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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
PRELUDE
Non classifié
2 257
Piano & claviers
Piano seul
5 601
Orgue
1 659
Piano Facile
357
Piano, Voix et Guitare
300
Piano, Voix
267
Piano Trio: piano, violon, violoncelle
118
Accompagnement Piano
82
1 Piano, 4 mains
46
Instruments en Do
34
Orgue, Piano (duo)
31
2 Pianos, 4 mains
29
Clavecin
26
Orgue, Trompette (duo)
22
Piano Quatuor: piano, violon, alto, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
18
Accordéon
16
Clavier
7
1 Piano, 6 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
3
Fake Book
2
2 Pianos, 8 mains
2
Piano grosses notes
2
2 Accordéons
1
Ligne De Mélodie, Piano
1
2 Orgues (duo)
1
+ 21 instrumentations
Retracter
Guitares
Guitare
473
Guitare notes et tablatures
237
2 Guitares (duo)
51
Piano, Guitare (duo)
34
Ligne De Mélodie, (Paroles) et Accords
32
Ukulele
19
4 Guitares (Quatuor)
14
Banjo
11
Paroles et Accords
8
3 Guitares (trio)
8
Basse electrique
7
Mandoline
5
Guitare (partie séparée)
2
Ukulele Baryton
2
Partitions De Groupes
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
2 Mandolines (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
113
Chorale 3 parties
37
Voix Tenor, Piano
17
Pack Instrumental pour Chorale
17
Chorale 2 parties
15
Chorale Unison
12
Voix Soprano, Piano
10
Voix Alto, Piano
6
Voix seule
6
Voix Tenor
4
Chorale SSAA
3
Chorale TTBB
2
Voix duo, Piano
1
Chorale
1
Voix Soprano, Orchestre
1
Voix Baryton, Piano
1
Voix duo
1
Voix Soprano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
428
Clarinette et Piano
263
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
241
Saxophone Alto et Piano
225
Hautbois, Piano (duo)
220
2 Saxophones (duo)
198
Saxophone Tenor et Piano
194
2 Flûtes traversières (duo)
170
2 Clarinettes (duo)
140
Quatuor de Saxophones: 4 saxophones
137
Flûte traversière
123
Flûte, Hautbois, Clarinette, Basson
121
Clarinette
117
Flûte, Clarinette (duo)
105
Saxophone Soprano et Piano
99
Saxophone Alto
94
Quatuor de Clarinettes: 4 clarinettes
91
3 Saxophones (trio)
73
Quatuor de Flûtes : 4 flûtes
53
Clarinette (partie séparée)
53
Saxophone (partie séparée)
50
3 Clarinettes (trio)
48
Quintette de Clarinettes: 5 clarinettes
48
2 Saxophones, Piano
47
Flûte, Clarinette, Piano (trio)
42
Quintette de Saxophone: 5 saxophones
40
2 Flûtes traversières, Piano
37
2 Clarinettes, Piano
32
Quintette de Flûte : 5 flûtes
31
Flûte, trombone et piano
27
Flûte, Violon et Violoncelle
27
Hautbois (partie séparée)
27
Ensemble de Flûtes
26
Clarinette, Violoncelle, Piano (trio)
26
Trio de Flûtes: 3 flûtes
25
Flûte, Violoncelle, Piano (trio)
24
Flute (partie séparée)
24
Quatuor de Flûtes à bec
23
Flûte, Violon, Piano
23
Flûte et Guitare
22
Ensemble de Clarinettes
21
Saxophone Tenor
20
Flûte, Hautbois, Piano (trio)
19
Clarinette, Violon (duo)
19
Flûte, Alto et Piano
17
Cor anglais, Piano
17
Flûte, Clarinette et Basson
15
Hautbois, Clarinette, Basson (trio d'anches)
13
