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--INSTRUMENTS--
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Texas A
Non classifié
128
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47
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42
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32
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Retracter
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8
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3
Trombone
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Cor
2
2 Trombones (duo)
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Tuba
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Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trombones
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Quatuor de Cuivres
1
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Retracter
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30
Violon
19
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10
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6
2 Violons (duo)
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6
Violoncelle, Piano
5
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4
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Harpe
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2 Violoncelles (duo)
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Alto seul
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Contrebasse, Piano (duo)
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2 Altos (duo)
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Contre Basse
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Alto, Violoncelle (duo)
1
4 Contrebasses
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Contrebasse (partie séparée)
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Harpe, Voix
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Violon, Basson (duo)
1
Alto (partie séparée)
1
Harpe, Violon (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
2 Harpes (duo)
1
Trio à cordes: 3 violins
1
+ 25 instrumentations
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60
Orchestre à Cordes
19
Orchestre
17
Ensemble Jazz
6
Ensemble de cuivres
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Cloches
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Fanfare
4
Orchestre de chambre
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Batterie
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Ensemble de Percussions
2
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Crtitères actifs :
Texas A
Chorale SATB
Partitions à imprimer
70 partitions trouvées
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1
26
51
Deep In The Heart Of Texas
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Alvino Rey & His Orchestra
#
Paul Thompson
#
Deep In The Heart Of Texas
#
House of El Music
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1262892 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by Paul Thompson. Comedy...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1262892 By Alvino Rey & His Orchestra. By Don Swander and June Hershey. Arranged by Paul Thompson. Comedy,Contest,Country,Festival,Folk,Patriotic. Octavo. 8 pages. House of El Music #855902. Published by House of El Music (A0.1262892). Deep in the Heart of Texas for SATB acappella choir (div) and opt. piano is a toe tapping, hand clapping classic. Premeired by the UNT acappella choir as their concert closer, this piece will bring down the house - especially in Texas.
$2.50
Deep In The Heart Of Texas
#
Chorale SATB
#
Contemporain
#
Bing Crosby
#
Heather Sorenson
#
Deep In The Heart Of Texas
#
Heather Sorenson
#
SheetMusicPlus
Choral Choir (Mixed) - SKU: A0.944693 By Bing Crosby. By Don Swander. Arranged by Heather Sorenson. Contemporary. Octavo. 10 pages. Heather Sorenson #50...
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Choral Choir (Mixed) - SKU: A0.944693 By Bing Crosby. By Don Swander. Arranged by Heather Sorenson. Contemporary. Octavo. 10 pages. Heather Sorenson #5024879. Published by Heather Sorenson (A0.944693). This beloved song is now available in a modified easy 2-part treble format, with a slightly simpler piano accompaniment. The piece begins with lush vocal jazz chords, giving your singers an opportunity to show their skill and musicianship. The song then transitions into the high-energy folksong that all Texans know and love. A sure crowd-pleaser at any concert or gathering in the great state of Texas! Also available in SATB and TTBB.
$2.20
Deep In The Heart Of Texas
#
Chorale SATB
#
INTERMÉDIAIRE
#
Bing Crosby
#
Ryan McDonald
#
Deep In The Heart Of Texas
#
Ryan James McDonald
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.908915 By Bing Crosby. By Don Swander. Arranged by Ryan McDonald. A Cappella. Octavo. 13 pages. Ryan James McDon...
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Choral Choir (SATB) - Level 3 - SKU: A0.908915 By Bing Crosby. By Don Swander. Arranged by Ryan McDonald. A Cappella. Octavo. 13 pages. Ryan James McDonald #6480081. Published by Ryan James McDonald (A0.908915). A fun arrangement of the classic folk song, this SATB arrangement of Deep in the Heart of Texas includes an optional vocal percussion part to add some rhythmic flare! Perfect for themed concerts or country choirs!
