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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Serenade | Schubert | Lead Sheet | A minor
Non classifié
324
Piano & claviers
Piano, Voix
3 336
Instruments en Do
535
Piano seul
212
Piano Facile
155
Piano, Voix et Guitare
31
Orgue
18
1 Piano, 4 mains
5
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano (partie séparée)
3
Piano Trio: piano, violon, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
264
Ukulele
92
Guitare
21
Guitare notes et tablatures
20
Guitare (partie séparée)
6
2 Guitares (duo)
3
Paroles et Accords
3
Basse electrique
2
Piano, Guitare (duo)
2
Banjo
2
Mandoline
1
3 Guitares (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
16
Chorale 3 parties
9
Chorale Unison
8
Chorale SSAA
8
Chorale 2 parties
6
Voix seule
3
Chorale TTBB
3
Voix duo, Piano
2
Voix haute
2
Voix basse, Piano
1
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
39
Clarinette et Piano
30
Saxophone (partie séparée)
14
Saxophone Alto et Piano
14
Hautbois, Piano (duo)
14
Saxophone Tenor et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte et Guitare
11
Cor anglais, Piano
9
Quatuor de Saxophones: 4 saxophones
9
Saxophone Soprano et Piano
8
Flûte traversière
6
Clarinette
6
Saxophone Baryton, Piano
6
Quintette de Clarinettes: 5 clarinettes
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone
4
Clarinette, Guitare (duo)
4
Ensemble de Clarinettes
4
Clarinette Basse, Piano
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone Alto
3
Cor anglais, Guitare (duo)
3
Clarinette, Violoncelle, Piano (trio)
3
Ensemble de Flûtes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Clarinette, Piano (trio)
2
2 Flûtes traversières (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Hautbois, Piano (trio)
2
3 Clarinettes (trio)
2
Flûte, Violon, Piano
2
Quintette de Saxophone: 5 saxophones
2
Hautbois (partie séparée)
1
Flûte, Basson et Piano
1
Flûte, Clarinette et Basson
1
Clarinette, Harpe (duo)
1
Clarinette, trompette et piano
1
Trio de Flûtes: 3 flûtes
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, trombone et piano
1
Flute, harpe et violon
1
Flute (partie séparée)
1
Instruments en Mib
1
2 Hautbois (duo)
1
Piccolo, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Ensemble de saxophones
1
Saxophone Tenor
1
3 Saxophones (trio)
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Violoncelle (duo)
1
2 Flûtes traversières, Piano
1
Flûte, Violon
1
+ 51 instrumentations
Retracter
Cuivres
Trombone et Piano
21
Trombone (partie séparée)
20
Trompette (partie séparée)
16
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Cor anglais, Piano
9
Trompette, Piano
7
Euphonium, Piano (duo)
6
Cor et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Tuba et Piano
5
Cor anglais, Guitare (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
1
Trio de Cuivres
1
Tuba (partie séparée)
1
Tuba
1
Bass Clef Instruments
1
Instruments en Sib
1
Trombone
1
Quatuor de cuivres: 4 trompettes
1
Trompette
1
Trompette, Euphonium (duo)
1
Cor (partie séparée)
1
+ 18 instrumentations
Retracter
Cordes
Violon
36
Violon et Piano
36
Quatuor à cordes: 2 violons, alto, violoncelle
35
Alto, Piano
28
Violoncelle, Piano
25
Violoncelle
13
Alto seul
8
2 Contrebasses (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
2 Violons (duo)
4
Contre Basse
4
Contrebasse, Piano (duo)
4
Violoncelle , Guitare (duo)
3
Contrebasse (partie séparée)
3
Alto, Violoncelle (duo)
2
Violon (partie séparée)
2
Violon, Guitare (duo)
2
Violon, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Harpe
1
Trio à cordes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
2 Violoncelles (duo)
1
Violon, Alto (duo)
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
41
Orchestre
39
Orchestre d'harmonie
20
Orchestre à Cordes
18
Ensemble de cuivres
9
Cloches
8
Jazz combo
5
Ensemble de Percussions
4
Batterie (partie séparée)
3
Marimba
3
Orchestre de chambre
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 8 instrumentations
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Autres
Formation musicale - Solfège
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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MANDOLINE
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Crtitères actifs :
Serenade | Schubert | Lead Sheet | A minor
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Partitions à imprimer
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Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
(+)
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
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