Flûte à Bec
12
Ensemble de saxophones
12
Hautbois, Basson (duo)
11
Flûte, Hautbois, Clarinette (trio)
11
Flûte, Violoncelle
11
Saxophone Baryton, Piano
11
Clarinette, trompette et piano
11
Saxophone
11
Flûte à bec Soprano
10
Clarinette Basse, Piano
10
Flûte, Violon, Violoncelle et Piano
9
5 Flûtes à bec
9
Flute, Cor (duo)
8
Flûte, Hautbois, Basson
8
2 Hautbois (duo)
8
Hautbois, Clarinette (duo)
7
Flûte, Violon
7
Clarinette, Basson (duo)
7
Flûte, Basson et Piano
7
Flûte traversière, Orgue (duo)
6
Flûte, Violoncelle, Guitare
6
Hautbois, Flûte
6
Flûte, Hautbois (duo)
5
Clarinette, Orgue
5
Cor Anglais
5
Flûte, Saxophone (duo)
4
Clarinette, Alto et Piano (trio)
4
Flûte à bec Alto
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte, Alto (duo)
4
Piccolo, Piano
4
Flûte, Trombone (duo)
4
Saxophone Soprano
4
Clarinette, Guitare (duo)
4
Clarinette, Violoncelle (duo)
3
Clarinette Basse
3
Hautbois et alto (duo)
3
Piccolo
3
Hautbois
3
Ensemble De Flûte à bec
3
Hautbois, Violoncelle
3
Clarinette, Harpe (duo)
3
Saxophone et Guitare
2
Flûte, Violon, Guitare
2
2 Flûte à bec (duo)
2
2 Clarinettes, Basson
2
Hautbois, Clarinette et Piano (Trio)
2
Saxophone et Harpe
2
Flûte à bec, Guitare (duo)
2
Instruments en Mib
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Hautbois, Harpe
2
Flûte, Tuba (duo)
2
Flûte, Hautbois, Violon
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Saxophone et Piano
1
Saxophone, Clarinette (duo)
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Trompette (duo)
1
Saxophone, Violon (duo)
1
Cor anglais et Harpe (duo)
1
Ensemble à vent
1
Clarinette, Trombone (duo)
1
3 Flûtes à bec (trio)
1
Flûte à Bec, Piano
1
2 Hautbois et Cor anglais
1
Clarinette et Alto
1
Flûte à bec, Harpe
1
Flûte et Trio à cordes
1
4 Hautbois
1
2 Hautbois, Piano
1
Flûte, alto et harpe
1
Clarinette, Saxophone, Piano
1
Flûte à bec Soprano, Piano
1
+ 117 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
249
Trompette, Piano
231
Trombone et Piano
221
Trompette, Trombone (duo)
138
Trompette
130
2 Trombones (duo)
115
2 Trompettes (duo)
110
Quatuor de Cuivres : 2 trompettes, trombone, tuba
97
Trombone
87
Quatuor de Cuivres: 2 trompettes, Cor, trombone
82
Cor et Piano
73
Trombone (partie séparée)
44
Trompette (partie séparée)
44
Quatuor de cuivres: 4 trombones
32
2 Cors (duo)
32
Ensemble de Trombones
30
Cor
29
Quatuor de Cuivres
28
Tuba
24
Tuba et Piano
24
2 Euphoniums et 2 Tubas
24
Trompette, Violoncelle et Piano
22
Euphonium, Piano (duo)
21
Quatuor de cuivres: 4 cors
20
Quatuor de cuivres: 4 trompettes
19
Cor (partie séparée)
18
Cor anglais, Piano
17
Tuba (partie séparée)
13
Ensemble de Trompettes
11
Euphonium
11
Ensemble de Cors
10
Trio de Cuivres
7
4 Tubas
6
Cornet A Pistons
6
3 Trombones (trio)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Trompette, Trombone, Piano
6
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Cor Anglais
5
Clarinette, Cor (duo)
4
Trombone, Tuba (duo)
4
3 Trompettes (trio)
4
Trombone, Orgue
4