$1.99
One More Time Chuck Corea – Gene Puerling – SSATBB A Cappella
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
The Singers Unlimited
#
Gene Puerling
#
One More Time Chuck Corea &nda
#
University of North Texas - Gene Puerling Collection
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1093534 By The Singers Unlimited. By Gene Puerling. Arranged by Gene Puerling. A Cappella,Contemporary,Ja...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1093534 By The Singers Unlimited. By Gene Puerling. Arranged by Gene Puerling. A Cappella,Contemporary,Jazz. Octavo. 11 pages. University of North Texas - Gene Puerling Collection #697595. Published by University of North Texas - Gene Puerling Collection (A0.1093534). This wordless, instrumentally-inspired piece was composed in May 1979 by Gene Puerling and recorded by The Singers Unlimited on their album “A Cappella III†(and contained in the “Magic Voices†box set). This is NOT a transcription, but an authentic edition created from the handwritten manuscript of Gene Puerling. The influence of Chick Corea is found in the simple repetitive harmonies and driving rhythms. Two vocalists are featured melodically throughout the piece (with melodic line inspired by Chuck Mangione, thus the mash-up name in the title!), with up to six parts in the ensemble vocal parts. More accessible than many other Puerling charts, this piece gives lots of opportunity to work on ensemble tuning and rhythmic vitality! (Level IV) [Note: The YouTube link below takes you to someone else's post of this copyrighted recording. We do not own the rights to it, it's simply provided for reference, but obviously any serious musician or student will purchase the recording legally!].
$7.50
Deep In The Heart Of Texas
#
Chorale SATB
#
Contemporain
#
Bing Crosby
#
Heather Sorenson
#
Deep In The Heart Of Texas
#
Heather Sorenson
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.944691 By Bing Crosby. By Don Swander. Arranged by Heather Sorenson. Contemporary. Octavo. 13 pages. Heather Sorenson #502...
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Choral Choir (SATB) - SKU: A0.944691 By Bing Crosby. By Don Swander. Arranged by Heather Sorenson. Contemporary. Octavo. 13 pages. Heather Sorenson #5024275. Published by Heather Sorenson (A0.944691). This beloved song is now available in choral format. The piece begins with lush vocal jazz chords, giving your singers an opportunity to show their skill and musicianship. The song then transitions into the high-energy folksong that all Texans know and love. A sure crowd-pleaser at any concert or gathering in the great state of Texas! Also available in TTBB and Two-Part Treble.
$2.20
Yellow Rose Of Texas
#
Chorale SATB
#
Jack Brd White and Mark Spiro
#
Ivan Koncic
#
Yellow Rose Of Texas
#
Ivan Koncic
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.915006 Composed by Jack Brd White and Mark Spiro. Arranged by Ivan Koncic. A Cappella. Octavo. 2 pages. Ivan Koncic #53055...
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Choral Choir (SATB) - SKU: A0.915006 Composed by Jack Brd White and Mark Spiro. Arranged by Ivan Koncic. A Cappella. Octavo. 2 pages. Ivan Koncic #5305575. Published by Ivan Koncic (A0.915006). A vocal arrangement for an a cappella mixed choir (SATB), including Chord symbols for a accompaniment.
$9.99
The Yellow Rose of Texas
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Chorale SATB
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FACILE
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Traditional
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Bob Chambers
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The Yellow Rose of Texas
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Bob Chambers
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1399315 Composed by Traditional. Arranged by Bob Chambers. Country,Folk,Standards,Traditional. 5 pages. B...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1399315 Composed by Traditional. Arranged by Bob Chambers. Country,Folk,Standards,Traditional. 5 pages. Bob Chambers #982597. Published by Bob Chambers (A0.1399315). A fresh arrangement for SATB voices of a traditional folksong. This arrangement includes verses for SA and TB voices as well as the full choir. The vocal parts are homophonic and mostly doubled by the keyboard part. This easy arrangement will be a joy for audience and singers alike.
$1.99
My Lord, What a Mornin'
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Chorale SATB
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Brian Katona
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My Lord, What a Mornin'
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Imagine Music - Digital
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SheetMusicPlus
Composed by Brian Katona. Texas Choral Directors Association. Octavo. 6 pages. Published by Imagine Music - Digital (IZ.VMS146). - octavo - - Imagine Music - D...
