percussion,Violin - Level 5 - SKU: A0.1248663 By Evelyn Glennie. By Eugene Astapov. 21st Century,Chamber,Classical,Contemporary. 26 pages. EAMUSIC #843160. Published by EAMUSIC (A0.1248663). Composing Tiny Shattered Pieces was a truly immersive musical journey due to the sheer amount of time it took to write it and how much time I spent thinking about this piece. Since the work was commissioned before the start of the 2020 pandemic, but rescheduled for a premiere 2 years later – I could write, re-write and re-think this piece from start to finish multiple times. In the end there was enough material for a 30-minute composition, but so much of it was so different due to the different moods one would go through during a pandemic, that compiling it into 5 separate short musical statements was the most natural conclusion.   The music embarks on a journey of discovery, love, destruction, reconciliation, suffering, and by the end of it – war. Naturally at the end of a 2-year period a person evolves and goes through a myriad of different experiences, but few artists or composers experienced the world going through a tectonic shift from the early 2000s until now, therefore I felt it necessary to touch upon many different topics through the language of this work, including the personal and the universal. Each of the movements is a complete statement but together the movements form a larger pyramid-like structure, completing each other’s thoughts, propelling them and eventually bringing them to conclusion.    It should be noted that by the time I was reaching the end of the compositional process – a major war started with Russia invading Ukraine. Being a Ukrainian-born composer, the issue affected me deeply and sipped into the music by the end of the 4th movement. This is where the pyramid reaches its peak and should be appropriately shaped by the musicians.   The piece is approximately 10 minutes in duration and is to be performed with utmost freedom, gusto and conviction. The performers must not shy away from making the sounds crunch together, piercing through the hall, but at the same time the more quiet, gentle parts should be appropriately shaped and bring much needed comfort. The work is about contrasts, outbursts of emotions, quiet sobbing, rage and solitude.  The piece is approximately 12 minutes long. It was commissioned by Dame Evelyn Glennie in cooperation with Calgary's Land's End Ensemble.
$25.00 ≈
23.71€
Almas en vuelo (Souls in Flight), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Almas en vuelo
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Gustavo Fuentes
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SheetMusicPlus
Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by G...
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Large Ensemble Cello,Flute,Piano Accompaniment,Soprano Recorder,Tin Whistle,Violin - Level 3 - SKU: A0.900400 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 4 pages. Gustavo Fuentes #3637489. Published by Gustavo Fuentes (A0.900400). Souls in Flight. Celtic music song composed by Gustavo Fuentes, arranged for two voices. One melody instrument, such as tin-whistle, flute, recorder, low whistle, violin, piano or guitar and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. Our souls are always in flight. They sometimes flap their wings against the cold winds of indifference, and some other times they simply glide with the gentle winds of love. When in flight, they come across other souls and travel some of the journey together until fate sets them on separate paths again.As poet Luis Alberto Spinetta so eloquently worded it: I have to learn how to fly among so many people standing. Our flying souls can sometimes be hard to track. They are chasing dreams, so we have to learn how to fly away from our everydayness and closer to them. Merely watching our souls fly away will mean forsaking the chance to visit the sky where our dreams are, that same sky where the ancient Celts believed was the home of the Gods, the Otherworld. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces. Una aguda como tin-whistle, low whistle, flauta traversa, flauta dulce, violÃn, piano o guitarra y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Nuestras almas están en constante vuelo. A veces aletean contra el viento frÃo de la indiferencia; otras veces planean suavemente, acompañando la plácida brisa del amor. En su vuelo, se cruzan con otras almas y transitan parte del trayecto juntas, hasta que el destino decide que tomen rumbos diferentes.Tengo que aprender a volar entre tanta gente de pie, dice el poeta Luis Alberto Spinetta. A veces nos cuesta seguirle el vuelo a nuestras almas. Tenemos que aprender a elevarnos de lo cotidiano para no alejarnos tanto de ellas, que con su vuelo persiguen los sueños. Si nos quedamos simplemente contemplándolas volar, renunciamos a surcar a su lado el cielo de nuestros sueños; ese cielo donde los antiguos celtas ubicaban al Supramundo, la morada de los dioses.
$4.99 ≈
4.73€
Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano
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Musique Sacrée
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John Newton/ Horatio Spafford
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Deborah Johnson
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Amazing Grace/It is Well With
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Deborah Johnson
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SheetMusicPlus
Bass Voice,Choir,Drums,Guitar,Rhythm - Level 3 - SKU: A0.1378959 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnson. Ch...