2 Trompettes, Clavier (piano ou orgue)
4
Trompette et Guitare
4
Trombone basse
4
Instruments en Sib
2
Cor et Orgue
2
Trombone basse et Piano
2
2 Euphoniums (duo)
2
Bass Clef Instruments
2
2 Tubas (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Tuba (duo)
2
Trombone, Violon (duo)
1
Trompette, violon (duo)
1
Cor anglais et Harpe (duo)
1
Tuba et Orgue
1
Ensemble de Tubas
1
3 Tubas (trio)
1
Cor, Tuba (duo)
1
Cor et Harpe
1
Cor, Violoncelle (duo)
1
Cor, Violoncelle et Piano
1
3 Cors (trio)
1
Trompette, Harpe
1
Trompette, Violoncelle (duo)
1
+ 62 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
598
Violon et Piano
556
Violoncelle, Piano
337
Alto, Piano
243
Violon
202
Violoncelle
157
2 Violoncelles (duo)
138
2 Violons (duo)
135
Violon, Violoncelle (duo)
133
Trio à Cordes: violon, alto, violoncelle
115
2 Altos (duo)
112
Alto seul
98
Violon, Alto (duo)
83
Harpe
73
Violon (partie séparée)
53
Piano Trio: Violon, Alto, Piano
49
Trio à Cordes: 2 violons, violoncelle
44
4 Violoncelles
31
Trio à cordes: 3 violins
28
Alto (partie séparée)
28
Contrebasse (partie séparée)
19
Quatuor à cordes: 4 violons
18
Violoncelle (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Trio à Cordes: 3 violoncelles
13
Alto, Violoncelle (duo)
13
Harpe, Violon (duo)
12
Harpe, Flûte (duo)
12
Harpe, Violoncelle (duo)
11
Violon, Clarinette, Piano (trio)
11
2 Violons, Piano
9
Alto et Harpe
9
Violoncelle , Guitare (duo)
8
Violon, Guitare (duo)
8
Contre Basse
6
Violon, Orgue
6
Contrebasse, Piano (duo)
4
Harpe, Voix
4
Violoncelle, Orgue
4
Ensemble de Violons
4
Trio à cordes: 3 altos
3
2 Harpes (duo)
3
Violon, Basson (duo)
3
4 Contrebasses
3
Alto, Orgue
3
Violon, Trompette et Piano
2
Trio à Cordes: 2 violons, alto
2
Alto, Guitare (duo)
2
Harpe, Violon, Violoncelle
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Flûte, Contrebasse (duo)
1
2 Contrebasses (duo)
1
Alto et Basson
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
+ 52 instrumentations
Retracter
Orchestre & Percussions
Jazz combo
313
Orchestre d'harmonie
308
Orchestre à Cordes
221
Orchestre
176
Ensemble de cuivres
113
Cloches
79
Orchestre de chambre
45
Ensemble Jazz
35
Ensemble de Percussions
16
Percussion (partie séparée)
15
Timbales (partie séparée)
10
Percussion
10
Marimba
7
Quintette à Vent
3
Quatuor à Vent : 4 instruments à vents
3
Timbales
2
Batterie (partie séparée)
2
Vibraphone
1
Batterie
1
Fanfare
1
Caisse Claire
1
Vibraphone et Marimba
1
Xylophone
1
Big band
1
Xylophone, Piano
1
Instrumentation Flexible
1
+ 21 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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FILM - TV
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Crtitères actifs :
PRELUDE
Euphonium, Piano (duo)
Partitions à imprimer
21 partitions trouvées
<
1
Three Preludes for Euphonium and Piano
#
Euphonium, Piano (duo)
#
AVANCÉ
#
George Gershwin
#
Ralph Sauer
#
Piano
#
Three Preludes for Euphonium a
#
Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Scor...