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Composed by Brian Katona. Texas Choral Directors Association. Octavo. 6 pages. Published by Imagine Music - Digital (IZ.VMS146). - octavo - - Imagine Music - Digital
$1.80
Softly As In A Morning Sunrise
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Chorale SATB
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INTERMÉDIAIRE
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Jazz
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Rock
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Oscar Hammerstein and Sigmund
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Amanda Ekery
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Softly As In A Morning Sunrise
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Hey Lu
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1092474 Composed by Oscar Hammerstein and Sigmund Romberg. Arranged by Amanda Ekery. Jazz,Rock. Octavo. 21 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.1092474 Composed by Oscar Hammerstein and Sigmund Romberg. Arranged by Amanda Ekery. Jazz,Rock. Octavo. 21 pages. Hey Lu #696565. Published by Hey Lu (A0.1092474). SATB vocal jazz arrangement for early collegiate or late high school ensembles. Originally arranged and performed by University of North Texas Third Street Vocal Jazz Ensemble.
$5.00
Texas Hold 'em
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Chorale SATB
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INTERMÉDIAIRE
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Beyonce
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David York
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Texas Hold 'em
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David York
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1429938 By Beyonce. By (Beyonce Knowles), (Megan Buelow), Beyoncé Knowles, Brian Bates, Elizabeth B...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1429938 By Beyonce. By (Beyonce Knowles), (Megan Buelow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by David York. Country,Pop. 11 pages. David York #1010573. Published by David York (A0.1429938). A slick SATB cover of Beyoncé's Country Hit. Vocals and Chords.
$1.99
Shelter in Place for SSAATB chorus and nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Shelter in Place for SSAATB ch
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
Darkness as Light for SATB and pedal or lever harp or keyboard
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Chorale SATB
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FACILE
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Adrienne Inglis
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Darkness as Light for SATB and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Ad...
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Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99
Crystal Veil Suite
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Stephanie K
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Crystal Veil Suite
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.990685 Composed by Stephanie K. Andrews. Contemporary. Octavo. 29 pages. Stephanie K Andrews #6432151. Published...
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Choral Choir (SATB) - Level 4 - SKU: A0.990685 Composed by Stephanie K. Andrews. Contemporary. Octavo. 29 pages. Stephanie K Andrews #6432151. Published by Stephanie K Andrews (A0.990685). Crystal Veil Suite was composed in 2018 for REVEL, an Austin, Texas based classical music group led by Dr. Carla McElhaney, and for Chorus Austin, also of Austin, Texas, Ryan Heller, Artistic Director. The premiere of the piece took place on December 1, 2018, at the Existential Solstice concert, part of REVEL's Radio Project concert series. The Existential Solstice concert, a collaboration between REVEL and Chorus Austin, featured music and poetry meant to elicit vivid imagery of winter scenes. As a lifelong Texan, this required a stretching of my creativity, as you well might imagine. The A section of the first movement, The Snow, was written in Phyrigian mode to evoke the melancholy mood that may accompany a long winter, with descending patterns in the viola and the right hand of the piano painting a gentle snowfall. The B section contrasts with a faster tempo, suggesting an intensification of the snowfall, before returning to the melancholic A section. The second movement, Frost and Wind, paints a snowstorm with its faster tempo, swirling winds in the right hand of the piano and in the choir, and bitter frost evinced in all voices. Finally, in the third movement, Snow, a shift to the major mode and tranquil melodic lines suggests a return to a gentle snowfall following the storm, with contemplative motives in all voices, until a lone robin's voice and sunlight bring us hope of spring's return.
$4.95
Emily
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Chorale SATB
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AVANCÉ
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Johnny Mandel
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Gene Puerling
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Emily
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University of North Texas - Gene Puerling Collection
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.893242 Composed by Johnny Mandel. Arranged by Gene Puerling. A Cappella. Octavo. 9 pages. University of N...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.893242 Composed by Johnny Mandel. Arranged by Gene Puerling. A Cappella. Octavo. 9 pages. University of North Texas - Gene Puerling Collection #6495673. Published by University of North Texas - Gene Puerling Collection (A0.893242). This stunning a cappella ballad arrangement of the Johnny Mandel/Johnny Mercer song Emily was penned in 1971 for The Singers Unlimited and still holds up as one of the most beautiful Gene Puerling charts ever written! It was recorded on their debut album, A Cappella (and contained in the Magic Voices box set). This is NOT a transcription, but an authentic edition created from the handwritten manuscript of Gene Puerling. The majority of this piece is divided into six parts, with some four- and five-part sections with lush harmonies in a variety of textures, making this a rubato ballad-lovers delight! (Level V) [Note: The YouTube link below takes you to someone else's post of this copyrighted recording. We do not own the rights to it, it's simply provided for reference, but obviously any serious musician or student will purchase the recording legally!]