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Bass Voice,Choir,Drums,Guitar,Rhythm - Level 3 - SKU: A0.1378959 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnson. Christian,Easter,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 233. Deborah Johnson #963677. Published by Deborah Johnson (A0.1378959). Deborah Johnson's arrangement of Amazing Grace/It is Well With my Soul offers a delightful medley that blends these beloved hymns seamlessly. Accompanied by piano and a unison chorus vocalizing oohs and ahs, this instrumental rendition promises to evoke cherished memories and inspire heartfelt worship. The contemporary folk-pop style infuses the medley with freshness, featuring challenging piano arpeggios and key changes throughout. With a medium level of difficulty, this arrangement is versatile and can be performed with or without vocals. This is the accompaniment MP3 without piano (includes vocals). Additionally, accompaniment MP3 track is available, without piano accompaniment and vocals. Downloadable sheet music also available.Up for a GRAMMY Award, My Father’s Favorite Hymns album includes this as well as other contemporary arrangements of hymns, available https://DJWorksMusic.com/products by Deborah Johnson. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available for direct shipping. Amazing Grace by John Newton (1773) is one of the most recognized hymns in the world, and is often thought of as a folk song. It was written to illustrate a sermon and was fairly obscure until the Second Great Awakening in the early 19th Century. The tune is to New Britain and it is performed about 10 million times annually. It is Well with my Soul, words by Horatio Spafford (1873), was written after his four daughters perished on a French liner heading for Europe when colliding with an iron sailing vessel. His wife alone was saved. Melody by Phillip Bliss, who died along with his wife in a terrible train wreck in Ohio. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on: https://goalsforyourlife.com/gods-music-hymns/ For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/Se6uqItEaNk?si=f2RGC6IfMejoTwLI
$8.99 ≈
8.53€
Amazing Grace/It is Well With my Soul Accompaniment MP3 without piano or vocals
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Musique Sacrée
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John Newton/ Horatio Spafford
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Deborah Johnson
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Amazing Grace/It is Well With
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Deborah Johnson
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SheetMusicPlus
Bass Voice,Drums,Guitar,Rhythm Instrument - Level 3 - SKU: A0.1378966 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnso...
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Bass Voice,Drums,Guitar,Rhythm Instrument - Level 3 - SKU: A0.1378966 Composed by John Newton/ Horatio Spafford (1773, 1873). Arranged by Deborah Johnson. Christian,Easter,Praise & Worship,Sacred,Spiritual. Accompaniment. Duration 232. Deborah Johnson #963687. Published by Deborah Johnson (A0.1378966). Deborah Johnson's arrangement of Amazing Grace/It is Well With my Soul offers a delightful medley that blends these beloved hymns seamlessly. Accompanied by piano and a unison chorus vocalizing oohs and ahs, this instrumental rendition promises to evoke cherished memories and inspire heartfelt worship. The contemporary folk-pop style infuses the medley with freshness, featuring challenging piano arpeggios and key changes throughout. With a medium level of difficulty, this arrangement is versatile and can be performed with or without vocals. This is the accompaniment MP3 without piano or vocals. Additionally, accompaniment MP3 track is available, without piano accompaniment and including vocals. Downloadable sheet music also available.Up for a GRAMMY Award, My Father’s Favorite Hymns album includes this as well as other contemporary arrangements of hymns, available https://DJWorksMusic.com/products by Deborah Johnson. There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available for direct shipping. Amazing Grace by John Newton (1773) is one of the most recognized hymns in the world, and is often thought of as a folk song. It was written to illustrate a sermon and was fairly obscure until the Second Great Awakening in the early 19th Century. The tune is to New Britain and it is performed about 10 million times annually. It is Well with my Soul, words by Horatio Spafford (1873), was written after his four daughters perished on a French liner heading for Europe when colliding with an iron sailing vessel. His wife alone was saved. Melody by Phillip Bliss, who died along with his wife in a terrible train wreck in Ohio. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on: https://goalsforyourlife.com/gods-music-hymns/ For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com, https://goalsforyourlife.com/ or https://DeborahJohnsonSpeaker.com YouTube Link https://youtu.be/Se6uqItEaNk?si=f2RGC6IfMejoTwLIÂ
$8.99 ≈
8.53€
Pregón - Score Only
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Contemporain
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Antonio Gervasoni
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Pregón - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.1088412 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 11 pages. Antonio...
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Small Ensemble - Level 2 - SKU: A0.1088412 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 11 pages. Antonio Gervasoni #692677. Published by Antonio Gervasoni (A0.1088412). Single-movement work for flute, clarinet, 2 violins and cello. “Pregón†is a Spanish word that refers to the cries of the street vendors, known as “pregonerosâ€, to announce their arrival. They toured the streets of Lima until the first half of the 20th century. Their cries used to be short songs that described the products they sold. There were pregoneros for all kinds of goods, from fruit to potatoes, to drinks of all types. One of the most remembered pregones is the one that advertised a type of sweet roll known as hot revolution, made of sugar, cloves and cinnamon. This piece is based on this tune, mixed with some Peruvian rhythms, like the Marinera and the Peruvian Waltz. In a broader sense, a pregón is an announcement, a proclamation of something good that is coming. Therefore, it seemed very appropriate to me in these times of global pandemic. I hope its light, dance-like character invites people to think of better times to come.