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Euphonium,Piano - Level 5 - SKU: A0.792456 Composed by George Gershwin. Arranged by Ralph Sauer. 20th Century,Blues,Classical,Jazz,Romantic Period. Score and part. 20 pages. Gordon Cherry #4983589. Published by Gordon Cherry (A0.792456). George Gershwin’s Three Preludes, originally published for Piano in 1926, have been transcribed by Ralph Sauer in this first ever edition for Euphonium & Piano. About 6 minutes in length, the Preludes are jazzy, bluesy and a lot of fun to play, plus, very entertaining for audiences. This transcription, in bass clef is suitable for advanced performers with a range from a low C# to high D's. Prelude No. 1 has a bluesy motif with a strong jazz feel. Prelude No. 2, Blue Melody, is a sad song also with a blues feel using lots of sevenths and a major/minor duality. Prelude No. 3, Spanish Prelude features lots of syncopations and a battle between major & minor with the major winning out in the end. This work will make a fantastic addition to your recital.
$25.00 ≈
24.01€
Scriabin: Prelude in G Minor for Euphonium & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude in G Minor f
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.550370 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Holiday,Romantic Period,Sacred,Standards. Score...
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Euphonium,Piano - Level 3 - SKU: A0.550370 Composed by Alexander Scriabin. Arranged by James M. Guthrie. Holiday,Romantic Period,Sacred,Standards. Score and part. 8 pages. Jmsgu3 #4614409. Published by jmsgu3 (A0.550370). Prelude Op. 11 No. 22 Score: 6 pages. Duration ca. 1:15. Bring your best rubato for this short but sensitive prelude in G minor.
$32.95 ≈
31.65€
Baroque Sonata for Euphonium 1st Movement (Prelude)
#
Euphonium, Piano (duo)
#
Contemporain
#
David Watson
#
Baroque Sonata for Euphonium 1
#
David James Watson
#
SheetMusicPlus
Euphonium,Piano - SKU: A0.1013588 Composed by David Watson. 20th Century. Score and part. 7 pages. David James Watson #6324115. Published by David James...
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Euphonium,Piano - SKU: A0.1013588 Composed by David Watson. 20th Century. Score and part. 7 pages. David James Watson #6324115. Published by David James Watson (A0.1013588). 3 Movements (Prelude, Lament and Fugue Celebration) make up this Baroque style sonata for Euphonium and Piano. For the advanced player with simple piano part. Piano part should work well for harpsichord.
$2.50 ≈
2.40€
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
#
Euphonium, Piano (duo)
#
INTERMÉDIAIRE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
19.16€
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sa...
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Euphonium,Piano - Level 3 - SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
19.16€
Three Preludes for Euphonium and Piano
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Euphonium, Piano (duo)
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AVANCÉ
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Frederick Delius
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Ralph Sauer
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Three Preludes for Euphonium a
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - SKU: A0.792509 Composed by Frederick Delius. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 12...
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Euphonium,Piano - Level 5 - SKU: A0.792509 Composed by Frederick Delius. Arranged by Ralph Sauer. 20th Century,Romantic Period,World. Score and part. 12 pages. Gordon Cherry #4988443. Published by Gordon Cherry (A0.792509). The Delius Three Preludes were originally composed for the Piano and are titled: Scherzando, Quick and Con Moto. Scherzando is a beautiful, lyrical and spritely work. Quick, as it's name implies is fast and lyrical, evoking water. Con Moto is lively and undulating in feeling. The three movements total about 4 minutes in length and can be played by advanced performers.
$20.00 ≈
19.21€
Prelude, Theme and Variations
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Euphonium, Piano (duo)
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Gioachino Rossini
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Mikhail Nakariakov
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Prelude, Theme and Variations
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 6 - SKU: R0.54116 Composed by Gioachino Rossini. Arranged by Mikhail Nakariakov. Euphonium & Piano. Score and parts. 24 pages....