$7.50
O Magnum Mysterium
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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O Magnum Mysterium
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1272747 By Traditional. By Stephanie K. Andrews. 21st Century,A Cappella,Chamber,Christmas,Sacred. Octavo...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1272747 By Traditional. By Stephanie K. Andrews. 21st Century,A Cappella,Chamber,Christmas,Sacred. Octavo. 11 pages. Stephanie K Andrews #864941. Published by Stephanie K Andrews (A0.1272747). O Magnum Mysterium was composed in Austin, Texas in mid-2020 and lovingly dedicated to the Parish Choir at All Saints' Episcopal Church in Austin, Texas, the composer's home parish for over a decade, and to Gregory Eaton, Organist-Choirmaster of All Saints'. From measures 17-21, homage is paid to Irish composer Sir Charles Villiers Stanford (1852-1924), whose Beati quorum via has been sung by the All Saints' Parish Choir on a number of occasions.Written in the midst of a pandemic during which choirs could not sing together without risk of infection, this was composed in anticipation of the joyous day when we are all able to once again sing together, and as a reminder that, even in the darkest of times, wonder, beauty, awe, mystery, and the love and light of Christ remain with us now and forevermore.
$2.00
The Bananas
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Chorale SATB
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INTERMÉDIAIRE
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Classique
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The Texas Voices
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Tom Council
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The Bananas
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Tom Council
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1075446 By The Texas Voices. By Johann Sebastian Bach. Arranged by Tom Council. 20th Century. Octavo. 14 pages. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1075446 By The Texas Voices. By Johann Sebastian Bach. Arranged by Tom Council. 20th Century. Octavo. 14 pages. Tom Council #679627. Published by Tom Council (A0.1075446). This was written for a concert by The Texas Voices entitled “The Joy of Food†(Alan Dyer, Director, Jim Loeffler, Accompanist). This was also an opportunity for the audience to donate food for a local pantry. When I thought about what I could contribute to this concert, the same song kept coming into my head. After hearing this song, you will hear bits and pieces from Theodorakas (Zorba the Greek), Bach, Handel, and Vivaldi. For the use, misuse of this wonderful music, I seek forgiveness.
$2.00
I Wish You Love
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Chorale SATB
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AVANCÉ
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Jazz
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Gloria Lynne
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Gene Puerling
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I Wish You Love
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SheetMusicPlus
Choir (SATB divisi) - Level 5 - By Gloria Lynne. By Albert A. Beach and Charles Trenet. Arranged by Gene Puerling. A Cappella, Contemporary, Jazz. O...
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Choir (SATB divisi) - Level 5 - By Gloria Lynne. By Albert A. Beach and Charles Trenet. Arranged by Gene Puerling. A Cappella, Contemporary, Jazz. Octavo. 10 pages. University of North Texas - Gene Puerling Collection #697909. Published by University of North Texas - Gene Puerling Collection
$7.50
The House of the Rising Sun...SATB
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Unknown
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Donald A
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The House of the Rising Sun...
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Donald A Mills
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 p...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 pages. Donald A Mills #4853851. Published by Donald A Mills (A0.928983). With an original introduction by this arranger, this melodic balled is sung here a cappella, unencumbered by instruments. Some of the chord structure is complex, but intuitive. Your audiences will surely love this beautiful song in this new arrangement for SATB.From Wikepedia:Historians have not been able to definitively identify The House Of The Rising Sun, but here are the two most popular theories:1) The song is about a gambling hall in New Orleans. The House Of The Rising Sun was named after Madame Marianne LeSoleil Levant (which means Rising Sun in French) and was open for business from 1862 (occupation by Union troops) until 1874, when it was closed due to complaints by neighbors. It was located at 826-830 St. Louis St.2) It's about a women's prison in New Orleans called the Orleans Parish women's prison, which had an entrance gate adorned with a rising sun artwork. The melody is a traditional English ballad, but the song became popular as an African-American folk song. It was recorded by Texas Alexander in the 1920s, then by a number of other artists including Leadbelly, Woody Guthrie, Josh White and later Nina Simone. It was her version The Animals first heard. No one can claim rights to the song, meaning it can be recorded and sold royalty-free. Many bands covered the song after it became a hit for The Animals.
