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--INSTRUMENTS--
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African Dance No. 2
Non classifié
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African Dance No. 2
Partitions à imprimer
12 partitions trouvées
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1
Samuel Coleridge-Taylor : African Dance No. 2 (from Four African Dances, Op. 58) (ABRSM Violin Exams from 2024, Grade 8, B:2)
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Violon
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AVANCÉ
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Methodes Etudes
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Methodes
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Samuel Coleridge-Taylor
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African Dance No. 2
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Tomplay
Telechargez la partition Violon African Dance No. 2 (from Four African Dances, Op. 58) (ABRSM Violin Exams from 2024, Grade 8, B:2) de Samuel Coleridge-Taylor. ...
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Telechargez la partition Violon African Dance No. 2 (from Four African Dances, Op. 58) (ABRSM Violin Exams from 2024, Grade 8, B:2) de Samuel Coleridge-Taylor. Partition pour Violon avec piano d‘accompagnement -- Classique,Exercices (ameliorez votr
5.99€
String Quartet No. 2 in 4 Movements, Music by American Composer James Nathaniel Holland
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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James Nathaniel Holland
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String Quartet No. 2 in 4 Move
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James Nathaniel Holland
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.730217 Composed by James Nathaniel Holland. Contemporary,World. Score and parts. 93 pages. James Natha...
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String Quartet String Quartet - Level 5 - SKU: A0.730217 Composed by James Nathaniel Holland. Contemporary,World. Score and parts. 93 pages. James Nathaniel Holland #59623. Published by James Nathaniel Holland (A0.730217). String Quartet No. 2 for 2 Violins, Viola and Cello in 4 Movements (Total Duration: 26 minutes) Music by James Nathaniel Holland. Composer website at: http://lacoronadelossantos.net/jamesnathanielholland.html YouTube presentation video at: https://www.youtube.com/watch?v=Oe7H9NXcTYg This intense 21st century string quartet transports the listener into four very different vignettes. The opening with begins with a driving rhythms, almost rock-like, representing a bloody duel. The second movement contrasts the first movement with a sweet, blissful melody accompanied with strumming pizzicatos. The third is broad and cinematic, a journey through the memories of a drowning sheik enticed by a mermaid. The final a joyful fugue based on African popular music. Movement 1 Allegro Agitato Pyrrhic Fight Dance 0:00 Movement 2 Tranquil 7:04 Blissful Awakening Movement 3 Moderato 13:40 Memories of a Drowning Sheik. Movement 4 Presto African Fugue An interesting addition to the professional concert of American new classical music.
$11.95 ≈
11.34€
Chorale from Cantata No.147 disguised in an African rhythm.
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Marian Vernescu
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Chorale from Cantata No.147 di
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Marian Vernescu
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.942682 Composed by Johann Sebastian Bach. Arranged by Marian Vernescu. Baroque. Score and parts. 20 pa...
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String Quartet String Quartet - Level 3 - SKU: A0.942682 Composed by Johann Sebastian Bach. Arranged by Marian Vernescu. Baroque. Score and parts. 20 pages. Marian Vernescu #5709769. Published by Marian Vernescu (A0.942682). It's the famous chorale from Cantata 147, but presented in an unusual manner, furtively, disguised in the rhythm of a ritual African dance; on the support of the rhythm, voices come one by one, keeping the hidden theme, so that only when the rhythm is silent, the chorale becomes obvious, surprising, though the background of low voices was already present.
$13.99 ≈
13.27€
Riely's Dance
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2 Guitares (duo)
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INTERMÉDIAIRE
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Jim Bosse
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Riely's Dance
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Jim Bosse
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.954938 Composed by Jim Bosse. African,Concert,Contemporary. Score and parts. 15 pages. Ji...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.954938 Composed by Jim Bosse. African,Concert,Contemporary. Score and parts. 15 pages. Jim Bosse #4574537. Published by Jim Bosse (A0.954938). This is the first movement from Suite Grandkids which contains six pieces originally scored for classical guitar trio, one for each of the grankids that I had at that time (2005). This version is for classical guitar duo. The picture of my grandkids looks like a poster for cultural diversity. Their varied genetic backgrounds presented an opportunity to compose an eclectic suite with each piece presenting a style representative of their unique genetic heritage. Performance time for the entire suite is 23 minutes but each piece could stand alone on a concert program. Riely's Dance was intended to present only African rhythms with no melody, but a rock n' roll middle somehow snuck in. Performance time is 5 minutes with a demand level of mostly intermediate with a few advanced sections. Jim's web site is www.facebook.com/jimbosseguitar .