$1.99 ≈
1.89€
Sing Loud (Rhythm Section Accompaniment Parts)
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Garrett Breeze
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Sing Loud
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Lagom Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums,Piano - Level 1 - SKU: A0.723494 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Score and parts. 20 pag...
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Small Ensemble Bass Guitar,Drums,Piano - Level 1 - SKU: A0.723494 Composed by Garrett Breeze. Contemporary,Contest,Festival,Pop. Score and parts. 20 pages. Lagom Music #6760233. Published by Lagom Music (A0.723494). This upbeat and empowering original song by composer Garrett Breeze is a synth pop-infused statement of confidence and joy full of catchy hooks and fun vocal moments. It was commissioned and premiered by the combined 7th and 8th grade choir of Sioux Center Middle School in Iowa. Available in: SATB: https://bit.ly/3vZ0g95 SAB: https://bit.ly/35EAtbH SSA: https://bit.ly/3CwakYj TTB: https://bit.ly/3pUWQQV Two-Part: https://bit.ly/3vQxqI1 Rhythm Section Accompaniment: https://bit.ly/3IYOwXV Visit https://garrettbreeze.com to read my blog and discover new music! Check out my catalog of choral music at https://holidaychoirmusic.com! Subscribe to my YouTube channel at https://bit.ly/35HZC2d! Lyrics: Your voice is stronger than you know. Sing until they hear you. Your word can lift someone that's low. Speak until they trust you. There's a song that only you can sing; so sing it! (We need your voice) There's music only you can dream. So let's sing loud! We don't need to wait for a chance to celebrate. So let's sing loud! We don't need to wait for our time. So let's sing loud! Your light grows brighter every day. Shine until they see you. Your heart will always lead the way. Love until they follow you. You're the only one who knows your voice; let's hear it! (So make the choice) Come on, it's time to make some noise! So let's sing loud together, friends forever, voices strong! We will rise together, help each other, sing our song!
$19.99 ≈
18.96€
Nyanyian Serambi - Score Only
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Ramli Sarip
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Zakey Javis
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Nyanyian Serambi - Score Only
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DARIA RESOURCES
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SheetMusicPlus
Level 3 - SKU: A0.1413786 By Ramli Sarip. By Songs & Lyrics by Ramli Sarip. Arranged by Zakey Javis. Folk,Multicultural,New Age,Pop,Traditional,World. 4...
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Level 3 - SKU: A0.1413786 By Ramli Sarip. By Songs & Lyrics by Ramli Sarip. Arranged by Zakey Javis. Folk,Multicultural,New Age,Pop,Traditional,World. 4 pages. DARIA RESOURCES #995572. Published by DARIA RESOURCES (A0.1413786). The song Nyanyian Serambi by Ramli Sarip speaks about the struggles of a daily routine where one has to leave early morning and come back late at night or even at times until midnight, in search of livelihood to bring back for their loved ones. It is a message of perseverance and patience even amidst the hardships encountered. The first verse describes the daily routine of a person whose aim is to provide for their family as they continuously search for opportunities to make a living. The usage of the word bersabarlah at the end of the stanza translates to be patient. The second verse talks about the meaning of love portrayed through a smiling face, warm kindness and undivided attention. The lyrics describe how a pure love can blossom, bringing along with it conscious and sincere hearts.
$23.00 ≈
21.82€
O Holy Night for Baritone Horn & Piano
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Noël
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Adam
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James M
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Piano
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O Holy Night for Baritone Horn
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552827 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. ...
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Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552827 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410423. Published by jmsgu3 (A0.552827). O Holy Night arranged for Baritone Horn & Piano. Duration: 4:56 Score: 5 pg, 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
23.67€
Elder Blossoms
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Sean Evans
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Elder Blossoms
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Sean Evans
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SheetMusicPlus
Small Ensemble Oboe,Piano,Voice - Level 4 - SKU: A0.1015876 Composed by Sean Evans. Standards. Score and parts. 9 pages. Sean Evans #4988461. Published ...
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Small Ensemble Oboe,Piano,Voice - Level 4 - SKU: A0.1015876 Composed by Sean Evans. Standards. Score and parts. 9 pages. Sean Evans #4988461. Published by Sean Evans (A0.1015876). Elder Blossoms is a song about creating something new from something you've lost. As the song starts off in a ballad like feel, it represents the birth of something new in your life that you love more than anything. Once you nurture whatever that may be, you earn a sense of freedom, a time where you just have fun with yourself and create new memories and experiences. However, the thing you nurture dies unexpectedly (the calando section). From the ashes and tears of your lost, you believe all hope is lost...until you find the strength and determination to rebuild. The song builds up to a final note, and then ends with the beginning theme, resembling the journey and hardships you faced to rebuild what you lost.
$12.00 ≈
11.38€
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A Love Until The End Of Time