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Euphonium & Piano - Grade 6 - SKU: R0.54116 Composed by Gioachino Rossini. Arranged by Mikhail Nakariakov. Euphonium & Piano. Score and parts. 24 pages. Duration 9'57. Editions Marc Reift - Digital #54116. Published by Editions Marc Reift - Digital (R0.54116).
$22.95 ≈
22.04€
Prelude
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Euphonium, Piano (duo)
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Frederic Chopin
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Timofei Dokshitser
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Prelude
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 4 - SKU: R0.40002 Op. 28 No. 24. Composed by Frederic Chopin. Arranged by Timofei Dokshitser. Euphonium & Piano. Score ...
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Euphonium & Piano - Grade 4 - SKU: R0.40002 Op. 28 No. 24. Composed by Frederic Chopin. Arranged by Timofei Dokshitser. Euphonium & Piano. Score and parts. 8 pages. Duration 2'19. Editions Marc Reift - Digital #40002. Published by Editions Marc Reift - Digital (R0.40002).
$11.95 ≈
11.48€
Prelude et Burlesque
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Euphonium, Piano (duo)
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Eddy Debons
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Prelude et Burlesque
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Editions Marc Reift - Digital
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SheetMusicPlus
Euphonium & Piano - Grade 5+ - SKU: R0.49327 Composed by Eddy Debons. Euphonium & Piano. Score and parts. 16 pages. Duration 5'34. Editions Marc Reift -...
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Euphonium & Piano - Grade 5+ - SKU: R0.49327 Composed by Eddy Debons. Euphonium & Piano. Score and parts. 16 pages. Duration 5'34. Editions Marc Reift - Digital #49327. Published by Editions Marc Reift - Digital (R0.49327).
$22.95 ≈
22.04€
Bach-Gounod: Ave Maria for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Eup
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.549370 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491309. Published by jmsgu3 (A0.549370). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano, S0.661829. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
31.65€
Bach: Wachet auf for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Euphonium
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.96€
Bach-Gounod: Ave Maria, Schwencke version for Euphonium & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550927 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888357. Published by jmsgu3 (A0.550927). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
31.65€
Bach: Wachet auf for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standar...
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Euphonium,Piano - Level 2 - SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95 ≈
23.96€
Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and p...
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Euphonium,Piano - Level 2 - SKU: A0.550923 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888311. Published by jmsgu3 (A0.550923). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
31.65€
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
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Euphonium, Piano (duo)
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FACILE
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J S Bach-Gounod
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Bar
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Colin Kirkpatrick Publications
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95 ≈
7.64€
La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair)
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Euphonium, Piano (duo)
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Brandon C Stanley
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Brandon C Stanley
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La Fille aux Cheveux de Lin
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Brandon C Stanley
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SheetMusicPlus
Euphonium,Piano - SKU: A0.1314724 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 page...
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Euphonium,Piano - SKU: A0.1314724 By Brandon C Stanley. By C. A. Debussy. Arranged by Brandon C Stanley. 20th Century,Classical. Score and part. 10 pages. Brandon C Stanley #903503. Published by Brandon C Stanley (A0.1314724). La Fille aux Cheveux de Lin (commonly translated to The Girl with the Flaxen Hair) by Claude Debussy is the eighth of the composer's Préludes, Book I (1909-1910), and is one of his most recorded pieces to date.This arrangement for solo euphonium and piano accompaniment matches the original piece in length and key (Gb major).PARTS INCLUDED:Piano (English)Piano (French)Euphonium (English)Euphonium (French)Though the piano accompaniment adds much chordal structure to the prelude, cues are provided so the arrangement can be performed by solo euphonium alone. This leads to a more reserved arrangement compaired to the original, but still allows for a full performance.