$1.99 ≈
1.89€
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel H...
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Full Orchestra - Level 5 - SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95 ≈
17.98€
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holl...
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Full Orchestra - Level 5 - SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95 ≈
40.74€
African Dance No. 2 (Grade 8, B2, from the ABRSM Violin Syllabus from 2024)
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Violon
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Classique
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Samuel Coleridge-Taylor
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African Dance No. 2
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ABRSM
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SheetMusicPlus
Violin Solo - Level 8 - SKU: HX.1246304 Composed by Samuel Coleridge-Taylor. This edition: scorch. Classical. 6 pages. ABRSM (Associated Board of the Ro...
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Violin Solo - Level 8 - SKU: HX.1246304 Composed by Samuel Coleridge-Taylor. This edition: scorch. Classical. 6 pages. ABRSM (Associated Board of the Royal Schools of Music) #VEPs_G8_B2. Published by ABRSM (Associated Board of the Royal Schools of Music) (HX.1246304).
$4.49 ≈
4.26€
String Quartets, Nos. 1 thru 5, Full Score and Individual Parts Included
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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String Quartets, Nos. 1 thru 5
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James Nathaniel Holland
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1299308 Composed by James Nathaniel Holland. 21st Century,Contemporary. 450 pages. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1299308 Composed by James Nathaniel Holland. 21st Century,Contemporary. 450 pages. James Nathaniel Holland #889170. Published by James Nathaniel Holland (A0.1299308). FULL SCORE AND INDIVIDUAL PARTS (Violin 1, Violin 2, Viola, Cello)  A collection of five original string quartets from 21st century, American composer James Nathaniel Holland each with various moods.  Although contemporary, pieces are accessible and versatile to be used for recitals, restaurants, weddings or events as well as formal concerts. Includes String Quartet No. 1 “Winter Carols†(seasonal but all original and secular, no traditional Christmas carols) with the popular Midnight Sleigh Ride which features the cello,  String Quartet No. 2 rhythmic “Pyrrhic Fight Dance†and the eerie “Memories of a Drowning Sheik†and “African Fugue†based on Afro-pop rhythms.   (License or permission to perform may apply.)Each Quartet is roughly 20 minutes in length with multiple movements.
$39.99 ≈
37.93€
Patricia: A Ragtime Composition
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
12.32€
Samuel Coleridge-Taylor: African Dance No. 2 (Grade 8, B2, from the ABRSM Violin Syllabus from 2024) - violin solo
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Violon
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INTERMÉDIAIRE
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Classique
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Samuel Coleridge-Taylor
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Virtualsheetmusic
Instantly printable sheet music by Samuel Coleridge-Taylor for violin solo of MEDIUM skill level. / classical
Instantly printable sheet music by Samuel Coleridge-Taylor for violin solo of MEDIUM skill level. / classical
$6.47 ≈
6.14€
Thriving Three
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Gary Powell Nash
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Thriving Three
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Gary Powell Nash
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SheetMusicPlus
Instrumental Duet,Strings Instrumental Duet,Multi-Percussion - Level 4 - SKU: A0.881251 Composed by Gary Powell Nash. African,Contemporary,Jazz. Score a...
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Instrumental Duet,Strings Instrumental Duet,Multi-Percussion - Level 4 - SKU: A0.881251 Composed by Gary Powell Nash. African,Contemporary,Jazz. Score and parts. 82 pages. Gary Powell Nash #3546283. Published by Gary Powell Nash (A0.881251). Nash completed Thriving Three around the time of his daughter’s 3rd birthday and the title is derived from his daughter having finished the Terrible Two phase of her life. Other contributing items to the title Thriving Three are that it has three movements and the collaborating percussion part uses three instruments, including drum set, vibraphone and Djembe drum. Movement 1, marked Assertively, q = 100 is a moderately fast movement with highly syncopated rhythms of eighth and 16th notes in quadruple meter and supported mostly by the drum set. Movement 2, which is approached by metric modulation with no pause from movement 1 is marked Slowly and Sweetly, q = 66. It features mostly vibraphone. Movement 3 is marked Spirited, dotted quarter note = 100. Written in 6/8 time, it is a fast and dance-like movement with highly syncopated dance-like rhythms and primarily supported by Djembe drum and drum set.
$25.00 ≈
23.71€
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African Dance No. 2