$2.99
Git Along Little Dogies [SA(T)B]
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Chorale SATB
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FACILE
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Traditional
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Laurie Betts Hughes
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Git Along Little Dogies [SA(T)
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages...
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Choral Choir (SATB) - Level 2 - SKU: A0.891191 Composed by Traditional. Arranged by Laurie Betts Hughes. Contemporary,Folk,Traditional. Octavo. 16 pages. Dandelion Music Press #3103589. Published by Dandelion Music Press (A0.891191). An ideal SATB choice for Middle School/early High School changing voice and developing ensembles of all ages, this boy-friendly accompanied concert arrangement explores the cambiata voice, male vocal registers, and encourages enthusiastic use of the falsetto and upper range through the use of an appealing yodel. Ask your choristers to bring their guitars, ukuleles, mandolins, and banjos and strum along!Conceived using the SA(T)B concept (http://www.dandavisonmusic.com/what-is-satb.html) and also available in Two-Part Treble and Unison voicings, Git Along Little Dogies is a traditional American cowboy ballad. The melody and lyrics were first published in 1910 in John Lomax's Cowboy Songs and Other Frontier Ballads, though the song has existed long before publication in the anonymous aural tradition of folk music. Since selling cattle was quite profitable, a crew of cowboys drove a herd, particularly from Texas, to railheads where they would be loaded into railcars and shipped cross-country to get the best price at market. Cowboys watched the cattle 24 hours a day, herding them in the proper direction in the daytime and watching them at night to prevent stampedes and deter theft. Around the campfire, cowboys sang of life on the trail with all the challenges, hardships, and dangers encountered along the way.E. C. Teddy Blue Abbott, honored in the Montana Cowboy Hall of Fame, explains The singing was supposed to soothe the cattle and it did... The two men on guard would circle around with their horses on a walk, if it was a clear night and the cattle was bedded down and quiet, and one man would sing a verse of a song, and his partner on the other side of the herd would sing another verse; and you'd go through a whole song that way.Notable performances: 2016 Idaho Middle School All-State Choir, inaugural year | 2016 Northshore 6th Grade Honor Choir, boys2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Offertory
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Stephanie K
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Offertory
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Stephanie K Andrews
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1272763 Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Octavo. 20 pages. S...
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Choral Choir (SATB) - Level 4 - SKU: A0.1272763 Composed by Stephanie K. Andrews. 21st Century,Chamber,Classical,Sacred,Traditional. Octavo. 20 pages. Stephanie K Andrews #864958. Published by Stephanie K Andrews (A0.1272763). Written in December of 2020 for Be near me when my light is low, a collaborative Requiem by the composers of Inversion Ensemble (a conductor-composer collaborative based in Austin, Texas), the Offertory movement text is a modern English rendition of the Offertory (“Domine Jesu Christe†and “Hostias et preces tibi, Domineâ€) from the traditional Latin Requiem Mass. The Offertory is introduced by a light, flowing sixteenth note pattern in the righthand of the piano that is rhythmically repetitive and meditative. The voices then appear in unison at first, gradually beginning to divide into harmony as the piece progresses until at the word death they fall back into a stark, unaccompanied unison. The Archangel Michael appears in the section that follows, leading the souls of the faithful to eternal light as the music crescendos and moves through an accelerando, ending on a triumphant C major chord on the final repetition of eternal light. A motive of assurance that this light is promised to the faithful for all eternity is presented in E-flat major, a motive that will reappear in the finale of the piece. The flowing sixteenth notes and harmonic shifts of the first section return at Sacrifices and praises we offer you, O Lord. The movement concludes with a fugue in the victorious key of C major, once again offering comfort to Christ's faithful ones through the assurance of heavenly light for all eternity.