$4.99 ≈
4.79€
Pachelbel: Canon for Baritone Horn & Piano
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Euphonium, Piano (duo)
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FACILE
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Classique
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Johann Pachelbel
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James M
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Pachelbel: Canon for Baritone
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part....
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Euphonium,Piano - Level 2 - SKU: A0.549899 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Standards,Wedding. Score and part. 7 pages. Jmsgu3 #3627117. Published by jmsgu3 (A0.549899). BARITONE HORN (T.C.) and PIANO. The famous Pachelbel Canon arranged for Baritone Horn & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. LegacyAll in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$28.95 ≈
27.80€
Baroque Sonata for Euphonium 2nd Movement (Lament)
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Euphonium, Piano (duo)
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Contemporain
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David Watson
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Baroque Sonata for Euphonium 2
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David James Watson
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SheetMusicPlus
Euphonium,Piano - SKU: A0.1013589 Composed by David Watson. 20th Century. Score and part. 4 pages. David James Watson #6324123. Published by David James...
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Euphonium,Piano - SKU: A0.1013589 Composed by David Watson. 20th Century. Score and part. 4 pages. David James Watson #6324123. Published by David James Watson (A0.1013589). 3 Movements (Prelude, Lament and Fugue Celebration) make up this Baroque style sonata for Euphonium and Piano. For the advanced player with simple piano part. Piano part should work well for harpsichord.
$2.50 ≈
2.40€
Song and Prayer (from Hansel and Gretel) for Euphonium and Organ
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Euphonium, Piano (duo)
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FACILE
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David Brown
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David Brown
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Song and Prayer
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David P. Brown
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SheetMusicPlus
Euphonium,Piano - Level 2 - SKU: A0.1368913 By David Brown. By Englebert Humperdinck. Arranged by David Brown. Chamber,Classical,Opera,Wedding. Score an...
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Euphonium,Piano - Level 2 - SKU: A0.1368913 By David Brown. By Englebert Humperdinck. Arranged by David Brown. Chamber,Classical,Opera,Wedding. Score and part. 5 pages. David P. Brown #953255. Published by David P. Brown (A0.1368913). This is the beautiful Evening Blessing melody from Humperdinck's Opera Hansel and Gretel, arranged here for Euphonium and Organ. This would be perfect for any event where a contemplative song is needed  - religious ceremony, wedding, or prelude music for any service.
$3.00 ≈
2.88€
Jubilee for euphonium and piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Gaines
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Yamaha Performing Artist
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Jubilee for euphonium and pian
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David Gaines
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. ...
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Instrumental Duet Euphonium,Instrumental Duet,Keyboard - Level 4 - SKU: A0.918776 Composed by David Gaines. 20th Century,Contemporary. Score and parts. 8 pages. David Gaines #2113311. Published by David Gaines (A0.918776). A very short and fun work for euphonium and piano....very lighthearted and rhythmic. Adam Frey, euphonium soloist; Yamaha Performing Artist; euphonium instructor, Georgia State University.......This short, highly rhythmic prelude was inspired by the unique dancing movements of ferrets and was a semifinal round selection for the student division of the 25th Annual Leonard Falcone International Euphonium Competition in 2010.......A recording featuring euphoniumist Robert Kozanek (principal trombone, Czech Philharmonic Orchestra) is available on the Navona Records album Conversations: Keyboard and Chamber Music by John Bilotta and David Gaines (Catalogue #NV5829).
$3.99 ≈
3.83€
6 Preludes
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Euphonium, Piano (duo)
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Harry Hewitt
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6 Preludes
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Tuba-Euphonium Press
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SheetMusicPlus
Composed by Harry Hewitt. 25 pages. Published by Tuba-Euphonium Press (CX.TEP10428). - - - Tuba-Euphonium Press...
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Composed by Harry Hewitt. 25 pages. Published by Tuba-Euphonium Press (CX.TEP10428). - - - Tuba-Euphonium Press
$17.00 ≈
16.33€
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PRELUDE