$3.50
Psalm 78:9 - 2017 Choral Contest Entry
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Chorale SATB
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Zach Wells
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Zach Wells
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Psalm 78:9 - 2017 Choral Conte
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Zach Wells
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SheetMusicPlus
Choral Choir (SATB divisi) - SKU: A0.1027930 Composed by Zach Wells. Arranged by Zach Wells. Christian,Contemporary,Sacred. Octavo. 3 pages. Zach Wells ...
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Choral Choir (SATB divisi) - SKU: A0.1027930 Composed by Zach Wells. Arranged by Zach Wells. Christian,Contemporary,Sacred. Octavo. 3 pages. Zach Wells #3094003. Published by Zach Wells (A0.1027930). Translated to English from Latin, Adiuva nos Deus salutaris noster meansHelp us, O God, our Savior. When writing this piece, I hoped to capture the full spectrum of realized helplessness. We start with an almost methodical melancholy, repeated with additional tones. Next, the diminished chords and misaligned text paint a picture of a disenfranchised group, together longing for the same relief. In a frenzied turnaround, the music climbs to a diatonic apex, immediately drifting back to the familiar tonality of the top of the piece, and closing with a dark, mistrusting 'Amen'. Take time with the fermatas and ritards, and really lean into the dynamics of this short, dramatic composition. - Zach WellsZach Wells lives in Dallas, Texas, where he is an Associate Director of Music at Preston Hollow Presbyterian Church. There, he directs the youth choir and youth band, and leads a new, Sunday night alternative worship service.
$3.99
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
More Than You Know
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Chorale SATB
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INTERMÉDIAIRE
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Vincent Youmans
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Matt Falker -- Anchor Music
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More Than You Know
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Anchor Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.880288 Composed by Vincent Youmans. Arranged by Matt Falker -- Anchor Music. A Cappella. Octavo. 5 pages. Anchor...
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Choral Choir (SATB) - Level 3 - SKU: A0.880288 Composed by Vincent Youmans. Arranged by Matt Falker -- Anchor Music. A Cappella. Octavo. 5 pages. Anchor Music #4791299. Published by Anchor Music (A0.880288). This melancholy a cappella version of the classic ballad will be a special addition to your choral or vocal jazz set! Features one of your female voices (Sop 2 range), not too high for your ladies or low for your basses. Plus just a couple of five-part chords at the highest point! This is the SATB version - SSAA also available.SATB Vocal range: Gb2 – F5. Included: a cappella vocal scoreDemo (SATB) recorded by Frequency Vocal Jazz (MiraCosta College) & the University of North Texas Jazz Singers (Jennifer Barnes, director). YouTube video by the Iowa All-State Jazz Choir.Get all the latest vocal jazz releases at anchormusic.com!facebook.com/anchormusicpub -- soundcloud.com/ampjazz -- vocaljazzacademy.com
$4.99
Fly
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Chorale SATB
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AVANCÉ
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Donald John Sebesky
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Gerhard Guter
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tenor)
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Fly
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Gerhard Guter
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.844243 Composed by Donald John Sebesky. Arranged by Gerhard Guter. A Cappella. Octavo. 5 pages. Gerhard G...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.844243 Composed by Donald John Sebesky. Arranged by Gerhard Guter. A Cappella. Octavo. 5 pages. Gerhard Guter #4109727. Published by Gerhard Guter (A0.844243). Voicing: a cappella SSATTB plus soloists (soprano & tenor) Originally recorded and sung by the composer/arranger, Don Sebesky, for the CTI Records release Giant Box in 1973. An ethereal introduction sets the tone for the recurring soprano and tenor duet. Lush, contemporary harmonies accompany the duet, weaving through five key centers until all that remains is the introductory material reintroduced in a new key, and with spacey counterlines. Optional antiphonal parts (heard in demo at 12 second mark), notes (expanding voicing to SSAATTBB), and suggestions for doubling are provided for larger choirs, but these additional elements are not necessary for a successful performance. Recorded as the title track on Fly by the Riverside City College Vocal Jazz Ensemble and premiered at the University of North Texas/Addison Jazz Festival in 2006.
$49.99
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